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Harnham Gate, Salisbury
Creator:
John Constable, 1776–1837
Date:
between 1820 and 1821
Materials & Techniques:
Oil on canvas
Dimensions:
20 x 20 inches (50.8 x 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view
Cambrian Road, Richmond
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1913 to 1914
Materials & Techniques:
Oil on canvas
Dimensions:
16 x 20 inches (40.6 x 50.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
On view
Road Scene in Windsor Forest
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 16 3/4 x 20 1/4 inches (42.5 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Trees and Factory at Hammersmith
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1903
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Plate: 13 × 16 inches (33 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Richard III: Act IV, Scene III, Tower of London
Creator:
Print made by William Skelton, 1763–1848
Date:
1795
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 29 3/8 × 20 1/8 inches (74.6 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Indo-Classical Residential Compound
Creator:
Unknown artist (Company style)
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Image: 12 3/4 × 20 1/4 inches (32.4 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund