Width [cm]: 25 - YCBA Collections Search Search Results

1501. English Dragoons and Hussars

Creator:: Arthur Claude Cooke, 1867–op 1890
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 10 inches (16.4 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1502. The Artist From the Horse's Point of View

Creator:: Gilbert Joseph Holiday, 1879 –1937
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1503. Windsor Castle - Devil's Tower, July 17, 1832 - 11 am

Creator:: Dr. William Crotch, 1775–1847
Date:: 1832
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 1/8 × 13 inches (23.2 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1504. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

Creator:: Attributed to Thomas Baker of Leamington, 1809–1864
Date:: 1848
Materials & Techniques:: Watercolor, and pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Mount: 8 15/16 × 12 15/16 inches (22.7 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1505. A Farmhand Riding Side-saddle, Carrying an Urn

Creator:: James Ward, 1769–1859
Date:: undated
Materials & Techniques:: Graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 9 3/4 × 12 inches (24.8 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1506. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1507. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

Creator:: Thomas Daniell, 1749–1840
Date:: 1796
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1508. Tattersall's Training School

Creator:: unknown artist
Date:: 1771
Materials & Techniques:: Pen and gray ink, brown ink, graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 3/8 × 14 7/16 inches (31.4 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1509. The Return from Coursing

Creator:: William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 11/16 inches (18.3 × 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1510. Two Horses Eating From a Wheel-Barrow Watched by a Goat and Three Ducks

Creator:: John Frederick Herring, 1795–1865
Date:: 1850
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 × 11 1/2 inches (25.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1511. A Gentleman Standing, Seen Back View, Wearing a Driving or Riding Coat ...

Creator:: Heywood Hardy, 1843–1933
Date:: undated
Materials & Techniques:: Black chalk and white chalk on medium, moderately textured, brown wove paper
Dimensions:: Sheet: 13 7/16 × 8 3/8 inches (34.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1512. Portraits of Four Indian Kings of Canada: Sa Ga Yeath Pieth Tow, King of the Maquas

Creator:: Print made by John Simon, 1675–1751
Date:: ca. 1755
Materials & Techniques:: Mezzotint, third state
Dimensions:: Sheet: 13 7/8 x 9 15/16in. (35.2 x 25.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1513. The Affectionate Daughter

Creator:: John Eginton, active 1763–1800
Date:: 1792
Materials & Techniques:: Stipple engraving, printed in color on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 15/16 × 11 7/16 inches (37.9 × 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1514. Temple of Minerva, Cape Colonna

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1515. The Hangman's Daughter

Creator:: Print made by William Strang, 1859–1921
Date:: 1894
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 9 7/8 inches (21 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1516. Shooting the Albatross

Creator:: Print made by William Strang, 1859–1921
Date:: 1896
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 10 inches (38.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1517. Distant HIlls

Creator:: Print made by William Strang, 1859–1921
Date:: 1901
Materials & Techniques:: Etching and mezzotint on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 × 9 3/4 inches (20.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1518. The Soup Kitchen

Creator:: Print made by William Strang, 1859–1921
Date:: 1889
Materials & Techniques:: Etching and mezzotint on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 1/4 × 11 inches (33.7 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1519. Meal Time

Creator:: Print made by William Strang, 1859–1921
Date:: 1883
Materials & Techniques:: Etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

1520. Mambrino

Creator:: George Townly Stubbs, 1748–1815
Date:: 1794
Materials & Techniques:: Etching and stipple engraving
Dimensions:: Sheet: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Allen Evarts Foster, B.A. 1906

1521. Venice from the Campanile

Creator:: Edward Millington Synge, 1860–1913
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 11 1/2 x 12 3/4in. (29.2 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1522. San Giorgio Maggiore and the Salute, Venice

Creator:: Edward Millington Synge, 1860–1913
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 12 3/4 x 10in. (32.4 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1523. Spring

Creator:: James McArdell, ca. 1729–1765
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 5/16 x 9 7/8in. (31.3 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1524. Piazza del Popolo, Rome

Creator:: Edward Millington Synge, 1860–1913
Date:: 1905
Materials & Techniques:: Etching on laid paper
Dimensions:: Sheet: 14 x 9 3/4in. (35.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

1525. Cheshire Plain

Creator:: Print made by Charles F. Tunnicliffe, 1901–1979
Date:: undated
Materials & Techniques:: Etching on laid paper
Dimensions:: Plate: 8 × 9 3/4 inches (20.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Emerson Tuttle, B.A. 1914

1526. Villa Quintilii

Creator:: Print made by William Walcot, 1874–1943
Date:: 1921
Materials & Techniques:: Etching, aquatint, roulette, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 14 3/8 inches (30.5 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

1527. Venus Attired by the Graces

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 50 13/16 × 11 5/16 inches (129.1 × 28.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1528. Venus Attired by the Graces

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1785
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1529. Earth

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1803
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 1/2 inches (20.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1530. Love and Fortune

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1789
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 9/16 × 9 3/4 inches (31.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1531. Dr. John Fothergill

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 x 9 5/8 inches (33.3 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1532. Clapham Manor-House, Surry

Creator:: John Hassell, 1767–1825
Date:: between 1804 and 1822
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1533. Griselda Returning to her Father

Creator:: Print made by Amedeo Gabrielli, 1749–1817
Date:: after 1785
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/16 x 13 inches (43.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1534. Tynemouth Castle and Priory, Northumberland

Creator:: Print made by Benjamin Comte, 1760–1851
Date:: 1802
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1535. Sketch of English Country Churches

Creator:: John Piper, 1903–1992
Date:: ca. 1950
Materials & Techniques:: Pen and black ink with white gouache on medium, smooth, cream wove paper, mounted to moderately thick, slightly textured, white wove paper
Dimensions:: Sheet: 6 5/8 × 8 5/8 inches (16.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1536. Selborne Church

Creator:: John Piper, 1903–1992
Date:: 1961
Materials & Techniques:: Gray wash with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 15 3/8 × 9 3/4 inches (39.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1537. Chatsworth House, Derbyshire

Creator:: William Henry Bartlett, 1809–1854
Date:: between 1823 and 1830
Materials & Techniques:: Pen and brown ink and brown wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 3/4 inches (16.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1538. A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

1539. Pray Remember us Poor Children

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1795
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 11 3/4 x 9 3/4in. (29.8 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1540. The Solicitor General for the French Republic

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 1/8 x 9 7/8in. (33.3 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1541. Give a Dog an Ill Name, They'll Hang Him

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 14 1/4 x 9 7/8in. (36.2 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1542. Grandpappa in his Glory!!!

Creator:: Isaac Cruikshank, 1764–1811
Date:: 1796
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 13 3/4 x 9 3/4in. (34.9 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1543. A Morning Frolic or the Transmutation of Sexes

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 7/8 x 9 7/8in. (32.7 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1544. Mr. John Joshua Kirby

Creator:: John Dixon, ca. 1740–1811
Date:: between 1765 and 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 3/8 x 12 inches (46.7 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1545. Study of a Nude Girl

Creator:: Gwen John, 1876–1939
Date:: between 1916 and 1919
Materials & Techniques:: Black chalk on thin,slightly textured, brown wove paper
Dimensions:: Sheet: 12 1/2 x 9 5/8in. (31.8 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1546. George Graham, Clockmaker

Creator:: John Faber the Younger, ca. 1695–1756
Date:: undated
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper, pasted on moderately thick, moderately textured, gray-blue Asian paper
Dimensions:: Sheet: 14 1/4 x 10 3/16 inches (36.2 x 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1547. Reform Advised - Reform Begun - Reform Compleat (Complete)

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1793
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 16 x 9 3/4in. (40.6 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1548. Vice-Admiral Sir Edward Codrington, GCB

Creator:: Charles Turner, 1774–1857
Date:: 1830
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 14 x 10in. (35.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

1549. Corner of the Palais de Justice, Paris

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 5/16 x 9 3/4 inches (33.8 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1550. A French Physician with His Retinue Going to Visit His Patients

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1771
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 1/16 x 13 3/4 inches (28.1 x 35 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1551. Château des Comtes de Flandre, Ghent

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: ca. 1833
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1552. Mamma at Romps

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Colored aqutatint and stipple engraving, with etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 x 10 3/8 inches (34.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1553. Val d'Aosta

Creator:: Print made by Alfred Dawson, active 1860–1894
Date:: 1885
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 14 1/2 inches (26.2 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

1554. Ruins of the Old Bridge, Vernon

Creator:: Frederick Goulding, 1842–1909
Date:: 1879
Materials & Techniques:: Etching on moderately thick, slightly texture, beige laid paper
Dimensions:: Sheet: 5 3/8 x 10 1/4 inches (13.7 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith Zlotsky

