Width [cm]: 61 / Image Use: Free to Use - YCBA Collections Search Search Results

101. The Review of the Queens Own Regiment of the Yeomanry Cavalry

Creator:: Henry Papprill, 1816–d.after 1883
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 25 1/2 inches (46.4 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. The Phoenix or the Resurrection of Freedom

Creator:: James Barry, 1741–1806
Date:: 1776
Materials & Techniques:: Engraving and aquatint , published state
Dimensions:: Plate: 17 x 24 1/8in. (43.2 x 61.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. The Soldier's Widow; or Schoolboys' Collection

Creator:: Robert Dunkarton, 1744–1811
Date:: ca. 1802
Materials & Techniques:: Mezzotint, colored impression
Dimensions:: Plate: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. The Truants

Creator:: William Ward, 1766–1826
Date:: 1796
Materials & Techniques:: Mezzotint, in color on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 25 15/16 inches (51.8 × 65.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. London (Blackfriars Bridge)

Creator:: Johann Wizani, 1770–1835
Materials & Techniques:: Hand colored etched outline
Dimensions:: Sheet: 17 3/8 x 23 7/8in. (44.1 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. The Interview Between Edgar and Elfreda After Her Marriage with Athelwood

Creator:: William Wynne Ryland, 1732–1783
Date:: 1786
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/8 × 24 3/16 inches (48.6 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Dover Castle

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thin, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 13/16 inches (48 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders.

Creator:: Henry Papprill, 1816–d.after 1883
Date:: 1857
Materials & Techniques:: Aquatint, hand-colored on thick, smooth, beige wove paper
Dimensions:: Sheet: 22 7/16 × 30 3/8 inches (57 × 77.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. A Boy Employed in Burning Weeds

Creator:: James Ward, 1769–1859
Date:: 1799
Materials & Techniques:: Mezzotint on moderately thick, moderataly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 25 3/16 inches (51.8 × 64 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Alehouse Politicians

Creator:: William Ward, 1766–1826
Date:: 1801
Materials & Techniques:: Mezzotint
Dimensions:: Image: 18 x 23 7/8in. (45.7 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. The Parish Beadle

Creator:: Abraham Raimbach, 1784–1868
Date:: 1834
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 13/16 × 24 5/16 inches (47.8 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Tivoli

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1800
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/8 × 27 11/16 inches (58.7 × 70.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. The Summit of Cader Idris Mountain

Creator:: Edward Rooker, 1724–1774
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. A View of Part of the Garden at Hall Barn

Creator:: William Woollett, 1735–1785
Date:: 1760
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

Creator:: R. F. Tringham
Date:: ca.1762
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 23 7/8 inches (47.6 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 x 24in. (20.3 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. A View of the New Bridge Over the Thames at Walton in Surrey

Creator:: Anthony Walker, 1726–1765
Date:: 1750
Materials & Techniques:: Colored engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 24 3/16 inches (32.4 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Fancy, Cupid and Pleasure

Creator:: Simeon Solomon, 1840–1905
Date:: undated
Materials & Techniques:: Red chalk on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 16 3/4 × 23 7/8 inches (42.5 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

119. Assisi, October Evening

Creator:: Print made by Axel Herman Haig, 1835–1921
Date:: 1903
Materials & Techniques:: Etching
Dimensions:: Sheet: 18 3/4 x 23 15/16in. (47.6 x 60.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

120. Fox-Hunting [set of four]: 2.Fox Chase

Creator:: Charles Hunt, 1803–1877
Date:: 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Fox-Hunting [set of four]: 4. The Death

Creator:: Charles Hunt, 1803–1877
Date:: 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. A Happy New Year to Our Gallant Soldiers

Creator:: unknown artist
Date:: 1914-1915
Materials & Techniques:: Lithograph on wove paper mounted on linen
Dimensions:: Sheet: 29 1/2 x 24 1/8 inches (74.9 x 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

123. Saturday Night

Creator:: Print made by Henry Lemon, 1823–1882
Date:: ca. 1850
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 22 1/16 × 26 inches (56 × 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell

124. Catharine of Aragon Pleading Her Own Cause Before King Henry the Eighth

Creator:: William Ward, 1766–1826
Date:: 1794
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 23 5/8 × 32 11/16 inches (60 × 83 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. A View of the Great Room, etc. at Hall-Barn

Creator:: William Woollett, 1735–1785
Date:: 1760
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

