Width [cm]: 48 / Image Use: Free to Use - YCBA Collections Search Search Results

1. Hampstead Heath looking towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821 to 1822
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1822
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 11 1/4 × 19 inches (28.6 × 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Kinchinjunga

Creator:: Edward Lear, 1812–1888
Date:: 1877
Materials & Techniques:: Oil on canvas
Dimensions:: 9 1/2 x 14 1/2 inches (24.1 x 36.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
On View:: Not on view

4. Opposite my House at Barnes

Creator:: Edward William Cooke, 1811–1880
Date:: 1862
Materials & Techniques:: Oil on panel
Dimensions:: 11 15/16 x 18 15/16 inches (30.3 x 48.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Westminster Bridge and Abbey

Creator:: William Daniell, 1769–1837
Date:: 1813
Materials & Techniques:: Oil on board
Dimensions:: 12 1/16 x 18 11/16 inches (30.6 x 47.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Bachelor's Hall: The Meet

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Bachelor's Hall: Breaking Cover

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Bachelor's Hall: The Death

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Bachelor's Hall: Full Cry

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Bachelors' Hall: The Hunt Breakfast

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Bachelor's Hall: Capping on Hounds

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. St. James's Park

Creator:: George Morland, 1763–1804
Date:: between 1788 and 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 19 inches (40.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Southampton Water, near Hamble

Creator:: Frederick Richard Lee, 1798–1879
Date:: after 1837
Materials & Techniques:: Oil on panel
Dimensions:: 9 15/16 × 13 11/16 inches (25.2 × 34.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. St. Benet's Abbey

Creator:: Attributed to John Sell Cotman, 1782–1842
Date:: ca. 1810
Materials & Techniques:: Oil on canvas
Dimensions:: 15 × 19 inches (38.1 × 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Richard L. Purdy
On View:: Not on view

15. Oxford from the River with Christ Church in the Foreground

Creator:: William Turner of Oxford, 1789–1862
Date:: ca. 1820
Materials & Techniques:: Oil on millboard
Dimensions:: 11 × 18 3/4 inches (27.9 × 47.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Anne Parsons, later Viscountess Maynard

Creator:: George Willison, 1741–1797
Date:: ca. 1771
Materials & Techniques:: Oil on copper
Dimensions:: 22 1/2 × 18 3/4 inches (57.2 × 47.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Self-Portrait

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 18 3/4 inches (63.5 x 47.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

18. The Wreck of the Dutton, An East Indiaman

Creator:: Samuel Prout, 1783–1852
Date:: ca. 1815
Materials & Techniques:: Oil on panel
Dimensions:: 14 3/8 x 19 inches (36.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Rutgers Barclay, Yale BA 1957
On View:: Not on view

19. Hope

Creator:: George Frederic Watts, 1817–1904
Date:: 1891
Materials & Techniques:: Oil on panel
Dimensions:: 26 × 19 inches (66 × 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Claire and Albert J. Zuckerman, Yale School of Drama MFA 1961, DFA 1962
On View:: Not on view

20. Langdale Pikes from Lowood

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: between 1800 and 1806
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Landscape with Horse and Oxen Cart

Creator:: Philippe-Jacques de Loutherbourg, 1740–1812
Date:: 1770 to 1780
Materials & Techniques:: Oil on panel
Dimensions:: 12 1/2 × 18 3/4 inches (31.8 × 47.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. The Capture of the "Marquis d'Antin" and the "Louis Erasme"

Creator:: Charles Brooking, 1723–1759
Date:: between 1745 and 1755
Materials & Techniques:: Oil on canvas
Dimensions:: 13 x 19 inches (33 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. A Landscape with a Horseman

Creator:: John Middleton, 1826–1856
Date:: ca. 1850
Materials & Techniques:: Oil on canvas
Dimensions:: 19 x 19 inches (48.3 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. Joseph Nollekens

Creator:: Attributed to David Allan, 1744–1796
Date:: between 1770 and 1771
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 19 inches (63.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. The Angel of Mercy

Creator:: Joseph Highmore, 1692–1780
Date:: ca. 1746
Materials & Techniques:: Oil on canvas
Dimensions:: 23 1/2 x 19 inches (59.7 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Sir Andrew Fountaine

Creator:: Louis François Roubiliac, 1702–1762
Date:: ca. 1747
Materials & Techniques:: Plaster
Dimensions:: Overall: 23 3/4 × 19 × 9 3/4 inches (60.3 × 48.3 × 24.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Horse Studies in Relief, after George Stubbs

Creator:: Edward Burch, 1730–1814
Date:: modeled 1788–1789
Materials & Techniques:: Wedgwood
Dimensions:: Overall: 13 3/4 × 18 3/4 × 1 1/4 inches (34.9 × 47.6 × 3.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. Rocky Landscape in Wales

Creator:: Samuel Palmer, 1805–1881
Date:: 1835 or 1836
Materials & Techniques:: Gouache and watercolor with gum and black chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. A Horse Affrighted by a Lion

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1777
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 19 inches (37.5 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Analysis of Beauty, Plate I: A Statuary's Yard

Creator:: William Hogarth, 1697–1764
Date:: 1753
Materials & Techniques:: Engraving on paper
Dimensions:: Sheet: 14 1/4 x 19in. (36.2 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Fluelen: Morning (Looking towards the Lake)

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1845
Materials & Techniques:: Watercolor, gouache and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 18 7/8 inches (29.8 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Reggio, 26 July 1847

Creator:: Edward Lear, 1812–1888
Date:: 1847
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 18 7/8 inches (28.6 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

34. The Wave

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Black ink and gray wash over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 13 1/4 x 19 inches (33.7 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Prison Scene

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/4 x 18 7/8 inches (27.3 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

36. The High Land of Dungarven, West by North

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 19 inches (14 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Old Harry, Swanage Bay

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 19 inches (13.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A Rocky Crag

Creator:: Rev. William Henry Barnard, 1767–1818
Date:: undated
Materials & Techniques:: Gray wash and black wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Bridge over the Thames, with sailing barges in the foreground

Creator:: Dominic Serres, 1722–1793
Date:: 1758-1793
Materials & Techniques:: Watercolor with black ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 18 3/4 inches (33.7 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. An Overshot Mill

Creator:: Andrew Nicholl, 1804–1866
Date:: undated
Materials & Techniques:: Watercolor and scratching out over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Landscape

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Watercolor and gray wash over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Contemporary drawn border: 13 1/4 x 18 3/4 inches (33.7 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Stone Gatherers

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 19 1/16 inches (31.6 × 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Seat of Stafford Briscoe

Creator:: Samuel Lewis, ca. 1756–1822
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 13/16 inches (32.7 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. View of Baron Hill, Anglesey, Wales

Creator:: Moses Griffith, 1747–1819
Date:: 1776
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/16 x 17 1/2in. (25.9 x 44.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Main Entrance of Great Mosque, (Ulu cami) Bursa, Turkey,

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1840 and 1841
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 18 3/4 inches (29.8 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Evacuation Before Resignation

Creator:: James Gillray, 1756–1815
Date:: 1782
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 3/8 x 19in. (64.5 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Woodman's Return

Creator:: John Whessell, 1760–ca. 1823
Date:: 1797
Materials & Techniques:: Colored stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 24 1/4 × 18 7/8 inches (61.6 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Tempest, Act V, Scene I

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1795
Materials & Techniques:: Mezzotint and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 3/4 × 18 7/8 inches (62.9 × 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Earl Talbot's Hound, Thomasine

Creator:: John Linnell, 1792–1882
Date:: 1839
Materials & Techniques:: Graphite, watercolor, gouache and chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 16 5/8 x 19 inches (42.2 x 48.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

Creator:: John William Edy, 1760–1820
Date:: 1797
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 11/16 inches (35.9 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. John Masefield No. 3

Creator:: Print made by William Strang, 1859–1921
Date:: 1909
Materials & Techniques:: Mezzotint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 × 20 7/8 inches (61 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

52. Drawing Academy

Creator:: Print made by William Pether, ca. 1738–1821
Date:: ca. 1772
Materials & Techniques:: Mezzotint, proof before title
Dimensions:: Plate: 22 7/8 x 17 7/8in. (58.1 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

54. The Fatal Conflagration of the Custom House, 12th February 1814

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/8 x 18 3/4in. (35.9 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. View of the Clifton Suspension Bridge

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Death on a Pale Horse

Creator:: Joseph Haynes, 1760–1829
Date:: 1784
Materials & Techniques:: Etching, published state
Dimensions:: Sheet: 27 x 18 3/4in. (68.6 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Portrait of a Gent Called Edmund Burke

Creator:: attributed to John Russell, 1745–1806
Date:: undated
Materials & Techniques:: Pastel on medium, smooth, cream laid paper
Dimensions:: Sheet: 23 x 19 inches (58.4 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joseph N. Hernon, Jr.

