Width [cm]: 39 - YCBA Collections Search Search Results

201. Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing.

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 1/2 inches (25 x 39.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Architectural Designs Incorporating Chinoiserie motifs: China Railing

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. Architectural Designs incorporating Chinoiserie Motifs: Rails

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on moderately thick, textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 15 3/8 inches (25.3 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Cut Finger

Creator:: Abraham Raimbach, 1784–1868
Date:: 1819
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 21 5/16 × 30 1/4 inches (54.1 × 76.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. The Errand Boy

Creator:: Abraham Raimbach, 1784–1868
Date:: 1825
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 22 3/8 × 30 inches (56.8 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. The Hermit

Creator:: Print made by Joseph Wood, 1720–1763 or 1764
Date:: 1744
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/4 × 15 7/8 inches (31.1 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. Chauncey B. TInker, B.A. 1899

207. Cupid Disarmed by Venus

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1804
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 13/16 x 15 3/16 inches (50.4 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. A Portrait

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 12 5/8 x 15 1/4in. (32.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. Devils - Parson Shooting

Creator:: John Cawse, 1779–1862
Date:: 1800
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 5/8 x 15 1/4in. (21.9 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. An Inside View of the Rotundo in Ranelagh Gardens

Creator:: Nathaniel Parr, active 1742–1751
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 9 1/8 x 15 3/8in. (23.2 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. Tom Jones Assisting Molly Seagrim

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 x 15 7/16 inches (53.4 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

212. Loading Dates

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 15 3/8 inches (25.2 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

213. A Perspective View of the Northwest Front of ye Parish Church of St. Brides

Creator:: Thomas Bowles III, ca. 1712–1767
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 10 x 15 1/4in. (25.4 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. The Holt

Creator:: Print made by Richard Samuel Chattock, 1825–1906
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 20 1/2 x 15 7/16 inches (52.1 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

215. Elizabeth, Countess Grosvenor

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1883
Materials & Techniques:: Mezzotint, stipple engraving, and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 18 3/8 x 15 3/16 inches (46.7 x 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Frank Altschul, Yale BA 1908, Yale PhD (HON.) 1967

216. A Shot at a Cock; or, An Alarm of Assassination

Creator:: Richard Newton, 1777–1798
Date:: 1792
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 10 1/4 x 15 1/2in. (26 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. A Prospect of the Parliament House, in College Green, Dublin

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 9 3/4 × 15 1/2 inches (24.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. The City of Ratisbon

Creator:: Print made by unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 15 1/4 inches (26 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Byland Abbey, Yorkshire

Creator:: John Varley, 1778–1842
Date:: 1808
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/8 x 15 1/4 inches (27.6 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. The Great Gate of St. Augustine's Monastery, Canterbury

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1757
Materials & Techniques:: Watercolor with pen and gray ink over graphite on thick, textured, cream laid paper on contemporary mount
Dimensions:: Sheet: 8 1/8 × 15 3/16 inches (20.6 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Carter Filling his Pipe

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor and crayon on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 15 1/4 inches (29.2 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

Creator:: Print made by Henry Hulsberg, active 1700s–died 1729
Date:: 1715 to 1725
Materials & Techniques:: Etching on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 × 15 1/4 inches (25.4 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. A Mother and Two Children

Creator:: Benjamin West, 1738–1820
Date:: 1786
Materials & Techniques:: Pen and brown ink, brown wash, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 5/8 × 10 5/8 inches (29.5 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Romantic Composition

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 x 15 1/2 inches (20.3 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. A Distant View of Ampthill Park

Creator:: George Shepherd, active 1782–1830
Date:: 1825
Materials & Techniques:: Watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Elevation of Front of most entire Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and ink over graphite on slightly textured, medium thick, cream laid paper
Dimensions:: Sheet: 9 3/4 × 15 1/4 inches (24.8 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Temple at Baalbec: Sheet of Sketches of Columns

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 7/8 × 15 1/2 inches (55.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Details of Temple at Sheitla

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 15 1/2 inches (53.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on medium thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Near Ambleside

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 × 12 1/8 inches (20 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Classical Landscape with Travellers, a Dog and House on the left

Creator:: Print made by Jean B. C. Chatelain, 1710–1771
Date:: 1741
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 × 15 1/4 inches (30.5 × 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

232. Okehampton, Devonshire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 15 1/2 inches (29.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. A Young Daughter of the Picts

Creator:: Jacques Le Moyne de Morgues, ca. 1533–before 1588
Date:: ca. 1585
Materials & Techniques:: Watercolor and gouache, touched with gold on parchment
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Showery June, Picardy

Creator:: Henry Moore, 1831–1895
Date:: between 1870 and 1880
Materials & Techniques:: Watercolor with some scratching out over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 1/4 inches (28.1 x 38.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Capitol Thamugas

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Gray wash, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. The Antiquities of Africa

Creator:: James Bruce, 1730–1794
Date:: 1765
Materials & Techniques:: Graphite, red pencil, and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 15 1/2 inches (54.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. Slight graphite sketch of ruins of Hieron of Temples at Shietla

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. The Forum Romanum

Creator:: Engraved by George Hollis, 1792–1842
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. A Coat of Arms for a Stamp on Income

Creator:: unknown artist
Materials & Techniques:: Etching, hand-colored
Dimensions:: Plate: 10 x 14in. (25.4 x 35.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Design after a Greek Vase

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 27 3/8 × 19 7/16 inches (69.5 × 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. London Cries: A Muffin Man

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 5 3/8 inches (19.7 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. London Cries: A Milkmaid

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 5 7/8 inches (22.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. London Cries: Last Dying Speech and Confession

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. Headfort House, Ireland: Ceiling of the Eating Parlor

Creator:: Robert Adam, 1728–1792
Date:: between 1771 and 1775
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 15 1/2 inches (31.4 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. London Cries: Shoe Cleaner

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Gray, pink, and blue wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. London Cries: A Fishmonger

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 15 1/2 inches (54.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. No. 22 sketch of temple at Baalbec and Palmyra

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 × 15 1/4 inches (40.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Internal Order of the Cell of the most entire Temple at Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink on modreately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 12 1/2 inches (27.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, slightly textured,cream laid paper
Dimensions:: Sheet: 12 1/4 × 11 inches (31.1 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. Temple at Baalbec: Three Temples amongst other Ruins

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, gray wash on medium thick, slightly textured, white laid paper
Dimensions:: Sheet: 9 1/2 × 15 3/8 inches (24.1 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 × 15 3/8 inches (24.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/8 × 15 3/8 inches (53.7 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Windsor Castle, April 1850

Creator:: E. J. Stanley, active 1850
Date:: 1850
Materials & Techniques:: Watercolor, black chalk, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 15 3/16in. (27.3 x 38.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. Lord Robert Manners, Captain R.N.

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1783
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 25 × 15 3/8 inches (63.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

257. Colonel Tarleton

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1782
Materials & Techniques:: Mezzotint (engraver's proof) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 15 1/2 inches (62.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

258. Alope

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1787
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 x 18 3/16 inches (35.5 x 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

259. Mrs. Yates as 'Melancholy' in 'Il Penseroso'

Creator:: Print made by Robert Dunkarton, 1744–1811
Date:: 1771
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 24 1/2 × 15 1/2 inches (62.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

260. Rev. Sir Henry Bate Dudley

Creator:: Print made by Gainsborough Dupont, 1754–1797
Date:: undated
Materials & Techniques:: Mezzotint on medium, smooth, beige wove paper
Dimensions:: Sheet: 25 1/8 × 15 5/8 inches (63.8 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

261. George III

Creator:: Print made by Gainsborough Dupont, 1754–1797
Date:: 1790
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 25 × 15 3/8 inches (63.5 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

262. Mrs. Orby Hunter

Creator:: Print made by John Young, 1755–1825
Date:: 1800
Materials & Techniques:: Mezzotint (first state) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/8 × 16 1/4 inches (66.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

263. Clara at the tomb of Eloisa

Creator:: Print made by John Young, 1755–1825
Date:: 1786
Materials & Techniques:: Mezzotint (second state) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 15 1/2 inches (51.8 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

264. Infant Vanity

Creator:: Print made by John Young, 1755–1825
Date:: 1789
Materials & Techniques:: Mezzotint (etched letter proof) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 15 1/4 inches (32.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

265. Miss Croker

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1828
Materials & Techniques:: Mezzotint (first published state) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/8 × 15 1/4 inches (48.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

266. [Fox-hunting] set of four: Hertfordshire. 1. (Whitewell near Welwyn) / Village Scenery - Hounds Meeting

Creator:: Dean Wolstenholme, 1798–1882
Date:: undated
Materials & Techniques:: Hand colored and color printed aquatint
Dimensions:: Sheet: 9 7/8 x 15 1/4in. (25.1 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Lady Catherine Powlet

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1778
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 15/16 × 15 7/16 inches (53.2 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

268. Sir Joshua Reynolds

Creator:: Print made by John Keyse Sherwin, c.1751–1790
Date:: c.1784
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, beige laid paper with cream chine collé
Dimensions:: Sheet: 20 7/8 × 15 1/2 inches (53 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

269. William Henry Cavendish Scott-Bentinck, Duke of Portland, when Marquess of Titchfield

Creator:: Print made by William Walker, 1791–1867
Date:: undated
Materials & Techniques:: Mezzotint (proof, private plate) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 16 1/4 inches (53.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

270. William Robert, second Duke of Leinster

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1774
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 × 15 1/2 inches (58.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

271. The Ecstasy of St. Francis

Creator:: Print made by William Say, 1768–1834
Date:: 1809
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 3/8 × 16 1/2 inches (54.3 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

272. Mary Lady Boynton

Creator:: Print made by James Watson, 1740–1790
Date:: 1770
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 24 3/4 × 15 1/4 inches (62.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. Elizabeth, Duchess of Hamilton

Creator:: Print made by John Faber the Younger, ca. 1695–1756
Date:: 1753
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 15 1/4 inches (53.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

274. A Flower Piece

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1778
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 × 17 5/8 inches (58.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

275. Working Drawing for the Plasterwork of a Frieze for Clifton Castle

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: ca. 1780-1790
Materials & Techniques:: Pen and brown ink, gray wash on textured, moderately thick, beige laid paper
Dimensions:: Sheet: 21 5/16 × 15 1/4 inches (54.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Wallis Simpson, Duchess of Windsor

Creator:: Ronald Ossory Dunlop, 1894–1973
Date:: undated
Materials & Techniques:: Gouache on medium, smooth, cream wove paper mounted on thick, slightly textured, beige board
Dimensions:: Mount: 22 x 15 1/2 inches (55.9 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

277. Shed

Creator:: Sir Walter Thomas Monnington, 1902–1976
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 15 3/16in. (28.1 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

278. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1815
Materials & Techniques:: Etching and line engraving; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Richmond Castle and Town

Creator:: Print made by John Wykeham Archer, 1808–1864
Date:: 1820
Materials & Techniques:: Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Rye House

Creator:: John Linnell, 1792–1882
Date:: 1814
Materials & Techniques:: Graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 11 1/8 x 15 1/2 inches (28.3 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Garden Wall with Trees

Creator:: Sir Walter Thomas Monnington, 1902–1976
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, textured, cream wove paper
Dimensions:: Sheet: 11 1/4 x 15 1/2in. (28.6 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

282. Study for the Monument to Naval Captains William Bayne, William Blair and Lord Robert Manner

Creator:: Joseph Nollekens, 1737–1823
Date:: ca. 1782
Materials & Techniques:: Brown wash and pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 7/16 x 15 3/16in. (54.5 x 38.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Buildings Belonging to Magdalen Hall, Oxford

Creator:: Alexander Monro, 1802–1844
Date:: undated
Materials & Techniques:: Brown ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 19 15/16 x 15 3/8 inches (50.6 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Measured drawing of section of pediments of temple Baalbec

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 15 1/4 inches (54.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Rome from the Farnesean Gardens

Creator:: Print made by John Le Keux, 1783–1846
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on medium, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. Rome from Monte Mario

Creator:: Print made by John Byrne, 1786–1847
Date:: 1818-1820
Materials & Techniques:: Etching; open etched state on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Loch Coriskin

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 15 1/2 inches (27 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Classical Composition

Creator:: Gavin Hamilton, 1723–1798
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/4 × 15 1/2 inches (31.1 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

290. A Rustic Scene

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 11 3/8 x 15 3/8 inches (28.9 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Design for A Blue Grotto

Creator:: Thomas Grieve, 1799–1882
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, and collage, squared and numbered for transfer on two layered sheets of medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 15 1/2 inches (26.4 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Barnes Common, June 1836

Creator:: T. E. Jeffers, active 1836
Date:: 1836
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink and gray ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/8 × 13 5/16 inches (24.4 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Binham Priory

Creator:: John Thirtle, 1777–1839
Date:: undated
Materials & Techniques:: Graphite and brown wash on moderately textured, moderately thick, brown laid paper
Dimensions:: Sheet: 10 1/2 × 15 1/2 inches (26.7 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. A Distant View of the City of London from St. John's Wood

Creator:: William Frederick Wells, 1762–1836
Date:: ca. 1805
Materials & Techniques:: Watercolor and gouache over graphite on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 15 1/2 inches (28.9 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. Reigate Heath

Creator:: George Johann Scharf, 1788–1860
Date:: 1837
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 15 1/2 inches (23.5 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Sheet of Figure Studies from Raphael's Disputation

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: undated
Materials & Techniques:: Black chalk and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/4 x 15 1/2 inches (50.2 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Sheet of Figure Studies from Raphael's Disputation

Creator:: Sir Joshua Reynolds, 1723–1792
Date:: undated
Materials & Techniques:: Black chalk and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 3/4 x 15 1/4 inches (50.2 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; first published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 × 15 1/4 inches (33 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Lake Albano

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1828
Materials & Techniques:: Etching and line engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 3/16 inches (29.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Saltash, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving, with graphite and scratching out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 12 1/4 inches (25.1 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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201. Architectural Designs Incorporating Chinoiserie Motifs: Oblong Paling. A Door. Parallel railing.

202. Architectural Designs Incorporating Chinoiserie motifs: China Railing

203. Architectural Designs incorporating Chinoiserie Motifs: Rails

204. The Cut Finger

205. The Errand Boy

206. The Hermit

207. Cupid Disarmed by Venus

208. A Portrait

209. Devils - Parson Shooting

210. An Inside View of the Rotundo in Ranelagh Gardens

211. Tom Jones Assisting Molly Seagrim

212. Loading Dates

213. A Perspective View of the Northwest Front of ye Parish Church of St. Brides

214. The Holt

215. Elizabeth, Countess Grosvenor

216. A Shot at a Cock; or, An Alarm of Assassination

217. A Prospect of the Parliament House, in College Green, Dublin

218. The City of Ratisbon

219. Byland Abbey, Yorkshire

220. The Great Gate of St. Augustine's Monastery, Canterbury

221. Carter Filling his Pipe

222. Cobham Hall, Kent: The Elevation of Cobham Hall in Kent

223. A Mother and Two Children

224. Romantic Composition

225. A Distant View of Ampthill Park

226. Elevation of Front of most entire Temple at Baalbec

227. Temple at Baalbec: Sheet of Sketches of Columns

228. Details of Temple at Sheitla

229. Longitudinal Section of the most entire Temple at Baalbec (Legend on separate sheet)(unumbered)

230. Near Ambleside

231. Classical Landscape with Travellers, a Dog and House on the left

232. Okehampton, Devonshire

233. A Young Daughter of the Picts

234. Showery June, Picardy

235. Capitol Thamugas

236. The Antiquities of Africa

237. Slight graphite sketch of ruins of Hieron of Temples at Shietla

238. Dover from Shakespeare's Cliff

239. The Forum Romanum

240. A Coat of Arms for a Stamp on Income

241. Design after a Greek Vase

242. London Cries: A Muffin Man

243. London Cries: A Milkmaid

244. London Cries: Last Dying Speech and Confession

245. Headfort House, Ireland: Ceiling of the Eating Parlor

246. London Cries: Shoe Cleaner

247. London Cries: A Fishmonger

248. No. 6 Drawing of Ornamental detail of the entablature and capital of temple remains at Baalbec or Palmyra

249. No. 22 sketch of temple at Baalbec and Palmyra

250. Internal Order of the Cell of the most entire Temple at Baalbec

251. Temple at Baalbec: Sketch of Figures to go in Medallions in the Cell of the most entire Temple of Baalbec

252. Temple at Baalbec: Three Temples amongst other Ruins

253. Temple at Baalbec: Architectural Detail of Upright of the Portico in its Perfect State

254. Architectural Detail with Measurements both sides of Sheet; From Temple at Thignica, Modern Ain Tunga

255. Windsor Castle, April 1850

256. Lord Robert Manners, Captain R.N.

257. Colonel Tarleton

258. Alope

259. Mrs. Yates as 'Melancholy' in 'Il Penseroso'

260. Rev. Sir Henry Bate Dudley

261. George III

262. Mrs. Orby Hunter

263. Clara at the tomb of Eloisa

264. Infant Vanity

265. Miss Croker

266. [Fox-hunting] set of four: Hertfordshire. 1. (Whitewell near Welwyn) / Village Scenery - Hounds Meeting

267. Lady Catherine Powlet

268. Sir Joshua Reynolds

269. William Henry Cavendish Scott-Bentinck, Duke of Portland, when Marquess of Titchfield

270. William Robert, second Duke of Leinster

271. The Ecstasy of St. Francis

272. Mary Lady Boynton

273. Elizabeth, Duchess of Hamilton

274. A Flower Piece

275. Working Drawing for the Plasterwork of a Frieze for Clifton Castle