Width [cm]: 47 / Image Use: Free to Use - YCBA Collections Search Search Results

201. The Admiralty Office

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Pantheum Romanum nunc Mariae Cognomento

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1549
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 21 inches (41 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Castello S. Angelo Di Roma

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1602
Materials & Techniques:: Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Royal Exchange, London

Creator:: John Maurer, active 1713–1761
Date:: 1741
Materials & Techniques:: Engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 18 15/16 inches (43.5 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Mercury and Herse

Creator:: Print made by John Cousen, 1804–1880
Date:: 1842
Materials & Techniques:: Etching; open etched state on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 32 × 24 inches (81.3 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. Furniture Designs

Creator:: Charles Heathcote Tatham, 1772–1842
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 18 5/8 inches (28.9 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. View of the City with the Louvre & Taken from Pont Marie

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Six Battleships Tacking in Heavy Seas

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 13 7/8 × 19 7/16 inches (35.2 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

210. Charter-House Square for Stowes Surrey

Creator:: Sutton Nicholls, active 1725
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 18 5/8in. (33 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. A View of the Chapter House taken from the Green

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/4 x 18 3/8in. (36.2 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

Creator:: Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 37 3/4 × 18 1/2 inches (95.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. A North East View of Westminster with the Bridge, taken from Somerset Garden

Creator:: John S. Muller, ca. 1715–1792
Date:: 1794
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 18 9/16in. (32.7 x 47.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. The Front or West End of the Cathedral Church of St. Pauls, London

Creator:: William Emmett, 1671–1736
Date:: 1702
Materials & Techniques:: Engraving
Dimensions:: Sheet: 25 1/2 x 18 5/8in. (64.8 x 47.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The North View of Battersea

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 13 3/16 × 18 5/8 inches (33.5 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Southampton or Bloomsbury Square

Creator:: Sutton Nicholls, active 1725
Date:: 1754
Materials & Techniques:: Hand colored engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 16 × 21 3/8 inches (40.6 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Devonshire Square

Creator:: Sutton Nicholls, active 1725
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 13/16 x 18 3/8in. (35.1 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. The South View of Barnes

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 12 11/16 × 18 5/16 inches (32.2 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

220. The Breaking Up of the Agamemnon, no. 2

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

221. Shere Mill Pond, no. 2 (large plate)

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1860
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 x 18 3/8 inches (31.7 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

222. Design for a Ceiling

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 18 1/2 inches (34.6 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Cluny Castle, Aberdeenshire, Scotland: Perspective

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 1/2 inches (34.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Sir Thomas Pasley

Creator:: Anna Maria Smith Edmonton, 1766–1833
Date:: 1796
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

225. Shanklin Chine, Isle of Wight

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1797
Materials & Techniques:: Gouache over graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 15 3/4 x 20 1/8 inches (40 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

226. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

Creator:: Print made by Peter P. Benazech, 1767–1794
Date:: ca. 1760
Materials & Techniques:: Line engraving and etching, hand colored on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 21 inches (36.9 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. The Traveling Barge

Creator:: William Alexander, 1767–1816
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 14 1/2 × 18 1/2 inches (36.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Lady Anne Lambton and Family

Creator:: Print made by John Young, 1755–1825
Date:: 1799
Materials & Techniques:: Mezzotint (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 27 1/4 × 21 1/2 inches (69.2 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

229. Middleham, Yorkshire

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. View of Port Orotava, Tenerife, from El Limpio de Las Calaveras

Creator:: Alfred Diston, active 1818–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 1/2 × 19 1/16 inches (36.8 × 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. A Hoy and a Lugger with other Shipping on a Calm Sea

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 18 5/8 inches (33.3 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Holy Family at Night

Creator:: Print made by James McArdell, ca. 1729–1765
Date:: ca. 1750
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 9/16 × 22 7/8 inches (44.6 × 58.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

233. John Paul Jones

Creator:: Print made by Henri Toussaint, 1849–1911
Date:: 1906
Materials & Techniques:: Etching and line engraving with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 27 7/16 × 21 5/8 inches (69.7 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

234. A General View of the Remains of Bermondsey Abbey, Surrey

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1820
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 14 1/16 × 18 1/2 inches (35.7 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. A View of Northumberland House, Charing Cross

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. A View of Northumberland House, Charing Cross

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 13 1/4 x 18 1/2in. (33.7 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. A North View of Westminster Bridge

Creator:: Nathaniel Parr, active 1742–1751
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 18 3/8in. (32.7 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. Façade St. Jean

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1824
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

243. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by L. Truchy, 1721–1764
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1762
Materials & Techniques:: Engraving
Dimensions:: Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. The Spanish Mother

Creator:: Abraham Raimbach, 1784–1868
Date:: 1836
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 21 3/4 × 30 5/16 inches (55.2 × 77 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Richmond, Yorkshire

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1819
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Julius Caesar: Act IV Scene III: Brutus' Tent ...

Creator:: Edward Scriven, 1775–1841
Date:: 1802
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/2 x 18 1/2in. (64.8 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. West Front of the Pavillon Towards the Garden, Brighton

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1808
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 14 x 18 3/8in. (35.6 x 46.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours.

Creator:: Robert Havell, 1769–1832
Date:: 1834
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 1/8 x 18 1/2in. (30.8 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Graphite tracing on thin, brown laid paper
Dimensions:: Mount: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Wooded Upland Landscape with Riders and Packhorse

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Mezzotint and drypoint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 × 18 3/8 inches (35.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. The Interview of Tom Jones and Sophia, After the Reconciliation.

Creator:: Peter Simon, 1750–1810
Date:: 1789
Materials & Techniques:: Colored stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 13/16 × 20 inches (42.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. The Water Works at Marli and St. German en Laye seen in the distance

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Marriage A-La-Mode, Plate I: The Contract

Creator:: Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Engraving
Dimensions:: Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Archdeacon Forster

Creator:: William Haydon Fuge, active ca. 1849–1866
Date:: 1853
Materials & Techniques:: Black chalk, white chalk, red chalk, and blue chalk on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 24 1/4 × 18 5/8 inches (61.6 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Professor S.W. Jackman in recognition of his friendship with Mr. and Mrs. Paul Mellon, April 1994.

257. Coaching [a pair]: 1. Stage Coach Setting Off

Creator:: Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 18 1/2in. (34.6 x 47cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Off to the Fishing Grounds

Creator:: Thomas Sewell Robins, 1814–1880
Date:: between 1830 and 1880
Materials & Techniques:: Watercolor and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 x 18 1/2 inches (30.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

259. Victorious Hero Takes Occasion to Conclude Peace

Creator:: Bernard Lens III, 1682–1740
Date:: 1720
Materials & Techniques:: Watercolor and gouache heightened with gold on vellum
Dimensions:: Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

260. North East View of Henry VII Chapel Westminster

Creator:: Print made by unknown artist
Date:: ca. 1813
Materials & Techniques:: Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:: Sheet: 15 3/4 × 20 1/2 inches (40 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Windsor Castle, Berkshire: Elevation of the North Terrace

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 18 1/2 inches (31.8 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Lilleshall, Shropshire: West Front

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Watercolor and pen and black ink on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 3/8 inches (31 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Lilleshall, Shropshire: East View

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 4 3/8 × 13 7/8 inches (11.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

Creator:: Print made by William Ward, 1766–1826
Date:: December 1, 1801
Materials & Techniques:: Color printed mezzotint with hand coloring in waterclor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 1/2 x 18 3/8 inches (57.2 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

265. Elevation of the River Front

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: ca. 1835
Materials & Techniques:: Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. The Baths of Caracalla, Rome

Creator:: Carlo Labruzzi, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 18 5/8 inches (29.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

267. Lyson's Cottage, Cowes, Isle of Wight

Creator:: attributed to Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 4 3/4 x 18 7/16 inches (12.1 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. The Rocky Bank of a River

Creator:: John Ruskin, 1819–1900
Date:: ca. 1853
Materials & Techniques:: Pen and black ink, gray wash, graphite, and white gouache; verso: pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 18 5/8 inches (32.7 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

269. Plan of Westminster Showing the Coronation Route of George II

Creator:: unknown artist
Date:: ca. 1727
Materials & Techniques:: Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Lilleshall, Shropshire: The South and East Fronts

Creator:: Sir Jeffry Wyatville, 1766–1840
Date:: 1826
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 5/8 × 18 1/2 inches (29.5 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Newport High Street, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 18 7/16 inches (13.3 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Dr Graham's Bathing Establishment

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen black and gray ink over graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 x 16 3/8 inches (26.5 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Study of Fishermen and Gear

Creator:: Edward Duncan, 1803–1882
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 5/16 inches (30.3 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Sir Thomas Lawrence's Painting Room in 1824

Creator:: Emily Calmady, 19th century
Date:: 1824
Materials & Techniques:: Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:: Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

275. Mr. Drummond's Cottage, East Cowes, Isle of Wight

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1797 and 1800
Materials & Techniques:: Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 18 5/16 inches (13.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Marriage à la Mode, Plate 5

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 15 1/8 × 18 3/8 inches (38.4 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

277. Rhaidar Ogwen, North Wales

Creator:: Charles Knight, 1743–c.1826
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 × 18 1/2 inches (35.6 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

278. Mousehold Heath-The Lane to the Left Above Col. Harvey's House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 3/8 inches (38.1 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Mousehold Heath--The Lane to the Left above Col. Harveys House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 21 1/4 inches (42.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Mousehold Heath--The Lane to the Left above Col. Harveys House

Creator:: Print made by Miles Edmund Cotman, 1810–1858
Date:: 1847
Materials & Techniques:: Lithograph on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 20 5/8 inches (40.6 × 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Marriage à la Mode, Plate 1

Creator:: Print made by Gerard Jean Baptiste Scotin, 1671–1716
Date:: 1745
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 15 3/8 × 18 1/2 inches (39.1 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

282. Marriage à la Mode, Plate 4

Creator:: Print made by Simon François Ravenet, 1706–1774
Date:: 1745
Materials & Techniques:: Etching and engraving
Dimensions:: Sheet: 15 1/4 × 18 3/8 inches (38.7 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

283. The Temple of Aphaia at Aegina: Sections

Creator:: Edmund Turrell, active 1835–1860
Date:: 1860
Materials & Techniques:: Etching with collaged graphite additions on slightly textured, moderately thick, cream wove paper with drawings in graphite on attached wove paper
Dimensions:: Sheet: 12 1/8 × 18 3/8 inches (30.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Antigonus Disposing of Perdita

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:: Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. View of the Royal Hospital, Chelsea

Creator:: Francois Gasselin, ca. 1683–1703
Date:: undated
Materials & Techniques:: Pen and brown ink with gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 18 7/16 inches (16.8 × 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. A Summer Day

Creator:: John Sell Cotman, 1782–1842
Date:: 1827 to 1837
Materials & Techniques:: Watercolor and graphite on Medium, moderately textured, cream wove paper
Dimensions:: Sheet: 12 1/2 x 18 3/8 inches (31.8 x 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Goree

Creator:: Samuel Davis, 1760–1819
Date:: undated
Materials & Techniques:: Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 x 18 1/2 inches (29.8 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. The Hon. George Pryse Cambell (1793-1858), as a Midshipman

Creator:: Henry Edridge, 1769–1821
Date:: 1805
Materials & Techniques:: Watercolor, pen and black ink, graphite and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Mount: 14 × 19 inches (35.6 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Waterfall in the Lake District

Creator:: Joseph Farington, 1747–1821
Date:: ca. 1782
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 1/8 × 18 9/16 inches (61.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Peaks Hole, Derbyshire

Creator:: Print made by W. Pickett, active 1792–1820
Date:: 1805
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 18 1/2 inches (33 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

291. Gefaler Cathedral

Creator:: Print made by Axel Herman Haig, 1835–1921
Date:: 1901
Materials & Techniques:: Etching on medium, smooth, beige wove paper mounted on linen
Dimensions:: Sheet: 35 7/16 × 25 13/16 inches (90 × 65.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

292. Wooded Rocks by a Stream (Derbyshire?)

Creator:: William Day, 1764–1807
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 1/4 × 21 5/8 inches (41.3 × 54.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Prospero and Miranda

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Imogen in the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1782
Materials & Techniques:: Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:: Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI

Creator:: Mary Hoare, 1744–1820
Date:: 1781
Materials & Techniques:: Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:: Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Design for Ardgowan House, Scotland: Attic Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/8 × 18 9/16 inches (28.3 × 47.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Design for Ardgowan House, Scotland: South South East Elevation

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Graphite, watercolor, gray wash, and pen and black ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/8 × 18 1/2 inches (28.3 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Design for Ardgowan House, Scotland: Chamber Floor Plan

