The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle
1783
204
Capt. Francis Grose, 1731–1791
South West View of Norwich Castle October 20, 1775
1775
205
Capt. Francis Grose, 1731–1791
The Arches Near the East Gate, Bury St. Edmunds Suffolk
1777
206
Print made by Henry Burn, active 1845
Bedford from the North
ca. 1840
207
Thomas Girtin, 1775–1802
Ripon Minster, Yorkshire
1800
208
Print made by Henry Hulsberg, active 1700s–died 1729
Design for a House in a "Theatrical Style" for Paul Methuen
undated
209
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
210
Samuel Atkins, active 1787–1808
A Warship Preparing to Leave the Anchorage
between 1787 and 1808
211
John Harris, 1811–1865
Coaching: The Last Change Down
1863
212
John Harris, 1811–1865
Coaching: The Right Sort
1863
213
Charles Hunt, 1803–1877
Shooting [A Pair]: 2. The Sportsman Preparing
1829
214
John Warwick Smith, 1749–1831
Falls of Tivoli
undated
215
Sir Jeffry Wyatville, 1766–1840
Cottages at Chatsworth, Derbyshire: Elevation
after 1818
216
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: View of the North Entrance and of the West Front
1826
217
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: Plan of Roof
1826
218
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: North Entrance Front
1826
219
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: South Elevation
1826
220
Sir Jeffry Wyatville, 1766–1840
Hyde Hall, Hertfordshire: Perspective View
1803
221
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
222
Print made by James Caldwall, 1739–1819
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
223
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
224
Print made by William Pether, ca. 1738–1821
Drawing Academy
ca. 1772
225
John Linnell, 1792–1882
Earl Talbot's Hound, Thomasine
1839
226
Print made by Thomas Girtin, 1775–1802
View of the Village of Chaillot and etc. taken from Pont de la Concorde
1803
227
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mount Cavalary taken from Pont de Seve
228
Thomas Malton the Younger, 1748–1804
Hall's Library at Margate
1789
229
Isaac Cruikshank, 1764–1811
The Quornites Disturb'd or Startling the Game
1791
230
Edward Burne-Jones, 1833–1898
Cupid and Psyche
ca. 1870
231
David Cox, 1783–1859
On the Conway River, North Wales
undated
232
Print made by Joseph Pennell, 1860–1926
The Gun Shop
1917
233
Print made by Joseph Pennell, 1860–1926
Laying the Floor of Pedro Miguel Lock
1912
234
Charles Hunt, 1803–1877
Racing: "Harkaway", Winner of the Gold Cup at Goodwood, 1838
1838
235
Charles Hunt, 1803–1877
Shooting [A Pair]: 1. The Sportsman's Visit
1829
236
Georg Paul Nusbiegel, 1713–1776
Jacob Bates / The Famous English Horse Rider
1766
237
James Pollard, 1792–1867
The Ceremony of the Procession ad Montem
238
John Wood, 1728–1781
Racing: Sir Charles Sedley's Bay Gelding "True Blue" / He won Two Subscription Plates for Hunters of 60 Guineas each at Nottingham ..
1753
239
John Harris, 1811–1865
Coaching: The First Change Up
1863
240
Cecil Charles Windsor Aldin, 1870–1935
`Ar Never Gets Off' - Hunting Scene
undated
241
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
242
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Meeting
1827
243
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Getting Away
1827
244
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - The Death
1827
245
Theodore Henry Adolphus Fielding, 1781–1851
Fox Hunting: Leicestershire - Full Cry
1827
246
Thomas Goff Lupton, 1791–1873
Racing: Fleur-de-Lis
1828
247
R. Hixon, active 1813
Barouche
1812
248
R. Hixon, active 1813
A Tandem
1812
249
Charles Hunt, 1803–1877
Racing: Blue Bonnet. The Winner of the great St. Leger Stakes at Doncaster 1842
1842
250
Francis Jukes, 1747–1812
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
251
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
252
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
253
James Gillray, 1756–1815
Evacuation of Malta
1803
254
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
255
Thomas Hartley Cromek, 1809–1873
Le Colonnacce, Rome: Remains of the Inner Walls of the Forum of Nerva
ca. 1840
256
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
257
Samuel Howitt, 1756–1822
Leopards at Play Among Fallen Trees and Rocks
ca. 1807
258
Francis Bedford, 1816–1894
Gibeon, El Jib, Palestine
1862
259
James Gillray, 1756–1815
Sawney in the Bog-House
1779
260
James Gillray, 1756–1815
The Injured Countess
1786-1788
261
James Gillray, 1756–1815
Junction of Parties
1783
262
James Gillray, 1756–1815
Wouski
1788
263
James Gillray, 1756–1815
The Castle in the Moon
1782
264
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
265
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
266
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
267
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
268
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
269
James Gillray, 1756–1815
The Fall of Phaeton
1788
270
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
271
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
272
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
273
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
274
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
275
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
276
Print made by James Gillray, 1756–1815
The Coming-on of the Monsoons, or The Retreat from Seringapatam
1791
277
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
278
James Gillray, 1756–1815
Patience on a Monument
1791
279
James Gillray, 1756–1815
National Conveniences
1796
280
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
281
James Gillray, 1756–1815
Wha Wants Me?
1792
282
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
283
James Gillray, 1756–1815
Brisk Cathartic
1804
284
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
285
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
286
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
287
James Gillray, 1756–1815
Fashionable Jockeyship
1796
288
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
289
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
290
James Gillray, 1756–1815
The Grand - Signior retiring
1796
291
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
292
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
293
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
294
James Gillray, 1756–1815
Playing in Parts
1801
295
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
296
James Gillray, 1756–1815
Duke William's Ghost
1799
297
James Gillray, 1756–1815
Palemon and Lavinia
1805
298
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
299
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"