58. View of the Village of Chaillot Taken from the Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1800 to 1802
Materials & Techniques:: Soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 15/16 inches (13.7 x 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Revolt of the Fleet, 1642

Creator:: John Harris, active 1686–1740
Date:: ca. 1710
Materials & Techniques:: Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Boscawen and Sheerness Privateers

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream laid paper, laid on mount
Dimensions:: Sheet: 14 5/8 x 20 9/16 inches (37.1 x 52.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Le Crotoy from the Mouth of the Somme

Creator:: Newton Limbird Smith Fielding, 1799–1856
Date:: 1825
Materials & Techniques:: Aquatint on moderately thin, lightly textured, white wove paper laid to card
Dimensions:: Mount: 16 1/2 x 19 inches (41.9 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Okehampton Castle on the River Okement

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Mezzotint and line engraving; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

Creator:: Print made by William Clerk, ? 19th c.
Date:: after 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick, smooth, beige card
Dimensions:: Sheet: 15 3/16 x 18 3/4 inches (38.6 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Celebration of the 4th June at Eton

Creator:: Charles G. Lewis, 1808–1880
Date:: 1837
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 16 13/16 × 20 5/16 inches (42.7 × 51.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The West Prospect of the Cathedral Church of St. Pauls London

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 24 x 18 7/8in. (61 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Opening of the Waterloo Bridge on the 18th June 1817

Creator:: Augustus Charles Pugin, 1762–1832
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 7/16 × 19 inches (31.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Prospectus Westmonasteriensis Londini

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 1/4 x 18 11/16in. (36.2 x 47.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Englishman at Paris, 1767

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. The Society for the Encouragement of the Arts (2 copies)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Views in the Levant: Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 18 11/16 inches (28.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 18 3/4in. (25.1 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Daughters of Sir Thomas Frankland

Creator:: William Ward, 1766–1826
Date:: 1797
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 25 7/8 × 20 1/2 inches (65.7 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. David Wilkie, R.A.

Creator:: William James Ward, ca. 1800–1840
Date:: 1818
Materials & Techniques:: Mezzotint on medium, smooth, beige wove paper mounted on board
Dimensions:: Mount: 28 7/16 × 20 5/8 inches (72.2 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol..

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1831
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 13/16 × 20 inches (45.2 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Principal Entrance to the Gas Works, Westminster

Creator:: Print made by Thomas Faulkner, active 1825–1838
Date:: ca. 1830
Materials & Techniques:: Lithograph on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 7/8 x 19 inches (35.2 x 48.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Hall's Library at Margate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1789
Materials & Techniques:: Hand-colored aquatint on wove paper
Dimensions:: Sheet: 12 x 18 13/16in. (30.5 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Arches Near the East Gate, Bury St. Edmunds Suffolk

Creator:: Capt. Francis Grose, 1731–1791
Date:: 1777
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

80. Le Gourmand, Heavy Birds fly Slow, Delay Breeds Danger, A Scene at Varennes, June 21, 1791

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 5/8 x 19in. (32.1 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Rustic Benevolence

Creator:: Niccoló Schiavonetti, 1771–1813
Date:: 1804
Materials & Techniques:: Stipple engraving, colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 19 3/8 inches (41.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Battle of the Angels; Celestial and Infernal

Creator:: Print made by William Holland, 1757–1815
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 18 3/4in. (29.5 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Portrait of William Lock II of Norbury Park, Surrey

Creator:: Sir Thomas Lawrence, 1769–1830
Date:: ca. 1800
Materials & Techniques:: Oiled charcoal and blue-gray ground on canvas
Dimensions:: Frame: 34 1/2 x 28 x 3 1/4 inches (87.6 x 71.1 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund and Friends of British Art Fund

84. Puritanical Amusements Revived

Creator:: Print made by William Holland, 1757–1815
Date:: 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 1/2 x 18 7/8in. (29.2 x 47.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Shades of Opposition; or, More Ghosts!!

Creator:: unknown artist
Date:: 1798
Materials & Techniques:: Etching & aquatint, hand-colored
Dimensions:: Sheet: 11 1/2 x 18 3/4in. (29.2 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Rev. Charles Forster

Creator:: William Haydon Fuge, active ca. 1849–1866
Date:: undated
Materials & Techniques:: Black chalk, white chalk, red chalk, and blue chalk on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 24 7/8 × 19 inches (63.2 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Professor S.W. Jackman in recognition of his friendship with Mr. and Mrs. Paul Mellon, April 1994.

87. A Race on the Sands at Weymouth

Creator:: unknown artist
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 x 18 3/4in. (22.9 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. A Tandem

Creator:: R. Hixon, active 1813
Date:: 1812
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 11 5/8 x 18 3/4in. (29.5 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Summer Amusement at Farmer G-----'s Near Windsor

Creator:: Richard Newton, 1777–1798
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 1/4 x 19 1/16in. (31.1 x 48.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

90. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 18 5/8 × 27 inches (47.3 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. View of the Village of Chaillot, etc., taken from Pont de la Concorde

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, etc., taken from Pont Notre Dame

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 7 7/8 × 19 inches (20 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving on medium, moderately textured, cream laid paper laid on mount
Dimensions:: Mount: 15 1/4 x 19 1/16 inches (38.8 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Breaking Up of the Agamemnon, no. 1

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1870
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

95. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

96. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

97. His Majesty Recommending a Law (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Grecian Harvest Home (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: after 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Orpheus instructing..in Theology (Designs for the Walls of the Great Room of Society for the Encouragement of the Arts)

Creator:: James Barry, 1741–1806
Date:: After 1783
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 x 19in. (40.6 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. View of the Village of Chaillot and etc. taken from Pont de la Concorde.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slight textured, cream wove paper
Dimensions:: Image: 5 × 19 inches (12.7 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Hampstead Heath looking towards Harrow

2. Cloud Study

3. Kinchinjunga

4. Opposite my House at Barnes

5. Westminster Bridge and Abbey

6. Bachelor's Hall: The Meet

7. Bachelor's Hall: Breaking Cover

8. Bachelor's Hall: The Death

9. Bachelor's Hall: Full Cry

10. Bachelors' Hall: The Hunt Breakfast

11. Bachelor's Hall: Capping on Hounds

12. St. James's Park

13. Southampton Water, near Hamble

14. St. Benet's Abbey

15. Oxford from the River with Christ Church in the Foreground

16. Anne Parsons, later Viscountess Maynard

17. Self-Portrait

18. The Wreck of the Dutton, An East Indiaman

19. Hope

20. Langdale Pikes from Lowood

21. Landscape with Horse and Oxen Cart

22. The Capture of the "Marquis d'Antin" and the "Louis Erasme"

23. A Landscape with a Horseman

24. Joseph Nollekens

25. The Angel of Mercy

26. Sir Andrew Fountaine

27. Horse Studies in Relief, after George Stubbs

28. Rocky Landscape in Wales

29. Tygers at Play

30. A Horse Affrighted by a Lion

31. Analysis of Beauty, Plate I: A Statuary's Yard

32. Fluelen: Morning (Looking towards the Lake)

33. Reggio, 26 July 1847

34. The Wave

35. Prison Scene

36. The High Land of Dungarven, West by North

37. Old Harry, Swanage Bay

38. A Rocky Crag

39. A Bridge over the Thames, with sailing barges in the foreground

40. An Overshot Mill

41. Landscape

42. The Stone Gatherers

43. The Seat of Stafford Briscoe

44. View of Baron Hill, Anglesey, Wales

45. Main Entrance of Great Mosque, (Ulu cami) Bursa, Turkey,

46. Evacuation Before Resignation

47. The Woodman's Return

48. The Tempest, Act V, Scene I

49. Earl Talbot's Hound, Thomasine

50. View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795

51. John Masefield No. 3

52. Drawing Academy

53. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

54. The Fatal Conflagration of the Custom House, 12th February 1814

55. View of the Clifton Suspension Bridge

56. Death on a Pale Horse

57. Portrait of a Gent Called Edmund Burke

58. View of the Village of Chaillot Taken from the Pont de la Concorde

59. The Diagorides Victors at Olympia (Design for the Walls of the Great Room of the Society for the Encouragement of the Arts)

60. The Revolt of the Fleet, 1642

61. The Boscawen and Sheerness Privateers

62. Le Crotoy from the Mouth of the Somme

63. Okehampton Castle on the River Okement

64. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

65. Celebration of the 4th June at Eton

66. The West Prospect of the Cathedral Church of St. Pauls London

67. The Opening of the Waterloo Bridge on the 18th June 1817

68. Prospectus Westmonasteriensis Londini

69. Englishman at Paris, 1767

70. The Society for the Encouragement of the Arts (2 copies)

71. Views in the Levant: Paestum

72. The Queen or Domestic Education at Windsor (Designs for the Walls of the Great Room of the Society for the Encouragement of the Arts)

73. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

74. Daughters of Sir Thomas Frankland