Cloud Study, Early Morning, Looking East from Hampstead
1821
Not on view
5
William Hogarth, 1697–1764
Girl in a Plumed Hat
ca. 1740
Not on view
6
George Jones, 1786–1869
Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'
1815
Not on view
7
John Bird of Liverpool, 1768–1829
Street Scene in Chorley, Lancashire, with a view of Chorley Hall
ca. 1795
Not on view
8
William Aikman, 1682–1731
An Unfinished Study of the Head of James Thomson
ca. 1725
Not on view
9
Alexander Nasmyth, 1758–1840
Stage Design for Heart of Midlothian; Deans' Cottage
ca. 1819
Not on view
10
Alexander Nasmyth, 1758–1840
Stage Design for Heart of Midlothian; The Tolbooth
ca. 1819
Not on view
11
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
12
Benjamin Marshall, 1768–1835
John Hilton, Judge of the Course at Newmarket; John Fuller, Clerk of the Course; and John Stevens, a Trainer
ca. 1804
Not on view
13
Attributed to Richard Parkes Bonington, 1802–1828
Normandy Coast
ca. 1825
Not on view
14
John Martin, 1789–1854
Landscape, Possibly the Isle of Wight or Richmond Hill
1815
Not on view
15
James Holland, 1799–1870
Torre Dos Clerigos, Oporto, Portugal
1837
Not on view
16
Francis Smith, active 1763–1780
The Kizlar Agha (Chief Black Eunuch, Head Officer of the Palace)
ca. 1765
Not on view
17
unknown artist
Stonehenge at Sunset
1836
Not on view
18
John Atkinson Grimshaw, 1836–1893
Whitby
1878
Not on view
19
Lionel Constable, 1828–1887
Old Barn
ca. 1855
Not on view
20
Roger Fry, 1866–1934
Cyclamen
1915
Not on view
21
Albert Joseph Moore, 1841–1893
A Musician
ca. 1867
Not on view
22
Anna Elizabeth Blunden, 1829–1915
The Song of the Shirt
1854
Not on view
23
Richard Dadd, 1817–1886
Caravanserai at Mylasa in Asia Minor
1845
Not on view
24
Francis Smith, active 1763–1780
A Turkish Woman and an Attendant Going to the Hamam (Public Baths)
ca. 1765
Not on view
25
Bernard Sickert, 1863–1932
Trooping the Colour
1897
Not on view
26
Joseph Nollekens, 1737–1823
Charlotte, fourth Duchess of Richmond (1768-1842)
1812
Not on view
27
Joseph Edgar Boehm, 1834–1890
Girl on Horseback with a Boy and a Dog
1865
Not on view
28
Robert Polhill Bevan, 1865–1925
A Harrow in the Orchard
ca. 1896
29
Samuel Palmer, 1805–1881
Sunset
ca. 1861
30
George Stubbs, 1724–1806
Human Figure, Lateral View, after Removal of the Skin and the Underlying Fascial Layers (Finished Study for Table XIII)
between 1795 and 1806
31
George Stubbs, 1724–1806
Leopard Body, Lateral View (Later stage in dissection, superficial connective tissue and ears removed)
1795 to 1806
32
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View
1795 to 1806
33
George Stubbs, 1724–1806
Fowl Skeleton, Lateral View (Outline drawing of the skeleton)
1795 to 1806
34
George Stubbs, 1724–1806
Fowl Body, Lateral View (Study for key figure to Table X)
1795 to 1806
35
George Stubbs, 1724–1806
Human Figure, Lateral View (Prepared for transfer to the plate of the key figure to Table XIII)
1795 to 1806
36
George Stubbs, 1724–1806
Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)
1795 to 1806
37
William Hogarth, 1697–1764
Royal Sport, Pit Ticket
1759
38
William Hogarth, 1697–1764
A Rake's Progress, Plate IV: Goes to Court
1735
39
William Hogarth, 1697–1764
A Rake's Progress, Plate III: He Revels
1735
40
William Hogarth, 1697–1764
A Rake's Progress, Plate I: He Takes Possession
1735
41
William Hogarth, 1697–1764
A Rake's Progress, Plate II: His Levee
1735
42
William Hogarth, 1697–1764
The Distrest(ed) Poet
1740
43
Joseph Mallord William Turner, 1775–1851
Landscape with Barn
ca. 1795
44
Print made by Joseph Mallord William Turner, 1775–1851
Interior of a Church
1819
45
Etched by Joseph Mallord William Turner, 1775–1851
Bonneville, Savoy
1816
46
Etched by Joseph Mallord William Turner, 1775–1851
Original Sketch of a Picture for W. Leader, Esq
1809
47
Print made by Joseph Mallord William Turner, 1775–1851
The Deluge
between 1813 and 1823
48
Etched by Joseph Mallord William Turner, 1775–1851
Rivaux Abbey, Yorkshire
1812
49
Print made by Joseph Mallord William Turner, 1775–1851
Calm
1812
50
Print made by Joseph Mallord William Turner, 1775–1851
Ploughing, Eton
1813 to 1823
51
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
52
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
53
Joseph Mallord William Turner, 1775–1851
Ingleborough from Chapel-Le-Dale
between 1810 and 1815
54
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1796
55
Joseph Mallord William Turner, 1775–1851
Landscape with Waterfall
ca. 1796
56
Joseph Mallord William Turner, 1775–1851
On the Washburn
ca. 1815
57
Joseph Mallord William Turner, 1775–1851
Upper Fall of the Reichenbach: Rainbow
1810
58
William Blake, 1757–1827
Abraham and Isaac
1799 to 1800
59
Edward Lear, 1812–1888
Rocky Valley of Mosta, Malta
1866
60
George Romney, 1734–1802
Borghese Gladiator
undated
61
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
62
George Romney, 1734–1802
Horseman of Montecavallo
between 1773 and 1774
63
George Romney, 1734–1802
Samson Overpowered
undated
64
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
65
Joseph Nollekens, 1737–1823
Study for the Monument to Naval Captains William Bayne, William Blair and Lord Robert Manner
ca. 1782
66
unknown artist
The Gate of the Holy Spirit: 1. the Church of the Holy Spirit 2. the summer House in the Barbarini Gardens
67
unknown artist
A View of the Common Place Embellish'd with New Buildings and a View of the City of Rome as it is at this Present Time
68
Samuel Davis, 1760–1819
Side View of Ayot House, Hertfordshire
undated
69
Isaac Weld, 1774–1856
Harlech Castle
1810
70
Augustin Heckel, 1690–1770
The Bridge, Walton on Thames
ca. 1750
71
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
72
James Gwin, 1700–1769
Risposte Aprés Avoir Trompé la Parade du Poignard
1763
73
Augustus Welby Northmore Pugin, 1812–1852
Sketches of Houses and a Floor Plan and Designs for the Speaker's Chair and Panels on the Cloister Door
undated
74
Thomas Barker, 1769–1847
Landscape with a Man Driving Sheep
undated
75
unknown artist
Views of the Gates of Rome; The Light Horse Gate formerly Pasterula: 1. St. Peters Church 2. the Pontifical Palace 3. the Quarters of the Light Horse Guards 4. part of the Palace of the Holy Offices
76
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
77
James Gwin, 1700–1769
De la Risposte en Seconde aprés Avoir paré la Quarte sur les Armes
1763
78
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
79
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
80
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
81
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
82
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
83
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
84
James Gwin, 1700–1769
Garde de l'Espadonneur. Figure A. Garde Dêfensive du Pointeur. Figure B
1763
85
attributed to Peter DeWint, 1784–1849
Near Penrith
undated
86
George Hollis, 1792–1842
Christ Church from the Meadows
undated
87
James Gwin, 1700–1769
Position pour le Garde en Tierce et le Coup de Tierce
1763
88
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Quarte Basse
1763
89
Samuel Buck, 1696–1779
The South-west View of Battle Abbey in the County of Sussex
1735
90
Amos Green, 1735–1807
Pont Newydd near Dolgelly
undated
91
Print made by Sir George Clausen, 1852–1944
Camblain-l’Abbé
1920
92
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
93
James Gwin, 1700–1769
Position pour la Garde de Tierce, et le Coup de Quarte sur les Armes
1763
94
Print made by George Bickham the Younger, ca. 1706–1771
Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing.
1751
95
Abraham Raimbach, 1784–1868
The Cut Finger
1819
96
Print made by George Bickham the Younger, ca. 1706–1771