Width [cm]: 41 - YCBA Collections Search Search Results

401. L'Enfant Prodigue reclamant la bonté de son Pere

Creator:: Print made by Johann Elias Haid, 1739–1809
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/8 x 18 1/8 inches (36.5 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

402. Das Pharao Spiel

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/2 × 16 1/8 inches (31.8 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

403. Das Lombre-Spiel

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/2 × 16 1/8 inches (31.8 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

404. Lady Fenoulhet (Miss Day)

Creator:: Richard Purcell, active 1746–1766
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. The Right Honorable Mary Feilding sole daughter and heir of Barnha Lord Viscount Cardingford

Creator:: Isaac Beckett, 1652/3–1719
Date:: between 1683 and 1687
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 16 inches (53.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Louise, Duchess of Portsmouth

Creator:: Print made by Paul van Somer II, ca. 1649–1714
Date:: ca. 1680
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. The Somme Front

Creator:: Print made by James McBey, 1883–1959
Date:: 1917
Materials & Techniques:: Drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 16 1/4 inches (21.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

408. L'Enfant Prodigue exigeant sa legitime

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 3/16 x 17 15/16 inches (36 x 45.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

409. Le depart de l'Enfant Prodigue

Creator:: Print made by Johann Jacobus Haid, 1704–1767
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 14 5/16 x 18 1/16 inches (36.4 x 45.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

410. The Lady Essex Finch

Creator:: Print made by unknown artist
Date:: between 1681 and 1685
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Drawing for Page 14 of "Rough Ride"

Creator:: David Tremlett, born 1945
Date:: 1985
Materials & Techniques:: Graphite and pastel on medium, slightly textured, white wove paper
Dimensions:: Sheet: 6 × 16 inches (15.2 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

412. Figure Studies

Creator:: Edward John Burra, 1905–1976
Date:: undated
Materials & Techniques:: Pen and black and brown ink, brown wash, gray wash and graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

413. Position de la Garde de Tierce et le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. De la Parade de Tierce, sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 1/2 × 16 15/16 inches (26.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. De la Parade de Seconde sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 15/16 × 17 1/4 inches (27.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. Position de la Garde en Quarte, et le Coup de Quarte Basse

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 7/8 × 16 5/16 inches (27.6 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. De la Parade de Prime sur le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 1/16 × 16 inches (28.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. De la Parade du Cavé sur le Coup de Flanconnade

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 × 17 1/16 inches (26.4 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. De la Risposte de Quarte apres la Parade de Quarte

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 5/8 × 16 5/16 inches (27 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 × 17 3/8 inches (27.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 16 inches (27.3 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. Position de la Garde Italienne de L'Epée & Poignard

Creator:: James Gwin, 1700–1769
Date:: 1763
Materials & Techniques:: Gray wash, graphite, pen and gray ink and black ink on medium, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/4 × 15 15/16 inches (27.3 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. St. Paul's and Blackfriars Bridge

Creator:: Amelia Long, 1762–1837
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/8 x 16 1/8in. (16.2 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Four Ships at Battle

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 15 1/4 × 16 5/16 inches (38.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

427. Sixty-six Guns: Single Frigate

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/4 × 16 5/16 inches (38.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

428. [Shooting] The Pointer

Creator:: Print by John Scott, 1774–1828
Date:: 1831
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 7/8 x 16in. (32.7 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. Colonel Tarleton

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1782
Materials & Techniques:: Mezzotint, engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 3/16 × 16 1/4 inches (64 × 41.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

430. William Henry Cavendish Scott-Bentinck, Duke of Portland, when Marquess of Titchfield

Creator:: Print made by William Walker, 1791–1867
Date:: undated
Materials & Techniques:: Mezzotint (proof, private plate) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 16 1/4 inches (53.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

431. The Honble Mrs. Tollemache, in the Character of Miranda

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1786
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 1/2 × 16 inches (64.8 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

432. Age of Innocence

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1836
Materials & Techniques:: Mezzotint with chine collé; first state on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 13/16 × 16 inches (52.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

433. Study of Figures and Busts on the Pediments of Temples

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Pen and brown ink, gray ink and graphite on thin, moderately textured, beige wove paper
Dimensions:: Sheet: 20 9/16 × 16 1/4 inches (52.2 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. 6: Death in Harlem from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 15/16in. (30.3 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

435. 2: Meeting the Good People (Washington) from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 12 x 15 15/16in. (30.5 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

436. 2A: The Gospel Singing (Good People) Madison Square Garden from A Rake's Progress

Creator:: David Hockney, born 1937
Date:: 1963
Materials & Techniques:: Color-printed etching and aquatint
Dimensions:: Plate: 11 15/16 x 15 15/16in. (30.3 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

437. Englishman at Paris, 1767

Creator:: Print made by James Bretherton, ca. 1730–1806
Date:: 1799
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. Royal Hospital

Creator:: Thomas Bowles III, ca. 1712–1767
Date:: 1751
Materials & Techniques:: Engraving
Dimensions:: Plate: 10 1/2 x 15 15/16in. (26.7 x 40.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Demolition of the Great or Chapel Pier of Old London Bridge

Creator:: Edward William Cooke, 1811–1880
Date:: 1852
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 12 3/4 x 16in. (32.4 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. A View of Westminster Bridge from Labeth

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 16 1/8in. (25.1 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Sir Harbord Harbord Bart.

Creator:: John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 11/16 × 15 15/16 inches (65.2 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. The Royal Palace of Windsor

Creator:: Thomas Major, 1714–1799
Date:: 1745
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 10 3/4 x 16in. (27.3 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Royal Horse Artillery, 1843

Creator:: John Grant, Died 1873
Date:: 1843
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 x 18 inches (35.3 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. Auld Brig, Ayr

Creator:: Print made by Robert Bryden, 1865–1939
Date:: 1904
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

445. A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

Creator:: John Boydell, 1720–1804
Date:: 1752
Materials & Techniques:: Engraving on Moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/8 inches (34.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. A View taken near Battersea Church looking towards Chelsea

Creator:: John Boydell, 1720–1804
Date:: 1752
Materials & Techniques:: Engraving on moderately textured, moderately thick, white laid paper
Dimensions:: Sheet: 11 3/4 × 18 1/8 inches (29.8 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Annabella, Lady Blake, as Juno, Receiving the Cestus from Venus

Creator:: John Nixon, ca. 1760–1818
Date:: 1771
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 25 1/8 × 16 7/8 inches (63.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Ely Cathedral

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1903
Materials & Techniques:: Drypoint and etching on moderately thick, slightly textured, greened white Asian paper
Dimensions:: Sheet: 7 3/16 x 16 1/8 inches (18.3 x 40.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

449. List of Subscribers

Creator:: unknown artist
Date:: 1736
Materials & Techniques:: Letterpress
Dimensions:: Sheet: 12 7/8 x 16in. (32.7 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Aloft

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1929
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, greened white laid paper
Dimensions:: Sheet: 11 3/4 x 17 inches (29.9 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

451. Okehampton Castle on the River Okement

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Mezzotint and etching, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Udaipur, 1916

Creator:: Print made by Charles W. Bartlett, 1860–1940
Date:: 1916
Materials & Techniques:: Color woodblock print on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/8 x 15 15/16 inches (28.9 x 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

453. Ossie Seated

Creator:: David Hockney, born 1937
Date:: 1966
Materials & Techniques:: Pen and black ink and colored pencil on medium, smooth, cream wove paper
Dimensions:: Sheet: 17 3/4 x 16 1/8in. (45.1 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

454. St. Paul's Cathedral South West View

Creator:: John Coney, 1786–1833
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 3/4 x 16 1/4in. (32.4 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. Brightlingsea Hard, Landing Oysters

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1929
Materials & Techniques:: Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 16 inches (26.4 x 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

456. Doge's Palace

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1902
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

457. Dinant [Belgian Set: No. 9]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 16 1/4 inches (26.7 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

458. Orleans

Creator:: Print made by Thomas Higham, 1796–1844
Date:: 1833
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderatly thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 5/8 × 16 1/8 inches (27 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Havre, Tower of Francis I

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1834
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Château de Tancarville with Town of Quilleboeuf

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Harfleur

Creator:: Print made by John Cousen, 1804–1880
Date:: 1834
Materials & Techniques:: Etching and engraving; second state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 10 5/8 × 16 1/4 inches (27 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. La Chaise de Gargantua near Duclair

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. The Acropolis of Athens

Creator:: Print made by John Cousen, 1804–1880
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/16 × 16 1/16 inches (28.4 × 40.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Graville

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 16 inches (27.9 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Property Protected - a la Francoise

Creator:: Charles Ansell, ca.1752–active 1790
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 9 3/4 x 16 1/4in. (24.8 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. The Duel - or Charley Longing For a Pop

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1798
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 5/8 x 16 1/16in. (27 x 40.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Dr. Goldsmith

Creator:: Giuseppe Marchi, ca. 1735–1808
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 20 x 16in. (50.8 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

468. Edmund Burke, Esq.

Creator:: James Hardy, active 1770s
Materials & Techniques:: Stipple engraving
Dimensions:: Sheet: 22 x 16in. (55.9 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

469. Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations

Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 5/8 x 16 1/4in. (29.5 x 41.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. A View of the City of Oporto

Creator:: Print made by unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. tms:4641

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Bird's Eye View of [Queen Victoria's Funeral] Procession

Creator:: Henry William Brewer, 1836–1903
Date:: 1902
Materials & Techniques:: Pen and black ink, graphite, gray wash and gouache on thick, slightly textured, cream wove paper, mounted on board
Dimensions:: Sheet: 22 15/16 × 16 3/16 inches (58.3 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

473. David Garrick, Esq.

Creator:: Robert Laurie, 1755?–1836
Date:: 1779
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 20 x 16in. (50.8 x 40.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

474. Chapel Church, Surrey

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

475. Isola Bella and Lago Maggiore

Creator:: Lady Mary Leighton, active 1832–1864
Date:: 1827
Materials & Techniques:: Watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 14 3/8 inches (21.9 x 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

476. Falls of Tivoli

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor and gouache with scraping out on medium, slightly textured, cream wove paper, pasted on thick, smooth, cream wove paper
Dimensions:: Mount: 23 1/2 x 19 inches (59.7 x 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

477. View of Kingswear, from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

478. The Bread and Butter Manufactory, or the Humors of Bagnigge Wells

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1783
Materials & Techniques:: Mezzotint and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Plate: 9 7/8 x 13 3/4in. (25.1 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

479. The Husband's Fortune Told

Creator:: Print made by unknown artist
Date:: ca. 1768
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Plate: 10 x 13 7/8in. (25.4 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

480. The Promenade at Carlisle House

Creator:: John Raphael Smith, 1752–1812
Date:: 1781
Materials & Techniques:: Mezzotint, proof on wove paper
Dimensions:: Plate: 12 3/4 x 15 3/8in. (32.4 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

481. Tony Nuttall, Stage 1 Proof

Creator:: Richard Hamilton, 1922–2011
Date:: 2004 to 2005
Materials & Techniques:: Inkjet print on medium, smooth, white wove paper
Dimensions:: Sheet: 21 × 16 1/2 inches (53.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard Hamilton

482. Tony Nuttall, Stage 5 Proof

Creator:: Richard Hamilton, 1922–2011
Date:: 2004 to 2005
Materials & Techniques:: Inkjet print on medium, smooth, white wove paper
Dimensions:: Sheet: 21 × 16 1/2 inches (53.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard Hamilton

483. Aldershot Tattoo

Creator:: Tom Eckersley, 1914–1997
Date:: 1936
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 10 1/16 x 12 3/8 inches (25.6 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

484. Design for a Small Gothic Church: Section

Creator:: Studio of Sir Jeffry Wyatville, 1766–1840
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, watercolor on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 1/8 inches (32.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

485. Soldiers Carousing at an Inn

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor, with pen and brown ink, gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Mount: 12 11/16 × 16 5/16 inches (32.2 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

486. 'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 x 5 7/8in. (8.3 x 14.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

487. Pidcock, Dealer in Birds and Beasts

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 × 10 7/16 inches (17.9 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

488. Tony Nuttall, Stage 3 Proof

Creator:: Richard Hamilton, 1922–2011
Date:: 2004 to 2005
Materials & Techniques:: Inkjet print on medium, smooth, white wove paper
Dimensions:: Sheet: 21 × 16 1/2 inches (53.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard Hamilton

489. Tony Nuttall, Stage 7 Proof

Creator:: Richard Hamilton, 1922–2011
Date:: 2004 to 2005
Materials & Techniques:: Inkjet print on medium, smooth, white wove paper
Dimensions:: Sheet: 21 × 16 1/2 inches (53.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Richard Hamilton

490. Syncopation

Creator:: Print made by Kim Lim, 1936–1997
Date:: 1996
Materials & Techniques:: Screen print on thick, slightly textured, white wove paper
Dimensions:: Sheet: 22 x 26 3/4 inches (55.9 x 67.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

491. Untitled

Creator:: Print made by William Turnbull, 1922–2012
Date:: 1996
Materials & Techniques:: Screen print on thick, slightly textured, white wove paper
Dimensions:: Sheet: 28 x 20 5/8 inches (71.1 x 52.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Kasser / Mochary Family Foundation

492. The White Lily with Variegated-Leaves, 1800, from Robert John Thornton, the 'Temple of Flora', 1799-1812

Creator:: Print made by Joseph Constantine Stadler, active 1780–1812
Date:: 1800
Materials & Techniques:: Aquatint engraving with original hand color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 x 16 1/4 inches (51.8 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