1555. Fitting out. - Plate 1

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1556. An Officer in the Light Infantry, driven by his Lady to Cox-Heath

Creator:: unknown artist
Materials & Techniques:: Hand colored mezzotint
Dimensions:: Sheet: 14 x 10in. (35.6 x 25.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1557. A Morning Frolic, or the Transmutation of the Sexes

Creator:: unknown artist
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 3/4 x 9 3/4in. (32.4 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1558. The Manchester Hero, or Arts Yield to Arms

Creator:: unknown artist
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 7/8 x 9 7/8in. (32.7 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1559. The Sailors' Present or, The Jealous Clown

Creator:: unknown artist
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 12 3/4 x 9 3/4in. (32.4 x 24.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1560. Lillebonne - Château d'Harcourt

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1824
Materials & Techniques:: Lithograph with yellow tint on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 1/2 x 9 11/16 inches (31.8 x 24.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

1561. The Stork and Aqueduct

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1562. The Stork and Aqueduct

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 17 inches (31.1 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1563. A Mill

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint with chine collé; Progress proof (e) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 14 5/8 inches (31.1 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1564. Moonlight on the Medway at Chatham

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1920
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 17 inches (31.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1565. Castle Acre Priory

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830 to 1831
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 1/2 inches (19.1 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1566. A Mill

Creator:: Print made by David Lucas, 1802–1881
Date:: 1830
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 15 inches (26.7 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1567. Old Sarum

Creator:: Print made by David Lucas, 1802–1881
Date:: 1829 to 1830
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 7/8 inches (18.1 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1568. Stoke by Neyland, Suffolk

Creator:: Print made by David Lucas, 1802–1881
Date:: 1829
Materials & Techniques:: Mezzotint and drypoint with chine collé; progress proof (g) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/8 inches (30.5 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1569. Summer Morning

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/4 x 17 inches (28.6 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1570. A Summerland

Creator:: Print made by David Lucas, 1802–1881
Date:: 1831
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 5/16 × 15 inches (26.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1571. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1572. Huntsmen in a Wood

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1891
Materials & Techniques:: Etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1573. Shields on the River Tyne

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823
Materials & Techniques:: Mezzotint with brown ink; touched proof, Turner's copies on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 20 1/8 inches (34 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1574. Newcastle-on-Tyne

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823
Materials & Techniques:: Mezzotint and soft-ground etching; Turner's copies on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 20 1/2 inches (33.7 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1575. Newcastle-on-Tyne

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823
Materials & Techniques:: Soft-ground etching with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 17 1/8 inches (30.5 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1576. Rochester, on the River Medway

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1824
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 20 1/4 inches (33.7 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1577. Dartmouth Castle, on the River Dart

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 × 14 1/8 inches (25.4 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1578. Dartmouth, on the River Dart

Creator:: Print made by Samuel William Reynolds, 1773–1835
Date:: 1825
Materials & Techniques:: Etching, mezzotint, and drypoint; engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 × 11 3/8 inches (21.9 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1579. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint, with graphite and scraping out; touched engraver's proof (b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 15 inches (29.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1580. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1581. Kirkstall Abbey, on the River Aire

Creator:: Print made by James Bromley, 1801–1838
Date:: 1823 to 1827
Materials & Techniques:: Etching and soft ground etching with chine collé; etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 16 3/4 inches (28.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1582. Kirkstall Abbey, on the River Aire

Creator:: Print made by James Bromley, 1801–1838
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint and soft ground etching; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1583. Brougham Castle, near the Junction of the Rivers Eamont and Lowther

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 1/2 inches (27.3 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1584. Warkworth Castle on the River Coquet

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 20 1/8 inches (33 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1585. Warkworth Castle on the River Coquet

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (between a&b) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 × 17 1/4 inches (32.4 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1586. Mouth of the River Humber

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint and graphite; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 12 5/8 inches (24.1 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1587. Mouth of the River Humber

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (b) on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 15 3/8 inches (30.8 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1588. Mouth of the River Humber

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1589. Arundel Castle, on the River Arun

Creator:: Print made by George H. Phillips, active 1819–1825
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint and etching with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 15 1/8 inches (30.5 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1590. Kirkstall Lock, on the River Aire

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 5/8 inches (21 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1591. Kirkstall Lock, on the River Aire

Creator:: Print made by William Say, 1768–1834
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 20 1/8 inches (33.7 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1592. Totnes, on the River Dart

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1593. Arundel Castle, with Rainbow

Creator:: Print made by unknown artist
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 10 1/2 inches (21 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1594. Totnes, on the River Dart

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (d) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 × 19 1/4 inches (33.7 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1595. Mr. Grevil Verney

Creator:: Print made by Robert Williams, active 1680–1704
Date:: between 1680 and 1704
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 13 3/4 x 9 7/8in. (34.9 x 25.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1596. Margate

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1597. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint, with graphite and scratching out; touched engraver's proof (a) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1598. Deal

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1854
Materials & Techniques:: Mezzotint; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 15 1/4 inches (27.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1599. Sidmouth

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: ca. 1828, published 1856
Materials & Techniques:: Mezzotint; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 × 13 5/8 inches (25.4 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

1600. Catwater, Entrance to Plymouth Sound

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1828 to 1856
Materials & Techniques:: Mezzotint; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 × 14 7/8 inches (25.7 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1501. English Dragoons and Hussars

1502. The Artist From the Horse's Point of View

1503. Windsor Castle - Devil's Tower, July 17, 1832 - 11 am

1504. A View of Doncaster Racecourse, Drawn From Nature, Sept. 2, 1848

1505. A Farmhand Riding Side-saddle, Carrying an Urn

1506. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

1507. Preparing for a Hunt at Selhurst Park, Nov. 14, 1796

1508. Tattersall's Training School

1509. The Return from Coursing

1510. Two Horses Eating From a Wheel-Barrow Watched by a Goat and Three Ducks

1511. A Gentleman Standing, Seen Back View, Wearing a Driving or Riding Coat ...

1512. Portraits of Four Indian Kings of Canada: Sa Ga Yeath Pieth Tow, King of the Maquas

1513. The Affectionate Daughter

1514. Temple of Minerva, Cape Colonna

1515. The Hangman's Daughter

1516. Shooting the Albatross

1517. Distant HIlls

1518. The Soup Kitchen

1519. Meal Time

1520. Mambrino

1521. Venice from the Campanile

1522. San Giorgio Maggiore and the Salute, Venice

1523. Spring

1524. Piazza del Popolo, Rome

1525. Cheshire Plain

1526. Villa Quintilii

1527. Venus Attired by the Graces

1528. Venus Attired by the Graces

1529. Earth

1530. Love and Fortune

1531. Dr. John Fothergill

1532. Clapham Manor-House, Surry

1533. Griselda Returning to her Father

1534. Tynemouth Castle and Priory, Northumberland

1535. Sketch of English Country Churches

1536. Selborne Church

1537. Chatsworth House, Derbyshire

1538. A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire

1539. Pray Remember us Poor Children

1540. The Solicitor General for the French Republic

1541. Give a Dog an Ill Name, They'll Hang Him

1542. Grandpappa in his Glory!!!

1543. A Morning Frolic or the Transmutation of Sexes

1544. Mr. John Joshua Kirby

1545. Study of a Nude Girl

1546. George Graham, Clockmaker

1547. Reform Advised - Reform Begun - Reform Compleat (Complete)

1548. Vice-Admiral Sir Edward Codrington, GCB

1549. Corner of the Palais de Justice, Paris

1550. A French Physician with His Retinue Going to Visit His Patients

1551. Château des Comtes de Flandre, Ghent

1552. Mamma at Romps

1553. Val d'Aosta

1554. Ruins of the Old Bridge, Vernon

1555. Fitting out. - Plate 1

1556. An Officer in the Light Infantry, driven by his Lady to Cox-Heath

1557. A Morning Frolic, or the Transmutation of the Sexes

1558. The Manchester Hero, or Arts Yield to Arms

1559. The Sailors' Present or, The Jealous Clown

1560. Lillebonne - Château d'Harcourt

1561. The Stork and Aqueduct

1562. The Stork and Aqueduct

1563. A Mill

1564. Moonlight on the Medway at Chatham

1565. Castle Acre Priory

1566. A Mill

1567. Old Sarum

1568. Stoke by Neyland, Suffolk

1569. Summer Morning

1570. A Summerland

1571. Huntsmen in a Wood

1572. Huntsmen in a Wood

1573. Shields on the River Tyne

1574. Newcastle-on-Tyne

1575. Newcastle-on-Tyne