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Mrs. Billington
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/8 x 11 1/8 inches (35.9 x 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Benjamin West and His Son Raphael
Creator:
Print made by Valentine Green, 1739–1813
Date:
1775
Materials & Techniques:
Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 3/8 × 10 15/16 inches (39.1 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection
Domestick Employment Ironing
Creator:
Print made by Philip Dawe, ca.1750–ca.1790
Date:
ca. 1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 11 1/8 inches (40 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A French Petit Maître and His Valet
Creator:
Charles Grignion, 1717–1810
Date:
1771
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper, pasted on medium, moderately textured, cream Asian paper
Dimensions:
Mount: 16 1/4 x 11 5/16 inches (41.3 x 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ozias Humphry
Creator:
Print made by William Daniell, 1769–1837
Date:
1806
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 x 10 13/16 inches (43.5 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by John Dean, 1754–1798
Date:
1777
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 11 7/8 inches (39.5 x 30.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund