The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
4
James Gillray, 1756–1815
A Warm Birth for the Old Administration -----
1783
5
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
6
Print made by unknown artist
A Sacrifice to Slavery, Dedicated without Permission to the Puppet Player in Downing Street
1787
7
James Gillray, 1756–1815
The Tottering Pyramid
1784
8
James Gillray, 1756–1815
The Battle of Bow-Street
1788
9
James Gillray, 1756–1815
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
10
James Gillray, 1756–1815
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
11
James Gillray, 1756–1815
A Modern Cherub, - Vide Peters
1791
12
Print made by James Gillray, 1756–1815
The Butchers of Freedom
1788
13
Charles Ansell, ca.1752–active 1790
The Sedition Hunter Disappointed, - or - D(amnin)g by Winchester Measure
1798
14
Charles Williams, active 1796–1830
A New Bravura with a Duett Affettuoso
1802
15
Isaac Cruikshank, 1764–1811
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput
1800
16
Charles Williams, active 1796–1830
Between Two Stools The Bottom Goes to the Ground
1802
17
Charles Williams, active 1796–1830
A Peep into Totenham Street or Dillitanti Performers in Training
1802
18
Charles Williams, active 1796–1830
The Doctor Administering His Gilded Pill
1802
19
James Gillray, 1756–1815
Extirpation of the Plagues of Egypt
1798
20
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
21
James Gillray, 1756–1815
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
22
James Gillray, 1756–1815
Buonaparte Leaving Egypt
1800
23
James Gillray, 1756–1815
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
24
James Gillray, 1756–1815
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
25
James Gillray, 1756–1815
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
26
James Gillray, 1756–1815
The Leadenhall Volunteer, Drest in his Shawl
1797
27
James Gillray, 1756–1815
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
28
James Gillray, 1756–1815
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
29
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
30
James Gillray, 1756–1815
Field Marshall Count Suwarrow-Rominskoy ---
1799
31
James Gillray, 1756–1815
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
32
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
33
Print made by James Gillray, 1756–1815
The Prince of Wales
1802
34
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
35
James Gillray, 1756–1815
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
36
James Gillray, 1756–1815
The Royal Academy
1786
37
James Gillray, 1756–1815
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
38
James Gillray, 1756–1815
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
39
James Gillray, 1756–1815
The Triumphant Britons
1780
40
James Gillray, 1756–1815
Ah, Grant A Me Von Letel Bite
1780
41
James Gillray, 1756–1815
The R't Hon'ble Catch Singers
1783
42
James Gillray, 1756–1815
A Block for the Wigs - or, The New State Whirligig
1783
43
Print made by Isaac Cruikshank, 1764–1811
The Ghost's, or the Taylor Befrited &c. &c. A German Story
1790
44
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
45
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
46
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
47
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
48
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
49
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
50
James Gillray, 1756–1815
United Irishmen Upon Duty
1798
51
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
52
James Gillray, 1756–1815
United Irishmen in Training
1798
53
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
54
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
55
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
56
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
57
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
58
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
59
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
60
James Gillray, 1756–1815
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
61
Franciscus Sansom, active 1785–1799
More Short Petticoats of Highland Association Under Episcopal Examination
1798
62
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
63
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
64
James Gillray, 1756–1815
Sans-Culottes, Feeding Europe with the Bread of Liberty
1793
65
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
66
James Gillray, 1756–1815
French Liberty - British Slavery
1792
67
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
68
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
69
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
70
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
71
James Gillray, 1756–1815
The Hopes of the Party, Prior to July 14th, ---"From Such Wicked Crown and Anchor-Dreams, Good Lord, Deliver Us."
1791
72
James Gillray, 1756–1815
The Soldier's Return; - or - Rare News for Old England - See the Conquering Hero Comes
1791
73
James Gillray, 1756–1815
The Introduction
1791
74
James Gillray, 1756–1815
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform
1788
75
James Gillray, 1756–1815
Dido Forsaken, Sic Transit Gloria Regimae
1787
76
James Gillray, 1756–1815
Monstrous Craws, At a New Coalition Feast
1787
77
James Gillray, 1756–1815
Ancient Music
1787
78
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
79
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
80
James Gillray, 1756–1815
The Bottomless-Pitt
1792
81
James Gillray, 1756–1815
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again
1792
82
James Gillray, 1756–1815
Wha Wants Me?
1792
83
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
84
James Gillray, 1756–1815
The Finishing Touch
1791
85
James Gillray, 1756–1815
La Derniere Resource; - or - Van-Buchells
1791
86
James Gillray, 1756–1815
A Sphere, Projecting against a Plane ---
1792
87
James Gillray, 1756–1815
The National Assembly Petrified _________/The National Assembly Revivified
1792
88
James Gillray, 1756–1815
An Excrescence; - Afungus; - Alias - A Toadstool Upon a Dung-Hill
1791
89
James Gillray, 1756–1815
Retribution; - Tarring and Feathering; - or - The Patriots Revenge, - Nay You'll Stop Our Mouths, Beware Your Own
1795
90
James Gillray, 1756–1815
The Republican Rattle-Snake Fascinating the Bedford-Squirrel ---
1795
91
James Gillray, 1756–1815
The Royal-Bull-Fight
1795
92
James Gillray, 1756–1815
The Republican - Attack
1795
93
James Gillray, 1756–1815
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
94
James Gillray, 1756–1815
The Apotheosis of Hoche
1798
95
Isaac Cruikshank, 1764–1811
The Russian Bruiser Getting his Dose - With his Seconds Thirds bottle Holder and (?) coming in for their Share
1801
96
Charles Williams, active 1796–1830
The Popular Candidate Surrounded by his Friends
1801
97
Isaac Cruikshank, 1764–1811
The Illustrious Lover of the D. of Cumberland Done Over
1801
98
Henry Heath, active 1824–1835
The Quakers in a Quandary or the Times Reporter Triumphant!!
1825
99
Print made by Charles Ansell, ca.1752–active 1790
The Resignation
1798
100
unknown artist
A Boo at Court - or The Highland Salute Front & Rear