A book of drawing, limning, washing or colouring of maps and prints,
1647
3
Browne, Alexander, active 1660–1677
Ars pictoria, or, An academy treating of drawing, limning, painting, etching
1675
4
Peacham, Henry, approximately 1576–approximately 1643
The art of dravving vvith the pen,
1607
5
The principles of drawing and painting
1811
6
Lairesse, Gérard de, 1640–1711
The art of painting,
1738
7
A very proper treatise,
1573
8
Ackermann, Rudolph, 1764–1834
A treatise on Ackermann's superfine water colours
[1801]
9
Richter, Henry, 1772–1857
Day-light
1817
10
Bardwell, Thomas, 1704–1767
The practice of painting and perspective made easy
1756
11
[Claude glass]
[ca. 1780?]
12
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting
1815
13
Lairesse, Gérard de, 1640–1711
The principles of design
1777
14
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
1731
15
Art's master-piece
[171-?]
16
Prout, Samuel, 1783–1852
Hints on light and shadow, composition, etc.
1848
17
The excellency of the pen and pencil,
1668
18
[Claude glass]
[ca. 1860-1870?]
19
Payne, John
The art of painting in miniature, on ivory,
1812
20
Roberts, James, 1753–approximately 1809
Introductory lessons with familiar examples in landscape
1800
21
Massoul, Constant de
A treatise on the art of painting,
1797
22
Fielding, T. H. (Theodore Henry), 1781–1851
On painting in oil and water colours, for landscape and portraits
1839
23
A book of drawing, limning, washing or colouring of maps and prints
1660
24
Burgess, John Cart, 1798–1863
Useful hints on drawing and painting;
1818
25
Laurie, Richard Holmes
The art of painting in oil colours
1840
26
[Claude glass]
[ca. 1880?]
27
Sillett, James, 1764–1840
Grammar to flower-painting
1826
28
Hayter, Charles, 1761–1835
Perspective explained in a series of dialogues between the author's children George, Ann, Eliza and John
circa 1820
29
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
[184-?]
30
Instructions in the art of drawing and painting
[between 1782 and 1807]
31
Busby, T. L. (Thomas Lord)
The elements of flower and fruit painting
1814
32
Everard, Anne
Flowers from nature
1835
33
Andrews, James, 1806–1876
Lessons in flower painting.
[1836]
34
Burnet, John, 1784–1868
Practical hints on composition in painting
1865
35
Smith, John, fl. 1673–1680
The art of painting in oyl
1687
36
Experienced artist
The painter's primer
1810
37
Gandee, B. F
The artist, or, Young ladies' instructor in ornamental painting,
1835
38
Robertson, Hannah
The young ladies school of arts
1777
39
Field, George, 1777?-1854
Chromatography, or, A treatise on colours and pigments
1835
40
Field, George, 1777?-1854
Field's chromatography
1885
41
Albert Durer revived, or, A book of drawing, limning, washing, or colouring of maps and prints
[1698]
42
Art's masterpiece
1697
43
The art of painting in miniature ..
1752
44
Burnet, John, 1784–1868
Practical hints on composition in painting
1845
45
Dagley, Richard, d. 1841
A compendium of the theory and practice of drawing and painting
1819
46
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour as applicable to landscape painting
1833
47
Chapman, J. G. (John Gadsby), 1808–1889
The American drawing-book
1847
48
Hayter, Charles, 1761–1835
An introduction to perspective, adapted to the capacities of youth, in a series of pleasing and familiar dialogues, between the author's children
1813
49
Williams, W
Transparency painting on linen
1856
50
Burnet, John, 1784–1868
Practical hints on portrait painting
1860
51
Payne, John
The art of painting in miniature on ivory
1848
52
Chinnery, George, 1774–1852
Notebook
1814-1821
53
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1829
54
Lloyds, F
Practical guide to scene painting and painting in distemper
[1875]
55
Osborn, Laughton, 1809–1878
Handbook of young artists and amateurs in oil painting,
1845
56
Norgate, Edward, d. 1650
Miniatura; or, The art of limning,
1919
57
Browne, Alexander, active 1660–1677
Ars pictoria; or, An academy treating of drawing, painting, limning, and etching
1669
58
The excellency of the pen and pencil,
1688
59
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1829
60
The art of drawing, in perspective ... To which are annexed, the art of painting upon glass, and drawing in crayons ... to which is added, a method of casting amber ..
