A Scene in the New Farce - as Performed at the Royalty Theatre!
1821
4
Print made by Isaac Cruikshank, 1764–1811
Washing the Blackamoor
1795
5
Print made by Robert Isaac Cruikshank, 1789–1856
A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
1824
6
Print made by George Cruikshank, 1792–1878
Specimens of Waltzing
1817
7
Print made by Robert Isaac Cruikshank, 1789–1856
Dandies Having a Treat
1818
8
Print made by George Cruikshank, 1792–1878
Traveling in France -or, -Le départ de la diligence
1818
9
Print made by George Cruikshank, 1792–1878
Fitting out. - Plate 1
1820
10
Print made by James Bretherton, ca. 1730–1806
The Salutation Tavern
1801
11
Print made by Matthew Darly, active 1754–1778
Statue Hall or the Modern Register Office
1769
12
Print made by James Caldwall, 1739–1819
A French Physician with His Retinue Going to Visit His Patients
1771
13
James Gillray, 1756–1815
The Republican - Attack
1795
14
James Gillray, 1756–1815
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
15
James Gillray, 1756–1815
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
16
James Gillray, 1756–1815
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
17
James Gillray, 1756–1815
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
18
James Gillray, 1756–1815
The High German Method of Destroying Vermin at Rat-Stadt
1799
19
James Gillray, 1756–1815
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
20
Isaac Cruikshank, 1764–1811
The Delegates in Council or Beggars on Horseback
1797
21
Isaac Cruikshank, 1764–1811
A Whig Toast - A Tory Sentement (sic)
1798
22
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
23
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
24
James Gillray, 1756–1815
Leaving off Powder, - or - a Frugal Family Saving the Guinea
1795
25
James Gillray, 1756–1815
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1)
1798
26
James Gillray, 1756–1815
Loyal Souls; - or - A Peep into the Mess-Room, at St. James's
1797
27
James Gillray, 1756–1815
Stealing Off; - or - Prudent Seces(s)ion. "Courageous Chief The First in Flight"
1798
28
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
29
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
30
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
31
James Gillray, 1756–1815
The Introduction
1791
32
unknown artist
A Boo at Court - or The Highland Salute Front & Rear
1800
33
Charles Ansell, ca.1752–active 1790
Guard-Room Tactics; Bugs in Danger; or a Volunteer Corps in Action
1798
34
Charles Williams, active 1796–1830
Northern Bears Taught to Dance
1801
35
Charles Williams, active 1796–1830
A Meeting of Monopolizers, or the Good Effect of Peace
1801
36
Charles Williams, active 1796–1830
A Trip to Paris or John Bull and His Spouse Invited to the Honors of the Sitting
1802
37
Isaac Cruikshank, 1764–1811
The Budget or John Bull Frightened Out of His (Money) Wits
1797
38
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
39
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
40
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
41
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
42
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
43
Print made by John Doyle ('H.B.'), 1797–1868
A Will O' The Wisp
1831
44
Print made by John Doyle ('H.B.'), 1797–1868
War !!! Commencement of Hostilities --Combined movement of the Allied Powers
1831
45
Print made by John Doyle ('H.B.'), 1797–1868
Stop Thief!
1831
46
Print made by John Doyle ('H.B.'), 1797–1868
A Graceful Speciman of The Retort Courteous
1831
47
Print made by John Doyle ('H.B.'), 1797–1868
Robin Hood and Friar Tuck, with a Slight Alteration in the Dramatis Personae
1834
48
Print made by John Doyle ('H.B.'), 1797–1868
Trois Dogs: a Graphic Tale, with a Moral... for Those Who Can Find It Out!
1834
49
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
50
Print made by Matthew Darly, active 1754–1778
Hats
1773
51
James Gillray, 1756–1815
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
52
Print made by George Cruikshank, 1792–1878
Mr. B. on the Middle Watch--"Cold blows the wind & rain's coming on's - Plate 3
1820
53
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
54
Print made by John Doyle ('H.B.'), 1797–1868
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
55
Print made by John Doyle ('H.B.'), 1797–1868
A Scene From the Farce of "The Critic," a Little Altered
1848
56
Print made by John Doyle ('H.B.'), 1797–1868
The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
1849
57
Print made by John Doyle ('H.B.'), 1797–1868
Breaking Cover, Desperate Struggle for the Lead, Consequences of Leaping Short