Width [cm]: 26 - YCBA Collections Search Search Results

301. The National Convention as it met on Monday 4th February 1839 at the British Coffee House

Creator:: unknown artist
Materials & Techniques:: stipple and etching
Dimensions:: Sheet: 7 1/2 x 10 3/8in. (19.1 x 26.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Venetian Convent [North Italian Set: No. 4]

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1895
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Plate: 6 7/16 × 8 1/2 inches (16.4 × 21.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

303. Wakefield

Creator:: Print made by James Walker, 1748–1808
Date:: 1798
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 3/8 inches (20.6 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Abingdon, from the Thames Navigation

Creator:: Print made by William Byrne, 1743–1805
Date:: 1805
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 10 3/16 inches (20.5 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. View of a Portico by the Side of a River, with Herdsmen and Cattle

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 x 16 5/16 inches (28 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Theodore Sizer

306. Scene of a Storm, with a Vessel Wrecked

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/8 x 16 15/16 inches (28.2 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer

307. A Landscape, with the Story of Apollo and Marsyas

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1775
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 16 5/8 inches (27.6 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

308. A Study

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1810
Materials & Techniques:: Etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 10 3/8 inches (43 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

309. A Town

Creator:: Edwin Edwards, 1823–1879
Date:: 1866
Materials & Techniques:: Etching on thin, smooth, beige Asian paper
Dimensions:: Sheet: 8 7/16 x 12 3/16 inches (21.4 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

310. Cascine, Florence

Creator:: Robert Charles Goff, 1837–1922
Date:: 1906
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/16 x 13 1/4 inches (24 x 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

311. View with several Vessels lying close to the Shore

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1774
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/16 x 16 15/16 inches (28.1 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Theodore Sizer

312. Thomas Malton, the Younger

Creator:: Print made by William Whiston Barney, active 1805–1817
Date:: 1806
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 3/8 × 10 5/16 inches (34 × 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. The Towing Path

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 15/16 x 10 5/16 inches (20.1 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

314. Sunset on the Thames

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1865
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream laid paper
Dimensions:: Sheet: 7 3/4 x 10 3/8 inches (19.7 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

315. The Mill-Wheel

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1874
Materials & Techniques:: Etching and drypoint, with plate tone on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 13/16 x 12 1/16 inches (25 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Emerson Tuttle in memory of Theodore Sizer, transfer from the Yale University Art Gallery

316. Wareham Bridge

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1877
Materials & Techniques:: Etching and drypoint, with plate tone on medium, smooth, cream antique laid paper
Dimensions:: Sheet: 7 1/8 x 10 3/16 inches (18.1 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

317. Landscape with Ruins

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1817
Materials & Techniques:: Etching and mezzotint in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 x 16 5/8 inches (26.8 x 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

318. A Landscape with Cattle

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1775
Materials & Techniques:: Etching (proof) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 x 16 inches (27.9 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

319. Juliette Récamier

Creator:: Print made by Samuel Arlent Edwards, 1861–1938
Date:: undated
Materials & Techniques:: Color printed mezzotint with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/16 x 13 5/16 inches (41.1 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her Father's (Richard V, Sharpe, B.S. 1873) Collection

320. A Study, with Ancient Ruins

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1810
Materials & Techniques:: Etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 15/16 x 10 3/8 inches (43 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965

321. Mountain Landscape: with cows and goats foreground and figures, left

Creator:: Peter La Cave, active 1769–1810
Date:: 1801
Materials & Techniques:: Watercolor, pen and black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. The Bridge of Sighs, Venice

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Graphite with stumping on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 × 10 1/4 inches (37.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Riverside, St. Joseph

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, gouache and scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 10 1/8 inches (18.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. A Romantic Landscape

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor, brown wash and graphite; verso: watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 10 1/4 inches (16.8 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Studies after Anthony van Dyck's Portrait of Arthur Goodwin

Creator:: James Ward, 1769–1859
Date:: 1825
Materials & Techniques:: Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 10 3/8 inches (17.8 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Portrait Study of Thomas Hearne

Creator:: Print made by William Daniell, 1769–1837
Date:: 1809
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 9/16 x 10 5/16 inches (31.9 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Landscape with two figures in the foreground

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 10 1/16 inches (9.8 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. In the Gardens at Stourhead

Creator:: Coplestone Warre Bampfylde, 1719–1791
Date:: after 1772
Materials & Techniques:: Black chalk, white chalk, and graphite on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 7 3/4 × 10 1/4 inches (19.7 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Two Frigates before the Wind

Creator:: Charles Brooking, 1723–1759
Date:: undated
Materials & Techniques:: Pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 × 10 1/8 inches (20 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. H.M.S. St. Vincent at Plymouth

Creator:: Nicholas Condy, 1793–1857
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor and gouache on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/16 × 10 1/16 inches (10.6 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Tomb of Catherine, Countess of Huntingdon, and Lady Jane Guildeford, Duchess of Northumberland of Chelsea Church

Creator:: Attributed to Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 10 3/8 inches (33.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. A Cat and Chickens

Creator:: Newton Limbird Smith Fielding, 1799–1856
Date:: 1833
Materials & Techniques:: Watercolor, pen and brown ink over graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 × 10 1/8 inches (17.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Dunwich

Creator:: Print made by James C. Allen, active 1821–1831
Date:: ca. 1830
Materials & Techniques:: Etching; open etched state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Aldenham Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. Interior of the Belfry, Bushey Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 16 7/8 x 13 inches (42.9 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Sheet of Studies of Deer, Figures and Landscape

Creator:: Aaron Edwin Penley, 1807–1870
Date:: undated
Materials & Techniques:: Watercolor with pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 3/8 inches (18.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Kingsteignton, Devon

Creator:: Samuel Prout, 1783–1852
Date:: ca. 1819
Materials & Techniques:: Watercolor and brown ink over graphite on thick, rough, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 3/16 inches (19.4 × 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Old House at Tournai

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 15 1/8 × 10 1/4 inches (38.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Bridge of Meulan

Creator:: Print made by John Cousen, 1804–1880
Date:: 1835
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. Building a Stack (Study for Carrying Hay)

Creator:: attributed to Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and white chalk and black chalk over graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 6 7/8 x 10 3/8 inches (17.5 x 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Etching and line engraving; 1st state on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church

Creator:: Daniel Lysons, 1762–1834
Date:: between 1796 and 1811
Materials & Techniques:: Watercolor, graphite, white gouache, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 10 3/8 inches (30.5 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Straits of Dover

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; early engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. Straits of Dover

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/8 × 21 3/4 inches (38.4 × 55.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Mrs. William Wilberforce and Child

Creator:: John Linnell, 1792–1882
Date:: 1824
Materials & Techniques:: Watercolor, gouache, graphite, and scored gesso ground on panel
Dimensions:: Sheet: 14 x 10 1/4 inches (35.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Macrocarpa

Creator:: Sir Walter Thomas Monnington, 1902–1976
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 10 3/16 inches (33.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

347. Rochester

Creator:: Print made by James Walker, 1748–1808
Date:: 1794
Materials & Techniques:: Etching and line engraving; 1st published state on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 5/8 × 10 1/4 inches (19.4 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Elgin Cathedral, Morayshire

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Etching and line engraving; 2nd published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Grantham Church

Creator:: Print made by Bartholomew Howlett, 1767–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving; 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 3/8 inches (24.1 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Alum Bay and the Needles

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/4 × 10 3/8 inches (19.7 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Studies of the Front and the Back of a Man

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 × 10 3/8 inches (22.9 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Distant View of Whalley Abbey

Creator:: Print made by James Basire II, 1769–1822
Date:: 1800
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, beige wove paper
Dimensions:: Scale:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Windsor from the Forest, Berks

Creator:: Print made by John Greig, active 1803–1853
Date:: 1804
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 10 1/8 inches (32.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Dunmose, West by North (one of five drawings on one mount)

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 × 10 1/4 inches (7.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Falstaff Disguised as Herne

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 10 3/16 inches (28.9 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

356. Macbeth and Banquo on the Heath

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

357. Cobham Hall, Kent: Unidentified Plan for a Passage

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black and brown ink on thick, medium, beige wove paper
Dimensions:: Sheet: 14 1/4 x 10 3/8 inches (36.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

Creator:: Print made by William Angus, 1752–1821
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. York House, London: Perspective View of the West Front

Creator:: Benjamin Dean Wyatt, 1775–1850
Date:: between 1825 and 1827
Materials & Techniques:: Pen and black ink and watercolor on slightly textured, moderately thick, brown wove paper
Dimensions:: Sheet: 5 3/8 × 10 1/8 inches (13.7 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Studies of Legs, Arms and Hands

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 × 10 1/4 inches (20.3 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Study of a Nude Male Sitting

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Study of a Nude Male Standing and Pointing

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Sagittarius serpentarius (Secretary Bird)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Obelisk at Axum Erected As Is Supposed by Ptolemy Evergetes

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Pen and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 10 3/8 inches (30.8 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Alum Bay, Isle of Wight

Creator:: Print made by John Landseer, 1769–1852
Date:: 1799
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Mr. Fawkes's Gallery

Creator:: Print made by Henry Moses, ca. 1782–1870
Date:: 1819-1820
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 1/16 inches (22.5 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/4 × 10 3/8 inches (36.2 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Browsholme

Creator:: Print made by James Basire II, 1769–1822
Date:: 1800
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 1/4 inches (22.2 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. Studies of Feet and Legs

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/4 × 10 1/8 inches (19.7 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Christ Church from the Meadows

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: between 1820 and 1823
Materials & Techniques:: Etching and line engraving; engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 1/8 inches (32.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Studies of Women and Cherubs

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 × 10 1/8 inches (20.3 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Cloisters of Whalley Abbey

Creator:: Print made by James Basire II, 1769–1822
Date:: 1800
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. The Sherburne Chapel in Mitton Church

Creator:: Print made by James Basire II, 1769–1822
Date:: 1801
Materials & Techniques:: Etching and line engraving on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Stonyhurst

Creator:: Print made by James Basire II, 1769–1822
Date:: 1801
Materials & Techniques:: Etching and line engraving; published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 11 3/4 inches (23.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Miller, 1796–1882
Date:: 1820
Materials & Techniques:: Etching and line engraving; unpublished state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Winter Afternoon

Creator:: Print made by Francis Dodd, 1874–1949
Date:: 1910
Materials & Techniques:: Drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/8 x 11 5/16 inches (40.9 x 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

378. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Etching and line engraving with chine collé; 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 9/16 × 14 inches (26.8 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Lyme Regis, Norfolk

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1836
Materials & Techniques:: Etching and line engraving; 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Marengo

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 1/4 inches (38.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Llangollen, North Wales

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1837
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 × 14 15/16 inches (28.1 × 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. William Tell's Chapel

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 3/8 inches (38.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Birk's Bridge

Creator:: Print made by Richard Samuel Chattock, 1825–1906
Date:: undated
Materials & Techniques:: Etching and drypoint print on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 10 1/2 x 14 15/16 inches (26.7 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

384. Hospice of the Great St. Bernard

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 10 1/8 inches (38.1 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Martigny

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1830
Materials & Techniques:: Etching and line engraving with chine collé on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 × 10 1/8 inches (37.5 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?

Creator:: James Gillray, 1756–1815
Date:: 1791
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 1/2 x 10 1/4in. (19.1 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/16 x 15 1/2 inches (28.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Studies of Roman Saddles

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1818
Materials & Techniques:: Graphite and pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 1/16 inches (21.3 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. A View in the Garden of Craigie-Hall, the Seat of the Honble. Charles Hope-Weir

Creator:: Print made by John Browne, 1741–1801
Date:: after 1762
Materials & Techniques:: Etching on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 9 x 12 1/16 inches (22.8 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Marlow, Bucks

Creator:: unknown artist
Date:: 1805
Materials & Techniques:: Soft-ground etching with hand coloring on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 6 5/16 × 10 1/16 inches (16.1 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Woman Praying in Church

Creator:: Print made by Rudolph Stanley-Brown, 1889–1944
Date:: undated
Materials & Techniques:: Drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 10 3/16 inches (44.4 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

392. Ploughing, Eton

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1818, printed after 1851
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Sheep-washing, Windsor

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Via Mala

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. Rouen - Fontaine de la Crosse

Creator:: Richard Parkes Bonington, 1802–1828
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 9 1/8 x 10 1/4in. (23.2 x 26cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

396. The Lost Sailor

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 13 1/2 inches (25.4 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. Okehampton Castle on the River Okement

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Mezzotint and line engraving; Turner's copy on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Dover

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1827
Materials & Techniques:: Mezzotint; engraver's proof (c) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 × 19 1/2 inches (33 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 15 1/4 inches (27.6 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Ca d'Oro

Creator:: Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 12 7/8 x 18 5/16 inches (32.7 x 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

YCBA Collections Search

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301. The National Convention as it met on Monday 4th February 1839 at the British Coffee House

302. Venetian Convent [North Italian Set: No. 4]

303. Wakefield

304. Abingdon, from the Thames Navigation

305. View of a Portico by the Side of a River, with Herdsmen and Cattle

306. Scene of a Storm, with a Vessel Wrecked

307. A Landscape, with the Story of Apollo and Marsyas

308. A Study

309. A Town

310. Cascine, Florence

311. View with several Vessels lying close to the Shore

312. Thomas Malton, the Younger

313. The Towing Path

314. Sunset on the Thames

315. The Mill-Wheel

316. Wareham Bridge

317. Landscape with Ruins

318. A Landscape with Cattle

319. Juliette Récamier

320. A Study, with Ancient Ruins

321. Mountain Landscape: with cows and goats foreground and figures, left

322. The Bridge of Sighs, Venice

323. Riverside, St. Joseph

324. A Romantic Landscape

325. Studies after Anthony van Dyck's Portrait of Arthur Goodwin

326. Portrait Study of Thomas Hearne

327. Landscape with two figures in the foreground

328. In the Gardens at Stourhead

329. Two Frigates before the Wind

330. H.M.S. St. Vincent at Plymouth

331. Tomb of Catherine, Countess of Huntingdon, and Lady Jane Guildeford, Duchess of Northumberland of Chelsea Church

332. A Cat and Chickens

333. Dunwich

334. Aldenham Church

335. Interior of the Belfry, Bushey Church

336. Sheet of Studies of Deer, Figures and Landscape

337. Kingsteignton, Devon

338. Old House at Tournai

339. Bridge of Meulan

340. Building a Stack (Study for Carrying Hay)

341. Lyme Regis, Norfolk

342. Brass Plate Monument of the Duchess of Northumberland and Her Daughters, Chelsea Church

343. Straits of Dover

344. Straits of Dover

345. Mrs. William Wilberforce and Child

346. Macrocarpa

347. Rochester

348. Elgin Cathedral, Morayshire

349. Grantham Church

350. Alum Bay and the Needles

351. Studies of the Front and the Back of a Man

352. Distant View of Whalley Abbey

353. Windsor from the Forest, Berks

354. Dunmose, West by North (one of five drawings on one mount)

355. Falstaff Disguised as Herne

356. Macbeth and Banquo on the Heath

357. Cobham Hall, Kent: Unidentified Plan for a Passage

358. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

359. York House, London: Perspective View of the West Front

360. Studies of Legs, Arms and Hands

361. Study of a Nude Male Sitting

362. Study of a Nude Male Standing and Pointing

363. Arundinaria alpina K. Schum. (African Bamboo): finished drawing of sections of stem and of shoot with leaves

364. Sagittarius serpentarius (Secretary Bird)

365. Obelisk at Axum Erected As Is Supposed by Ptolemy Evergetes

366. Alum Bay, Isle of Wight

367. Mr. Fawkes's Gallery

368. Arundinaria alpina K. Schum. (African Bamboo): finished drawing of habit with roots

369. Browsholme

370. Studies of Feet and Legs

371. Christ Church from the Meadows

372. Studies of Women and Cherubs

373. Cloisters of Whalley Abbey

374. The Sherburne Chapel in Mitton Church

375. Stonyhurst