<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Width [cm] 48

Remove constraint Width [cm]: 48

Image Use Free to Use

Remove constraint Image Use: Free to Use

Search Results

Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
Thomas Girtin View of the Village of Chaillot &c., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Village of Chaillot &c., taken from Pont de la Concorde
1802
Day & Co. The High Street, Southampton
Print made by Day & Co., 1824–1913
The High Street, Southampton
1828
Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
Thomas Girtin View of the Village of Chaillot and &c., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Village of Chaillot and &c., taken from Pont de la Concorde
1803
Thomas Girtin View of St. Cloud and Mount Calvary taken from Pont de Seve
Thomas Girtin, 1775–1802
View of St. Cloud and Mount Calvary taken from Pont de Seve
1802
William Hogarth A Rake's Progress, Plate 8: In Bedlam
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8: In Bedlam
1735
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
ca. 1835
Sir Jeffry Wyatville Dinton House, Wiltshire: Elevation
Sir Jeffry Wyatville, 1766–1840
Dinton House, Wiltshire: Elevation
ca. 1812
Charles Hunt Brighton Hurdle Race, Dec. 20th 1833: Coming In
Charles Hunt, 1803–1877
Brighton Hurdle Race, Dec. 20th 1833: Coming In
1833
Roger Fenton Three Croat Chiefs
Roger Fenton, 1819–1869
Three Croat Chiefs
1855
Roger Fenton General Bosquet & Captain Dampierre
Roger Fenton, 1819–1869
General Bosquet & Captain Dampierre
1855
Roger Fenton Windermere
Roger Fenton, 1819–1869
Windermere
ca. 1858
William Dent Spirit of Aristocracy enforcing Reform, or, The Rights of Kings maintained
Print made by William Dent, active 1784–1793
Spirit of Aristocracy enforcing Reform, or, The Rights of Kings maintained
1792
Samuel Cousins The Princes in the Tower
Print made by Samuel Cousins, 1801–1887
The Princes in the Tower
1878
James Pollard Coursing [a pair]: 2. Coursing, a View in Hatfield Park
James Pollard, 1792–1867
Coursing [a pair]: 2. Coursing, a View in Hatfield Park
1824
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate II. "How completely the Cover and Furze they draw..." / "Cast round the sheep's train, cast round, cast round, ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate II. "How completely the Cover and Furze they draw..." / "Cast round the sheep's train, cast round, cast round, ..."
1835
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate III. "A stormy Sky overcharged with rain ...: / "Pick through the ploughed grounds, pick through, pick through ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate III. "A stormy Sky overcharged with rain ...: / "Pick through the ploughed grounds, pick through, pick through ..."
1835
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate IV. "Thus we ride whip and spur for a two hours' chase, ..." / "Clap round him dear Jack, clap round, clap round, ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate IV. "Thus we ride whip and spur for a two hours' chase, ..." / "Clap round him dear Jack, clap round, clap round, ..."
1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
ca. 1835
unknown artist Ornament in Hollow, above Angular and Clerestory Windows
unknown artist
Ornament in Hollow, above Angular and Clerestory Windows
1826
Edward Middleton Barry Plans and Elevation of the English Protestant Church at Naples
Edward Middleton Barry, 1830–1880
Plans and Elevation of the English Protestant Church at Naples
ca. 1870
John George Murray View of the Interior of the house of Lords during the important investigation in 1820
John George Murray, active 1823–1855
View of the Interior of the house of Lords during the important investigation in 1820
1823
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."
ca. 1835
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate I. "A Southerly Wind and a Cloudy Sky, / Proclaims a hunting morning..." / "On horseback we're got together we'll trot ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate I. "A Southerly Wind and a Cloudy Sky, / Proclaims a hunting morning..." / "On horseback we're got together we'll trot ..."
1835
Samuel William Reynolds George Elphinstone, 1st Viscount Keith
Samuel William Reynolds, 1773–1835
George Elphinstone, 1st Viscount Keith
1801
Robert Wallis Lake of Lucerne
Print made by Robert Wallis, 1794–1878
Lake of Lucerne
1854
Henry Thomas Alken The Eagle Paris and Dover [sic] Coach
Henry Thomas Alken, 1785–1851
The Eagle Paris and Dover [sic] Coach
1827
Valentine Green The Salutation
Print made by Valentine Green, 1739–1813
The Salutation
1778
Charles Turner Lord Viscount Castlereagh
Charles Turner, 1774–1857
Lord Viscount Castlereagh
1814
Charles Turner William Hawley
Charles Turner, 1774–1857
William Hawley
1817
Paul Sandby The Port of Aegina
Print made by Paul Sandby, 1731–1809
The Port of Aegina
ca. 1780
Simon François Ravenet The Landing of Julius Caesar
Print made by Simon François Ravenet, 1706–1774
The Landing of Julius Caesar
1751
Simon François Ravenet The Druids: or, the Conversion of the Britons to Christianity
Print made by Simon François Ravenet, 1706–1774
The Druids: or, the Conversion of the Britons to Christianity
1752
William Nelson Gardiner Falstaff at Justice Shallow's Mustering his Recruits - "Henry IV," Part II, Act III, Scene III
William Nelson Gardiner, 1766–1814
Falstaff at Justice Shallow's Mustering his Recruits - "Henry IV," Part II, Act III, Scene III
1792
Charles Blair Leighton Grouse Shooting
Print made by Charles Blair Leighton, 1823–1855
Grouse Shooting
1852
Gideon Yates Old London Bridge from the Surrey Shore, showing Fishmonger's Hall, the Monument, etc.
Gideon Yates, active 1825–1837
Old London Bridge from the Surrey Shore, showing Fishmonger's Hall, the Monument, etc
1826
Henry Phillip Hope Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Dining Room - Plan of Ceiling and Elevations of Walls Showing Details
undated
Henry Phillip Hope Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
George Richardson [One of] 25 drawings and prints for ceilings
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
Arthur Pond Album of Arthur Pond's Prints in Imitation of Drawings
Print made by Arthur Pond, ca. 1705–1758
Album of Arthur Pond's Prints in Imitation of Drawings
ca. 1730-1740
Thomas Malton The Great Courtyard of Carlton House
Thomas Malton, 1726–1801
The Great Courtyard of Carlton House
undated
Henry Thomas Alken Fox Hunting: Leicestershire - Getting Away
after Henry Thomas Alken, 1785–1851
Fox Hunting: Leicestershire - Getting Away
1827
Edward W. Trendall Grandstand on the Race Ground at Epsom
Edward W. Trendall, active 1816–1848
Grandstand on the Race Ground at Epsom
undated
Henry Thomas Alken G.Osbaldeston, Esqr. performing wonderful and unprecedented feat of 200 miles against time.
Henry Thomas Alken, 1785–1851
G.Osbaldeston, Esqr. performing wonderful and unprecedented feat of 200 miles against time
1831
unknown artist Mr. Cowper Thornhill Master of the bell Inn at Stilton in Huntingdonshire
unknown artist
Mr. Cowper Thornhill Master of the bell Inn at Stilton in Huntingdonshire
1745
Robert Havell The Omnibus
Robert Havell, 1769–1832
The Omnibus
1838
Charles Hunt Brighton Hurdle Race, Dec. 20th 1833: The Start
Charles Hunt, 1803–1877
Brighton Hurdle Race, Dec. 20th 1833: The Start
1833
Martin Hardie High Noon in the Boat Yard, Rye
Print made by Martin Hardie, 1875–1952
High Noon in the Boat Yard, Rye
1909
James Pollard Coursing [a pair]: 1.Coursers taking the Field at Hatfield Park
James Pollard, 1792–1867
Coursing [a pair]: 1.Coursers taking the Field at Hatfield Park
1824
Mathieu Liart Cephalus lamenting the Death of Procris
Print made by Mathieu Liart, 1736–1782
Cephalus lamenting the Death of Procris
1783
Mathieu Liart Venus Lamenting the Death of Adonis
Print made by Mathieu Liart, 1736–1782
Venus Lamenting the Death of Adonis
1783
Thomas Dighton Design for the Gardens in the Regent's Park Belonging to the Zoological Society
Thomas Dighton, ca. 1793–1873
Design for the Gardens in the Regent's Park Belonging to the Zoological Society
undated
Samuel Alken Side Box Sketches
Samuel Alken, 1756–1815
Side Box Sketches
1786
George Philip Reinagle H.M. Brigs 'Black Jake' Lt. Wm. Ramsay, Tender to H.M.S. Dryad, engaging the Spanish Slave Brig Maranerito in the fight off Biafra, April 26th 1831
George Philip Reinagle, ca.1802–1835
H.M. Brigs 'Black Jake' Lt. Wm. Ramsay, Tender to H.M.S. Dryad, engaging the Spanish Slave Brig Maranerito in the fight off Biafra, April 26th 1831
1832
unknown framemaker British, Louis XV Revival style frame
unknown framemaker
British, Louis XV Revival style frame
1st half of 19th century
unknown framemaker French, Louis XIV frame
unknown framemaker
French, Louis XIV frame
2nd half of 17th century