Creator:: Claud Cleghorn, active 1797–1800
Date:: 1797
Materials & Techniques:: Watercolor, gray wash and pen and black and brown ink on smooth, moderately thick, beige wove paper
Dimensions:: Sheet: 11 1/4 × 18 5/8 inches (28.6 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. View of Jamestown, St. Helena, From the Sea with Shipping

Creator:: John Cleveley the younger, 1747–1786
Date:: undated
Materials & Techniques:: Watercolor, graphite on smooth, medium, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 3/8 inches (30.2 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. The Temple of Apollo Epikourios: Details of the Ionic Order

Creator:: Charles Robert Cockerell, 1788–1863
Date:: undated
Materials & Techniques:: Pen and black ink and graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 18 5/8 inches (32.9 × 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. The Admiralty Office

202. Pantheum Romanum nunc Mariae Cognomento

203. Castello S. Angelo Di Roma

204. Royal Exchange, London

205. Mercury and Herse

206. Furniture Designs

207. View of the City with the Louvre & Taken from Pont Marie

208. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

209. Six Battleships Tacking in Heavy Seas

210. Charter-House Square for Stowes Surrey

211. A View of the Chapter House taken from the Green

212. From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720

213. A North East View of Westminster with the Bridge, taken from Somerset Garden

214. The Front or West End of the Cathedral Church of St. Pauls, London

215. The North View of Battersea

216. Southampton or Bloomsbury Square

217. Devonshire Square

218. The South View of Barnes

219. The Breaking Up of the Agamemnon, no. 2

220. The Breaking Up of the Agamemnon, no. 2

221. Shere Mill Pond, no. 2 (large plate)

222. Design for a Ceiling

223. Cluny Castle, Aberdeenshire, Scotland: Perspective

224. Sir Thomas Pasley

225. Shanklin Chine, Isle of Wight

226. The Brave Captain Tyrrill in the Buckingham of 66 Guns and 472 Men, Defeating the Florissant, Aigrette & Atalante, Three French Ships of War, 3rd November, 1758

227. The Traveling Barge

228. Lady Anne Lambton and Family

229. Middleham, Yorkshire

230. View of Port Orotava, Tenerife, from El Limpio de Las Calaveras

231. A Hoy and a Lugger with other Shipping on a Calm Sea

232. The Holy Family at Night

233. John Paul Jones

234. A General View of the Remains of Bermondsey Abbey, Surrey

235. A View of Northumberland House, Charing Cross

236. A View of Northumberland House, Charing Cross

237. A North View of Westminster Bridge

238. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

239. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

240. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

241. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

242. Façade St. Jean

243. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

244. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

245. Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore

246. The Spanish Mother

247. Richmond, Yorkshire

248. Julius Caesar: Act IV Scene III: Brutus' Tent ...

249. West Front of the Pavillon Towards the Garden, Brighton

250. Royal Telegraph Manchester Day Coach / A distance of 186 miles performed in 18 hours.

251. View from Palace Terrace at St. Germain en Laye: The Aqueduct of Marli seen in the distance

252. Wooded Upland Landscape with Riders and Packhorse

253. The Interview of Tom Jones and Sophia, After the Reconciliation.

254. The Water Works at Marli and St. German en Laye seen in the distance

255. Marriage A-La-Mode, Plate I: The Contract

256. Archdeacon Forster

257. Coaching [a pair]: 1. Stage Coach Setting Off

258. Off to the Fishing Grounds

259. Victorious Hero Takes Occasion to Conclude Peace

260. North East View of Henry VII Chapel Westminster

261. Windsor Castle, Berkshire: Elevation of the North Terrace

262. Lilleshall, Shropshire: West Front

263. Lilleshall, Shropshire: East View

264. The Dragon Arum, 1801, from Robert John Thornton, the 'Temple of Flora', 1799-1812

265. Elevation of the River Front

266. The Baths of Caracalla, Rome

267. Lyson's Cottage, Cowes, Isle of Wight

268. The Rocky Bank of a River

269. Plan of Westminster Showing the Coronation Route of George II

270. Lilleshall, Shropshire: The South and East Fronts

271. Newport High Street, Isle of Wight

272. Dr Graham's Bathing Establishment

273. Study of Fishermen and Gear

274. Sir Thomas Lawrence's Painting Room in 1824