Creator:: Print made by Henry Walter, 1786–1849
Date:: 1860
Materials & Techniques:: Lithograph, hand colored on moderately thick, smooth, cream wove paper
Dimensions:: Mount: 21 x 30 1/2 inches (53.4 x 77.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Blenheim House

Creator:: J. Mynde, active 1740–1770
Date:: undated
Materials & Techniques:: Engraving on medium, slightly textured, cream wove paper
Dimensions:: Mount: 17 1/4 × 24 inches (43.8 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. The Royal Palace of Windsor

Creator:: Thomas Major, 1714–1799
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, beige laid paper
Dimensions:: Mount: 17 1/4 × 24 inches (43.8 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Stoke Poges Churches

Creator:: Douglas Morison, 1814–1847
Date:: undated
Materials & Techniques:: Lithograph on medium, smooth, beige wove paper
Dimensions:: Mount: 17 3/16 × 24 inches (43.7 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. The Resurrection of the Dead

Creator:: Conrad Martin Metz, 1749–1827
Date:: 1801
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 13/16 × 24 1/16 inches (42.7 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Geoffrey and Renée Hartman

131. Fox Hunting: [Tom Oldaker on Pickle...]

Creator:: William Whiston Barney, active 1805–1817
Date:: 1820
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 18 x 24in. (45.7 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Lion and Snake

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Mezzotint, etching, and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 × 24 inches (48.9 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. [Animals: an eagle with a dead pheasant, watched by a fox]

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1799
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 24 1/4 inches (49.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Vulture and Lamb

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1799
Materials & Techniques:: Mezzotint, etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/8 × 24 1/8 inches (49.2 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Fox-Hunting [set of four]: 1.Fox Hunters Meeting

Creator:: Charles Hunt, 1803–1877
Date:: 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Encampment at Farnham near St. Edmund's Bury

Creator:: Charles Tomkins, 1757–1823
Date:: 1782
Materials & Techniques:: Colored aquatint on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 26 1/2 inches (42.2 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. An Estate in Naughton, Bricett, Bildeston and Offton, Suffolk

Creator:: Isaac Johnson, 1754–1835
Date:: 1781
Materials & Techniques:: Graphite, pen and black ink and watercolor on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 22 1/2 × 24 inches (57.2 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. The North Country Mails at The Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815
Materials & Techniques:: Pen and brown ink and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/8 x 18 7/8 inches (28.3 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Portraits of Two well known Characters in the East Riding of Yorkshire, Robert Darling and John Brown.

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1839
Materials & Techniques:: Aquatint, printed in color
Dimensions:: Sheet: 19 1/4 x 24in. (48.9 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Racing: The Return from Coursing

Creator:: Anthony Cardon, 1772–1813
Date:: 1803
Materials & Techniques:: Hand colored stipple engraving
Dimensions:: Sheet: 18 7/8 x 23 15/16in. (47.9 x 60.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. Wolverhampton Race Course

Creator:: Print made by Thomas Mann Baynes, 1794–1854
Date:: 1825
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 15 1/8 x 24 1/8in. (38.4 x 61.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Rural Cott

Creator:: William Woollett, 1735–1785
Date:: 1797
Materials & Techniques:: Engraving with chine collé; proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 × 24 1/8 inches (48.6 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. The Rapacious Steward or Unfortunate Tenant

Creator:: Haveill Gillbank, 18th–19th centuries
Date:: 1803
Materials & Techniques:: Engraving, mixed method
Dimensions:: Sheet: 18 1/8 x 24in. (46 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. The Benevolent Heir or The Tenant Restored to his Family

Creator:: Haveill Gillbank, 18th–19th centuries
Date:: 1803
Materials & Techniques:: Engraving, mixed method
Dimensions:: Sheet: 18 1/8 x 24in. (46 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Coriolanus, Act IV, Scene III, Coriolanus, etc.

Creator:: James Caldwall, 1739–1819
Date:: 1803
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 9/16 x 23 13/16in. (44.6 x 60.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. Fox-Hunting [set of four]: 3. Breaking Cover

Creator:: Charles Hunt, 1803–1877
Date:: 1840
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 19 1/8 x 23 7/8in. (48.6 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. The Death of Chatterton

Creator:: Print made by Thomas Oldham Barlow, 1824–1889
Date:: 1860
Materials & Techniques:: Mezzotint and stipple engraving with chine collé on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 39 3/8 inches (67.9 × 100 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Purchased with a gift from Bart and Nini Tiernan

148. A Tiger Lying in the Entrance of a Cave

Creator:: Elizabeth Pringle, active ca. 1800
Date:: 1796
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/4 x 24 inches (48.9 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Shipping Scene with Table Mountain in Background

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Graphite and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 24 inches (36.8 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Snowdon, Gwynedd, Wales

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on very thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 3/8 × 24 inches (44.1 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Cader Idris

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 18 9/16 × 23 7/8 inches (47.1 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Windermere During the Regatta

Creator:: David Cox, 1783–1859
Date:: 1832
Materials & Techniques:: Watercolor, pen and red ink, brown ink, gray ink, gouache, graphite, gum arabic, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 x 24 inches (45.1 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

153. Workers Outside a Hut

Creator:: George Chinnery, 1774–1852
Date:: between 1826 and 1852
Materials & Techniques:: Graphite and brown ink on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 23 13/16 inches (39.1 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. View of Macao

Creator:: George Chinnery, 1774–1852
Date:: between 1826 and 1852
Materials & Techniques:: Graphite and brown ink on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 1/4 × 23 7/8 inches (38.7 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. A-Má Temple, Macau, View from the West

Creator:: George Chinnery, 1774–1852
Date:: between 1826 and 1852
Materials & Techniques:: Graphite, pen and brush and brown ink on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 23 7/8 inches (39.7 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Gloucester

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor, white gouache, graphite and scraping out on thick, rough, cream wove paper
Dimensions:: Sheet: 17 7/16 x 23 7/8 inches (44.3 x 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. City Centre, Agra

Creator:: Dr. John Murray, 1809–1898
Date:: between 1858 and 1862
Materials & Techniques:: Albumen print on thin, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 × 18 inches (36.5 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

158. In the Camp Vaccinio at Rome

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1777
Materials & Techniques:: Watercolor and gouache over graphite on medium, rough, cream laid paper
Dimensions:: Sheet: 15 1/8 x 23 13/16 inches (38.4 x 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Coastal Scene in India

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1806
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 24 inches (46.4 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bruce McCashin

160. View of the Market Place at Juliers in Westphalia

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1791
Materials & Techniques:: Watercolor with pen and brown, black, and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 x 21 1/16 inches (31.6 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Near Sita Coonde, October 22, 1788

Creator:: Thomas Daniell, 1749–1840
Date:: 1788
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 x 24 inches (48.9 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

162. Design for a Municipal Building

Creator:: unknown artist
Date:: ca. 1902
Materials & Techniques:: Pen and black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 × 24 inches (35.6 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

163. The Supreme Court of Judicature on the Island of Ceylon

Creator:: James Stephanoff, 1787–1874
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 5/8 × 24 1/8 inches (42.2 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. Design for Grosvenor House, London: Chamber Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1827
Materials & Techniques:: Graphite, pen and black ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 5/8 × 24 inches (47.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Occupied Fort

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 5/16 × 24 1/16 inches (36.4 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. Pire Pahar

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:: Mount: 16 5/16 × 24 1/16 inches (41.4 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Madras

Creator:: William Daniell, 1769–1837
Date:: ca. 1792
Materials & Techniques:: Gray wash and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 3/8 × 24 1/16 inches (41.6 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Sankrydroog, Madras

Creator:: William Daniell, 1769–1837
Date:: 1792
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 17 5/8 x 21 1/8 inches (44.8 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Emanuel College from St. Andrews Street, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gouache, black chalk and graphite on thick, moderately textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Jesus College from the Meadows, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, gray ink, black chalk, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Chapel Front, Emanuel College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1833
Materials & Techniques:: Watercolor, pen and black ink, black chalk, and graphite on medium, slightly textured, cream wove paper, mounted on card
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Jesus College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and brown ink, black ink, black chalk, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. New Building of St. John's from the Gardens, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, gouache, black chalk and graphite on thick, moderately textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. St. Peter's College, Cambridge

Creator:: Richard Banks Harraden, 1778–1862
Date:: ca. 1830
Materials & Techniques:: Watercolor, pen and black ink, black chalk, brown chalk, gouache, scratching out, and graphite on thick, slightly textured, cream wove paper
Dimensions:: Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Scene in a Country Town at Time of a Race

Creator:: Print made by Valentine Green, 1739–1813
Date:: 1789
Materials & Techniques:: Etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 20 × 27 1/4 inches (50.8 × 69.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

176. A Tiger

Creator:: John Murphy, ca. 1748–1820
Date:: 1798
Materials & Techniques:: Mezzotint, first state
Dimensions:: Sheet: 19 1/8 x 24 3/16in. (48.5 x 61.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. The Poultry Market

Creator:: James Ward, 1769–1859
Date:: 1803
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 19 1/8 x 24 1/8in. (48.6 x 61.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Venice - Bellini's Pictures being Conveyed to the Church of the Redentore

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1858
Materials & Techniques:: Etching and engraving; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 23 7/8 × 31 3/4 inches (60.6 × 80.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 × 27 1/2 inches (53.3 × 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Italy - Childe Harold's Pilgrimage

Creator:: Print made by unknown artist
Date:: between 1852 and 1856
Materials & Techniques:: Chromolithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on beige card
Dimensions:: Sheet: 14 × 24 inches (35.6 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Woodcock Shooting

Creator:: Print made by Charles Blair Leighton, 1823–1855
Date:: 1852
Materials & Techniques:: Chromolithograph; early engraver's proof on medium, smooth, cream wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 1/8 inches (35.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. The Building of London Bridge

Creator:: Attributed to Gideon Yates, active 1825–1837
Date:: undated
Materials & Techniques:: Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 × 23 7/8 inches (34.3 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. The Great Courtyard of Carlton House

Creator:: Thomas Malton, 1726–1801
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 12 7/8 × 18 15/16 inches (32.7 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Saturday Evening, the Husbandman's Return From Labour

Creator:: William Nutter, 1754–1802
Date:: 1795
Materials & Techniques:: Stipple engraving, colored on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 20 5/8 × 24 3/16 inches (52.4 × 61.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. A Shipwreck

Creator:: Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:: 1825
Materials & Techniques:: Etching and aquatint, with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Rustic Hours: Night

Creator:: Haveill Gillbank, 18th–19th centuries
Date:: 1800
Materials & Techniques:: Colored mezzotint
Dimensions:: Plate: 19 x 22 3/4in. (48.3 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. The Forum, Rome

Creator:: Print made by William Walcot, 1874–1943
Date:: 1919
Materials & Techniques:: Etching, drypoint, and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 5/8 × 30 3/8 inches (65.1 × 77.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

188. Doncaster Racecourse

Creator:: James Pollard, 1792–1867
Date:: ca. 1839
Materials & Techniques:: Watercolor and pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 x 24 inches (34 x 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Midsummer Night's Dream. Act IV. Scene I

Creator:: Thomas Ryder, 1746–1810
Date:: 1803
Materials & Techniques:: Print
Dimensions:: Sheet: 16 5/8 x 23 7/8in. (42.2 x 60.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Geoffrey and Renée Hartman

190. Moor Shooting

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1807
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 18 3/4 x 24in. (47.6 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. The Dead Heat. - University Boat Race, 1877. / Saturday, March 24th

Creator:: Andrew Maclure, active 1857–1881
Date:: 1877
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 14 x 24in. (35.6 x 61cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Valley of the Yosemite from Glacier Point, No.33

Creator:: Eadweard Muybridge, 1830–1904
Date:: 1872
Materials & Techniques:: Albumen print on thin, smooth, beige wove paper
Dimensions:: Sheet: 16 1/2 × 21 1/8 inches (41.9 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

193. Baker Street Station, Metropolitan Railway

Creator:: Samuel John Hodson, 1836–1908
Date:: 1863
Materials & Techniques:: Watercolor, gouache, pen and black ink with scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 23 7/8 inches (43.5 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Propagation of a Lie (Left)

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1794
Materials & Techniques:: Stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper (printed on three plates joined together, now detached)
Dimensions:: Sheet: 11 13/16 × 23 13/16 inches (30 × 60.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

195. America. To those, who wish to Sheathe the Desolating Sword of War. And, to Restore the Blessings of Peace and Amity, to a Divided People.

Creator:: Print made by Joseph Strutt, 1749–1802
Date:: 1781
Materials & Techniques:: Stipple engraving printed in brown ink
Dimensions:: Sheet: 19 × 24 inches (48.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

196. The Plan of the Stable Yard, Westminster

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Graphite, pen and black ink, and blue, yellow and red watercolor on smooth, medium, white wove paper
Dimensions:: Sheet: 18 1/8 × 23 7/8 inches (46 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. Design for Grosvenor House, London: Ground Floor Plan

Creator:: Thomas Cundy, 1790–1867
Date:: 1845
Materials & Techniques:: Graphite and wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 34 3/4 × 24 inches (88.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. French, Louis XIV frame

Creator:: unknown framemaker
Date:: late 17th century
Materials & Techniques:: Carved wood, later oil and water gilding over original gilding and sanded frieze
Dimensions:: Frame: 30 1/4 × 24 × 3 7/8 inches (76.8 × 61 × 9.8 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

199. British, Louis XIV- Régence style frame

Creator:: unknown framemaker
Date:: 1st half of 18th century
Materials & Techniques:: Carved wood, later oil gilding over original gilding
Dimensions:: Frame: 28 3/8 × 24 × 2 3/4 inches (72.1 × 61 × 7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

200. British, Neoclassical, "Morland" frame

Creator:: unknown framemaker
Date:: 1st quarter of 19th century
Materials & Techniques:: Carved wood and compo, partially regilded over original oil and water gilding
Dimensions:: Frame: 19 1/4 × 23 7/8 × 2 3/4 inches (48.9 × 60.6 × 7 cm)
Collection:: Frames
Credit Line:: Yale Center for British Art

YCBA Collections Search

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101. The Review of the Queens Own Regiment of the Yeomanry Cavalry

102. The Phoenix or the Resurrection of Freedom

103. The Soldier's Widow; or Schoolboys' Collection

104. The Truants

105. London (Blackfriars Bridge)

106. The Interview Between Edgar and Elfreda After Her Marriage with Athelwood

107. Dover Castle

108. Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders.

109. A Boy Employed in Burning Weeds

110. Alehouse Politicians

111. The Parish Beadle

112. Tivoli

113. The Summit of Cader Idris Mountain

114. A View of Part of the Garden at Hall Barn

115. The West Perspective Views of His Majesty's New Royal Hospital Building near Plymouth

116. New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite

117. A View of the New Bridge Over the Thames at Walton in Surrey

118. Fancy, Cupid and Pleasure

119. Assisi, October Evening

120. Fox-Hunting [set of four]: 2.Fox Chase

121. Fox-Hunting [set of four]: 4. The Death

122. A Happy New Year to Our Gallant Soldiers

123. Saturday Night

124. Catharine of Aragon Pleading Her Own Cause Before King Henry the Eighth

125. A View of the Great Room, etc. at Hall-Barn

126. Londres. Vue Prise de la Tour de l'Eglise de St. Paul

127. Blenheim House

128. The Royal Palace of Windsor

129. Stoke Poges Churches

130. The Resurrection of the Dead

131. Fox Hunting: [Tom Oldaker on Pickle...]

132. Lion and Snake

133. [Animals: an eagle with a dead pheasant, watched by a fox]

134. Vulture and Lamb

135. Fox-Hunting [set of four]: 1.Fox Hunters Meeting

136. Encampment at Farnham near St. Edmund's Bury

137. An Estate in Naughton, Bricett, Bildeston and Offton, Suffolk

138. The North Country Mails at The Peacock Inn, Islington

139. Portraits of Two well known Characters in the East Riding of Yorkshire, Robert Darling and John Brown.

140. Racing: The Return from Coursing

141. Wolverhampton Race Course

142. The Rural Cott

143. The Rapacious Steward or Unfortunate Tenant

144. The Benevolent Heir or The Tenant Restored to his Family

145. Coriolanus, Act IV, Scene III, Coriolanus, etc.

146. Fox-Hunting [set of four]: 3. Breaking Cover

147. The Death of Chatterton

148. A Tiger Lying in the Entrance of a Cave

149. Shipping Scene with Table Mountain in Background

150. Snowdon, Gwynedd, Wales

151. Cader Idris

152. Windermere During the Regatta

153. Workers Outside a Hut

154. View of Macao

155. A-Má Temple, Macau, View from the West

156. Gloucester

157. City Centre, Agra

158. In the Camp Vaccinio at Rome

159. Coastal Scene in India

160. View of the Market Place at Juliers in Westphalia

161. Near Sita Coonde, October 22, 1788

162. Design for a Municipal Building

163. The Supreme Court of Judicature on the Island of Ceylon

164. Design for Grosvenor House, London: Chamber Floor Plan

165. Occupied Fort

166. Pire Pahar

167. Madras

168. Sankrydroog, Madras

169. Emanuel College from St. Andrews Street, Cambridge

170. Jesus College from the Meadows, Cambridge

171. Chapel Front, Emanuel College, Cambridge

172. Jesus College, Cambridge

173. New Building of St. John's from the Gardens, Cambridge

174. St. Peter's College, Cambridge