1757
61
Peacham, Henry, 1576?-1643?
The gentlemans exercise, or, An exquisite practise
1634
62
A new drawing book engrav'd from the curious designs of that great master M. Poilly
[approximately 1730]
63
Peacham, Henry, approximately 1576–approximately 1643
The first booke of drawing & limning
circa 1700?
64
Smith, John, fl. 1673–1680
The art of painting
1676
65
Whittock, N. (Nathaniel), 1791–1860
The art of drawing and colouring from nature
1830
66
Hundertpfund, Liberat, 1805–1878
The art of painting restored to its simplest and surest principles
1849
67
Ibbetson, Julius, 1759–1817
An accidence, or gamut, of painting in oil / by Julius Caesar Ibbetson
1828
68
Charles Roberson & Co
[Claude glass]
[ca. 1850?]
69
Hayter, Charles, 1761–1835
An introduction to perspective, drawing, and painting in a series of pleasing and familiar dialogues between the author's children
1820
70
The manual of oil-painting, for young artists and amateurs
1847
71
Arts companion, or A new assistant for the ingenious,
1749
72
Cawse, John, 1779–1862
The art of painting portraits, landscapes, animals, draperies, satins, &c. in oil colours
1840
73
Field, George, 1777?-1854
Chromatography
[ca. 1840]
74
Daniell, William, 1769–1837
A familiar treatise on perspective
1807
75
Art's masterpiece
[170-?]
76
Perkins, Elizabeth Steele
Elements of drawing and flower painting
1835
77
Kingston, William
The Kingstonian system of painting in dry colours after the ancient Grecian method;
1835
78
Genlis, Stéphanie Félicité, comtesse de, 1746–1830
Neues und fassliches Lehrbuch zum Zeichnen und Mahlen nach richtigen Grundfässen
1805
79
The young artist's complete magazine, for the instruction of the young of both sexes, or, A complete body of the polite and useful arts
[1785?]
80
Prout, Samuel, 1783–1852
Sketches at home and abroad
1844
81
P. L
The English academy
1672
82
Clark, John Heaviside, ca. 1770–1863
A series of practical instructions in landscape painting in water colours
1827
83
Merritt, Henry, 1822–1877
Dirt and pictures separated,
1854
84
Phillips, G. F. (Giles Firman), 1780–1867
Principles of effect and colour
[ca. 1840]
85
Burnet, John, 1784–1868
Practical hints on portrait painting
1850
86
The bee, or, The exhibition exhibited in a new light
1788
87
Fielding, T. H. (Theodore Henry), 1781–1851
The theory and practice of painting in oil and water colours for landscape and portraits
1852
88
Gilbert, B. W
A treatise on the art of mezzotinto pencilling
[183-?]
89
Tyrwhitt, R. St. John (Richard St. John), 1827–1895
A handbook of pictorial art
1875
90
Field, George, 1777?-1854
Rudiments of the painters' art;
1850
91
Cawse, John, 1779–1862
Introduction to the art of painting in oil colours
1822
92
The artist's assistant in drawing, perspective, etching in copper and steel, engraving, metzotinto scraping, painting on glass, in crayons, in water-colours, and on silks and satins ...
1825
93
Burnet, John, 1784–1868
Practical hints on colour in painting
1827
94
Letter to Anthony Abbott on the mixing and use of paint colors
1838 October 4
95
Fielding, T. H. (Theodore Henry), 1781–1851
On the theory of painting
1836
96
Pinnock, William, 1782–1843
A catechism on the practice of painting in oil
1821 [i.e. 1823]
97
Sowerby, James, 1757–1822
A new elucidation of colours, original, prismatic, and material