493. A Lady at Haymaking

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 19 7/8 x 14in. (50.5 x 35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

494. Rustic Scene with a River and a Bridge

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1818
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 9in. (14.3 x 22.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

495. Soldiers Embarking

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 5 9/16 inches (8.3 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

496. A Village Street with Cattle and Sheep Being Driven Through

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink, and gray ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

497. Loading a Cart for Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 9 1/4 inches (16.4 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

498. Dunmow

Creator:: Thomas Rowlandson, 1756–1827
Date:: Undated
Materials & Techniques:: Pan and brown ink, brown wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/4 × 3 7/16 inches (14.6 × 8.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

499. A pair: 1. Symptoms of Rearing, 2. Moses

Creator:: James Bretherton, ca. 1730–1806
Date:: 1783
Materials & Techniques:: Etching
Dimensions:: Sheet: 11 3/8 x 16 1/8in. (28.9 x 41cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

500. Snipe Shooting

Creator:: Print made by Matthew Dubourg, active 1786–1838
Date:: 1822
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/16 x 20 13/16 inches (38.3 x 52.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Width [cm] 41

Search Results

401. L'Enfant Prodigue reclamant la bonté de son Pere

402. Das Pharao Spiel

403. Das Lombre-Spiel

404. Lady Fenoulhet (Miss Day)

405. The Right Honorable Mary Feilding sole daughter and heir of Barnha Lord Viscount Cardingford

406. Louise, Duchess of Portsmouth

407. The Somme Front

408. L'Enfant Prodigue exigeant sa legitime

409. Le depart de l'Enfant Prodigue

410. The Lady Essex Finch

411. Drawing for Page 14 of "Rough Ride"

412. Figure Studies

413. Position de la Garde de Tierce et le Coup de Seconde

414. De la Parade de Tierce, sur le Coup de Tierce

415. De la Parade de Seconde sur le Coup de Seconde

416. Position de la Garde en Quarte, et le Coup de Quarte Basse

417. De la Parade de Prime sur le Coup de Seconde

418. De la Parade du Cavé sur le Coup de Flanconnade

419. De la Risposte de Quarte apres la Parade de Quarte

420. De la Risposte en Tierce de Pied Ferme sur le Coup de Tierce

421. De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes

422. De la Risposte de Prime Aprés Avoir Paré le Coup de Seconde

423. Echappement du Pied Gauche en Arriere dans le Tems de la Passe au Dehors des Armes

424. Position de la Garde Italienne de L'Epée & Poignard

425. St. Paul's and Blackfriars Bridge

426. Four Ships at Battle

427. Sixty-six Guns: Single Frigate

428. [Shooting] The Pointer

429. Colonel Tarleton

430. William Henry Cavendish Scott-Bentinck, Duke of Portland, when Marquess of Titchfield

431. The Honble Mrs. Tollemache, in the Character of Miranda

432. Age of Innocence

433. Study of Figures and Busts on the Pediments of Temples

434. 6: Death in Harlem from A Rake's Progress

435. 2: Meeting the Good People (Washington) from A Rake's Progress

436. 2A: The Gospel Singing (Good People) Madison Square Garden from A Rake's Progress

437. Englishman at Paris, 1767

438. Royal Hospital

439. Demolition of the Great or Chapel Pier of Old London Bridge

440. A View of Westminster Bridge from Labeth

441. Sir Harbord Harbord Bart.

442. The Royal Palace of Windsor

443. Royal Horse Artillery, 1843

444. Auld Brig, Ayr

445. A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

446. A View taken near Battersea Church looking towards Chelsea

447. Annabella, Lady Blake, as Juno, Receiving the Cestus from Venus

448. Ely Cathedral

449. List of Subscribers

450. Aloft

451. Okehampton Castle on the River Okement

452. Udaipur, 1916

453. Ossie Seated

454. St. Paul's Cathedral South West View

455. Brightlingsea Hard, Landing Oysters

456. Doge's Palace

457. Dinant [Belgian Set: No. 9]

458. Orleans

459. Havre, Tower of Francis I

460. Château de Tancarville with Town of Quilleboeuf

461. Harfleur

462. La Chaise de Gargantua near Duclair

463. The Acropolis of Athens

464. Graville

465. Property Protected - a la Francoise

466. The Duel - or Charley Longing For a Pop

467. Dr. Goldsmith

468. Edmund Burke, Esq.

469. Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations

470. A View of the City of Oporto

471. tms:4641

472. Bird's Eye View of [Queen Victoria's Funeral] Procession

473. David Garrick, Esq.

474. Chapel Church, Surrey

475. Isola Bella and Lago Maggiore