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1. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

The Second Stage of Cruelty: Coachman Beating a Fallen Horse
Creator:
Print made by William Hogarth, 1697–1764
Date:
1751, printed 1790
Materials & Techniques:
Line engraving on thick, smooth, cream wove paper
Dimensions:
Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Patricia Cornwell

2. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 x 11 3/4 inches (22.3 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Bouvignes and Dinant

Bouvignes and Dinant
Creator:
Print made by George Arnald, 1763–1841
Date:
1822
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 11 3/4 inches (22.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. York Water Gate

York Water Gate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1795
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Notre Dame, Paris

Notre Dame, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
between 1831 and 1845
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Studies of Boats, Figures, Carts, and Buildings

Studies of Boats, Figures, Carts, and Buildings
Creator:
Cornelius Varley, 1781–1873
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 11 3/4 inches (24.8 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving, with graphite; touched engraver's proof (3) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; second published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 11 7/8 inches (25.4 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828-1837
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof (I) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (unfinished) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 15 3/8 inches (29.8 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching and line engraving; engraver's proof (4) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 14 3/4 inches (34 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and line engraving, with chine collé, graphite, and scraping out; touched engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Plymouth from Mount Batten

Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching; open etched state on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. East and West Looe, Cornwall

East and West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching; early first proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. East and West Looe, Cornwall

East and West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Margate, Kent

Margate, Kent
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1822
Materials & Techniques:
Etching with chine collé; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Ramsgate, Kent

Ramsgate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Ramsgate, Kent

Ramsgate, Kent
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/4 × 19 inches (32.4 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Whitstable, Kent

Whitstable, Kent
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 16 inches (28.6 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Rome, Bridge, and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 14 3/8 inches (25.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818-1820
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Bishop's Bridge, Norwich

Bishop's Bridge, Norwich
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 11 3/4 inches (19.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Finsbury Square

Finsbury Square
Creator:
George Sidney Shepherd, 1784–1862
Date:
1814
Materials & Techniques:
Watercolor, ink, and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 5/8 inches (22.2 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Margate, Kent

Margate, Kent
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1822
Materials & Techniques:
Etching with chine collé; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Margate, Kent

Margate, Kent
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1822
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 7/8 inches (22.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Portsmouth, Hampshire

Portsmouth, Hampshire
Creator:
Print made by William Miller, 1796–1882
Date:
1825
Materials & Techniques:
Etching and line engraving, with chine collé and graphite; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1818-1820
Materials & Techniques:
Etching and line engraving with graphite; touched engraver's proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 9/16 inches (27.9 × 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Havre

Havre
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (4) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Rome, Bridge, and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Etching and line engraving with chine collé; first published state on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Hotel de Ville, Paris

Hotel de Ville, Paris
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Mayence

Mayence
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Dinant, No. 1: Southwest View

Dinant, No. 1: Southwest View
Creator:
Print made by George Arnald, 1763–1841
Date:
between 1818 and 1828
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Florence Opposite the Cassines

Florence Opposite the Cassines
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/8 x 11 3/4 inches (16.2 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. San Frediano in Cestello, Florence

San Frediano in Cestello, Florence
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1915
Materials & Techniques:
Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 10 7/8 x 15 15/16 inches (27.6 x 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Edwin M. Herr Memorial Collection by Mrs. Herr in memory of her husband Edwin M. Herr, Yale PhD 1884, transfer from the Yale University Art Gallery

39. La rue des Prouvaires et l'église saint Eustache, Paris

La rue des Prouvaires et l'église saint Eustache, Paris
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1833
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 15/16 x 11 11/16 inches (43 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Façade St. Jean

Façade St. Jean
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 15/16 x 18 3/8 inches (30.4 x 46.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

41. Ancient Italy

Ancient Italy
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
between 1859 and 1861
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 11 5/8 inches (23.2 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Ponte Vecchio [North Italian Set: No. 21]

Ponte Vecchio [North Italian Set: No. 21]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1895
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 8 1/4 inches (24.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. Windsor Bridge

Windsor Bridge
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1792
Materials & Techniques:
Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Eglise de St. Jean a Lyons

Eglise de St. Jean a Lyons
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
ca. 1824
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper pasted on contemporary mount
Dimensions:
Sheet: 8 7/8 × 11 15/16 inches (22.5 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Pont Corneille, Rouen

Pont Corneille, Rouen
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, smooth, beige Asian paper
Dimensions:
Sheet: 7 13/16 x 11 5/8 inches (19.8 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Joseph Flint

47. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and line engraving; 3rd state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1819-1826
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 1/16 inches (27.3 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Bedford, Bedfordshire

Bedford, Bedfordshire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1831
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on thick, smooth, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Saint Denis

Saint Denis
Creator:
Print made by S. Fisher, active 1831–1844
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, crem wove paper
Dimensions:
Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Tours, Looking Backwards

Tours, Looking Backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 × 11 3/4 inches (21.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Bridgenorth

Bridgenorth
Creator:
Print made by James Walker, 1748–1808
Date:
1795
Materials & Techniques:
Etching and line engraving, with letterpress on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 11 7/8 inches (44.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Plymouth, Devonshire

Plymouth, Devonshire
Creator:
Print made by William John Cooke, 1797–1865
Date:
1832
Materials & Techniques:
Etching and line engraving with chine collé; 1st state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/16 × 15 11/16 inches (31.6 × 39.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Part of Waterloo Bridge with the Shot Tower, &c.

Part of Waterloo Bridge with the Shot Tower, &c.
Creator:
Print made by George Cooke, 1781–1834
Date:
1832
Materials & Techniques:
Etching and line engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Castletown Harbour, Isle of Man

Castletown Harbour, Isle of Man
Creator:
William Leighton Leitch, 1804–1883
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 15/16 x 11 15/16in. (20.2 x 30.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. London Bridge

London Bridge
Creator:
David Cox, 1783–1859
Date:
before 1831
Materials & Techniques:
Watercolor, gouache, and graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 8 x 11 7/8in. (20.3 x 30.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Gorbals, Glasgow, Scotland

The Gorbals, Glasgow, Scotland
Creator:
Colin Jones, 1936–2021
Date:
1978
Materials & Techniques:
Vintage gelatin silver print on photographic paper
Dimensions:
Sheet: 12 × 15 7/8 inches (30.5 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)

59. Granby Hill, Bristol

Granby Hill, Bristol
Creator:
James Johnson, 1803–1834
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 11 5/8 inches (18.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

60. Piazza Salone, Padua

Piazza Salone, Padua
Creator:
George Franklin, active 1825–1845
Date:
1836
Materials & Techniques:
Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 5/8 inches (19.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

61. Bridgnorth Bridge, Shropshire

Bridgnorth Bridge, Shropshire
Creator:
Rev. William Gilpin, 1724–1804
Date:
1799
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 x 11 7/8 inches (19.2 x 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Adam and Eve Tavern, Old Chelsea

The Adam and Eve Tavern, Old Chelsea
Creator:
Print made by James McNeill Whistler, 1834–1903
Date:
1878
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 x 14 3/4 inches (24.8 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

63. On the Beach

No cover image available
Creator:
Print made by unknown artist
Date:
1893
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 x 18 inches (35.6 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery