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1. For Children. The Gates of Paradise; Title Page (Plate 2)

For Children. The Gates of Paradise; Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Traveller Hasteth in the Evening (Plate 16)

The Traveller Hasteth in the Evening (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. There Is No Natural Religion; Frontispiece (Plate 1)

There Is No Natural Religion; Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)

I. "Mans perceptions are not bounded by organs of perception..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. II. "Reason or the ratio of all we have already known..." (Plate 11)

II. "Reason or the ratio of all we have already known..." (Plate 11)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Argument. "Man has no notion of moral fitness..." (Plate 2"

The Argument. "Man has no notion of moral fitness..." (Plate 2"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. I. "Man cannot naturally Percieve..."(Plate 3)

I. "Man cannot naturally Percieve..."(Plate 3)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. II. "Man by his reasoning power can only compare..." (Plate 4)

II. "Man by his reasoning power can only compare..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. IV. "None could have other than natural or organic thoughts..." (Plate 6)

IV. "None could have other than natural or organic thoughts..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. For the Sexes: The Gates of Paradise, Title Page (Plate 1)

For the Sexes: The Gates of Paradise, Title Page (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. "The Traveller hasteth in the Evening" (Plate 16)

"The Traveller hasteth in the Evening" (Plate 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. III. "From a perception of only 3 senses..." (Plate 5)

III. "From a perception of only 3 senses..." (Plate 5)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. V. "Mans desires are limited by his perceptions..." (Plate 7)

V. "Mans desires are limited by his perceptions..." (Plate 7)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. VI. "The desires & perceptions of man untaught..." (Plate 8)

VI. "The desires & perceptions of man untaught..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1788
Materials & Techniques:
Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. St. Cecilia

St. Cecilia
Creator:
James Henry Watt, 1799–1867
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. A Waterfall

A Waterfall
Creator:
Edward Alfred Goodall, 1819–1908
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 13/16 inches (43.5 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Voluntier

Voluntier
Creator:
Print made by Callender, active mid–18th century
Date:
1745
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/8 × 2 5/8 inches (8 × 6.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

18. Study of a Man with a Cutlass

Study of a Man with a Cutlass
Creator:
Print made by Callender, active mid–18th century
Date:
between 1745 and 1748
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 3 3/16 × 2 5/8 inches (8.1 × 6.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. Newark Castle

Newark Castle
Creator:
Print made by William John Cooke, 1797–1865
Date:
1834
Materials & Techniques:
Etching and engraving; second state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 1 1/2 inches (36.8 × 3.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. At Reedham

At Reedham
Creator:
Thomas Lound, 1802–1861
Date:
c.1833
Materials & Techniques:
Etching with drypoint
Dimensions:
Sheet: 3 x 1 1/2in. (7.6 x 3.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Shakspeare

Shakspeare
Creator:
Print made by Richard W. Dodson, 1812–1867
Materials & Techniques:
Etching on wove paper
Dimensions:
Image: 2 x 1 3/8in. (5.1 x 3.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

22. The Fatal Bellman

The Fatal Bellman
Creator:
Print made by George Richmond, 1809–1896
Date:
1827
Materials & Techniques:
Line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

23. Humphry Repton, Esq.

Humphry Repton, Esq.
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Stipple engraving, etching, and line engraving on moderately thick, slightly textured, cream wove paper; page in book
Dimensions:
Sheet: 6 9/16 × 3 3/4 inches (16.6 × 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A Philosopher Shewing an Experiment on the Air Pump

No cover image available
Creator:
Valentine Green, 1739–1813
Date:
1769
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 18 3/8 x 1 7/16in. (46.7 x 3.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection