Width [cm]: 46 / Image Use: Free to Use - YCBA Collections Search Search Results

201. A Scene From the Farce of "The Critic," a Little Altered.

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 11 15/16 x 18 1/16 inches (30.4 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. A View of Her Imperial Majesty's Ancient Winter Palace, & of the Canal which joyns the Moika to the Neva at St. Petersburg

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The City of Breslau

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. The Inside of St. Paul's Church in Rome built by Constantine the Great...

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. The Triumphal Arch in the Garden of Versailles...

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: between 1768 and 1779
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. A View of Paris

Creator:: Print made by Paul Angier, active 1749
Materials & Techniques:: Etching and engraving hand-colored in watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Design for a Chapel at Enfield: Longitudinal Section

Creator:: Lewis Vulliamy, 1791–1871
Date:: undated
Materials & Techniques:: Pen and black ink with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 11/16 x 17 15/16 inches (32.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. South West View of Blithfield

Creator:: John Buckler FSA, 1770–1851
Date:: 1823
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton

Creator:: John Buckler FSA, 1770–1851
Date:: 1812
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk

Creator:: John Buckler FSA, 1770–1851
Date:: 1810
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. A Meet at Bachelors' Hall in the Vale of Neath, Wales

Creator:: Thomas Horner, 1785–1844
Date:: undated
Materials & Techniques:: Pen and gray ink, blue wash, gray wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Image: 9 13/16 × 17 15/16 inches (24.9 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. The Canterbury-Dover Coach Passing Vanbrugh Castle

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1795 and 1800
Materials & Techniques:: Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. A Dappled Horse in a Stable

Creator:: style of Sir Edwin Henry Landseer, 1802–1873
Date:: undated
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 15 × 18 1/4 inches (38.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Foxhunting: Breaking Cover

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 15/16 inches (31.8 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Foxhunting: The Death

Creator:: Samuel Howitt, 1756–1822
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 15/16 inches (31.8 × 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Ultima, One of Lord Maynard's Mares

Creator:: William Henry Davis, active 1803–1849
Date:: 1815
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 7/8 × 18 1/16 inches (35.2 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford

Creator:: Nathaniel Parr, active 1742–1751
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. A Sea Engagement between the English and Algerines

Creator:: Print made by Paul Fourdrinier, 1698–1758
Date:: ca. 1743
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 × 18 inches (31 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 18 1/8 inches (31.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. The Battle of Lowoschutz in Bohemia;...

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving
Dimensions:: Plate: 7 × 10 3/4 inches (17.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Evening, or Sun setting

Creator:: Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Sweet William's Farewell to Black Eyed Susan

Creator:: Print made by Paul Fourdrinier, 1698–1758
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/16 × 18 1/8 inches (31.2 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. A Squadron of Ships in a calm where of one, A. presents the Stern, another B. the Head

Creator:: Print made by William Henry Toms, ca. 1700–ca. 1750
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. The Royal George, a first Rate Man of War carrying 100 Guns and 780 Men

Creator:: James Cole, fl.1720–1743
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Colrosse

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/2 x 18in. (29.2 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Set of four - Fox-hunting: Breaking Cover

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1813
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 14 1/4 x 18 1/8in. (36.2 x 46cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Set of four - Fox-hunting: Full Cry

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1813
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 14 1/4 x 18 1/8in. (36.2 x 46cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Set of four - Fox-hunting: The Death

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1813
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 14 1/4 x 18 1/8in. (36.2 x 46cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Set of four - Fox-hunting: Unkennelling

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1813
Materials & Techniques:: Aquatint, colored by hand
Dimensions:: Sheet: 14 1/4 x 18 1/8in. (36.2 x 46cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire

Creator:: George Bickham the Elder, 1683/4–1758
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. North West view of Charlton House, Kent; The Seat of Lady Wilson

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton

Creator:: John Buckler FSA, 1770–1851
Date:: 1812
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. A Water-Wheel Driving a Transporter

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and black ink; verso: pen and black ink, gray ink, pastel, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 5/16 x 18 1/4 inches (28.7 x 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. The City Chanters

Creator:: Engraved by Samuel Okey, active 1765–1780
Date:: 1771
Materials & Techniques:: Mezzotint on wove paper
Dimensions:: Sheet: 14 3/4 × 18 1/8 inches (37.5 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Rochester, Kent: from the North

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 17 5/16 x 23 inches (44 x 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Porta S. Giovanni, Rome

Creator:: William Leighton Leitch, 1804–1883
Date:: 1837
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 18in. (22.9 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

242. On the Conway River, North Wales

Creator:: David Cox, 1783–1859
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:: Mount: 13 1/2 × 18 11/16 inches (34.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

243. The East Elevation of Windsor Castle, as built by Edward III

Creator:: Thomas Langley, 1702–1751
Materials & Techniques:: Engraving, hand colored
Dimensions:: Sheet: 12 11/16 x 17 15/16in. (32.2 x 45.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

244. Vol. 6, Plate XXVII: The Painted Chamber

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire II, 1769–1822
Date:: 1842
Materials & Techniques:: Line engraving on moderately thick, smooth, white wove paper
Dimensions:: Sheet: 15 1/8 × 21 1/2 inches (38.4 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. Longitudinal Section of Westminster Hall

Creator:: Print made by B. Winkles, active 1830–1840
Date:: ca. 1821
Materials & Techniques:: Etching on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. Shooting [set of six]: 3. Grouse Shooting

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. Shooting [a pair]: 2. Evening of the First of September

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 14 1/16 x 18in. (35.7 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Shooting [set of six]: 5. Snipe Shooting

Creator:: James Pollard, 1792–1867
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Shooting [set of six]: 2. Pheasant Shooting

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Shooting [set of six]: 4. Wild Duck Shooting

Creator:: James Pollard, 1792–1867
Date:: 1825
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Racing [set of four]: 3. Training Ground at Newmarket

Creator:: James Pollard, 1792–1867
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 8 1/2 x 18 1/4in. (21.6 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Shooting [set of six]: 6. Packing up

Creator:: James Pollard, 1792–1867
Date:: 1822
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 7 1/4 x 18 1/4in. (18.4 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Racing [set of four]: 2. A View of the Road to Newmarket Races

Creator:: James Pollard, 1792–1867
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 8 1/2 x 18 1/4in. (21.6 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Racing [set of four]: 4. Race for the Claret Stakes Newmarket

Creator:: James Pollard, 1792–1867
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 8 1/2 x 18 1/4in. (21.6 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 × 19 3/16 inches (36.6 × 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David M. Doret

258. Plate 1. Woodcock Shooting

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1813
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 5/8 x 18in. (34.6 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. The Pursuit of the French after the Victory at Ramellies

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 10 7/8 × 12 1/2 inches (27.6 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

Creator:: unknown artist
Date:: 1799
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: undated
Materials & Techniques:: Line engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 18 1/16 inches (31.8 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. The Gilpin Whigs Return to Rochester without their Candidate

Creator:: Print made by unknown artist
Date:: ca. 1790
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 x 18in. (17.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Set of four- Fox-hunting. The Death

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 7/8 x 18in. (35.2 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. A Horse Sale in Hopkins's Repository, Barbican

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1798 and 1800
Materials & Techniques:: Watercolor, pen and black ink, and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 x 17 15/16 inches (33.3 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Gumti River, Upper India

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 17 1/8 inches (23.2 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

266. South East View of Blithfield, Staffordshire; the Seat of the Right Honourable Lord Bagot

Creator:: John Buckler FSA, 1770–1851
Date:: 1823
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. View of the Palace and Village of Choisi on the Banks of the Seine

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

Creator:: Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. The Rivals: Extremes Meet

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1848
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 x 18 1/16 inches (30.5 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. The Widow's Tale

Creator:: William Ward, 1766–1826
Date:: 1789
Materials & Techniques:: Colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 13/16 × 18 inches (60.5 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Sailors in a Storm

Creator:: William Ward, 1766–1826
Date:: 1798
Materials & Techniques:: Colored mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 22 3/4 × 19 5/16 inches (57.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Inside View of the East End of Merton College Chapel

Creator:: Print made by James Basire II, 1769–1822
Date:: 1802
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 × 18 inches (33 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. Inside View of the Hall of Christ Church

Creator:: Print made by James Basire II, 1769–1822
Date:: 1807
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/8 inches (34 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. Crossing the Brook

Creator:: William Say, 1768–1834
Date:: 1804
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 27 1/4 × 18 3/16 inches (69.2 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. View of Exeter College, All Saints Church, &c. from the Turl

Creator:: Print made by James Basire II, 1769–1822
Date:: 1806
Materials & Techniques:: Etching and engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Hardraw Fall

Creator:: Etched by Samuel Middiman, ca. 1750–1831
Date:: 1818
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. A View of the Temple of Concord

Creator:: unknown artist
Date:: 1814
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. A View of Stocks Market

Creator:: Henry Fletcher, 1729–active 1750
Date:: 1763
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 5/8 x 17 15/16in. (32.1 x 45.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Self-portrait of Antonie van Dyck

Creator:: Jacques Christophe Le Blon, 1667–1741
Date:: 1738
Materials & Techniques:: Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/4 x 18 1/4in. (61.6 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 × 18 1/4 inches (32.5 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Plan of the Nunnery and Church of St. Helen

Creator:: unknown artist
Date:: 1817
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 3/4 x 18 1/4in. (29.8 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. A View of the Orchestra with the Band of Music, the Grand Walk, etc. in Marybone Gardens

Creator:: Print made by unknown artist
Date:: 1755
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 18 inches (33.7 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. The Effects of Youthful Extravagance and Idleness

Creator:: William Ward, 1766–1826
Date:: 1789
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Mount: 23 × 18 3/16 inches (58.4 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Jack in the Bilboes

Creator:: William Ward, 1766–1826
Date:: 1790
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 20 3/16 inches (47 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. View of Sion House from the Banks of the Thames

Creator:: John Hassell, 1767–1825
Date:: 1799
Materials & Techniques:: Aquatint and etching, with stipple engraving, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 9/16 x 20 1/8 inches (39.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Trafalgar Square, with the National Gallery and St. Martin's Church

Creator:: Thomas Picken, 1815–1870
Date:: 1852
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 14 1/2 x 18 1/4in. (36.8 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. West inside view of the Chapel of St. Thomas within London Bridge

Creator:: unknown artist
Date:: 1747
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 3/4 x 18 3/16in. (27.3 x 46.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Sailors in a Fight

Creator:: William Ward, 1766–1826
Date:: 1798
Materials & Techniques:: Colored mezzotint on thick, rough, cream wove paper
Dimensions:: Sheet: 22 5/8 × 19 1/4 inches (57.5 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Beatrice Listening to Hero and Ursula - "Much Ado About Nothing", Act III, Scene I

Creator:: John Jones, ca. 1745–1797
Date:: 1791
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 22 x 18in. (55.9 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

291. Castello S. Angelo Di Roma

Creator:: Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:: 1602
Materials & Techniques:: Line engraving and etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. The Margate Hoy

Creator:: Print made by Charles Catton the elder RA, 1728–1798
Date:: 1785
Materials & Techniques:: Etching, aquatint and hand-coloring on moderately thick, slightly textured, gray laid paper
Dimensions:: Sheet: 11 15/16 × 18 inches (30.4 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1858
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Procris and Cephalus

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1864
Materials & Techniques:: Etching and mezzotint, printed in brown ink; finished state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 18 inches (34 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Chepstow Castle on the River Wye

Creator:: Francis Jukes, 1747–1812
Date:: ca. 1802
Materials & Techniques:: Aquatint, colored
Dimensions:: Sheet: 14 x 18in. (35.6 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Brunswick Terrace, Bellevue Mansion, Town Hall, the Albion, Old Steine, Chapel Royal, German Place

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 20 7/8 inches (35.5 x 53.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Royal Artillery Repository Exercises, 1844

Creator:: John Grant, Died 1873
Date:: 1844
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 15/16 x 18 inches (35.4 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Royal Horse Artillery, 1843

Creator:: John Grant, Died 1873
Date:: 1843
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 x 18 inches (35.3 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Domestic Happiness

Creator:: John Young, 1755–1825
Date:: ca. 1799
Materials & Techniques:: Mezzotint, colored
Dimensions:: Sheet: 24 1/2 x 18 1/4in. (62.2 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Her Grace the Duchess of Bedford

Creator:: Samuel William Reynolds, 1773–1835
Date:: 1803
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 27 3/8 × 19 9/16 inches (69.5 × 49.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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201. A Scene From the Farce of "The Critic," a Little Altered.

