Width [cm]: 47 - YCBA Collections Search Search Results

201. Elevation of the River Front

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: ca. 1835
Materials & Techniques:: Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Self-portrait

Creator:: Print made by Stephen Conroy, born 1964
Date:: 2002
Materials & Techniques:: Etching on wove paper
Dimensions:: Plate: 12 x 10 1/4in. (30.5 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Purchased with contributions from family and friends in memory of Risha Stone, Yale Center for British Art volunteer (1981-2005)

204. My Mother Seated

Creator:: Celia Paul, born 1959
Date:: 1997
Materials & Techniques:: Soft ground etching on wove paper
Dimensions:: Plate: 11 1/2 x 9 1/4in. (29.2 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Purchased with contributions from family and friends in memory of Risha Stone, Yale Center for British Art volunteer (1981-2005)

205. Sir Thomas Lawrence's Painting Room in 1824

Creator:: Emily Calmady, 19th century
Date:: 1824
Materials & Techniques:: Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:: Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

206. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. The Old Stables, Petworth

Creator:: John Melchior Barralet, active 1750–1787
Date:: 1778
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 14 15/16 inches (28.4 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Greenwich

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1795 to 1800
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 x 18 5/16 inches (28.4 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Castle on the Hill

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 18 5/8 inches (34.9 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Officers and Their Ladies Dancing to a Band of Musicians...

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 18 7/16 inches (29.8 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

Creator:: Print made by Robert Thew, 1758–1802
Date:: 1792
Materials & Techniques:: Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 29 3/8 × 20 1/16 inches (74.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

Creator:: George Garrard, 1760–1826
Date:: 1786
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. A Meet at Bachelors' Hall in the Vale of Neath, Wales

Creator:: Thomas Horner, 1785–1844
Date:: undated
Materials & Techniques:: Pen and gray ink, blue wash, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Image: 9 13/16 × 17 15/16 inches (24.9 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Unloading the Luggage From The Exeter Coach

Creator:: Charles Cooper Henderson, 1803–1877
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. Foxhunting: The Kill

Creator:: John Wootton, 1682–1764
Date:: undated
Materials & Techniques:: Pen and black ink, over graphite, with gray wash on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/4 × 18 1/2 inches (32.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

Creator:: Thomas Daniell, 1749–1840
Date:: July 1795
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 17 13/16 × 20 5/16 inches (45.2 × 51.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

217. Fowl Island, Bay of Bengal, Coast of Arakan

Creator:: Thomas Daniell, 1749–1840
Date:: 1786 (?)
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 5/8 × 18 1/2 inches (27 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

218. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 26 1/4 × 18 5/8 inches (66.7 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 24 9/16 × 18 1/2 inches (62.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Plan of Westminster Showing the Coronation Route of George II

Creator:: unknown artist
Date:: ca. 1727
Materials & Techniques:: Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours.

Creator:: Robert Havell, 1769–1832
Date:: 1834
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/8 x 18 1/2in. (30.8 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Coaching [a pair]: 1. Stage Coach Setting Off

Creator:: Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. The South - West View of the Parish Church of Ecton in Northamptonshire

Creator:: William Henry Toms, ca. 1700–ca. 1750
Date:: 1749
Materials & Techniques:: Etching and engraving on thick, rough, beige laid paper
Dimensions:: Mount: 25 1/4 × 18 7/16 inches (64.1 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of David Bindman

224. `Hold Back, Sir!'

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: 1904
Materials & Techniques:: Pen and black ink, graphite, black chalk, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 15/16 inches (25.1 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. Lucknow, Upper India

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

226. Gate of the Lal Bagh, Fyzabad (Faizabad)

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/4 × 18 7/16 inches (28.6 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

227. Faizabad (Fyzabad)

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/16 × 18 1/2 inches (29.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

228. Pilibhit

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 18 1/2 inches (27.6 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

229. Marriage A-la-Mode, Plate II: The Breakfast Scene

Creator:: Print made by Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Marriage A-la-Mode, Plate III: The Scene with the Quack

Creator:: Print made by Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Marriage A-la-Mode, Plate I: The Contract

Creator:: Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Marriage A-la-Mode, Plate IV: The Toilet Scene

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. West Front of the Pavillon Towards the Garden, Brighton

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1808
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 x 18 3/8in. (35.6 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Marriage A-la-Mode, Plate VI: The Death of the Countess

Creator:: Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Marriage A-la-Mode, Plate V: The Death of the Earl

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. South View of Christ Church, &c. from the Meadows

Creator:: Print made by James Basire II, 1769–1822
Date:: 1799
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 3/8 inches (33.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. A View of the Chapel and Hall of Oriel College, &c.

Creator:: Print made by James Basire II, 1769–1822
Date:: 1801
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/4 × 18 3/8 inches (32.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Study for a Portrait of Two Women

Creator:: Augustus Edwin John, 1878–1961
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 23 1/16 × 18 1/2 inches (58.6 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

239. Design for a Chapel at Enfield: Transverse Sections, East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 7/16 inches (31.6 x 46.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Design for a Chapel at Enfield: Transverse Sections of the East and West End

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 18 9/16 inches (32.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Illanoan Pirates of Tampassook (Tempasuk)

Creator:: Samuel Francis Marryat, 1826–1855
Date:: 1848
Materials & Techniques:: Brown ink, brown wash, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 18 1/2 inches (13.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. The Spanish Mother

Creator:: Abraham Raimbach, 1784–1868
Date:: 1836
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 21 3/4 × 30 5/16 inches (55.2 × 77 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Death on a Pale Horse

Creator:: John Hamilton Mortimer, 1740–1779
Date:: ca. 1775
Materials & Techniques:: Pen and black ink and gray ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 24 5/8 x 18 1/2 inches (62.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Landscape: Man Carrying Faggots

Creator:: Gainsborough Dupont, 1754–1797
Date:: undated
Materials & Techniques:: Oil and graphite on moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 14 13/16in. (28.6 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Pine Apples Raised and Sold by Henry Scott, Gardener at Weybridge

Creator:: Francois Vivares, 1709–1780
Date:: 1754
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 x 18 1/2in. (27.9 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

Creator:: James Gillray, 1756–1815
Date:: 1798
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 9/16 x 18 11/16 inches (34.4 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

Creator:: Louisa Augusta Greville, 1743–active 1762
Date:: 1770
Materials & Techniques:: Etching in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 5/16 x 18 1/2 inches (31.2 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. The Taking of the Nuestra Senora de los Remedios

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 7/16 × 18 5/8 inches (34.2 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. The Wreck of the Nuestra Senora de los Remedios

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1825
Materials & Techniques:: Line engraving, stipple engraving, and letterpress
Dimensions:: Sheet: 26 x 18 1/2in. (66 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1825
Materials & Techniques:: Line engraving, stipple engraving and letterpress
Dimensions:: Sheet: 26 x 18 1/2in. (66 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Façade St. Jean

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1824
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

262. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. St. Malo, France

Creator:: Alfred Herbert, 1820–1861
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 x 18 3/8in. (23.5 x 46.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

267. A View of Fulham Bridge and Putney

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 18 7/16in. (33 x 46.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. The Thames Tunnel

Creator:: unknown artist
Date:: 1830
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 12 7/8 x 18 3/8in. (32.7 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. View of the Vauxhall Iron Bridge

Creator:: unknown artist
Date:: 1816
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 3/4 x 18 5/8in. (32.4 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. A View of the Mall

Creator:: John June, active 1740–1770
Date:: 1752
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 3/8 x 18 1/2in. (31.4 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. The South View of Barnes

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 12 11/16 × 18 5/16 inches (32.2 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Victorious Hero Takes Occasion to Conclude Peace

Creator:: Bernard Lens III, 1682–1740
Date:: 1720
Materials & Techniques:: Watercolor and gouache heightened with gold on vellum
Dimensions:: Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

273. The Rocky Bank of a River

Creator:: John Ruskin, 1819–1900
Date:: ca. 1853
Materials & Techniques:: Pen and black ink, gray wash, graphite, and white gouache; verso: pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 18 5/8 inches (32.7 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

274. The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

Creator:: Print made by William Ward, 1766–1826
Date:: December 1, 1801
Materials & Techniques:: Color printed mezzotint with hand coloring in waterclor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 1/2 x 18 3/8 inches (57.2 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

275. Excavation

Creator:: Bernard Sickert, 1863–1932
Date:: 1923
Materials & Techniques:: Pastel and black chalk on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 12 3/8 x 18 3/8 inches (31.4 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Bruce McCashin

276. George Fox Comes to London After the Great Fire

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

277. Lilleshall, Shropshire: The South and East Fronts

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 5/8 × 18 1/2 inches (29.5 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. Lilleshall, Shropshire: West Front

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Watercolor and pen and black ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Lilleshall, Shropshire: East View

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 3/8 × 13 7/8 inches (11.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. The Baths of Caracalla, Rome

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 18 5/8 inches (29.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

281. View of the Palace and Village of Choisi, on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Sheet: 6 1/4 × 18 1/2 inches (15.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. View of Viaduct leading to Sezincot House, Gloucestershire. The Seat of Sir Charles Cockrell, Bart.

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1818
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 13 5/16 x 18 5/16in. (33.8 x 46.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

283. The Temple of Apollo Epikourios: Details of the Ionic Order

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Rhaidar Ogwen, North Wales

Creator:: Charles Knight, 1743–c.1826
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 × 18 1/2 inches (35.6 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

285. Military Frieze

Creator:: Edward Henry Corbould, 1815–1905
Date:: undated
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 19 5/8 inches (10.2 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Collection of Matthew Rutenberg

286. Mousehold Heath-The Lane to the Left Above Col. Harvey's House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 3/8 inches (38.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Mousehold Heath--The Lane to the Left above Col. Harveys House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 21 1/4 inches (42.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Mousehold Heath--The Lane to the Left above Col. Harveys House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 20 5/8 inches (40.6 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Family Posed in Front of a Doorway

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper, laid on thick, slightly textured, beige card
Dimensions:: Mount: 14 13/16 x 18 7/8 inches (37.7 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. The Monument of Ann of Cleves, Fourth Wife of King Henry VIII, Plate VII

Creator:: Print made by James Basire, 1730–1802
Date:: 1780
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/8 × 20 7/8 inches (35.9 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. View of Jamestown, St. Helena, From the Sea with Shipping

Creator:: John Cleveley the younger, 1747–1786
Date:: undated
Materials & Techniques:: Watercolor, graphite on smooth, medium, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 3/8 inches (30.2 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Off to the Fishing Grounds

Creator:: Thomas Sewell Robins, 1814–1880
Date:: between 1830 and 1880
Materials & Techniques:: Watercolor and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 x 18 1/2 inches (30.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

293. Mozart C in E flat for Two Pianos Cristoph Eschenbach Justin Frank

Creator:: Patrick Procktor, 1936–2003
Date:: 1982
Materials & Techniques:: Black wash on medium, smooth, cream wove paper
Dimensions:: Image: 7 1/2 x 11 1/2 inches (19.1 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.

294. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Marriage A-la-Mode, Plate III: The Scene with the Quack

Creator:: Print made by Bernard Baron, 1696–1762
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

296. Marriage A-la-Mode, Plate I: The Contract

Creator:: Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

297. Marriage A-la-Mode, Plate V: The Death of the Earl

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

298. Marriage A-la-Mode, Plate VI: The Death of the Countess

Creator:: Print made by Gérard Jean-Baptiste Scotin II, 1698–after 1755
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

299. Marriage A-la-Mode, Plate IV: The Toilet Scene

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/4 × 18 1/2 inches (38.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

300. Farmer in a Field near Charleston

Creator:: Duncan Grant, 1885–1978
Date:: 1934
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 31 7/8 × 18 1/2 inches (81 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mitchell Bobkin

YCBA Collections Search

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201. Elevation of the River Front

202. North East View of Henry VII Chapel Westminster

203. Self-portrait

204. My Mother Seated

205. Sir Thomas Lawrence's Painting Room in 1824

206. Mr. Drummond's Cottage, East Cowes, Isle of Wight

207. The Old Stables, Petworth

208. Greenwich

209. The Castle on the Hill

210. Officers and Their Ladies Dancing to a Band of Musicians...

211. King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

212. Colonel Thornton Driving Tandem on His Sporting Tour of Scotland

213. A Meet at Bachelors' Hall in the Vale of Neath, Wales

214. Unloading the Luggage From The Exeter Coach

215. Foxhunting: The Kill

216. An Excavated Temple on the Island of Salsette: The Great Chaitya Temple (Cave 3), Kanheri

217. Fowl Island, Bay of Bengal, Coast of Arakan

218. Design after a Greek Vase

219. Design after a Greek Vase

220. Plan of Westminster Showing the Coronation Route of George II

221. Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours.

222. Coaching [a pair]: 1. Stage Coach Setting Off

223. The South - West View of the Parish Church of Ecton in Northamptonshire

224. `Hold Back, Sir!'

225. Lucknow, Upper India

226. Gate of the Lal Bagh, Fyzabad (Faizabad)

227. Faizabad (Fyzabad)

228. Pilibhit

229. Marriage A-la-Mode, Plate II: The Breakfast Scene

230. Marriage A-la-Mode, Plate III: The Scene with the Quack

231. Marriage A-la-Mode, Plate I: The Contract

232. Marriage A-la-Mode, Plate IV: The Toilet Scene

233. West Front of the Pavillon Towards the Garden, Brighton

234. Marriage A-la-Mode, Plate VI: The Death of the Countess

235. Marriage A-la-Mode, Plate V: The Death of the Earl

236. South View of Christ Church, &c. from the Meadows

237. A View of the Chapel and Hall of Oriel College, &c.

238. Study for a Portrait of Two Women

239. Design for a Chapel at Enfield: Transverse Sections, East and West End

240. Design for a Chapel at Enfield: Transverse Sections of the East and West End

241. Illanoan Pirates of Tampassook (Tempasuk)

242. The Spanish Mother

243. Death on a Pale Horse

244. View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud

245. Landscape: Man Carrying Faggots

246. Pine Apples Raised and Sold by Henry Scott, Gardener at Weybridge

247. Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

248. Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

249. A View of Erith, Looking Up the Thames

250. The Taking of the Nuestra Senora de los Remedios

251. The Wreck of the Nuestra Senora de los Remedios

252. Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

253. Certificate Of The Royal Academy Of Arts Appointing Henry Perronet Briggs To Be An Associate, November 7, 1825

254. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

255. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

256. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

257. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

258. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

259. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

260. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

261. Façade St. Jean

262. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

263. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

264. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

265. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

266. St. Malo, France

267. A View of Fulham Bridge and Putney

268. The Thames Tunnel

269. View of the Vauxhall Iron Bridge

270. A View of the Mall

271. The South View of Barnes

272. Victorious Hero Takes Occasion to Conclude Peace

273. The Rocky Bank of a River

274. The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

275. Excavation