<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Width [cm] 56

Remove constraint Width [cm]: 56

Search Results

401. The Communion (Right)

The Communion (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

402. The Agony in the Garden (Right)

The Agony in the Garden (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

403. Christ Foretells the Destruction of the Temple (Left)

Christ Foretells the Destruction of the Temple (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

404. The Communion (Left)

The Communion (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

405. The Washing of the Disciples' Feet (Right)

The Washing of the Disciples' Feet (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

406. The Betrayal and Arrest (Left)

The Betrayal and Arrest (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

407. The Betrayal and Arrest (Right)

The Betrayal and Arrest (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

408. The Betrayal of Peter (Left)

The Betrayal of Peter (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

409. The Betrayal of Peter (Right)

The Betrayal of Peter (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

410. The Agony in the Garden (Left)

The Agony in the Garden (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

411. The Trial Before the Jewish Council (Left)

The Trial Before the Jewish Council (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

412. The Trial Before the Jewish Council (Right)

The Trial Before the Jewish Council (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

413. The Trial Before Pilate (Left)

The Trial Before Pilate (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

414. The Crowd Calls for Barabbas (Right)

The Crowd Calls for Barabbas (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

415. The Trial Before Pilate (Right)

The Trial Before Pilate (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

416. The Trial Before Herod (Left)

The Trial Before Herod (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

417. The Crowd Calls for Barabbas (Left)

The Crowd Calls for Barabbas (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

418. The Scourging of Christ (Left)

The Scourging of Christ (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

419. The Scourging of Christ (Right)

The Scourging of Christ (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

420. Christ Mocked by the Soldiers (Left)

Christ Mocked by the Soldiers (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

421. Christ Mocked by the Soldiers (Right)

Christ Mocked by the Soldiers (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

422. The Road to Calvary (Right)

The Road to Calvary (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

423. The Road to Calvary (Left)

The Road to Calvary (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

424. The Crucifixion (Left)

The Crucifixion (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

425. The Entombment (Right)

The Entombment (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

426. The Trial Before Herod (Right)

The Trial Before Herod (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

427. The Resurrection (Left)

The Resurrection (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

428. The Crucifixion (Right)

The Crucifixion (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

429. The Resurrection (Right)

The Resurrection (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

430. The Journey to Emmaus (Left)

The Journey to Emmaus (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

431. The Supper at Emmaus (Right)

The Supper at Emmaus (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

432. The Journey to Emmaus (Right)

The Journey to Emmaus (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

433. The Supper at Emmaus (Left)

The Supper at Emmaus (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

434. The Appearance to Thomas (Right)

The Appearance to Thomas (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

435. The Appearance to Thomas (Left)

The Appearance to Thomas (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

436. The Ascension (Right)

The Ascension (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

437. The Appearance to the Seven (Left)

The Appearance to the Seven (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

438. The Ascension (Left)

The Ascension (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

439. The Appearance to the Seven (Right)

The Appearance to the Seven (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

440. The Palm Offering

The Palm Offering
Creator:
Print made by Frederick Stacpoole, 1813–1907
Date:
1868
Materials & Techniques:
Mezzotint and stipple engraving on thick, slightly textured, cream wove paper mounted on canvas
Dimensions:
Sheet: 37 3/8 × 27 3/4 inches (94.9 × 70.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

441. And We Did Speak Only to Break the Silence of the Sea

And We Did Speak Only to Break the Silence of the Sea
Creator:
Patrick Procktor, 1936–2003
Date:
1976
Materials & Techniques:
Aquatint
Dimensions:
Frame: 26 3/4 x 22 inches (67.9 x 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

442. Pines in Snow

Pines in Snow
Creator:
Sir Jacob Epstein, 1880–1959
Date:
undated
Materials & Techniques:
Gouache on medium, slightly textured, cream wove paper
Dimensions:
Mount: 25 5/8 x 22 inches (65.1 x 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

443. Ordnance Survey

Ordnance Survey
Creator:
Print made by Simon Brett, born 1943
Date:
1995
Materials & Techniques:
Wood-engraving on moderately thick, slightly textured, white wove paper
Dimensions:
Frame: 21 1/2 × 21 7/8 × 1 1/2 inches (54.6 × 55.6 × 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Christine Higgott and Peter Ford

444. The Massacre of the Innocents (Right)

The Massacre of the Innocents (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

445. The Ministry of John the Baptist (Right)

The Ministry of John the Baptist (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

446. The Sermon on the Mount (Right)

The Sermon on the Mount (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

447. The Washing of the Disciples' Feet (Left)

The Washing of the Disciples' Feet (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

448. The Entombment (Left)

The Entombment (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

449. View of London from Greenwich Park

View of London from Greenwich Park
Creator:
Engraved by Joseph Constantine Stadler, active 1780–1812
Date:
1796
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 13 3/8 x 22 1/16in. (34 x 56cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

450. The River Stour, St. Mildred's Church and the Castle of Canterbury

The River Stour, St. Mildred's Church and the Castle of Canterbury
Creator:
Jonathan Skelton, active 1754, died 1758
Date:
1757
Materials & Techniques:
Watercolor with pen and black ink and gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 21 7/8in. (21 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

451. Kelpra Prints

Kelpra Prints
Creator:
Print made by Joe Tilson, 1928–2023
Date:
1970
Materials & Techniques:
Screen print and collage on thick, moderately textured, white wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Barbara Sunderman Hoerner

452. Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 4. The Death ...

Fox Hunting [set of four]: Leicestershire 'Gaudet Equis Canisbusque'. No. 4. The Death ...
Creator:
Sir John Dean Paul, 1775–1852
Date:
1825
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 8 7/8 x 22in. (22.5 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

453. Nimbus

Nimbus
Creator:
John Tunnard, 1900–1971
Date:
1960
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 22 inches (38.4 x 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Avery Thompson Funkhouser

454. This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841

This View of the Capture of Amoy, on the Coast of China, on the 26th August, 1841
Creator:
Henry Papprill, 1816–d.after 1883
Date:
1842
Materials & Techniques:
Aquatint on thick, smooth, cream wove paper
Dimensions:
Sheet: 12 3/4 × 22 13/16 inches (32.4 × 57.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. View of the Gate of St. Denis taken from the Suburbs

View of the Gate of St. Denis taken from the Suburbs
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. W. Mulready RA

W. Mulready RA
Creator:
Print made by Charles West Cope, 1811–1890
Date:
1863
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 1/2 inches (43.8 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. Rosehill

Rosehill
Creator:
Print made by Joseph Constantine Stadler, active 1780–1812
Date:
ca. 1810
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Image: 15 3/8 x 22in. (39.1 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

458. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde

View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame

View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

461. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. View of Grosvenor Square

View of Grosvenor Square
Creator:
Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 24 13/16 inches (50.2 × 63 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. View of Queen Square

View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. Mary, Queen of France / Charles Brandon, Duke of Suffolk

Mary, Queen of France / Charles Brandon, Duke of Suffolk
Creator:
George Vertue, 1684–1756
Date:
1748
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 22 3/4 × 34 inches (57.8 × 86.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport

465. Elevation of the Front for the Register Offices in Scotland

Elevation of the Front for the Register Offices in Scotland
Creator:
Morton, active 1767
Date:
1767
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 × 22 inches (44.8 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation

The Miller's Cottage at Chatsworth, Derbyshire: West Front Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
after 1818
Materials & Techniques:
Watercolor, pen and black ink, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. The Raider on the Moors

The Raider on the Moors
Creator:
Print made by Paul Nash, 1889–1946
Date:
1940
Materials & Techniques:
Lithograph (17/50)
Dimensions:
Frame: 24 13/16 × 31 1/2 × 13/16 inches (63 × 80 × 2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Janet and Richard Prince, Yale BA 1948

468. The Lady in White

The Lady in White
Creator:
Print made by Sir Hubert von Herkomer, 1849–1914
Date:
ca. 1885
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 28 3/8 × 21 7/8 inches (72.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

469. Bronze by Gold

Bronze by Gold
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1985 to 1987
Materials & Techniques:
Soft-ground etching, lift-ground aquatint, line engraving, scraper and burnisher in twenty-three colors from five plates on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

470. He Foresaw his Pale Body

He Foresaw his Pale Body
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1990
Materials & Techniques:
Heliogravure, line engraving and roulette in twenty-three colors from four plates on medium, smooth, white Zerkall wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

471. The Heaventree of Stars

The Heaventree of Stars
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1998
Materials & Techniques:
Iris print on medium, smooth, white Somerset wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

472. How a Great Daily Organ is Turned Out

How a Great Daily Organ is Turned Out
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1990
Materials & Techniques:
Composite of twenty mixed intaglio plate (various sizes): lift-ground aquatint, photogravure, drypoint, hard and soft-ground etching, burin, stipple, mezzotint, line engraving and roulette on medium, smooth, cream Hahnemuhle wove paper
Dimensions:
Sheet: 29 15/16 × 22 1/16 inches (76 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

473. In Horne's House

In Horne's House
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1982
Materials & Techniques:
Etching, aquatint, soft-ground etching, stipple engraving, line engraving, lift-ground, and spit-bite on medium, smooth, white Rives wove paper
Dimensions:
Sheet: 29 3/4 × 22 1/8 inches (75.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Friends of British Art Fund and Gift of Mr. and Mrs. James Duncan, Yale BA 1975

474. St. Ives

St. Ives
Creator:
Print made by Alfred East, 1849–1913
Date:
undated
Materials & Techniques:
Etching and aquatint
Dimensions:
Sheet: 17 15/16 × 21 15/16 inches (45.5 × 55.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