202. Rowing in the Same Boat: Something Wrong at the Bottom... Weather Rather Squally

203. A View of Her Imperial Majesty's Ancient Winter Palace, & of the Canal which joyns the Moika to the Neva at St. Petersburg

204. The City of Breslau

205. The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

206. The Inside of St. Paul's Church in Rome built by Constantine the Great...

207. The Triumphal Arch in the Garden of Versailles...

208. A View of Paris

209. Design for a Chapel at Enfield: Longitudinal Section

210. South West View of Blithfield

211. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

212. North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton

213. South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk

214. South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow

215. A Meet at Bachelors' Hall in the Vale of Neath, Wales

216. The Canterbury-Dover Coach Passing Vanbrugh Castle

217. A Dappled Horse in a Stable

218. Foxhunting: Breaking Cover

219. Foxhunting: The Death

220. Ultima, One of Lord Maynard's Mares

221. A Perspective View of the North West Front of ye Parish Church of St. Brides, with the beautiful Spire & c. The Height from the Cross above the Vain to the Ground is 242 feet

222. The taking of the Princessa a Spanish Man of War, April 8, 1740 by His Majesties Ships the Lenox, Kent, and Oxford

223. A Sea Engagement between the English and Algerines

224. The taking of Porto Bello by Vice Admiral Vernon on the 22nd of Novr. 1739 with Six Men of War only

225. The Battle of Lowoschutz in Bohemia;...

226. Evening, or Sun setting

227. Sweet William's Farewell to Black Eyed Susan

228. A Squadron of Ships in a calm where of one, A. presents the Stern, another B. the Head

229. The Royal George, a first Rate Man of War carrying 100 Guns and 780 Men

230. Colrosse

231. Set of four - Fox-hunting: Breaking Cover

232. Set of four - Fox-hunting: Full Cry

233. Set of four - Fox-hunting: The Death

234. Set of four - Fox-hunting: Unkennelling

235. A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire

236. North West view of Charlton House, Kent; The Seat of Lady Wilson

237. South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton

238. A Water-Wheel Driving a Transporter

239. The City Chanters

240. Rochester, Kent: from the North

241. Porta S. Giovanni, Rome

242. On the Conway River, North Wales

243. The East Elevation of Windsor Castle, as built by Edward III

244. Vol. 6, Plate XXVII: The Painted Chamber

245. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

246. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

247. Longitudinal Section of Westminster Hall

248. Shooting [set of six]: 3. Grouse Shooting

249. Shooting [a pair]: 2. Evening of the First of September

250. Shooting [set of six]: 5. Snipe Shooting

251. Shooting [set of six]: 2. Pheasant Shooting

252. Shooting [set of six]: 4. Wild Duck Shooting

253. Racing [set of four]: 3. Training Ground at Newmarket

254. Shooting [set of six]: 6. Packing up

255. Racing [set of four]: 2. A View of the Road to Newmarket Races

256. Racing [set of four]: 4. Race for the Claret Stakes Newmarket

257. The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821

258. Plate 1. Woodcock Shooting

259. The Pursuit of the French after the Victory at Ramellies

260. View of the New Trinity House on Tower Hill. Samuel Wyatt Esqr. Architect. The first Stone of this Noble Building was laid on the 12th of September 1793, by the Right Hon'ble William Pitt, First Lord of the Treasury and Master of this Corporation

261. The taking of the St. Joseph a Spanish Carracca Ship, Sept. 23 1739, by the Chester and Canterbury Men of War, this Prize was Valued at upwards of 150,000 pounds.

262. The Gilpin Whigs Return to Rochester without their Candidate

263. Set of four- Fox-hunting. The Death

264. A Horse Sale in Hopkins's Repository, Barbican

265. Gumti River, Upper India

266. South East View of Blithfield, Staffordshire; the Seat of the Right Honourable Lord Bagot

267. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

268. View of the Palace and Village of Choisi on the Banks of the Seine

269. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

270. The Rivals: Extremes Meet

271. The Widow's Tale

272. Sailors in a Storm

273. Inside View of the East End of Merton College Chapel

274. Inside View of the Hall of Christ Church