Margaret Newton (née Coningsby), Countess of Coningsby in the Costume of the Charlton Hunt
ca. 1760
Not on view
3
John Vanderbank, 1694–1739
A Young Gentleman Riding a Schooled Horse
between 1728 and 1729
Not on view
4
John Wootton, 1682–1764
Rievaulx Abbey
ca. 1745
Not on view
5
John Dalby, active 1826–1853
The Quorn Hunt in Full Cry: Second Horses
ca. 1835
Not on view
6
John Frederick Herring, 1795–1865
The Royal Mail Coach on the Road
1841
Not on view
7
Robert Burnard, 1800–1876
John Gubbins Newton and His Sister, Mary Newton
ca. 1833
Not on view
8
John Ferneley, 1782–1860
William Massey-Stanley driving his Cabriolet in Hyde Park
1833
Not on view
9
Sir Edwin Henry Landseer, 1802–1873
Favourites, the Property of H.R.H. Prince George of Cambridge
1834 to 1835
Not on view
10
William Barraud, 1810–1850
A Couple of Foxhounds with a Terrier, the property of Lord Henry Bentinck
ca. 1845
Not on view
11
Charles Cooper Henderson, 1803–1877
Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)
between 1820 and 1830
Not on view
12
Charles Cooper Henderson, 1803–1877
Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed
between 1820 and 1830
Not on view
13
Sir Edwin Henry Landseer, 1802–1873
Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres
Summer 1846 to March 1847
Not on view
14
James Seymour, 1702–1752
Sir Roger Burgoyne Riding "Badger"
1740
Not on view
15
William Webb, ca. 1780–1845
Euphrates
1825
Not on view
16
William Ashford, 1746–1824
Mount Kennedy, County Wicklow, Ireland
1785
Not on view
17
Thomas Smith of Derby, ca. 1720–1767
Borlase Cokayne as a Boy riding Sultana
1751
Not on view
18
James Ward, 1769–1859
Theophilus Levett and a Favorite Hunter
1817
Not on view
19
James Pollard, 1792–1867
Epsom Races: The Betting Post
1834 to 1835
Not on view
20
Henry Walton, 1746–1813
Elizabeth Bridgman (née Walton)
between 1771 and 1775
Not on view
21
James Pollard, 1792–1867
The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
1835
Not on view
22
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
23
Francis Calcraft Turner, active 1782–1846
Bachelor's Hall: Breaking Cover
1835 to 1836
Not on view
24
Richard Roper, active 1749–1765
The Match between Aaron and Driver at Maidenhead, Aug. 1754: Aaron winning the Second Heat
ca. 1754
Not on view
25
William Shiels, 1785–1857
Discussing a Catch of Salmon in a Scottish Fishing-Lodge
ca. 1840
Not on view
26
William Owen, 1769–1825
Portrait of a Man
ca. 1815
Not on view
27
John Nost Sartorius, 1759–1828
Huntsman and Hounds
1809
Not on view
28
Thomas Butler of Pall Mall, active 1750-1759
Learning about the Hounds
ca. 1750
Not on view
29
Sir Henry Raeburn, 1756–1823
Quintin McAdam
ca. 1815
Not on view
30
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1896
31
Print made by William Blake, 1757–1827
"O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)
1804 to 1820
32
Print made by William Blake, 1757–1827
"But when the morn arose, her lamentation renewd..." (Plate 8)
1793
33
William Blake, 1757–1827
"O'er thy country hangs The scourge of Heav'n..." (Design 59)
between 1797 and 1798
34
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
35
Print made by Alfred W. Cooper, active 1850–1901
The Young Squire
undated
36
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820
after 1820
37
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
38
Thomas Hearne, 1744–1817
Leeds Castle, Kent
undated
39
Thomas Hearne, 1744–1817
Windsor Castle
undated
40
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
41
Francis Wheatley, 1747–1801
Donnybrook Fair
1788
42
Paul Sandby, 1731–1809
Two Men, One Holding a Whip
ca. 1754
43
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
44
Print made by unknown artist
Duke of Monmouth as a Boy
between 1673 and 1685
45
Print made by James Bretherton, ca. 1730–1806
Monsieur Le Fouet, La Francia
1772
46
Print made by John Sell Cotman, 1782–1842
Column at Yarmouth to the Memory of Lord Nelson
1817
47
Print made by James Bretherton, ca. 1730–1806
Every Sous Begad!
1799
48
Print made by James Bretherton, ca. 1730–1806
John Jehu L'Inghilterra
1772
49
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Inglese
1772
50
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
51
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
52
Print made by unknown artist
The Young Roscius
1804
53
Thomas Sewell Robins, 1814–1880
A Postilion
undated
54
Print made by James Bretherton, ca. 1730–1806
Englishman at Paris, 1767
1799
55
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot (first State)
1823
56
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot
1823
57
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
58
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
59
Print made by unknown artist
Fortune
1796
60
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
61
James Howe, 1780–1836
Cart Horse Being Led
undated
62
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
63
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
64
Henry William Bunbury, 1750–1811
The Broken Pipe
undated
65
Paul Sandby, 1731–1809
Caricature of George Bubb Dodington and Sir Thomas Robinson
ca. 1761
66
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
67
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
68
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
69
Henry Thomas Alken, 1785–1851
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
70
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
71
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
72
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
73
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
74
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
75
Henry Thomas Alken, 1785–1851
A Groom Leading a Bay Horse
undated
76
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
77
Samuel Henry Gordon Alken, 1810–1894
Foxhunting: Rider Jumping a Stile
undated
78
Julius Caesar Ibbetson, 1759–1817
Galloping Rider With Whip Under His Arm
undated
79
Print made by Gabriel Charton, active 1810
Juif; Paysan d'Ukraine
ca. 1810
80
Thomas Ross, active from 1753
Figures with a Wagon and Horses
undated
81
Print made by Thomas Tagg, died 1809
Northampton
1796
82
Eric Gill, 1882–1940
Jesus Driving the Moneychangers from the Temple (Latin)
1919
83
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
84
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
85
Paul Sandby, 1731–1809
Two-wheeled Tip-cart with Horses
undated
86
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
87
Paul Sandby, 1731–1809
Stout Man on a Bucking Horse
undated
88
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
89
Thomas Stothard, 1755–1834
September 1st: The High Roads Were Filled (Vol. 2, p. 324)September 2nd: The Princely Castle Appeared (Vol. 2, p. 329)
undated
90
James Seymour, 1702–1752
Racehorse at Exercise, Ridden by a Training-Groom
undated
91
James Seymour, 1702–1752
Victorious
undated
92
Henry Thomas Alken, 1785–1851
The St. Leger, Doncaster: The Finish
undated
93
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
94
Peter Tillemans, 1684–1734
Horse and Rider Walking to Left in a Hilly Landscape
undated
95
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
96
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
97
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
98
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
99
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
100
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'