475. Chance and Order IV

Chance and Order IV
Creator:
Print made by Kenneth Martin, 1905–1984
Date:
1972
Materials & Techniques:
Screen print on thick, moderately textured, white wove paper
Dimensions:
Sheet: 26 15/16 x 26 15/16 inches (68.5 x 68.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Anonymous Gift

476. View of the Convent of the Clarisses at Valenciennes after the Seige

View of the Convent of the Clarisses at Valenciennes after the Seige
Creator:
Joseph Farington, 1747–1821
Date:
1793
Materials & Techniques:
Pen and black ink, gray ink , black wash, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 16 1/8 × 22 3/4 inches (41 × 57.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

477. The Shephard Boy

The Shephard Boy
Creator:
William Ward, 1766–1826
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 17 13/16 x 22 1/16in. (45.2 x 56cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Mr. and Mrs. Leon Korn

478. Close of the Day: Sunset on the Coast

Close of the Day: Sunset on the Coast
Creator:
Alexander Cozens, 1717–1786
Date:
between 1768 and 1775
Materials & Techniques:
Oil and graphite on thick, moderately textured, laid paper
Dimensions:
Sheet: 9 5/8 x 12 1/4 inches (24.4 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

479. The Continence of Chevalier Bayard

The Continence of Chevalier Bayard
Creator:
Engraved by William Pether, ca. 1738–1821
Date:
1771
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 18 1/8 x 21 7/8in. (46 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

480. The Whirlwind of Lovers (Plate 1)

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 22 inches (55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

481. Ciampolo the Barrator Tormented by the Devils (Plate 2)

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 22 inches (55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. The Baffled Devils Fighting (Plate 3)

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 22 inches (55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

483. The Six-Footed Serpent Attacking Agnolo Brunelleschi (Plate 4)

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 22 inches (55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

484. The Serpent Attacking Buoso Donati (Plate 5)

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 22 inches (55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

485. The Pit of Disease: The Falsifiers (Plate 6)

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 22 inches (55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

486. Dante Striking against Bocca Degli Abati (Plate 7)

No cover image available
Creator:
Print made by William Blake, 1757–1827
Date:
1827
Materials & Techniques:
Etching and engraving with chine-collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Binding: 22 inches (55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

487. Jesus College from the Meadows, Cambridge

No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
ca. 1830
Materials & Techniques:
Watercolor, pen and black ink, gray ink, black chalk, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Cover: 18 11/16 × 24 1/16 inches (47.5 × 61.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

488. Jesus College, Cambridge

No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
ca. 1830
Materials & Techniques:
Watercolor, pen and brown ink, black ink, black chalk, graphite, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Cover: 18 11/16 × 24 1/8 inches (47.5 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

489. Brown Horse Mask

No cover image available
Creator:
George Townly Stubbs, 1748–1815
Date:
1773
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 18 x 22 1/8in. (45.7 x 56.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

490. The Lion and Stag

No cover image available
Creator:
George Townly Stubbs, 1748–1815
Date:
1770
Materials & Techniques:
Mezzotint, second state
Dimensions:
Sheet: 17 15/16 x 22in. (45.6 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

491. The Lion and Horse

No cover image available
Creator:
Benjamin Green, ca. 1736–ca. 1800
Date:
1769
Materials & Techniques:
Mezzotint, third state
Dimensions:
Sheet: 17 13/16 x 21 15/16in. (45.3 x 55.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

492. The Golden Age

No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1777
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 22 5/8 inches (47.6 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

493. Pilgrim's Progress Illustrated, Uncut Panorama

No cover image available
Creator:
Print made by Ralph Hudson, active ca. 1820
Date:
ca. 1820
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

494. The Pilgrim's Progress Illustrated, Uncut Panorama

No cover image available
Creator:
Print made by Ralph Hudson, active ca. 1820
Date:
ca. 1820
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 22 1/8 inches (30.5 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

495. Studies of Seated Woman

No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
undated
Materials & Techniques:
Red chalk, graphite, black chalk, and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 1/8 × 22 1/8 inches (38.4 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

496. Study of Workman

No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
undated
Materials & Techniques:
Black chalk, white chalk, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

497. A Shipwreck

No cover image available
Creator:
Print made by Theodore Henry Adolphus Fielding, 1781–1851
Date:
1825
Materials & Techniques:
Etching and aquatint, with hand coloring in watercolor; later state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 3/8 × 31 1/8 inches (54.3 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

498. The Crystal Palace

No cover image available
Creator:
unknown artist
Date:
1851
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 10 1/2 x 21 7/8in. (26.7 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

499. The Bell Rock Lighthouse

No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1862
Materials & Techniques:
Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 3/8 × 29 1/2 inches (59.4 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

500. The Straits of Dover

No cover image available
Creator:
Print made by William Chapman, 1817–1879
Date:
1863
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 27 × 34 3/8 inches (68.6 × 87.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection