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William Blake "Does thy God O Priest take such vengeance as this?" (Plate 14)
Print made by William Blake, 1757–1827
"Does thy God O Priest take such vengeance as this?" (Plate 14)
1826
William Blake Death's Door (Plate 17)
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
William Blake "I have said to the Worm: Thou art my mother & my sister" (Plate 18)
Print made by William Blake, 1757–1827
"I have said to the Worm: Thou art my mother & my sister" (Plate 18)
1826
William Blake "To The Accuser who is The God of This World..." (Plate 19)
Print made by William Blake, 1757–1827
"To The Accuser who is The God of This World..." (Plate 19)
1826
William Blake "What is Man!"; Frontispiece (Plate 2)
Print made by William Blake, 1757–1827
"What is Man!"; Frontispiece (Plate 2)
1826
William Blake "He meets his Saviour in the Grave..." (Plate 20)
Print made by William Blake, 1757–1827
"He meets his Saviour in the Grave..." (Plate 20)
1826
William Blake "I found him beneath a Tree" (Plate 3)
Print made by William Blake, 1757–1827
"I found him beneath a Tree" (Plate 3)
1826
William Blake Water (Plate 4)
Print made by William Blake, 1757–1827
Water (Plate 4)
1826
William Blake Earth (Plate 5)
Print made by William Blake, 1757–1827
Earth (Plate 5)
1826
William Blake Fire (Plate 7)
Print made by William Blake, 1757–1827
Fire (Plate 7)
1826
William Blake "At length for hatching ripe he breaks the shell" (Plate 8)
Print made by William Blake, 1757–1827
"At length for hatching ripe he breaks the shell" (Plate 8)
1826
William Blake Alas! (Plate 9)
Print made by William Blake, 1757–1827
Alas! (Plate 9)
1826
William Blake Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
On view
William Blake "Fear & hope are -- Vision" (Plate 15)
Print made by William Blake, 1757–1827
"Fear & hope are -- Vision" (Plate 15)
1826
William Blake Air (Plate 6)
Print made by William Blake, 1757–1827
Air (Plate 6)
1826
William Blake Europe. A Prophecy; Frontispiece
Print made by William Blake, 1757–1827
Europe. A Prophecy; Frontispiece
ca. 1820
On view
William Blake Romeo and Juliet, Act IV, Scene V
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
Print made by William Blake, 1757–1827
I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)
1789
William Blake The Book of Thel
Prints made by William Blake, 1757–1827
The Book of Thel
1789
William Blake For the Sexes: The Gates of Paradise, London, 1826
Prints made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, London, 1826
1826
George Romney The Wronged Maid, The Dissecting Room
George Romney, 1734–1802
The Wronged Maid, The Dissecting Room
undated
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Study of Four Figures
George Romney, 1734–1802
Study of Four Figures
undated
George Romney Three Studies of a Woman's Face
George Romney, 1734–1802
Three Studies of a Woman's Face
undated
George Romney Staring Head and Figure Group
George Romney, 1734–1802
Staring Head and Figure Group
1790s
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Two Putti
George Romney, 1734–1802
Two Putti
1770s
George Romney Two Standing Youths
George Romney, 1734–1802
Two Standing Youths
late 1770s
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Sketchbook Drawing
George Romney, 1734–1802
Sketchbook Drawing
ca. 1793
George Romney Mother and Child
George Romney, 1734–1802
Mother and Child
undated
George Romney Satan Presiding over Hell
George Romney, 1734–1802
Satan Presiding over Hell
1796
George Romney Landscape Study for Titania's Attendants Chasing Bats
George Romney, 1734–1802
Landscape Study for Titania's Attendants Chasing Bats
ca. 1793
George Romney Hell
George Romney, 1734–1802
Hell
mid-1790s
George Romney The Effects of Envy and Pride
George Romney, 1734–1802
The Effects of Envy and Pride
ca. 1794
Petrus Josephus Lutgers Bosbeek en Groenendaal nabij Heemstede
Print made by Petrus Josephus Lutgers, 1808–1874
Bosbeek en Groenendaal nabij Heemstede
between 1837 and 1844
William Callow Versailles
William Callow, 1812–1908
Versailles
1833
Mary Dawson Turner Portrait of Benjamin Robert Haydon
Print made by Mary Dawson Turner, 1774–1850
Portrait of Benjamin Robert Haydon
1816
Capt. Thomas Hastings Henstridge Church, 23 August 1833
Capt. Thomas Hastings, 1778–1854
Henstridge Church, 23 August 1833
1833
Giles Hussey Study of classical scultpure of Laocoon
Giles Hussey, 1710–1788
Study of classical scultpure of Laocoon
between 1730 and 1768
Giles Hussey Study of classical sculpture or reclining figure
Giles Hussey, 1710–1788
Study of classical sculpture or reclining figure
between 1730 and 1768
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
George Richmond Moonlight over the Sea, Broadstairs
Attributed to George Richmond, 1809–1896
Moonlight over the Sea, Broadstairs
1843
William P. Sherlock View Across the Thames for Greenwich Park
William P. Sherlock, c.1780–1850
View Across the Thames for Greenwich Park
1795
William Taverner Italian Landscape with Ruined Castle
William Taverner, 1703–1772
Italian Landscape with Ruined Castle
undated
Sir David Wilkie Shopping in the Rows, Chester
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
unknown artist Landscape with Footbridge
unknown artist
Landscape with Footbridge
ca. 1780
John Warwick Smith Alpine Scene
John Warwick Smith, 1749–1831
Alpine Scene
1781
John Thomas Smith Man Beside a Stile
John Thomas Smith, 1766–1833
Man Beside a Stile
undated
Humphry Repton A Summer House with Full-length Lattice Windows
Humphry Repton, 1752–1818
A Summer House with Full-length Lattice Windows
undated
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845
Falstaff at Herne's Oak
1807
John Varley River Landscape with Two Figures, Lake and Distant Mountains
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
James Ward Farm Workers Flailing Corn
James Ward, 1769–1859
Farm Workers Flailing Corn
undated
William Taverner Landscape, Trees and a Distant View of Rome
William Taverner, 1703–1772
Landscape, Trees and a Distant View of Rome
undated
unknown artist Bridge on a Mountain Stream
unknown artist
Bridge on a Mountain Stream
undated
Richard Wilson Sculpted Plinth in the Villa Medici
Richard Wilson, ca. 1712–1782
Sculpted Plinth in the Villa Medici
undated
Joseph Clarendon Smith Tintern Abbey
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
unknown artist Hound Lying Down Snarling
unknown artist
Hound Lying Down Snarling
early 19th century
unknown artist Hound Sitting Holding up Bleeding Foreleg
unknown artist
Hound Sitting Holding up Bleeding Foreleg
early 19th century
unknown artist Dog with Bone, Facing Left
unknown artist
Dog with Bone, Facing Left
undated
unknown artist Retriever with Hare in Its Mouth
unknown artist
Retriever with Hare in Its Mouth
early 19th century
unknown artist Copy of a Study for a Ceiling Decoration
unknown artist
Copy of a Study for a Ceiling Decoration
undated
Cornelius Varley A Tree Struck by Lightning
Cornelius Varley, 1781–1873
A Tree Struck by Lightning
undated
John Varley Landscape with a Clump of Trees near a Road and a Stream
John Varley, 1778–1842
Landscape with a Clump of Trees near a Road and a Stream
undated
James Heath Cerastes
Print made by James Heath, 1757–1834
Cerastes
1789
Andrew Fyfe Eragrostis Tef
Andrew Fyfe, 1752–1824
Eragrostis Tef
1775
Luigi Balugani Mimosa pigra (L.): finished drawing
Luigi Balugani, 1737–1770
Mimosa pigra (L.): finished drawing
undated
Luigi Balugani Pterolobium stellatum (Forssk): finished drawing
Luigi Balugani, 1737–1770
Pterolobium stellatum (Forssk): finished drawing
undated
Luigi Balugani Avicennia marina (Forssk.) Vierh. (White Mangrove): finished drawing of flowering shoot with details of flowers
Luigi Balugani, 1737–1770
Avicennia marina (Forssk.) Vierh. (White Mangrove): finished drawing of flowering shoot with details of flowers
undated
Luigi Balugani Euphorbia abyssinica J.F. Gmel. (Ethiopian Tree-Spurge): finished drawing of the tree's habit
Luigi Balugani, 1737–1770
Euphorbia abyssinica J.F. Gmel. (Ethiopian Tree-Spurge): finished drawing of the tree's habit
undated
James Bruce Man Playing a Harp
James Bruce, 1730–1794
Man Playing a Harp
undated