Width [cm]: 54 - YCBA Collections Search Search Results

101. Temple Complex of Great Chaitya and Viharas at Karla, Ekvira Devi Temple at Right

Creator:: Gangaram Chintaman Navgire Tambat, active 1790s
Date:: 1793
Materials & Techniques:: Gray wash, pen and black ink, black chalk, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 × 21 3/8 inches (41.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Siccre Gully

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/2 × 21 5/16 inches (39.4 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. John Philip Kemble as Cato

Creator:: Print made by William Ward, 1766–1826
Date:: between 1800 and 1820
Materials & Techniques:: Mezzotint (before any letters) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 32 3/8 × 21 9/16 inches (82.2 × 54.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

104. Lady Rushout and Children

Creator:: Print made by Thomas Watson, 1743–1781
Date:: 1778
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 21 5/16 inches (49.5 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

105. John Hunter, F.R.S.

Creator:: Print made by William Sharp, 1749–1824
Date:: 1788
Materials & Techniques:: Line engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 9/16 × 21 1/16 inches (67.5 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

106. Toon Tree (Toona ciliata)

Creator:: Janet Dick, active 1794–1806
Date:: between 1799 and 1809
Materials & Techniques:: Watercolor, pen and gray ink, gouache, gum arabic, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Fishing Boats at Anchor

Creator:: Edward Alfred Goodall, 1819–1908
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Harlech Castle and Twgwyn Ferry

Creator:: John Varley, 1778–1842
Date:: 1804
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 x 21 1/4 inches (41 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Susanna and the Elders

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1769
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 × 21 1/4 inches (46.4 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

110. Under the Ouse Bridge, Bathing

Creator:: John Varley, 1778–1842
Date:: between 1803 and 1804
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 21 3/8 inches (41.9 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. A Storm

Creator:: Print made by James Watson, 1740–1790
Date:: 1767
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/16 × 22 3/8 inches (48.4 × 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

112. The North Terrace, Looking East

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1765
Materials & Techniques:: Gouache and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. The Norman Gate and Deputy Governor's House

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1765
Materials & Techniques:: Gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 x 21 1/4 inches (38.4 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. View of the Palace and Village of Choisi, on the Banks of the Siene

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

120. St. James Park

Creator:: George Morland, 1763–1804
Date:: 1790
Materials & Techniques:: Hand colored stipple engraving
Dimensions:: Sheet: 18 1/2 x 21 1/4in. (47 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Etching and engraving with chine-collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 1/8 inches (38.4 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Cologne on the Rhine

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1824
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 29 7/8 inches (58.4 × 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Study of two girls, with a study of a hand to the right

Creator:: Frederick Sandys, 1829–1904
Date:: undated
Materials & Techniques:: Black chalk and red chalk on slightly textured, moderately thick, brown wove paper
Dimensions:: Sheet: 16 × 21 1/4 inches (40.6 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Tintern Abbey

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash and black wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 3/8 inches (27.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

126. Cobham Hall, Kent: Wall Decoration

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Cobham Hall, Kent: Section of a Courtyard with Balconies

Creator:: George Shakespear, active 1752, died 1797
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 21 1/4 inches (34 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Cobham Hall, Kent: Section of the great staircase, south wing at Cobham Hall

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 x 21 1/16 inches (37.1 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Cobham Hall, Kent: Mezzanine Floor Plan of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, medium, cream laid paper
Dimensions:: Sheet: 12 3/4 x 21 1/4 inches (32.4 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Cobham Hall, Kent: East Front Elevation of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, modrately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 21 1/4 inches (31.8 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Cobham Hall, Kent: Elevation of the South Front of the Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 21 1/4 inches (33 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Cobham Hall, Kent: Elevations of Stables

Creator:: James Wyatt, 1746–1813
Date:: 1789
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 21 3/8 inches (33.3 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Cobham Hall, Kent: Unidentified Plan

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 21 1/4 inches (33.7 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. View of Ruins of the Asclepium at Pergamon

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Black ink and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (37.9 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Ruins at Pergamon, Probably of the Amphitheatre

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, moderately textured, cream laid paper with gray wash
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. The Basilica at Pergamon

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 3/16 x 21 1/4 inches (38.5 x 53.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. A Tea Garden

Creator:: Francis David Soiron, Born 1764
Date:: 1793
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 × 21 13/16 inches (48.3 × 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. No. 26 drawings of temple remains at Baalbec or Palmyra

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured,cream laid paper
Dimensions:: Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on moderately thick, roughly textured, cream laid paper
Dimensions:: Sheet: 16 × 21 1/8 inches (40.6 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, gray wash on moderately thick, slightly textured, white laid paper
Dimensions:: Sheet: 7 1/2 × 21 1/4 inches (19.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. XIVI Theatre at Ain Tunga Thignica

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and gray wash on moderately thick,moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 21 3/8 inches (38.7 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Temple at Thignica Modern, Ain Tunga now totally Destroyed

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, red pencil on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 1/8 inches (39.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Left Corinthian Temple at Suttetula Modern Sheitla

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 21 3/8 inches (42.2 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Tomb de la Chretienne/ Juba and Cleopatra

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gouache, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 21 3/8 inches (39.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. St. Agatha's Abbey, Easby

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1823
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. St. Catherine's Hill, near Guildford, Surrey

Creator:: Print made by James H. Kernot, 1802–1858
Date:: 1832
Materials & Techniques:: Etching and engraving with chine-collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 1/8 inches (38.1 × 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Margate

Creator:: attributed to Benjamin West, 1738–1820
Date:: 1767
Materials & Techniques:: Black chalk on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 14 x 21 3/8 inches (35.6 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. A View of Rome Taken from the Pincio

Creator:: William Pars, 1742–1782
Date:: 1776
Materials & Techniques:: Watercolor, pen and gray ink, graphite and black crayon on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 17 15/16 x 24 1/8 inches (45.5 x 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Hebe

Creator:: Print made by Johann Jacobé, 1733–1797
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 28 × 21 1/4 inches (71.1 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

150. A Tea Garden

Creator:: George Morland, 1763–1804
Date:: 1790
Materials & Techniques:: Hand colored stipple engraving
Dimensions:: Sheet: 18 1/2 x 21 1/4in. (47 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. The Carthusian Convent at Trisulto

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. The Carthusian Convent at Trisulto

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. The Carthusian Convent at Trisulto, near Alatri

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Ducal Palace etc at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Ducal Palace at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Ducal Palace at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Castle of Balzerrano, and Vale of Roveto, in Abbruzzo

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/4 inches (39.5 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Castle of Balzerrano, in Abbruzo

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 20 7/8 inches (39.1 x 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. View of the Clifton Suspension Bridge

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. The Ruins of Bildewas Abbey, Shropsire

Creator:: unknown artist
Date:: ca. 1812
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 16 x 21 1/4in. (40.6 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

Creator:: Print made by unknown artist
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 16 x 21 1/8 inches (40.7 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Margate with the Venus Steam Packet Entering the Harbour

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: ca. 1823
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 16 1/4 x 21 1/4in. (41.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. The Mary, Joshua Collings, Master, Entering the Harbour of La Valletta, in the Island of Malta, Dec. 5, 1835

Creator:: Edward Duncan, 1803–1882
Date:: 1835
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 16 1/4 x 21 1/4in. (41.3 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. View of the Valley of Laodicea

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 1/8 x 21 5/16 inches (38.4 x 54.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Samos

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Reconstruction of the Proscenium of the Theater at Hierapolis

Creator:: Giovanni Battista Borra, 1713–1770
Date:: ca. 1750
Materials & Techniques:: Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 15/16 x 21 1/4 inches (38 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Elevation of a Proposed Design for Cambridge Colleges

Creator:: William Wilkins, 1778–1839
Date:: ca. 1823
Materials & Techniques:: Graphite, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 5/8 × 21 3/8 inches (32.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. East Front Elevation of a Proposed Design for Cambridge Colleges

