Peacham, Henry, approximately 1576–approximately 1643
The art of dravving vvith the pen,
1607
4
A book of drawing, limning, washing or colouring of maps and prints,
1647
5
Browne, Alexander, active 1660–1677
Ars pictoria, or, An academy treating of drawing, limning, painting, etching
1675
6
A very proper treatise,
1573
7
Ackermann, Rudolph, 1764–1834
A treatise on Ackermann's superfine water colours
[1801]
8
Richter, Henry, 1772–1857
Day-light
1817
9
The excellency of the pen and pencil,
1668
10
Payne, John
The art of painting in miniature, on ivory,
1812
11
Laurie, Richard Holmes
The art of painting in oil colours
1840
12
Massoul, Constant de
A treatise on the art of painting,
1797
13
Burgess, John Cart, 1798–1863
Useful hints on drawing and painting;
1818
14
[Claude glass]
[ca. 1880?]
15
Art's master-piece
[171-?]
16
Field, George, 1777?-1854
Field's chromatography
1885
17
Bardwell, Thomas, 1704–1767
The practice of painting and perspective made easy
1756
18
[Claude glass]
[ca. 1780?]
19
Lairesse, Gérard de, 1640–1711
The principles of design
1777
20
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
1731
21
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting
1815
22
Roberts, James, 1753–approximately 1809
Introductory lessons with familiar examples in landscape
1800
23
[Claude glass]
[ca. 1860-1870?]
24
Prout, Samuel, 1783–1852
Hints on light and shadow, composition, etc.
1848
25
Norgate, Edward, d. 1650
Miniatura; or, The art of limning,
1919
26
Browne, Alexander, active 1660–1677
Ars pictoria; or, An academy treating of drawing, painting, limning, and etching
1669
27
Williams, W
Transparency painting on linen
1856
28
Hayter, Charles, 1761–1835
An introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, between the author's children
1813
29
Fielding, T. H. (Theodore Henry), 1781–1851
On painting in oil and water colours, for landscape and portraits
1839
30
Field, George, 1777?-1854
Chromatography, or, A treatise on colours and pigments
1835
31
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
32
Gandee, B. F
The artist, or, Young ladies' instructor in ornamental painting,
1835
33
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1819
34
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour as applicable to landscape painting
1833
35
Osborn, Laughton, 1809–1878
Handbook of young artists and amateurs in oil painting,
1845
36
Art's masterpiece
1697
37
Everard, Anne
Flowers from nature
1835
38
Burnet, John, 1784–1868
Practical hints on portrait painting
1860
39
Payne, John
The art of painting in miniature on ivory
1848
40
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1829
41
Busby, T. L. (Thomas Lord)
The elements of flower and fruit painting
1814
42
Instructions in the art of drawing and painting
[between 1782 and 1807]
43
Lloyds, F
Practical guide to scene painting and painting in distemper
[1875]
44
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
[184-?]
45
Hayter, Charles, 1761–1835
Perspective explained in a series of dialogues between the author's children George, Ann, Eliza and John
circa 1820
46
Andrews, James, 1806–1876
Lessons in flower painting.
[1836]
47
Burnet, John, 1784–1868
Practical hints on composition in painting
1865
48
Smith, John, fl. 1673–1680
The art of painting in oyl
1687
49
Experienced artist
The painter's primer
1810
50
Sillett, James, 1764–1840
Grammar to flower-painting
1826
51
Robertson, Hannah
The young ladies school of arts
1777
52
A book of drawing, limning, washing or colouring of maps and prints
1660
53
Prout, Samuel, 1783–1852
Sketches at home and abroad
1844
54
Burnet, John, 1784–1868
Practical hints on portrait painting
1850
55
The bee, or, The exhibition exhibited in a new light
1788
56
P. L
The English academy
1672
57
Clark, John Heaviside, ca. 1770–1863
A series of practical instructions in landscape painting in water colours
1827
58
Arts companion, or A new assistant for the ingenious,
1749
59
Cawse, John, 1779–1862
The art of painting portraits, landscapes, animals, draperies, satins, &c. in oil colours
1840
60
The excellency of the pen and pencil,
1688
61
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... to which is added, a method of casting amber ..
1757
62
Chinnery, George, 1774–1852
Notebook
1814-1821
63
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1829
64
Charles Roberson & Co
[Claude glass]
[ca. 1850?]
65
Hundertpfund, Liberat, 1805–1878
The art of painting restored to its simplest and surest principles
1849
66
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil / by Julius Caesar Ibbetson
1828
67
The art of painting in miniature ..
1752
68
Gilbert, B. W
A treatise on the art of mezzotinto pencilling
[183-?]
69
The young artist's complete magazine, for the instruction of the young of both sexes, or, A complete body of the polite and useful arts
[1785?]
70
Chapman, J. G. (John Gadsby), 1808–1889
The American drawing-book
1847
71
Burnet, John, 1784–1868
Practical hints on composition in painting
1845
72
Genlis, Stéphanie Félicité, comtesse de, 1746–1830
Neues und fassliches Lehrbuch zum Zeichnen und Mahlen nach richtigen Grundfässen
1805
73
Daniell, William, 1769–1837
A familiar treatise on perspective
1807
74
Field, George, 1777?-1854
Chromatography
[ca. 1840]
75
Merritt, Henry, 1822–1877
Dirt and pictures separated,
1854
76
Letter to Anthony Abbott on the mixing and use of paint colors
1838 October 4
77
Perkins, Elizabeth Steele
Elements of drawing and flower painting
1835
78
Le Blon, J. C., 1667–1741
Coloritto, or, The harmony of colouring in painting
[1725]
79
A very proper treatise
1588
80
Cennini, Cennino, active 15th century
Di Cennino Cennini trattato della pittura
1821
81
Sanderson, William, Sir, 1586?-1676
Graphice
1658
82
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil and water colours
1803
83
Sowerby, James, 1757–1822
A new elucidation of colours, original, prismatic, and material
MDCCCIX [1809]
84
Williams, W.
Transparency painting on linen
1855
85
The complete guide to the fine arts
1841
86
Millar, Andrew
Scumbling & colour glazing
1909
87
Chevreul, M. E. (Michel Eugène), 1786–1889
De la loi du contraste simultané des couleurs
1839
88
Art's master-piece
[1710?]
89
Burnet, John, 1784–1868
Practical hints on composition in painting
1836
90
Principles and practice of harmonious colouring
1886
91
Prout, Samuel, 1783–1852
Hints on light and shadow, composition, etc.
1838
92
Leonardo, da Vinci, 1452–1519
A treatise on painting
1802
93
Perkins, Elizabeth Steele
Elements of drawing and flower painting
1834
94
Burnet, John, 1784–1868
Practical hints on colour in painting
1843
95
Burnet, John, 1784–1868
Practical hints on colour in painting
ix p., 1 leaf, 64 p
96
La Cave, P. (Peter)
Fores's new chalk drawing-book of studies of trees, landscape, animals, figures, buildings, &c.
[1801]
97
Bickham, George, 1706?-1771
General rures [sic] for painting in oil and water-colours;
1747
98
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1818
99
Kingston, William
The Kingstonian system of painting in dry colours after the ancient Grecian method;
1835
100
Tyrwhitt, R. St. John (Richard St. John), 1827–1895