Width [cm]: 33 / Subject Terms: clouds - YCBA Collections Search Search Results

1. Study of a Cloudy Sky

Creator:: John Constable, 1776–1837
Date:: ca. 1825
Materials & Techniques:: Oil on paper on millboard
Dimensions:: 10 3/8 x 13 inches (26.4 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. A Finished Study for 'Reaping'

Creator:: John Linnell, 1792–1882
Date:: 1858
Materials & Techniques:: Oil on panel
Dimensions:: 8 1/4 x 13 inches (21 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. The Meet

Creator:: Print made by Robert Polhill Bevan, 1865–1925
Date:: 1898-1899
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Opening the Fold

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1880
Materials & Techniques:: Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 12 7/8 inches (26.9 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. 'Time, in advance, behind him hides his wings' (Page 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. 'The Sun beheld it – No, the shocking scene' (Page 75)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. 'Swift on his downy pinion flies from woe' (Page 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. 'One radiant mark, – the death-bed of the just' (Page 41)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The Christian Triumph; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. 'Teaching, we learn; and giving, we retain' (Page 35)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 × 18 1/2 inches (34 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Orchard Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Alum Bay, Isle of Wight

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Freshwater Bay

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/4 inches (25.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. God Creating the Universe

Creator:: unknown artist
Date:: mid-1770s
Materials & Techniques:: Graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Pines on Hampstead Heath

Creator:: William James Muller, 1812–1845
Date:: 1842
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 5/8 x 13 inches (49.8 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View of Paris from Charenton

Creator:: William Callow, 1812–1908
Date:: 1834
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 13 inches (11.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A Spanish Good Friday

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1925
Materials & Techniques:: Drypoint and etching on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 20 1/16 x 13 inches (51 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

25. Porpoises, July 7, 1883

Creator:: Henry Moore, 1831–1895
Date:: 1883
Materials & Techniques:: Watercolor with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 15/16in. (25.4 x 35.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Lac de Killin

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Vue Generale de l'Eglise de l'Abbaye de Tournus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1825
Materials & Techniques:: Lithograph with chine collé on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 1/4 inches (30.2 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Love

Creator:: Print made by William Say, 1768–1834
Date:: c.1813
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 16 7/8 × 13 inches (42.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

29. Juno and Iris

Creator:: Print made by William Faithorne the Younger, ca. 1669–1703
Date:: between 1695 and 1703
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 x 13 inches (23.5 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

30. Venus Attiring by the Graces

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint with line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 13 7/8 inches (28.3 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

31. Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 3/16 × 13 1/4 inches (46.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

32. The Beautiful Vale and Mowddach River, Merionethshire

Creator:: Moses Griffith, 1747–1819
Date:: 1805
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13in. (24.1 x 33cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Newstead Abbey, The Seat of the Late Lord Byron

Creator:: Louis Haghe, 1806–1885
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 12 15/16 inches (22.9 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Creator:: Attributed to Thomas Baker of Leamington, 1809–1864
Date:: 1848
Materials & Techniques:: Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)

Creator:: unknown artist
Date:: between 1713 and 1718
Materials & Techniques:: Gouache, watercolor, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 13 inches (14.4 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 15/16 × 13 inches (45.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

Creator:: Print made by George Bickham the Younger, ca. 1706–1771
Date:: 1751
Materials & Techniques:: Etching on medium, textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Harlech

Creator:: Print made by Frederick Vango Burridge, 1869–1945
Date:: 1891
Materials & Techniques:: Etching and drypoint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 x 13 1/16 inches (28 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

39. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

Creator:: Print made by unknown artist
Date:: between 1720 and 1750
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. West Window of the Chapel, New College Oxford: The Virtues - Justice

Creator:: George Siegmund Facius, 1750–1804
Date:: 1782
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 25 1/16 × 18 1/16 inches (63.7 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Venus Childing Cupid

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1784
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/16 × 12 7/8 inches (43.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. West Window of the Chapel, New College Oxford: The Virtues - Faith

Creator:: George Siegmund Facius, 1750–1804
Date:: 1781
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 18 1/4 inches (63.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. West Window of the Chapel, New College Oxford: The Virtues - Hope

Creator:: George Siegmund Facius, 1750–1804
Date:: 1781
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/8 × 18 3/8 inches (63.8 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. West Window of the Chapel, New College Oxford: The Virtues - Temperance

Creator:: George Siegmund Facius, 1750–1804
Date:: 1782
Materials & Techniques:: Stipple engraving on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 1/16 × 18 1/16 inches (63.7 × 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Cottages behind Horsley's House

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 13 1/16 inches (21.6 x 33.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

46. Henry, tenth Earl of Pembroke and seventh Earl of Montgomery

Creator:: John Dixon, ca. 1740–1811
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 1/16 × 13 1/16 inches (45.8 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Nithsdale

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Mezzotint with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 17 1/8 inches (31.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

48. On the Test

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1878
Materials & Techniques:: Etching, drypoint, and plate tone, with chine collé on medium, smooth, cream Asian paper
Dimensions:: Sheet: 9 5/16 x 12 15/16 inches (23.7 x 32.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

49. Master Henry Thomas Hope

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1836
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 x 12 15/16 inches (40 x 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

50. Venus Presenting Armour to Aeneas

Creator:: Print made by Bernard Lens II, 1659–1725
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 × 13 1/16 inches (25.4 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. Barbara Palmer (née Villiers) Countess of Castlemaine

Creator:: Thomas Watson, 1743–1781
Date:: undated
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 11/16 × 13 1/16 inches (42.4 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Henry, tenth Earl of Pembroke and seventh Earl of Montgomery

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1769
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 3/8 × 13 1/4 inches (46.6 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

53. Country House

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 x 13 inches (20.3 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The North

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph and Nancy Segall

55. The North

Creator:: Bruce Davidson, born 1933
Date:: 1960
Materials & Techniques:: Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:: Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ralph and Nancy Segall

56. The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London

Creator:: unknown artist
Date:: ca. 1895
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/8 × 13 inches (42.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

57. The Early Ploughman

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: etching begun before 1861; impression printed in 1926
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 x 13 1/8 inches (25.2 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Lady Gertrude Fitzpatrick as Collina

Creator:: Print made by John Dean, 1754–1798
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 1/2 x 13 15/16 inches (47 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Mary Robinson

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1785
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 3/8 x 12 13/16 inches (44.1 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

60. On the Beach

Creator:: Print made by unknown artist
Date:: 1893
Materials & Techniques:: Etching on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 x 18 inches (35.6 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

YCBA Collections Search

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Search Constraints

Width [cm] 33

Subject Terms clouds

Search Results

1. Study of a Cloudy Sky

2. A Finished Study for 'Reaping'

3. The Meet

4. Opening the Fold

5. 'Time, in advance, behind him hides his wings' (Page 24)

6. 'The Sun beheld it – No, the shocking scene' (Page 75)

7. 'His hand the good man fastens on the skies' (Page 86)

8. 'Swift on his downy pinion flies from woe' (Page 1)

9. 'Teaching, we learn; and giving, we retain' (Page 35)

10. 'One radiant mark, – the death-bed of the just' (Page 41)

11. The Christian Triumph; Title Page

12. 'His hand the good man fastens on the skies' (Page 86)

13. 'Teaching, we learn; and giving, we retain' (Page 35)

14. Orchard Bay

15. Orchard Bay

16. Alum Bay, Isle of Wight

17. Freshwater Bay

18. Alum Bay and the Needles

19. Alum Bay and the Needles

20. God Creating the Universe

21. Pines on Hampstead Heath

22. View of Paris from Charenton

23. St. Martin's Church

24. A Spanish Good Friday

25. Porpoises, July 7, 1883

26. Lac de Killin

27. Vue Generale de l'Eglise de l'Abbaye de Tournus

28. Love

29. Juno and Iris

30. Venus Attiring by the Graces

31. Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

32. The Beautiful Vale and Mowddach River, Merionethshire

33. Newstead Abbey, The Seat of the Late Lord Byron

34. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

35. Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)

36. Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

37. Architectural Designs incorporating Chinoiserie motifs: Japan Railing. A Hatch. An Obtuce Paling. Parallelgram Railing..

38. Harlech

39. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

40. West Window of the Chapel, New College Oxford: The Virtues - Justice

41. Venus Childing Cupid

42. West Window of the Chapel, New College Oxford: The Virtues - Faith

43. West Window of the Chapel, New College Oxford: The Virtues - Hope

44. West Window of the Chapel, New College Oxford: The Virtues - Temperance

45. Cottages behind Horsley's House

46. Henry, tenth Earl of Pembroke and seventh Earl of Montgomery

47. Nithsdale

48. On the Test

49. Master Henry Thomas Hope

50. Venus Presenting Armour to Aeneas

51. Barbara Palmer (née Villiers) Countess of Castlemaine

52. Henry, tenth Earl of Pembroke and seventh Earl of Montgomery

53. Country House

54. The North

55. The North

56. The Primrose Tavern, Corner of Primrose Street and Bishopsgate, London

57. The Early Ploughman

58. Lady Gertrude Fitzpatrick as Collina

59. Mary Robinson

60. On the Beach