Print made by Felix Rosenstiel, active from 1880–died 1895
Ruth and Naomi
between 1880 and 1895
7
Joe Tilson, 1928–2023
Let a Thousand Parks Bloom
1971
8
Print made by Samuel Middiman, ca. 1750–1831
High Street, Oxford
1811
9
Richard Earlom, 1743–1822
Labourers
1790
10
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
11
Sir Eduardo Paolozzi, 1924–2005
As is When Title page
1965
12
Sir Eduardo Paolozzi, 1924–2005
Futurism at Lenabo
1965
13
Sir Eduardo Paolozzi, 1924–2005
Parrot
1965
14
Sir Eduardo Paolozzi, 1924–2005
The Spirit of the Snake
1965
15
Sir Eduardo Paolozzi, 1924–2005
He Must, So To Speak, Throw Away the Ladder
1965
16
Sir Eduardo Paolozzi, 1924–2005
Wittgenstein at the Cinema Admires Betty Gable
1965
17
Sir Eduardo Paolozzi, 1924–2005
Wild Track for Ludwig (text page)
1965
18
Sir Eduardo Paolozzi, 1924–2005
Wittgenstein in New York
1965
19
Sir Eduardo Paolozzi, 1924–2005
Artificial Sun
1965
20
Sir Eduardo Paolozzi, 1924–2005
Tortured Life
1965
21
Charles Robert Cockerell, 1788–1863
Progetto di collocazione delle statue antiche esistenti nella galleria di Firenze che rappresentano la favola di Niobe [scheme for the configuration of the ancient statues in the gallery of Florence that represent the myth of Niobe](Florence, 1816)
1816
22
Sir Eduardo Paolozzi, 1924–2005
As Is When
1965
23
Sir Eduardo Paolozzi, 1924–2005
Reality
1965
24
Sir Eduardo Paolozzi, 1924–2005
Experience
1965
25
Sir Eduardo Paolozzi, 1924–2005
Assembling Reminders for a Particular Purpose
1965
26
Sir Eduardo Paolozzi, 1924–2005
Wittgenstein the Soldier
1965
27
Thomas Girtin, 1775–1802
View of the City with the Louvre &c., taken from Pont Marie
1802
28
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
29
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
30
Victor Pasmore, 1908–1998
Points of Contact No. 25
1974
31
Victor Pasmore, 1908–1998
Points of Contact No. 24
1974
32
Print made by James Basire II, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
33
Print made by John Copley, 1875–1950
Recruits
1915
34
John Copley, 1875–1950
The Ambulance
1918
35
Richard Earlom, 1743–1822
Embassy of Hyderbeck to Calcutta
1800
36
Print made by John Pye, 1782–1874
A View of Oxford from the Abingdon Road
1818
37
Print made by Samuel William Reynolds, 1773–1835
Death of Captain Alexander Hood
1798
38
Print made by Ken Kiff, 1935–2001
The Hill
1981
39
Michael Landy, Born 1963
Herb-Robert
2002
40
Print made by Joseph Constantine Stadler, active 1780–1812
Rosehill
ca. 1810
41
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
42
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
43
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
44
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
45
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
46
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
47
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1802
48
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
49
Thomas Girtin, 1775–1802
View of the City with the Louvre &c. taken from Pont Marie
1802
50
Thomas Girtin, 1775–1802
View of Thuilleries and Bridge taken from the Quay d'Orsai
1802
51
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
52
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1802
53
Thomas Girtin, 1775–1802
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
1802
54
Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1802
55
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
56
Thomas Girtin, 1775–1802
View of the Gate of St. Denis taken from the Suburbs
1802
57
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
58
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
59
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
60
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1802
61
Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
1802
62
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
63
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
64
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1802
65
Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
66
Thomas Girtin, 1775–1802
The Waterworks at Marli; and St. Germain en Laye seen in the distance
1802
67
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
68
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1802
69
Patrick Procktor, 1936–2003
Kathmandu
1970
70
Print made by Henry Robert Robertson, 1839–1921
The Fighting Téméraire
ca. 1887
71
Conrad Martin Metz, 1749–1827
The Elect
1801
72
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
73
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
74
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
75
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
76
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
77
Richard Woodman, 1784–1859
Hare Hunting and Coursing: His Majesty's Harriers
1815
78
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
79
Print made by James Ward, 1769–1859
John Dunning, 1st Baron Ashburton, with Colonel Isaac Barre and William Petty, 2nd Earl of Shelburne, Marquis of Lansdowne
1847
80
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
81
Print made by Richard Earlom, 1743–1822
The Enchantress
1786
82
Print made by John Murphy, ca. 1748–1820
The Encampment at Brighton
1796
83
Abraham Raimbach, 1784–1868
Distraining for Rent
1828
84
Figures engraved by William Sharp, 1749–1824
Niobe
1792
85
Wenceslaus Hollar, 1607–1677
(i) A True and Exact Prospect of the Famous Citty of London, . . .(ii) Another Prospect of the Sayd Citty taken from the Same Place . .
1666
86
William Ward, 1766–1826
The Truants
1796
87
Henry Cave, 1780–1836
York, the Old Bridge and St. William's Chapel
1820
88
James Godby, 1767–1849
The Drinking Well in Hyde Park
1802
89
Print made by Andrew Lawrence, 1708–1747
The Death of the Stag
1753
90
James Ward, 1769–1859
A Boy Employed in Burning Weeds
1793
91
Print made by Thomas Malton the Younger, 1748–1804
Cambridge University: Queens College
1800
92
Thomas Malton the Younger, 1748–1804
The East Front of the Library of Trinity College in the University of Cambridge
1800
93
Thomas Malton the Younger, 1748–1804
South Front of the Senate House and West End of St. Mary's Church in the University of Cambridge