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1930 (playing cards)
Creator:
Ben Nicholson, 1894–1982
Date:
1930
Materials & Techniques:
Oil on board
Dimensions:
12 x 15 3/4 inches (30.5 x 40 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
July 15 1949 (St Ives harbour)
Creator:
Ben Nicholson, 1894–1982
Date:
1949
Materials & Techniques:
Oil and pencil on canvas
Dimensions:
13 7/8 x 15 7/8 inches (35.2 x 40.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Cloud Study
Creator:
John Constable, 1776–1837
Date:
1821
Materials & Techniques:
Oil on paper laid on board
Dimensions:
9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Lion and Lioness
Creator:
George Stubbs, 1724–1806
Date:
1770
Materials & Techniques:
Enamel on copper
Dimensions:
9 1/2 × 11 inches (24.1 × 27.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
On view
A Limekiln, Possibly at Briton Ferry in South Wales
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1795-96
Materials & Techniques:
Oil on panel
Dimensions:
11 3/8 x 15 7/8 inches (28.9 x 40.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Racehorse Zanzibar with Pug Dog of the same
Creator:
John R. Skeaping, 1901–1980
Date:
1962
Materials & Techniques:
Bronze
Dimensions:
Overall: 10 7/8 x 15 3/4 x 6 5/8 inches (27.6 x 40 x 16.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Brick Wall
Creator:
Norman Black, 1920–1999
Date:
undated
Materials & Techniques:
Oil on canvas
Dimensions:
15 1/2 x 11 3/4 inches (39.4 x 29.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Nicholas Pritzker
On View:
Not on view
The Straw Yard
Creator:
James Ward, 1769–1859
Date:
1810
Materials & Techniques:
Oil on panel
Dimensions:
7 1/2 × 11 1/2 inches (19.1 × 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
In Dovedale
Creator:
John Linnell, 1792–1882
Date:
1814 to 1815
Materials & Techniques:
Oil on paper mounted on panel
Dimensions:
7 1/2 × 12 1/4 inches (19.1 × 31.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Sale at Ward's Repository, No. 2
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1918
Materials & Techniques:
Crayon, graphite, and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 17 inches (34.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bayhorse, Tattersall’s
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1921
Materials & Techniques:
Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape Sketch
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Pink wash, brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 15 3/4 inches (18.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rustic Contentment
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 15 3/4 inches (18.4 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for "The Shearers"
Creator:
Samuel Palmer, 1805–1881
Date:
between 1833 and 1834
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Frame: 19 5/16 × 15 7/8 × 1 1/16 inches (49 × 40.3 × 2.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Wayside Smithy
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 7 3/8 inches (25.1 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:
Sheet: 21 x 15 3/4 inches (53.3 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper lined with Japanese paper
Dimensions:
Sheet: 21 x 15 7/8 inches (53.3 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of the Human Figure, Anterior View (Probably related to Table XI)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 15 7/8 inches (54 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Anterior View (Largely in outline)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 21 x 15 7/8 inches (53.3 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 15 7/8 inches (54 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Anterior View (Outline drawing)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 21 1/8 x 15 3/4 inches (53.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 21 1/8 x 15 3/4 inches (53.7 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, smooth, beige wove paper
Dimensions:
Sheet: 21 3/8 x 15 7/8 inches (54.3 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite and red chalk on thin, smooth, beige wove paper
Dimensions:
Sheet: 19 3/4 x 15 5/8 inches (50.2 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, smooth, beige wove paper
Dimensions:
Sheet: 19 x 15 3/4 inches (48.3 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite on thin, smooth, cream wove paper
Dimensions:
Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/8 x 15 7/8 inches (53.7 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper lined with Japanese paper
Dimensions:
Sheet: 19 3/4 x 15 3/4 inches (50.2 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 11 x 15 3/4 inches (27.9 x 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Distrest Poet
Creator:
Print made by William Hogarth, 1697–1764
Date:
1740
Materials & Techniques:
Engraving and etching with chine collé; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/8 × 24 3/4 inches (46 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
The Invasion, Plate 1: France
Creator:
Print made by William Hogarth, 1697–1764
Date:
1756
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 × 15 5/8 inches (32.4 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Enraged Musician
Creator:
Print made by William Hogarth, 1697–1764
Date:
1741
Materials & Techniques:
Etching and engraving; third state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 16 3/8 inches (36.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Four Times of Day, Plate I: Morning
Creator:
Print made by William Hogarth, 1697–1764
Date:
1738
Materials & Techniques:
Etching and engraving; second state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 15 7/8 inches (49.5 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Industry and Idleness, Plate 12: The Industrious 'Prentice Lord Mayor of London
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 × 17 3/8 inches (29.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Industry and Idleness, Plate 11: The Idle 'Prentice Executed at Tyburn
Creator:
Print made by William Hogarth, 1697–1764
Date:
1747
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 17 1/2 inches (28.9 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
Creator:
William Hogarth, 1697–1764
Date:
undated
Materials & Techniques:
Graphite; verso: rubbed with red chalk for transfer on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 15 5/8 inches (29.8 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Enraged Musician
Creator:
Print made by William Hogarth, 1697–1764
Date:
1741
Materials & Techniques:
Etching and engraving; third state on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 17 7/8 × 20 1/8 inches (45.4 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale School of Music
The Straw Yard
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink, with scraping and brown wash; touched engraver's proof (aa) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 11 1/4 inches (20.6 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
From Spenser's Fairy Queen
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink; second published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stonehenge at Daybreak
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
1815 to 1819
Materials & Techniques:
Mezzotint, printed in brown ink; modern impression on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Apuleia in Search of Apuleius
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
between 1813 and 1823
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ben Arthur, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1819
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/8 × 15 5/8 inches (28.3 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Solway Moss
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lauffenbourgh on the Rhine
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marine Dabblers
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 7/8 inches (27.6 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windmill and Lock
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 15 5/8 inches (27.3 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mt. St. Gothard
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1808
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 15 3/4 inches (27 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge and Cows
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 15 7/8 inches (27 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vesuvius in Eruption
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1818–20
Materials & Techniques:
Watercolor, gum, and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ship in a Storm
Creator:
Print made by Joseph Mallord William Turner, 1775–1851
Date:
between 1820 and 1826
Materials & Techniques:
Mezzotint; artist's proof (a) on medium, slightly textured, cream laid paper mounted to board
Dimensions:
Sheet: 5 7/8 × 8 3/8 inches (14.9 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
People on the Road Near Kalicut, Malabar
Creator:
Edward Lear, 1812–1888
Date:
undated
Materials & Techniques:
Watercolor, gouache, and gum arabic on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 × 15 9/16 inches (25.4 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mqabba, Qrendi
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/16 x 12 11/16 inches (23 x 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942
King Lear Awakened by Cordelia
Creator:
George Romney, 1734–1802
Date:
ca. 1774
Materials & Techniques:
Brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 19 5/16 inches (38 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
2. Two Hunters / Deux Chevaux de Chasse
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [A gentleman standing at left with a hound; at right...]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
1. Going Out / Depart de Chasse
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
7. Returning from the Chase / Retour de Chasse
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
5. Coming at the Death / Halte de Chasse
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
6. The Death of the Fox / Mort du Renard
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
4. The Earthing of the Fox / Renard dans son Terrier
Creator:
Pierre Charles Canot, ca. 1710–1777
Date:
1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Centre, a grey held by a hunt servant, with other horses and hounds....]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two horses standing restlessly outside a stable...]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Three men digging out a fox's earth, watched eagerly by hounds...]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. [Two riders by a farmhouse asking direction from a peasant; a well at left, with a couple of foxhounds...]
Creator:
L. Truchy, 1721–1764
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 19 1/2 x 15 3/4in. (49.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Honourable Mrs. Parker
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1773
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/4 × 15 13/16 inches (64.1 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Catherine, Lady Bampfylde
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1779
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 7/8 × 15 3/4 inches (65.7 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Mrs. Blake as Juno
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1771
Materials & Techniques:
Mezzotint (third state) on medium, slightly textured, cream wove paper
Dimensions:
Mount: 26 1/2 × 18 1/4 inches (67.3 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Duchess of Buccleuch with Her Daughter, Lady Mary Scott
Creator:
Print made by James Watson, 1740–1790
Date:
1775
Materials & Techniques:
Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 × 15 3/4 inches (66 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Frederick Howard, Fifth Earl of Carlisle
Creator:
Print made by William James Ward, ca. 1800–1840
Date:
1823
Materials & Techniques:
Mezzotint (first state) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 28 1/16 × 17 5/8 inches (71.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Emma and Miss Elizabeth Crewe
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
ca. 1782
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 22 3/4 × 15 3/4 inches (57.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Elizabeth Keppel and a Servant
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1760s
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 15 5/8 inches (62.2 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Sleeping Bacchante
Creator:
Print made by John Young, 1755–1825
Date:
1789
Materials & Techniques:
Mezzotint (etched letter proof) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 15 3/4 inches (30.2 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Georgiana Fane
Creator:
Print made by Charles Turner, 1774–1857
Date:
1828
Materials & Techniques:
Mezzotint (first published state III) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 23 1/4 × 15 3/4 inches (59.1 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Lyndhurst
Creator:
Print made by Samuel Cousins, 1801–1887
Date:
1836
Materials & Techniques:
Mezzotint (first published state) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 15 3/4 inches (49.5 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
David Garrick as Richard III
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 26 1/4 × 17 1/8 inches (66.7 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
La Baiser Envoye
Creator:
Print made by Charles Turner, 1774–1857
Date:
1807
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 17 13/16 inches (54.6 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Miss Elliot
Creator:
Print made by James Watson, 1740–1790
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 25 × 15 5/8 inches (63.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Landscape with figures
Creator:
William Havell, 1782–1857
Date:
ca. 1804
Materials & Techniques:
Watercolor, scraping out and gum, over graphite on thick, smooth, cream card
Dimensions:
Sheet: 17 1/4 × 15 7/8 inches (43.8 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
River Scene with Boy and Sheep
Creator:
William Havell, 1782–1857
Date:
undated
Materials & Techniques:
Watercolor over graphite with gum on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 5/8 inches (28.3 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pale Melancholy
Creator:
William Havell, 1782–1857
Date:
ca. 1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 × 15 5/8 inches (27.9 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scene with Horse and Rider
Creator:
James Howe, 1780–1836
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cart Horse Being Led
Creator:
James Howe, 1780–1836
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Three Horses and Stable Lad
Creator:
James Howe, 1780–1836
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 7/8 inches (27 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Horse and Pony
Creator:
James Howe, 1780–1836
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 7/8 inches (27.6 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sailor's Farewell
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
1801
Materials & Techniques:
Watercolor, pen and black ink, gouache and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Shores of an Italian Lake
Creator:
Harry John Johnson, 1826–1884
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 × 15 3/4 inches (31.1 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tall-y-Llin Lake near Cader Idris
Creator:
Cecil Arthur Hunt, 1873–1965
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 5/8 inches (29.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Building of Waterloo Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1816
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dandelion Farm, near Margate
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 × 15 7/8 inches (31.8 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Garden Wall with Trees
Creator:
Sir Walter Thomas Monnington, 1902–1976
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 15 1/2in. (28.6 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Stable Boy with Cart Horses
Creator:
John Frederick Tayler, 1802–1889
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 15 5/8 inches (31.4 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Falls at Tivoli
Creator:
Richard Wilson, ca. 1712–1782
Date:
between 1752 and 1757
Materials & Techniques:
Gray wash, graphite, and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 9 1/4 x 14 1/8 inches (23.5 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lebanon from Tripoli
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1835-1836
Materials & Techniques:
Etching and engraving with chine-collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 7/8 inches (27 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Memorials to Martha Ogle, and to Sir Thomas Kinsey and his grandchildren Rober and Elizabeth Kinsey of Fulham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 5/8 inches (27 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for Gothic Screen, Crucifix and Stained Glass Window
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on thin, smooth, blue wove paper
Dimensions:
Sheet: 9 3/4 × 15 5/8 inches (24.8 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Designs for Gothic Stained Glass Windows
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Graphite on thin, smooth, blue wove paper
Dimensions:
Sheet: 9 7/8 x 15 7/8 inches (25.1 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. A Weasel

A Weasel
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of a Proposed Design for Cambridge Colleges
Creator:
William Wilkins, 1778–1839
Date:
ca. 1823
Materials & Techniques:
Graphite and watercolor on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 8 5/8 × 15 5/8 inches (21.9 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection