First Class—The Meeting. "And at first meeting loved."
1855
Not on view
5
Abraham Solomon, 1823–1862
Second Class—The Parting. "Thus part we rich in sorrow, parting poor."
1855
Not on view
6
George Morland, 1763–1804
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
7
James Ward, 1769–1859
A Harvest Scene with Workers Loading Hay on to a Farm Wagon
ca. 1800
Not on view
8
Agostino Brunias, 1728–1796
A West Indian Flower Girl and Two other Free Women of Color
ca. 1769
Not on view
9
Agostino Brunias, 1728–1796
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
10
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
11
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
12
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
13
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
14
Balthazar Nebot, active 1730–1762
Fishmonger's stall
1737
Not on view
15
Robert Polhill Bevan, 1865–1925
The Horse Mart (with further sketches in the margin)
ca. 1918
16
Robert Polhill Bevan, 1865–1925
Study of a Woman Sewing
undated
17
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
18
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
19
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
20
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
21
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
22
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
23
Print made by Samuel Palmer, 1805–1881
The Lonely Tower
1879
24
John Constable, 1776–1837
A Recollection of the New R.A
1837
25
Print made by Robert Wallis, 1794–1878
Taj Mahal, Agra
1831
On view at YUAG
26
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
27
Joseph Mallord William Turner, 1775–1851
High Street, Edinburgh
ca. 1818
28
Edward Lear, 1812–1888
Parham, Sept. 30, 1834
1834
29
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
30
Edward Lear, 1812–1888
Salahiyeh
1867
31
George Romney, 1734–1802
Deposition
undated
32
George Romney, 1734–1802
Seated Woman
undated
33
Print made by unknown artist
A View of Several Palaces at Naples at Sun Rise
undated
34
James Bruce, 1730–1794
Study for Man Playing a Harp
undated
35
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
36
Robert Dighton, 1752–1814
Bachelor's Hall
undated
37
Elias Martin, 1739–1818
Reading Lesson at a Dame School
undated
38
Print made by unknown artist
Lady Time Present and Lady Time Past
1773
39
Print made by Francis E. Adams, active ca.1760–1775
Heyday! Is This My Daughter Anne!
1773
40
Print made by Richard Houston, ca. 1721–1775
Night
1758
41
Print made by Johann Simon Negges, 1726–1792
Mittag
undated
42
Print made by Gerhard Bockman, 1686–1773
The Guitar Player
undated
43
Print made by Richard Houston, ca. 1721–1775
Morning
1758
44
Print made by M. A. Picot, 1782–1838
The Lord of the Vineyard Paying His Labourers
1771
45
Print made by James Watson, 1740–1790
Domestick Amusement: Playing the Guitar
undated
46
Print made by Richard Brookshaw, 1736–1804
The Ragged Concert
1770
47
Print made by Johann Jacobus Haid, 1704–1767
Le jeu de domino
undated
48
Print made by Thomas Shotter Boys, 1803–1874
Corner of the Palais de Justice, Paris
ca. 1833
49
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Design for a Decorative Panel, Horse and Rider
1912
50
Print made by Henry William Bunbury, 1750–1811
How to Ride Without a Bridle
undated
51
Print made by Henry William Bunbury, 1750–1811
Love and Wind
undated
52
Print made by Samuel Freeman, 1773–1857
Mamma at Romps
1810
53
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
54
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
55
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
56
James Seymour, 1702–1752
Sketches of a Hare, Horse, Stag, Man and Woman
undated
57
James Ward, 1769–1859
A Farmhand Riding Side-saddle, Carrying an Urn
undated
58
Print made by Florence Claxton, active 1855–1889
Crystal Palace
undated
59
Print made by Isaac Cruikshank, 1764–1811
Young Ladies
1795
60
John Eginton, active 1763–1800
The Affectionate Daughter
1792
61
John Hassell, 1767–1825
Clapham Manor-House, Surry
between 1804 and 1822
62
Print made by Francesco Bartolozzi, 1728–1815
The Watercress Girl
1796
63
Print made by James C. Allen, active 1821–1831
Penzance, Cornwall
1833
64
Print made by Johann Lorenz Haid, 1702–1750
The Musician
1764
65
Print made by Johann Jacobus Haid, 1704–1767
Le jeu de dames
undated
66
Print made by Philip Dawe, ca.1750–ca.1790
Lady's Maid Soaping Linen
1769
67
Print made by Philip Dawe, ca.1750–ca.1790
The Letter Woman
ca. 1769
68
Print made by Philip Dawe, ca.1750–ca.1790
The Oyster Woman
1769
69
Print made by Philip Dawe, ca.1750–ca.1790
Domestick Employment Ironing
ca. 1769
70
Print made by Philip Dawe, ca.1750–ca.1790
The Pretty Maid with Her Apron Before the Candle
1770
71
Print made by Richard Houston, ca. 1721–1775
Domestic Amusement: Playing on the Guitar
ca. 1760
72
Print made by Philip Dawe, ca.1750–ca.1790
The Pretty Ballad Singer
1769
73
Print made by Benjamin Comte, 1760–1851
Tynemouth Castle and Priory, Northumberland
1802
74
Print made by Francesco Bartolozzi, 1728–1815
The Daughters of Guercino
1772
75
Print made by Florence Claxton, active 1855–1889
Shopping
undated
76
Print made by Ebenezer Challis, active 1837–1859
The Baron's Hall
1844
77
Print made by Philip Dawe, ca.1750–ca.1790
Reading by a Paper-Bell Shade
1768
78
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
79
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
80
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
81
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
82
John Thomas Smith, 1766–1833
The Smock Exposed
1817
83
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
84
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
85
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
86
John Thomas Smith, 1766–1833
Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
1817
87
Sir James Thornhill, 1675–1734
A Scene at Windsor
undated
88
Samuel Howitt, 1756–1822
Country Folk with a Child, Beside a River
undated
89
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
90
Thomas Hearne, 1744–1817
The Welsh Curate
undated
91
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
92
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
93
unknown artist
Heveningham Hall, Suffolk
between 1782 and 1790
94
Thomas Rowlandson, 1756–1827
Loading Sacks into a Cart
undated
95
William John Chamberlayne, 1821–1910
Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh
undated
96
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
97
John Thomas Smith, 1766–1833
The Reconcilation
1817
98
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
99
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
100
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter