<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Image Use Free to Use

Remove constraint Image Use: Free to Use

Subject Terms vegetation

Remove constraint Subject Terms: vegetation

Search Results

George Stubbs A Prancing Horse, Facing Right
George Stubbs, 1724–1806
A Prancing Horse, Facing Right
ca. 1790
Joseph Mallord William Turner Procris and Cephalus
Print made by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
Edward Lear Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
1866
Edward Lear Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
1866
Edward Lear Plains of Bengal, from above Siligoree
Edward Lear, 1812–1888
Plains of Bengal, from above Siligoree
1874
Edward Lear Reggio, 26 July 1847
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
Edward Lear Reggio
Edward Lear, 1812–1888
Reggio
1847
Edward Lear La Cava
Edward Lear, 1812–1888
La Cava
1838
Edward Lear Segni, 6 October 1838
Edward Lear, 1812–1888
Segni, 6 October 1838
1838
Edward Lear Wady Halfeh
Edward Lear, 1812–1888
Wady Halfeh
1867
Edward Lear Amada, 6:50 am, 12 February 1867 (419)
Edward Lear, 1812–1888
Amada, 6:50 am, 12 February 1867 (419)
1867
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
Edward Lear Philae, 5:20 pm, 30 January 1867 (275)
Edward Lear, 1812–1888
Philae, 5:20 pm, 30 January 1867 (275)
1867
Edward Lear Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
Edward Lear, 1812–1888
Pettenasco, Lago d'Orta, 4:00 pm, 2 June 1867 (221)
1867
Edward Lear Santa Decca, Corfu, 28 May 1848 (126)
Edward Lear, 1812–1888
Santa Decca, Corfu, 28 May 1848 (126)
1848
Edward Lear Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)
Edward Lear, 1812–1888
Gebel Sheikh Abu Fodde, 12:30 pm, 4 March 1867 (592)
1867
William Blake The Angel (Plate 40)
Print made by William Blake, 1757–1827
The Angel (Plate 40)
1794
William Blake Laughing Song (Plate 14)
Print made by William Blake, 1757–1827
Laughing Song (Plate 14)
1789
William Blake The Lamb (Plate 18)
Print made by William Blake, 1757–1827
The Lamb (Plate 18)
1789
William Blake The Little Girl Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Girl Lost (Plate 20)
1789
William Blake The Little Boy Lost (Plate 16)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 16)
1789
William Blake Nurses Song (Plate 37)
Print made by William Blake, 1757–1827
Nurses Song (Plate 37)
1794
William Blake Holy Thursday (Plate 38)
Print made by William Blake, 1757–1827
Holy Thursday (Plate 38)
1794
William Blake A Little Girl Lost (Plate 44)
Print made by William Blake, 1757–1827
A Little Girl Lost (Plate 44)
1794
William Blake A Cradle Song (Plate 26)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 26)
1789
William Blake Night (Plate 30)
Print made by William Blake, 1757–1827
Night (Plate 30)
1789
William Blake The Tyger (Plate 42)
Print made by William Blake, 1757–1827
The Tyger (Plate 42)
1794
William Blake A Little Boy Lost (Plate 43)
Print made by William Blake, 1757–1827
A Little Boy Lost (Plate 43)
1794
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "Elevate into the Region of Brotherhood..." (Plate 34)
Print made by William Blake, 1757–1827
"Elevate into the Region of Brotherhood..." (Plate 34)
1804 to 1820
William Blake "O Skofield why art thou cruel?..." (Plate 68)
Print made by William Blake, 1757–1827
"O Skofield why art thou cruel?..." (Plate 68)
1804 to 1820
William Blake "To the Christians..." (Plate 77)
Print made by William Blake, 1757–1827
"To the Christians..." (Plate 77)
1804 to 1820
William Blake "His Spectre divides & Los in fury compells it to divide..." (Plate 17)
Print made by William Blake, 1757–1827
"His Spectre divides & Los in fury compells it to divide..." (Plate 17)
1804 to 1820
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake Night (Plate 16)
Print made by William Blake, 1757–1827
Night (Plate 16)
1789
William Blake "Reuben return'd to his place, in vain..." (Plate 36)
Print made by William Blake, 1757–1827
"Reuben return'd to his place, in vain..." (Plate 36)
1804 to 1820
William Blake "With one accord in love sublime..." (Plate 44)
Print made by William Blake, 1757–1827
"With one accord in love sublime..." (Plate 44)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Los shudder'd at beholding Albion..." (Plate 40)
Print made by William Blake, 1757–1827
"Los shudder'd at beholding Albion..." (Plate 40)
1804 to 1820
William Blake "To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
Print made by William Blake, 1757–1827
"To the Deists. He never can be a Friend to the Human Race..." (Plate 52)
1804 to 1820
William Blake "And formed into Four precious stones..." (Plate 59)
Print made by William Blake, 1757–1827
"And formed into Four precious stones..." (Plate 59)
1804 to 1820
William Blake "Was living: panting like a frighted wolf..." (Plate 7)
Print made by William Blake, 1757–1827
"Was living: panting like a frighted wolf..." (Plate 7)
1804 to 1820
William Blake Nurse's Song (Plate 22)
Print made by William Blake, 1757–1827
Nurse's Song (Plate 22)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake A Dream (Plate 4)
Print made by William Blake, 1757–1827
A Dream (Plate 4)
1789
William Blake "To the Jews..." (Plate 27)
Print made by William Blake, 1757–1827
"To the Jews..." (Plate 27)
1804 to 1820
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake Earth's Answer (Plate 35)
Print made by William Blake, 1757–1827
Earth's Answer (Plate 35)
1794
William Blake The Divine Image (Plate 24)
Print made by William Blake, 1757–1827
The Divine Image (Plate 24)
1789
William Blake My Pretty Rose Tree (Plate 47)
Print made by William Blake, 1757–1827
My Pretty Rose Tree (Plate 47)
1794
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake A Cradle Song (Plate 18)
Print made by William Blake, 1757–1827
A Cradle Song (Plate 18)
1789
William Blake On Anothers Sorrow (Plate 24)
Print made by William Blake, 1757–1827
On Anothers Sorrow (Plate 24)
1789
William Blake The Lamb (Plate 8)
Print made by William Blake, 1757–1827
The Lamb (Plate 8)
1789
Patrick Nasmyth Netley Abbey
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
Michel Jean Cazabon Riverside, St. Joseph
Michel Jean Cazabon, 1813–1888
Riverside, St. Joseph
1857
Michel Jean Cazabon On the Cimaronero River
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
Michel Jean Cazabon The Reservoir at Maraval
Michel Jean Cazabon, 1813–1888
The Reservoir at Maraval
1857
Michel Jean Cazabon The Pitch Lake
Michel Jean Cazabon, 1813–1888
The Pitch Lake
1857
Michel Jean Cazabon View from Laventille Hill
Michel Jean Cazabon, 1813–1888
View from Laventille Hill
1857
Benjamin West The Three Marys
Benjamin West, 1738–1820
The Three Marys
1783
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
George Cooke Florence, from the Chiesa al Monte
Print made by George Cooke, 1781–1834
Florence, from the Chiesa al Monte
1820
John Buckler FSA The Spanish Pointer
John Buckler FSA, 1770–1851
The Spanish Pointer
ca. 1799
Rev. William Gilpin River Landscape with Castle in the Distance
Rev. William Gilpin, 1724–1804
River Landscape with Castle in the Distance
1766
Rev. William Gilpin Landscape with Trees in Foreground
Rev. William Gilpin, 1724–1804
Landscape with Trees in Foreground
between 1762 and 1783
Rev. William Gilpin Landscape with Church in Background
Rev. William Gilpin, 1724–1804
Landscape with Church in Background
undated
Rev. William Gilpin Snowdon
Rev. William Gilpin, 1724–1804
Snowdon
undated
John Sell Cotman Caister Castle, Norfolk
follower of John Sell Cotman, 1782–1842
Caister Castle, Norfolk
undated
George Edwards A Stone Curlew
George Edwards, 1694–1773
A Stone Curlew
ca. 1790
Joseph Noel Paton Study from Nature: Inveruglas
Joseph Noel Paton, 1821–1901
Study from Nature: Inveruglas
1857
Bernard Lens III The Entrance to Wookey Hole, Somerset
Bernard Lens III, 1682–1740
The Entrance to Wookey Hole, Somerset
ca. 1719
Sir Francis Seymour Haden Encombe Woods, no. 2
Sir Francis Seymour Haden, 1818–1910
Encombe Woods, no. 2
1881-1882
James Moore Netley Abbey, Hampshire, England
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
James Moore Netley Abbey, Hampshire, England
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
James Moore Netley Abbey, Hampshire, England
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
James Moore Newark Priory, Surrey
James Moore, 1762–1799
Newark Priory, Surrey
1791
James Moore Netley Abbey, Hampshire, England
James Moore, 1762–1799
Netley Abbey, Hampshire, England
1791
James Moore Grand Gate of Denbigh Castle
James Moore, 1762–1799
Grand Gate of Denbigh Castle
1791
James Moore Study of Tress and Vegetaion Growing Over Ruins
James Moore, 1762–1799
Study of Tress and Vegetaion Growing Over Ruins
ca. 1791
James Moore Study of the Ruins of an Abbey
James Moore, 1762–1799
Study of the Ruins of an Abbey
ca. 1791
James Moore Lindisfarne Priory, Holy Island, Northumberland
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
James Moore Lindisfarne Priory, Holy Island, Northumberland
James Moore, 1762–1799
Lindisfarne Priory, Holy Island, Northumberland
1792
unknown artist Ruins of an ancient building overgrown with ivy
unknown artist
Ruins of an ancient building overgrown with ivy
undated
James Moore Refectory of Walsingham
James Moore, 1762–1799
Refectory of Walsingham
1790
James Moore Bungay Castle
James Moore, 1762–1799
Bungay Castle
1790
Paul Nash Design for a bookplate for Kenneth Fitzpatrick Mackenzie
Paul Nash, 1889–1946
Design for a bookplate for Kenneth Fitzpatrick Mackenzie
ca. 1909
Sir Francis Seymour Haden Shere Mill Pond, no. 1 (small plate)
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 1 (small plate)
1860
Sir Francis Seymour Haden The Three Sisters
Sir Francis Seymour Haden, 1818–1910
The Three Sisters
after 1867
James Moore Unidentified Castle
James Moore, 1762–1799
Unidentified Castle
undated
Rev. William Gilpin Landscape with Two Trees and Cliff
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Cliff
1769
Rev. William Gilpin Landscape
Rev. William Gilpin, 1724–1804
Landscape
1765
Rev. William Gilpin Three Figures in a Landscape
Rev. William Gilpin, 1724–1804
Three Figures in a Landscape
1766
W. R. Smith Dido and Aeneas; The Morning of the Chase
Print made by W. R. Smith, active 1819–1851
Dido and Aeneas; The Morning of the Chase
1842
John Robert Cozens The Temple of Venus on the Bay of Baia, December 2
John Robert Cozens, 1752–1797
The Temple of Venus on the Bay of Baia, December 2
undated
Rev. William Gilpin Landscape with Two Trees and Castle
Rev. William Gilpin, 1724–1804
Landscape with Two Trees and Castle
1763
Robert Pollard Fly Fishing
Robert Pollard, 1755–1838
Fly Fishing
undated
Robert Hills Study of Bracken
Robert Hills, 1769–1844
Study of Bracken
1802