Creator:: William Wilkins, 1778–1839
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.7 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Children Birdsnesting

Creator:: William Ward, 1766–1826
Date:: 1789
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 11/16 × 21 5/16 inches (42.4 × 54.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Southampton or Bloomsbury Square

Creator:: Sutton Nicholls, active 1725
Date:: 1754
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Headfort House: Staircase Moldings

Creator:: Robert Adam, 1728–1792
Date:: 1772
Materials & Techniques:: Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 15/16 x 21 1/16 inches (32.8 x 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Headfort House: Staircase Entablature

Creator:: Robert Adam, 1728–1792
Date:: 1772
Materials & Techniques:: Pen and black ink, graphite on moderately thick, moderately textured, cream laid paper mounted on linen
Dimensions:: Sheet: 25 15/16 x 21 1/4 inches (65.9 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Headfort House: Moldings

Creator:: Robert Adam, 1728–1792
Date:: undated
Materials & Techniques:: Graphite on moderately thick, rough, gray wove paper mounted on canvas
Dimensions:: Sheet: 24 1/2 x 21 1/8 inches (62.3 x 53.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. The Great Bridge over the Taafe

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 24 5/8 inches (44.8 x 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Carnarvon Castle

Creator:: William Byrne, 1743–1805
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: ca. 1764
Materials & Techniques:: Hand-colored engraving
Dimensions:: Plate: 14 5/8 x 21 1/8in. (37.1 x 53.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Kew: The White House from the Lawn

Creator:: James Mason, 1710–1783
Date:: 1766
Materials & Techniques:: Hand colored engraving
Dimensions:: Plate: 14 1/2 x 21 1/4in. (36.8 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. A View of the Lawn from the Palace, with the Pagoda, The Temple of Victory, and the Colonade in the Royal Gardens at Kew

Creator:: James Mason, 1710–1783
Date:: 1766
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 14 1/2 x 21 1/4in. (36.8 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. A View of the Great Room, etc. at Hall-Barn

Creator:: William Woollett, 1735–1785
Date:: 1760
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 6 × 17 1/2 inches (15.2 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. View of St. Cloud and Mount Cavalary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 × 18 7/8 inches (12.7 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. A View of the Garden at Carlton House in Pall Mall, a Palace of H.R.H. the Princess Dowager of Wales

Creator:: William Woollett, 1735–1785
Date:: ca. 1760
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/4 × 21 3/8 inches (37.5 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. A View of Foots-Cray Place in Kent, the Seat of Bourchier Cleeve Esq.

Creator:: William Woollett, 1735–1785
Date:: 1760
Materials & Techniques:: Engraving on laid paper
Dimensions:: Sheet: 14 9/16 x 21 3/16in. (37 x 53.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. The Lavatory Tower, Canterbury, Kent

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 21 1/4 inches (37.5 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

191. A View of the Eastside of London Bridge

Creator:: R. Martin, active 1823–1840
Date:: undated
Materials & Techniques:: Reproduction lithograph
Dimensions:: Sheet: 13 5/16 x 21 3/8in. (33.8 x 54.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. A View of the West Side of London Bridge in 1710

Creator:: R. Martin, active 1823–1840
Materials & Techniques:: Reproduction lithograph
Dimensions:: Sheet: 13 1/4 x 21 1/4in. (33.7 x 54cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. A Brisk Gale

Creator:: Pierre Charles Canot, ca. 1710–1777
Date:: ca. 1765
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 21 1/8 inches (43.5 × 53.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Counsel and a Vendor of Stamps

Creator:: John Copley, 1875–1950
Date:: 1910
Materials & Techniques:: Lithograph, printed in black
Dimensions:: Image: 13 7/8 x 14 3/4in. (35.2 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

195. Palace of the Duca di Sora Where the Rivers Separate, at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. View on the River Liris at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1791
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

197. View on the River Liris, near Isola

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 1/8 inches (39.5 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. View on the river Liris, near Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. View on the river Liris, near Isola

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 5/8 x 21 3/16 inches (39.7 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. View at Isola di Sora

Creator:: Sir Richard Colt Hoare, 1758–1838
Date:: 1790
Materials & Techniques:: Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.5 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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101. Temple Complex of Great Chaitya and Viharas at Karla, Ekvira Devi Temple at Right

102. Siccre Gully

103. John Philip Kemble as Cato

104. Lady Rushout and Children

105. John Hunter, F.R.S.

106. Toon Tree (Toona ciliata)

107. Fishing Boats at Anchor

108. Harlech Castle and Twgwyn Ferry

109. Susanna and the Elders

110. Under the Ouse Bridge, Bathing

111. A Storm

112. The North Terrace, Looking East

113. The Norman Gate and Deputy Governor's House

114. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

115. View of the Palace and Village of Choisi, on the Banks of the Siene

116. Views of the Pantheon, taken from the Arsenal

117. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

118. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

119. Le Porte De Brest: Dessine Du Point L, Marque sur Le Plan:

120. St. James Park

121. Louth, Lincolnshire

122. Richmond Hill and Bridge, Surrey

123. Cologne on the Rhine

124. Study of two girls, with a study of a hand to the right

125. Tintern Abbey

126. Cobham Hall, Kent: Wall Decoration

127. Cobham Hall, Kent: Section of a Courtyard with Balconies

128. Cobham Hall, Kent: Section of the great staircase, south wing at Cobham Hall

129. Cobham Hall, Kent: Mezzanine Floor Plan of Stables

130. Cobham Hall, Kent: East Front Elevation of Stables

131. Cobham Hall, Kent: Elevation of the South Front of the Stables

132. Cobham Hall, Kent: Elevations of Stables

133. Cobham Hall, Kent: Unidentified Plan

134. View of Ruins of the Asclepium at Pergamon

135. Ruins at Pergamon, Probably of the Amphitheatre

136. The Basilica at Pergamon

137. A Tea Garden

138. No. 26 drawings of temple remains at Baalbec or Palmyra

139. View of the Cross Portico of part of the large one taken from the five columns immediately South of the Four Pedestals

140. Temple at Baalbec: Double Page from Sketchbook with Drawings of Temples

141. XIVI Theatre at Ain Tunga Thignica

142. Temple at Thignica Modern, Ain Tunga now totally Destroyed

143. Left Corinthian Temple at Suttetula Modern Sheitla

144. Tomb de la Chretienne/ Juba and Cleopatra

145. St. Agatha's Abbey, Easby

146. St. Catherine's Hill, near Guildford, Surrey

147. Margate

148. A View of Rome Taken from the Pincio

149. Hebe

150. A Tea Garden

151. The Carthusian Convent at Trisulto

152. The Monastery of the order of La Trappe, at Casamare between Frusinone and Sora

153. The Carthusian Convent at Trisulto

154. The Carthusian Convent at Trisulto, near Alatri

155. Ducal Palace etc at Isola di Sora

156. Ducal Palace at Isola di Sora

157. Ducal Palace at Isola di Sora

158. Castle of Balzerrano, and Vale of Roveto, in Abbruzzo

159. Church of S. Domenico near Sora built upon the ruins of Cicero's Villa

160. Castle of Balzerrano, in Abbruzo

161. View of the Clifton Suspension Bridge

162. The Ruins of Bildewas Abbey, Shropsire

163. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

164. View of the Pantheon taken from the Arsenal

165. Margate with the Venus Steam Packet Entering the Harbour

166. The Mary, Joshua Collings, Master, Entering the Harbour of La Valletta, in the Island of Malta, Dec. 5, 1835

167. View of the Valley of Laodicea

168. Samos

169. Reconstruction of the Proscenium of the Theater at Hierapolis

170. Elevation of a Proposed Design for Cambridge Colleges

171. East Front Elevation of a Proposed Design for Cambridge Colleges

172. Children Birdsnesting

173. Southampton or Bloomsbury Square

174. Headfort House: Staircase Moldings

175. Headfort House: Staircase Entablature