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The Baptism of Christ
Creator:
Attributed to John Martin, 1789–1854
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Dove

A Dove
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor and gouache over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 10 7/8 inches (43.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. A Dove

A Dove
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 1/4 × 13 1/8 inches (41.3 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Annunciatio Beatae Mariae Virginis
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
William Lord Newbottle and His Sister
Creator:
Print made by Valentine Green, 1739–1813
Date:
1768
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/8 × 14 1/8 inches (48.6 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Annuciation
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 × 3 3/4 inches (14.1 × 9.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Holy Family
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 5 13/16 inches (11.4 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Venus and Adonis
Creator:
Peter Oliver, 1589–1647
Date:
1631
Materials & Techniques:
Gray wash, graphite, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 8 13/16 inches (19.2 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St Agnes (after Domenichino)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 8 5/8 inches (28.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Spoiled Child, Scene VI
Creator:
Lewis Vaslet, 1742–1808
Date:
ca. 1802
Materials & Techniques:
Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 19 5/8 inches (38.1 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bookplate: The Spalding Gentlemen's Society
Creator:
Print made by George Vertue, 1684–1756
Date:
1746
Materials & Techniques:
Mezzotint, stipple engraving, and line engravng on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 6 11/16 inches (13 × 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Annabella, Lady Blake, as Juno, Receiving the Cestus from Venus
Creator:
John Nixon, ca. 1760–1818
Date:
1771
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 25 1/8 × 16 7/8 inches (63.8 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marchioness of Townshend and Child
Creator:
Print made by Thomas Cheesman, 1760–1834/35
Date:
1792
Materials & Techniques:
Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Bookplate: The Spalding Gentlemen's Society
Creator:
Print made by George Vertue, 1684–1756
Date:
1746
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 × 6 3/4 inches (12.9 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
La colombe chérie
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 7/8 x 9 1/16 inches (35.3 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Madonna and Child
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 13 3/4 x 11 3/8 inches (34.9 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld
Design for a Medal: Figure of the Virgin
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and pen and black ink, incised and squared for transfer on medium, slightly textured, beige laid paper
Dimensions:
Mount: 11 x 7 3/4 inches (27.9 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Frontispiece: A Bishop Conferring an Honor, Scene Within a Cartouche
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and black ink, red chalk, and graphite, incised for transfer on medium, slightly textured, beige laid paper
Dimensions:
Mount: 15 1/2 × 11 inches (39.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection