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1101. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1102. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1103. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1104. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1105. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1106. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1107. Frontispiece: Hercules Fighting the Hydra

Frontispiece: Hercules Fighting the Hydra
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1108. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1109. Studies for the Instruction of Painters, two suites. Rome

Studies for the Instruction of Painters, two suites. Rome
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1110. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1111. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1112. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1113. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1114. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1115. Peaks Hole, Derbyshire

Peaks Hole, Derbyshire
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1805
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 × 18 1/2 inches (33 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

1116. Head of a Woman Called Ruth Herbert

Head of a Woman Called Ruth Herbert
Creator:
Dante Gabriel Rossetti, 1828–1882
Date:
1876
Materials & Techniques:
Red chalk and black chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1117. The Mouth of the Cavern at Castleton in the Peak of Derby

The Mouth of the Cavern at Castleton in the Peak of Derby
Creator:
John White Abbott, 1763–1851
Date:
1791
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/2 x 12 1/2 inches (26.7 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1118. Framlingham Castle, Suffolk

Framlingham Castle, Suffolk
Creator:
John Sell Cotman, 1782–1842
Date:
ca. 1815
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 7/8 x 12 1/2 inches (22.5 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1119. The Bungalow at Colgong, near Bhagalpur as it appeared after it was burnt

The Bungalow at Colgong, near Bhagalpur as it appeared after it was burnt
Creator:
Samuel Davis, 1760–1819
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 9 1/8 × 12 1/2 inches (23.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1120. Landscape with a Bridge

Landscape with a Bridge
Creator:
Heneage Finch, 4th Earl of Aylesford, 1751–1812
Date:
1790 to 1795
Materials & Techniques:
Pen and brown ink, brown wash, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 12 5/8 inches (20.3 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1121. John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"

John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
Creator:
John Downman, 1750–1824
Date:
1787
Materials & Techniques:
Watercolor with gouache, black chalk and stumping on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 12 5/8 inches (41.4 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1122. Two Seated Men by the Sea

Two Seated Men by the Sea
Creator:
Duncan Grant, 1885–1978
Date:
ca. 1927
Materials & Techniques:
Watercolor and black chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 12 3/4 inches (25.4 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

1123. Lady Macbeth, Sleepwalking

Lady Macbeth, Sleepwalking
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1124. Near Whitby, Yorkshire

Near Whitby, Yorkshire
Creator:
John Sell Cotman, 1782–1842
Date:
1814
Materials & Techniques:
Graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 7 1/4 x 9 5/8 inches (18.4 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1125. Interior of the Ruins of Yarmouth Priory

Interior of the Ruins of Yarmouth Priory
Creator:
John Sell Cotman, 1782–1842
Date:
1811
Materials & Techniques:
Graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 8 3/4 x 11 1/4 inches (22.2 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1126. The Morn, All Beauteous to Behold, from Aeschylus, The Persians

The Morn, All Beauteous to Behold, from Aeschylus, The Persians
Creator:
after John Flaxman, 1755–1826
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1127. Matlock High Tor, Derbyshire

Matlock High Tor, Derbyshire
Creator:
John Emes, 1762–1810
Date:
ca. 1786
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 × 12 1/2 inches (37 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1128. A Mountain Stream

A Mountain Stream
Creator:
François Louis Thomas Francia, 1772–1839
Date:
1801
Materials & Techniques:
Watercolor and graphite on medium, rough, cream laid paper, pasted on thick, smooth, cream card
Dimensions:
Contemporary drawn border: 10 5/8 x 12 3/4 inches (27 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1129. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
François Louis Thomas Francia, 1772–1839
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, beige wove paper, pasted on thick, smooth, cream card
Dimensions:
Sheet: 5 1/2 x 12 7/16 inches (14 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1130. Ireland and Russia

Ireland and Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 x 12 5/8 inches (32.7 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

1131. From the Dome

From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 12 5/8 inches (45 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

1132. Evening in Little Russia

Evening in Little Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 12 5/8 inches (45 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

1133. Night from the River

Night from the River
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 12 5/8 inches (44.8 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

1134. St. Marks Square from the Doges Palace

St. Marks Square from the Doges Palace
Creator:
Thomas Hartley Cromek, 1809–1873
Date:
1841
Materials & Techniques:
Watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 12 1/2 inches (42.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

1135. Figure Study

Figure Study
Creator:
Augustus Edwin John, 1878–1961
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 3/4 inches (25.1 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Estate of Brian Sewell

1136. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1137. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1138. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1139. The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles

The Temple of Aphaia at Aegina: Fieldnotes with Moulding and Column Flute Profiles
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Pen and gray ink with traces of graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1140. The Tower Bridge

The Tower Bridge
Creator:
Alvin Langdon Coburn, 1882–1966
Date:
1909
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Frame: 14 3/4 × 12 3/4 × 1 inches (37.5 × 32.4 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1141. Paddington Canal

Paddington Canal
Creator:
Alvin Langdon Coburn, 1882–1966
Date:
1909
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Frame: 14 3/4 × 12 3/4 × 1 inches (37.5 × 32.4 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1142. Regent's Canal

Regent's Canal
Creator:
Alvin Langdon Coburn, 1882–1966
Date:
1909
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Frame: 14 3/4 × 12 3/4 × 1 inches (37.5 × 32.4 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1143. Waterloo Bridge

Waterloo Bridge
Creator:
Alvin Langdon Coburn, 1882–1966
Date:
1909
Materials & Techniques:
Photogravure on medium, slightly textured, cream wove paper
Dimensions:
Frame: 14 3/4 × 12 3/4 × 1 inches (37.5 × 32.4 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.

1144. The Temple of Aphaia at Aegina: Elevation and Partial Section

The Temple of Aphaia at Aegina: Elevation and Partial Section
Creator:
Charles Robert Cockerell, 1788–1863
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 3/4 x 12 1/2 inches (42.5 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1145. A Complete Turn-Out among the Cabinet-Makers

A Complete Turn-Out among the Cabinet-Makers
Creator:
Print made by Henry Heath, active 1824–1835
Date:
1827
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 14 1/2 inches (28.6 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

1146. The Throne in Danger

The Throne in Danger
Creator:
Print made by William Heath, 1795–1840
Date:
ca. 1828
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 inches (30.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

1147. Woodland Landscape

Woodland Landscape
Creator:
Richard Cooper the Younger, 1740–1814
Date:
undated
Materials & Techniques:
Graphite, brown wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 12 5/8 inches (22.2 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1148. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1149. Kenilworth Castle

Kenilworth Castle
Creator:
Attributed to Francis Bedford, 1816–1894
Date:
ca. 1865
Materials & Techniques:
Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

1150. Study of Rocks

Study of Rocks
Creator:
John Brett, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and scraping out on medium, textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1151. Protector of Slaves Office (Trinidad)

Protector of Slaves Office (Trinidad)
Creator:
Richard Bridgens, active 1838
Date:
ca. 1833
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1152. Newcastle Cathedral

Newcastle Cathedral
Creator:
Henry Bright, 1810–1873
Date:
undated
Materials & Techniques:
Pastel and black chalk on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/4 × 12 3/4 inches (21 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1153. The Butt, Shooting a Cherry

The Butt, Shooting a Cherry
Creator:
Print made by Herbert Bourne, ca. 1820–after 1885
Date:
ca. 1869
Materials & Techniques:
Etching, line engraving, and stipple engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

1154. The Last In

The Last In
Creator:
Print made by John T. Smyth, 1819?–1851
Date:
1850
Materials & Techniques:
Etching, line engraving, and stipple engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

1155. The Cheese Dish

The Cheese Dish
Creator:
Duncan Grant, 1885–1978
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Frame: 16 3/4 × 12 1/2 × 1 inches (42.5 × 31.8 × 2.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kathleen Hart in memory of her brother, Kevin C. Patterson

1156. Susannah York and Mike Wells

Susannah York and Mike Wells
Creator:
Lewis Morley, 1925–2013
Date:
1961
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 11 1/4 × 15 3/4 inches (28.6 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1157. Model with Mannequins

Model with Mannequins
Creator:
Lewis Morley, 1925–2013
Date:
taken 1960, printed 1989
Materials & Techniques:
Toned gelatin silver print on matte photographic paper
Dimensions:
Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1158. Siobhan McKenna

Siobhan McKenna
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 10 1/8 × 13 7/8 inches (25.7 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

1159. Portrait of J.M.W. Turner

Portrait of J.M.W. Turner
Creator:
Print made by William Holl II, 1807–1871
Date:
1859
Materials & Techniques:
Etching, engraving, and stipple on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/2 inches (44.5 × 31.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

1160. The Grotto and the Temple of Contemplation, Stowe

The Grotto and the Temple of Contemplation, Stowe
Creator:
Jean Baptiste Claude Chatelain, 1710–1771
Date:
1752
Materials & Techniques:
Watercolor, graphite, brown wash, gray wash, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1161. A View of the Rotunda in the Garden at Stowe, Buckinghamshire

A View of the Rotunda in the Garden at Stowe, Buckinghamshire
Creator:
Jean Baptiste Claude Chatelain, 1710–1771
Date:
1753
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 12 3/4 inches (23.2 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1162. The Golden Stairs

The Golden Stairs
Creator:
Print made by Felix Jasinski, 1862 - 1901
Date:
1894
Materials & Techniques:
Etching on vellum
Dimensions:
Sheet: 28 1/8 × 13 inches (71.4 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

1163. Tintagel Castle

Tintagel Castle
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Watercolor with wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 9 9/16 x 12 inches (24.3 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1164. Bookseller and Author

Bookseller and Author
Creator:
Thomas Rowlandson, 1756–1827
Date:
1784
Materials & Techniques:
Watercolor and gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 3/8 x 12 5/8 inches (26.4 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1165. Two Greyhounds Lying under a Tree

Two Greyhounds Lying under a Tree
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black and gray ink with gray wash over graphite; verso: pen and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/8 x 9 13/16 inches (18.1 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1166. Exterior of the Prince of Wales Conservatory at Charlton House

Exterior of the Prince of Wales Conservatory at Charlton House
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 1/4 x 12 1/2in. (26 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

1167. Plate XIX: St Stephen's Chapel

Plate XIX: St Stephen's Chapel
Creator:
Print made by John Carter, 1748–1817
Date:
1811
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 18 1/2 × 12 1/2 inches (47 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1168. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1169. Paintings on the Wall by H in Plan

Paintings on the Wall by H in Plan
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1170. Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber

Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:
Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1171. Houses of Parliament

Houses of Parliament
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1172. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Plate I. Memorials of the Commissioners for Improving Westminster, 1811
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1173. Two Figures

Two Figures
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on medium, slightly textured, beige wove paper mounted to thick card
Dimensions:
Sheet: 8 1/2 x 12 1/2 inches (21.6 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Elena Siff Erenberg

1174. Study of a Cottage and a Man Rolling the Lawn

Study of a Cottage and a Man Rolling the Lawn
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

1175. Alled Bomber Squadron, Forli, Italy, 1945

Alled Bomber Squadron, Forli, Italy, 1945
Creator:
Constance Stuart Larrabee, 1914–2000
Date:
1945, printed 1983
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 20 × 16 inches (50.8 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1176. The Loose Shoe

The Loose Shoe
Creator:
Joseph Crawhall, 1861–1913
Date:
undated
Materials & Techniques:
Watercolor, gouache, and pen and black ink on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/2 × 12 5/8 inches (21.6 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1177. A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider

A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Red chalk, with graphite; verso: graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/2 × 9 5/16 inches (19.1 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1178. The Battle of Blenheim

The Battle of Blenheim
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 10 3/4 × 12 1/2 inches (27.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1179. The Misers Economy

The Misers Economy
Creator:
Richard Newton, 1777–1798
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/8 x 12 5/8in. (21.3 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1180. A Present for Past Favours

A Present for Past Favours
Creator:
William O'Keefe, active 1794–1807
Date:
1796
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/4 x 12 3/4in. (21 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1181. Ducking a Pickpocket

Ducking a Pickpocket
Creator:
William O'Keefe, active 1794–1807
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 12 1/2in. (22.2 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1182. Inspection of Property and Income, John Bull and The Inquisition

Inspection of Property and Income, John Bull and The Inquisition
Creator:
William O'Keefe, active 1794–1807
Date:
1798
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 12 1/2in. (20.6 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1183. A Contest between Oppression and Reason, On the Best Way of Settleing Debates

A Contest between Oppression and Reason, On the Best Way of Settleing Debates
Creator:
William O'Keefe, active 1794–1807
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 7/8 x 12 1/2in. (20 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1184. How to Attack, Defeat, and Destroy all France

How to Attack, Defeat, and Destroy all France
Creator:
William O'Keefe, active 1794–1807
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 12 5/8in. (20.3 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1185. The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"

The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"
Creator:
James Sayers, 1748–1823
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 7/8 x 12 1/2in. (22.5 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1186. The Loves of the Fox and the Badger, - or The Coalition Wedding

The Loves of the Fox and the Badger, - or The Coalition Wedding
Creator:
James Gillray, 1756–1815
Date:
1784
Materials & Techniques:
Etching
Dimensions:
Sheet: 7 7/8 x 12 1/2in. (20 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1187. The Ceremony of Opening London Bridge, August 1, 1831

The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1188. The Loves of the Fox and the Badger, - or The Coalition Wedding

The Loves of the Fox and the Badger, - or The Coalition Wedding
Creator:
James Gillray, 1756–1815
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 7/8 x 12 1/2in. (20 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1189. Caernarvon Castle

Caernarvon Castle
Creator:
Sir Robert Ker Porter, 1777–1842
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 12 3/4 inches (26.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1190. The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover

The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
Creator:
James Gillray, 1756–1815
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/8 x 12 3/4in. (20.6 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1191. The First Levee of the New P-r-t (Parliament)

The First Levee of the New P-r-t (Parliament)
Creator:
unknown artist
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 1/2 x 12 5/8in. (21.6 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1192. Coalition - The Fox & Badger Both in a Hole

Coalition - The Fox & Badger Both in a Hole
Creator:
unknown artist
Date:
1783
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 x 12 11/16in. (20.3 x 32.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1193. Handel

Handel
Creator:
Jacobus Houbraken, 1698–1780
Date:
ca. 1737
Materials & Techniques:
Etching and line engraving
Dimensions:
Image: 14 x 8 7/8in. (35.6 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Irving S. Gilmore Music Library Collection

1194. Landscape with a River in the Middle Distance

Landscape with a River in the Middle Distance
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 12 3/4in. (23.2 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1195. Philosopher Seated under a Tree

Philosopher Seated under a Tree
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/8 x 12 1/2in. (41.6 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1196. Man Seated on a Rock

Man Seated on a Rock
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:
Plate: 16 1/2 x 12 5/8in. (41.9 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1197. Landscape with a Man Seated on a Hummock Holding a Little Boy

Landscape with a Man Seated on a Hummock Holding a Little Boy
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching printed in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 x 12 1/2in. (22.9 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1198. The Tomb of Cecilia Metella

The Tomb of Cecilia Metella
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1735
Materials & Techniques:
Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 12 5/8in. (19.4 x 32.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1199. Untitled

Untitled
Creator:
John Banting, 1902–1972
Date:
1932
Materials & Techniques:
Cyanotype on medium, smooth, white wove paper, mounted on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 8 1/8 × 12 1/2 inches (20.6 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1200. Original Sketches by Sir Joshua Reynolds

Original Sketches by Sir Joshua Reynolds
Creator:
Sir Joshua Reynolds, 1723–1792
Date:
undated
Materials & Techniques:
Bound volume of 77 drawings on medium, moderately textured, cream laid paper
Dimensions:
Spine: 16 3/8 inches (41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund