Image Use: Free to Use / Subject Terms: roof - YCBA Collections Search Search Results

1. The Caller at the Mill

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1918 to 1919
Materials & Techniques:: Oil on canvas
Dimensions:: 22 x 26 inches (55.9 x 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. View Towards the Rectory, East Bergholt

Creator:: John Constable, 1776–1837
Date:: 1813
Materials & Techniques:: Oil on canvas laid on board
Dimensions:: 4 1/4 × 5 5/8 inches (10.8 × 14.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Distant View of Hythe Village and Church, Kent

Creator:: Arthur Nelson, active 1765–1773
Date:: ca. 1767
Materials & Techniques:: Oil on panel
Dimensions:: 22 1/2 x 43 inches (57.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. Muly Moloch

Creator:: Benjamin Marshall, 1768–1835
Date:: 1803
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Revellers on a Coach

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: between 1785 and 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 16 5/8 x 24 3/8 inches (42.2 x 61.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/8 inches (20.2 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. A Barn with a Mossy Roof, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. A Cow Lodge with a Mossy Roof

Creator:: Samuel Palmer, 1805–1881
Date:: ca. 1829
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 14 3/4 inches (26.7 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Christ Healing the Palsied Man

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Cobham Hall, Kent: Elevation of North Front

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 x 29 inches (33.7 x 73.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Cobham Hall, Kent: Elevation of Building with Design for New Roof

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite and pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 14 5/8 inches (26.7 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Beehive

Creator:: Print made by Robert Barnes, 1840–1895
Date:: 1854
Materials & Techniques:: Wood-engraving and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Baby Girl with Doll, Watching Chick

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige card
Dimensions:: Mount: 8 3/4 x 8 3/4 inches (22.2 x 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Ideal Pastoral Life

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Mount: 16 5/16 x 12 7/16 inches (41.5 x 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Ideal Pastoral Life

Creator:: Print made by Edward Calvert, 1799–1883
Date:: 1829
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 5 9/16 inches (12.3 x 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 14 inches (54 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Design for a London Townhouse: Elevation

Creator:: Michael Searles, 1750–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 7 5/16 × 5 1/2 inches (18.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Capriccio of a Venetian Courtyard

Creator:: Follower of Canaletto, 1697–1768
Date:: undated
Materials & Techniques:: Pen and brown ink, gray wash and graphite on thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 10 x 14 1/4 inches (25.4 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Britannia in Distress

Creator:: Anthony Walker, 1726–1765
Date:: 1756
Materials & Techniques:: Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 8 1/2 inches (32.1 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Colonnade with Vaulted Roof

Creator:: attributed to Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 3/4 x 3 5/8 inches (12.1 x 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. A Cornfield

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1823
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 9 1/4 inches (17.8 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Study of a Cottage by a lane

Creator:: William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen and brown ink, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 9 11/16 x 13 15/16 inches (24.6 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

Creator:: James Malton, 1761–1803
Date:: 1802
Materials & Techniques:: Graphite on medium, slightly textured, pink laid paper
Dimensions:: Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Beauvais

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1910
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 × 10 1/4 inches (39.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

27. The Palace, Stirling Castle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1893
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 6 7/8 inches (30.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

28. Stanley Pontlarge

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1913
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 8 3/4 inches (19.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

29. The Palace

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1916
Materials & Techniques:: Etching; 1st state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 × 8 5/8 inches (18.7 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

30. The Palace

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1916
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 10 5/8 inches (33.7 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

31. Stoke Poges

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching; 2nd state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

32. Cottage near Newcastle, Northumberland

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 5/8 × 8 1/8 inches (11.7 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Barn (From "The Neolith", 1908)

Creator:: Print made by Sir George Clausen, 1852–1944
Date:: 1908
Materials & Techniques:: Lithograph on moderately thick, smooth, beige card
Dimensions:: Sheet: 15 1/16 x 10 11/16 inches (38.3 x 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

34. Ouse Bridge, York

Creator:: Thomas Girtin, 1775–1802
Date:: 1800
Materials & Techniques:: Watercolor with pen and brown ink over graphite, with scratching out on medium, rough, beige wove paper
Dimensions:: Sheet: 12 15/16 x 20 5/8 inches (32.9 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. View between the Roofs of King's College Chapel

Creator:: Print made by Ebenezer Challis, active 1837–1859
Date:: 1836
Materials & Techniques:: Etching on moderately thick, textured, brown wove paper
Dimensions:: Sheet: 10 11/16 × 16 1/2 inches (27.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

36. The Tailors Baffling the Bailiff

Creator:: Print made by George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 5 3/8 inches (23.7 x 13.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

37. [One of] Five Designs for a Church

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Pen and black, brown and pink ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/8 x 13 inches (53.7 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Stoke Poges

Creator:: Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:: 1918
Materials & Techniques:: Etching; 6th state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

39. The Moat House

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, light blue laid paper
Dimensions:: Sheet: 7 3/8 x 11 5/16 inches (18.7 x 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

40. Windmill Hill, no. 1

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

41. Windmill Hill, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on medium, moderately textured, cream antique laid paper
Dimensions:: Sheet: 8 1/8 x 12 5/8 inches (20.6 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

42. Windmill Hill, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 7 15/16 x 12 13/16 inches (20.1 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

43. The Little Boat House

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 7 13/16 x 10 7/8 inches (19.8 x 27.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

44. The Test

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Pen and gray ink and wash over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 16 5/16 inches (28.6 x 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black and red ink, graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 1/2 × 16 13/16 inches (31.8 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer

Creator:: Jean B. C. Chatelain, 1710–1771
Date:: undated
Materials & Techniques:: Gray wash, brown wash, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Temple of Aphaia at Aegina: Perspective of Roof

Creator:: Edmund Turrell, active 1835–1860
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured cream wove paper
Dimensions:: Sheet: 7 1/4 × 6 7/8 inches (18.4 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Sketches of Cottages: Two Studies on one Sheet

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/2 inches (28.3 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1920
Materials & Techniques:: Etching and drypoint, with plate tone (printed in brown ink by Sir Frank Short) on thin, smooth, cream laid paper
Dimensions:: Sheet: 6 15/16 x 10 1/2 inches (17.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: plate etched in 1880; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone (printed under the supervision of Sir Frank Short, Martin Hardie and Frederick Landseer Maur Griggs, 1926) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/4 x 11 9/16 inches (18.4 x 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Image Use Free to Use

Subject Terms roof

Search Results

1. The Caller at the Mill

2. View Towards the Rectory, East Bergholt

3. A Distant View of Hythe Village and Church, Kent

4. Muly Moloch

5. Revellers on a Coach

6. Opening the Fold

7. Opening the Fold

8. A Barn with a Mossy Roof, Shoreham

9. A Cow Lodge with a Mossy Roof

10. Christ Healing the Palsied Man

11. Cobham Hall, Kent: Elevation of North Front

12. Cobham Hall, Kent: Elevation of Building with Design for New Roof

13. The Beehive

14. Baby Girl with Doll, Watching Chick

15. Ideal Pastoral Life

16. Ideal Pastoral Life

17. Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof

18. Design for a London Townhouse: Elevation

19. Capriccio of a Venetian Courtyard

20. Britannia in Distress

21. Colonnade with Vaulted Roof

22. A Cornfield

23. Study of a Cottage by a lane

24. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

25. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

26. Beauvais

27. The Palace, Stirling Castle

28. Stanley Pontlarge

29. The Palace

30. The Palace

31. Stoke Poges

32. Cottage near Newcastle, Northumberland

33. The Barn (From "The Neolith", 1908)

34. Ouse Bridge, York

35. View between the Roofs of King's College Chapel

36. The Tailors Baffling the Bailiff

37. [One of] Five Designs for a Church

38. Stoke Poges

39. The Moat House

40. Windmill Hill, no. 1

41. Windmill Hill, no. 2

42. Windmill Hill, no. 2

43. The Little Boat House

44. The Test

45. The Temple of Aphaia at Aegina: Elevation of the Doric Entablature and Roof Section

46. Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer

47. The Temple of Aphaia at Aegina: Perspective of Roof

48. Sketches of Cottages: Two Studies on one Sheet

49. Opening the Fold

50. Opening the Fold