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Subject Terms literary theme

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

William Blake "Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

Print made by William Blake, 1757–1827

"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)

1804 to 1820

William Blake I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

Print made by William Blake, 1757–1827

I, "Why should the mistress of the vales of Har, utter a sigh..." (Plate 4)

1789

William Blake III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

Print made by William Blake, 1757–1827

III, "But he that loves the lowly, pours his oil upon my head..." (Plate 7)

1789

William Blake "The Traveller hasteth in the Evening" (Plate 16)

Print made by William Blake, 1757–1827

"The Traveller hasteth in the Evening" (Plate 16)

1826

William Blake Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

Print made by William Blake, 1757–1827

Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)

1789

William Blake II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

Print made by William Blake, 1757–1827

II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)

1789

William Blake III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

Print made by William Blake, 1757–1827

III. "Then Thel astonish'd view'd the Worm upon its dewy bed..." (Plate 6)

1789

William Blake IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

Print made by William Blake, 1757–1827

IV. "The eternal gates terrific porter lifted the northern bar..." (Plate 8)

1789

William Blake Thel's Motto (Plate 1)

Print made by William Blake, 1757–1827

Thel's Motto (Plate 1)

1789

William Blake Title Page, The Book of Thel (Plate 2)

Print made by William Blake, 1757–1827

Title Page, The Book of Thel (Plate 2)

1789

William Blake The Man Sweeping the Interpreter's Parlour

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

George Romney Witches' Cavern: MacBeth's Second Visit

George Romney, 1734–1802

Witches' Cavern: MacBeth's Second Visit

undated

George Romney MacBeth at the Witches' Cave: Second Visit

George Romney, 1734–1802

MacBeth at the Witches' Cave: Second Visit

undated

George Romney The Witches' Cavern

George Romney, 1734–1802

The Witches' Cavern

between 1792 and 1793

Edward Francis Burney MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

Edward Francis Burney, 1760–1848

MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

undated

Edward Goodall Columbus and his Son

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Robert Wallis Bolton Abbey

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Francesco Bartolozzi Tancred and Clorinda

Print made by Francesco Bartolozzi, 1728–1815

Tancred and Clorinda

1785

Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808, published 1813

Francesco Bartolozzi Ophelia: There Is Rue for You and Here's Some for Me

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There Is Rue for You and Here's Some for Me

1784

William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

William Hamilton, 1751–1801

Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

undated

George Augustus Sala Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore

George Augustus Sala, 1828–1895

Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore

undated

Edward Fisher Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'

Print made by Edward Fisher, 1722–1785

Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'

between 1752 and 1763

Edward Fisher Edwin

Print made by Edward Fisher, 1722–1785

Edwin

1776

unknown artist Infant Shakespeare, wih Comedy and Tragedy

unknown artist

Infant Shakespeare, wih Comedy and Tragedy

undated

David Allan Bauldy, Symon and Sir William Worthy

Print made by David Allan, 1744–1796

Bauldy, Symon and Sir William Worthy

1808

George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857 - Act 4, Scene 2

undated

George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 4, Scene 1

undated

William Marshall Craig Macbeth and the Apparition of the Armed Head

William Marshall Craig, 1763 or 1764–1829

Macbeth and the Apparition of the Armed Head

ca. 1820

Lewis Morley Front of House Display, Hadrian the Seventh

Lewis Morley, 1925–2013

Front of House Display, Hadrian the Seventh

1960s

George Cressal Ellis Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

George Cressal Ellis, ca. 1810–1875

Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2

undated

George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 1

undated

George Cressal Ellis Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

George Cressal Ellis, ca. 1810–1875

Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 4

undated

John Flaxman To Phoebus at His Birth, From Aeschylus, Furies

John Flaxman, 1755–1826

To Phoebus at His Birth, From Aeschylus, Furies

undated

Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Luigi Schiavonetti The Reunion of the Soul & the Body

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808

Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

Luigi Schiavonetti The Counsellor, King, Warrior, Mother & Child, in the Tomb

Print made by Luigi Schiavonetti, 1765–1810

The Counsellor, King, Warrior, Mother & Child, in the Tomb

1808

Luigi Schiavonetti The Reunion of the Soul & the Body

Print made by Luigi Schiavonetti, 1765–1810

The Reunion of the Soul & the Body

1808

Luigi Schiavonetti The Soul Hovering over the Body reluctantly Parting with Life

Print made by Luigi Schiavonetti, 1765–1810

The Soul Hovering over the Body reluctantly Parting with Life

1808

unknown artist Figure Studies for "The Tempest"

unknown artist

Figure Studies for "The Tempest"