The Old Parish Church and Village, Hampton-on-Thames, Middlesex, 18th century
late 18th century
Not on view
5
James Arthur O'Connor, 1792–1841
A Wooded River Landscape with Mother and Child
1830
Not on view
6
James Arthur O'Connor, 1792–1841
A Wooded River Landscape with Fishermen
ca. 1830
Not on view
7
Henry Singleton, 1766–1839
The Surrender of the Two Sons of Tipu Sahib, Sultan of Mysore, to Sir David Baird
ca. 1800
Not on view
8
Richard Wilson, 1713/4–1782
Lago d'Agnano with Vesuvius in the distance
between 1770 and 1775
Not on view
9
Paul Sandby, 1731–1809
Landscape with a Lake
1808
Not on view
10
Paul Sandby, 1731–1809
Landscape with a Castle
ca. 1808
Not on view
11
James Stark, 1794–1859
Sheep Washing at Postwick Grove, Norwich
ca. 1822
Not on view
12
James Duffield Harding, 1798–1863
The Great Exhibition of 1851
1851
Not on view
13
Thomas Jones, 1742–1803
An Imaginary Italianate Landscape with Classical Figures and a Waterfall
ca. 1773
Not on view
14
Andrew Geddes, 1783–1844
Charles Lenox Cumming-Bruce in Turkish Dress
1817
Not on view
15
Attributed to Sir James Thornhill, 1675–1734
Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
ca. 1720
Not on view
16
Richard Dadd, 1817–1886
Sailing Ships
1861
Not on view
17
Charles Cooper Henderson, 1803–1877
Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)
between 1820 and 1830
Not on view
18
Thomas Woodward, 1801–1852
Grey Shooting Pony, Probably the Property of Johnston King, with a Groom
1835
Not on view
19
Charles Cooper Henderson, 1803–1877
Mail Coaches on the Road: the Louth-London Royal Mail progressing at Speed
between 1820 and 1830
Not on view
20
James Pollard, 1792–1867
The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington
1835
Not on view
21
Richard Wilson, 1713/4–1782
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
22
Attributed to Sir James Thornhill, 1675–1734
Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
ca. 1718
Not on view
23
John Singleton Copley, 1738–1815
Study for 'The Red Cross Knight'
ca. 1793
Not on view
24
Sir Godfrey Kneller, 1646–1723
Self-Portrait
ca. 1680
Not on view
25
Pieter Jan van Reysschoot, 1702–1772
Lovers in a landscape
ca. 1740
Not on view
26
Marcellus Laroon the Younger, 1679–1772
Lovers in a Park
ca. 1745
Not on view
27
James Baker Pyne, 1800–1870
The Entrance to the Menai Straits
1847
Not on view
28
Louis François Roubiliac, 1702–1762
Philip Dormer Stanhope, Fourth Earl of Chesterfield (1694-1773)
ca. 1745
Not on view
29
John Gibson, 1790–1866
Cupid Disguised as a Shepherd Boy
commissioned in 1834
Not on view
30
attributed to Samuel Palmer, 1805–1881
Study of Waves
undated
31
Samuel Palmer, 1805–1881
Pistil Mawddach, North Wales
between 1835 and 1836
32
Samuel Palmer, 1805–1881
A Shepherd and his Flock under the Moon and Stars
ca. 1827
33
George Stubbs, 1724–1806
Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
between 1795 and 1806
34
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the upper layers of muscles and their blood supply prepared for the key figure to Table XIV)
1795 to 1806
35
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
36
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
37
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study for an unpublished table; shows a late stage in dissection)
between 1795 and 1806
38
George Stubbs, 1724–1806
Tiger, Lateral View, with the Connective Tissue Overlying the Muscles Removed (Finished Study for Table XIV)
1795 to 1806
39
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
40
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
1795 to 1806
41
Edward Lear, 1812–1888
New Harbour, Malta
1866
42
Edward Lear, 1812–1888
Turin, Italy
after 1872
43
George Romney, 1734–1802
Howard Visiting a Prison
undated
44
George Romney, 1734–1802
Howard Visiting a Prison
between 1749 and 1802
45
George Romney, 1734–1802
Prison Scene
undated
46
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
47
James Bruce, 1730–1794
No. 21 view from the North Angle of the peristyle of the temple
undated
48
James Bruce, 1730–1794
No. 25 drawing of temple remains at Baalbec or Palmyra
undated
49
James Bruce, 1730–1794
Unidentified Temple Faustana (?)
undated
50
Print made by James Basire II, 1769–1822
A View of the Chapel and Hall of Oriel College, &c
1807
51
William Woollett, 1735–1785
The Spanish Pointer
1768
52
George Price Boyce, 1826–1897
A Road Near Bettws-y-Coed
1851
53
Isaac Weld, 1774–1856
Caernarvon (Castle) Eagle Tower
ca. 1809
54
James R. Mackrell, c.1815–1846
[Racing]: (1) Godolphin Arabian - "Scham"
1842
55
Joseph Cartwright, c.1789–1829
Two Sloops of War, One Barque and One Schooner (?), Sterns Forward, in Heavy Seas; Several Sailing Vessels in Background
undated
56
William Woollett, 1735–1785
[Shooting] The Spanish Pointer
1768
57
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
58
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
59
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
60
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
61
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
62
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
63
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
64
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
65
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
66
Print made by John Boydell, 1720–1804
Noon
1753
67
James Mason, 1710–1783
South East View of Netley Abbey, Near Southampton
1755
68
Robert Adam, 1728–1792
Headfort House: Lady's Room Ceiling Rose
1772
69
William James Muller, 1812–1845
Ilos, Lycia
ca. 1843
70
Samuel Austin, 1796–1834
Church of Notre Dame, Bruges
undated
71
John James Chalon, 1778–1854
Music: Composition in a Garden
ca. 1832
72
Follower of Henry Edridge, 1769–1821
View of Harrow Church
undated
73
George Shepheard, ca. 1770–1842
A Regency House
ca. 1820
74
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Turret
ca. 1790
75
Print made by Samuel Middiman, ca. 1750–1831
Weathercote Cave when Half Filled with Water
1821
76
Print made by Thomas Jeavons, ca. 1800–1867
Exeter
1827-1838
77
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
78
Print made by James C. Allen, active 1821–1831
Lowestoffe
ca. 1830
79
Angelica Kauffmann, 1741–1807
Design for a Fan
1775
80
Master of the Giants, active 1779
Apollo and Daphne
between 1770 and 1799
81
Augustus Welby Northmore Pugin, 1812–1852
Designs for Gothic Hinges, Keyplates and Doorstraps
undated
82
Sir Charles D'Oyly, 1781–1845
General View of Calcutta, from the Entrance to the Water Gate of Fort William
undated
83
Print made by Thomas Jeavons, ca. 1800–1867
Lyme Regis, Norfolk
1836
84
Print made by W. R. Smith, active 1819–1851
Saltash, Cornwall
1827-1838
85
Print made by Robert Wallis, 1794–1878
Bolton Abbey, Yorkshire
1827-1838
86
Sir Charles D'Oyly, 1781–1845
Chowringhee Road from No. XI Esplanade
undated
87
Print made by Robert Wallis, 1794–1878
Colchester, Essex
1827-1838
88
Print made by Day & Co., 1824–1913
Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place
1839
89
C. R. W. Nevinson, 1889–1946
The Wave
1917
90
William Woollett, 1735–1785
View of the Walton Bridge, Venus's Temple
1757
91
William Woolnoth, active 1806–1830
A View of the House and Part of the Garden at West Wycomb
1757
92
William Woollett, 1735–1785
A View of the Lake etc. at West Wycomb
1757
93
Print made by William Henry Toms, ca. 1700–ca. 1750
A Perspective View of the Chapel adjoining to Wakefield Bridge, in the County of York, which was built by King Edward the fourth in Memory of his Father Richard, Duke of York