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1601. Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome

Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1602. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1603. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1604. "Doing the Thing: and the Thing Done:" Doing it Somehow

"Doing the Thing: and the Thing Done:" Doing it Somehow
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1605. "Doing the Thing: and the Thing Done:" Doing it No How

"Doing the Thing: and the Thing Done:" Doing it No How
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1606. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1607. "Doing the Thing: and the Thing Done:" The Down Leap Done

"Doing the Thing: and the Thing Done:" The Down Leap Done
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1608. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1609. Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 7/8 inches (16 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1610. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1611. Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 1/8 inches (18.3 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1612. Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.

Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1613. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1614. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1615. The Cuckold Departs for the Hunt

The Cuckold Departs for the Hunt
Creator:
Isaac Cruikshank, 1764–1811
Date:
ca. 1800
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 15/16 inches (17.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1616. Studies of a Sleeping Lion

Studies of a Sleeping Lion
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Charcoal, graphite, and red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 13/16 × 8 15/16 inches (17.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1617. Coursing: The Kill

Coursing: The Kill
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Watercolor, with pen, in black ink and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1618. Coursing: Setting Out

Coursing: Setting Out
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1619. The Military Adventures of Johnny Newcome

The Military Adventures of Johnny Newcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1620. A Greyhound, Facing Left

A Greyhound, Facing Left
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 7 1/16 × 9 1/8 inches (17.9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1621. Drink to me only with thine Eyes

Drink to me only with thine Eyes
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 7 7/8 x 9 1/8in. (20 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1622. Pot Luck

Pot Luck
Creator:
Richard Newton, 1777–1798
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 3/4 x 8 7/8in. (32.4 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1623. The General Sentiment

The General Sentiment
Creator:
Richard Newton, 1777–1798
Date:
1794
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 5/8 x 8 15/16in. (32.1 x 22.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1624. A Bundle of Straw

A Bundle of Straw
Creator:
William O'Keefe, active 1794–1807
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/4 x 9in. (29.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1625. The Minister Endeavouring to Eke Out Dr. Pr--ty-----n's Bisho-Prick

The Minister Endeavouring to Eke Out Dr. Pr--ty-----n's Bisho-Prick
Creator:
James Sayers, 1748–1823
Date:
1787
Materials & Techniques:
Etching & aquatint, hand-colored
Dimensions:
Sheet: 12 x 9 1/8in. (30.5 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1626. Pand(e)monium

Pand(e)monium
Creator:
James Sayers, 1748–1823
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 9 7/8 x 8 7/8in. (25.1 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1627. A Member of the Riding House at Paris, Delivering an Harangue from the Shoulders of a French Citizen

A Member of the Riding House at Paris, Delivering an Harangue from the Shoulders of a French Citizen
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 14 1/8 x 9 1/8in. (35.9 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1628. The Elopment!

The Elopment!
Creator:
unknown artist
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 1/4 x 9in. (15.9 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1629. A Visit to the Tombs in Westminister Abbey

A Visit to the Tombs in Westminister Abbey
Creator:
unknown artist
Date:
1789
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 x 9 1/16in. (30.5 x 23cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1630. Handel

Handel
Creator:
Jacobus Houbraken, 1698–1780
Date:
ca. 1737
Materials & Techniques:
Etching and line engraving
Dimensions:
Image: 14 x 8 7/8in. (35.6 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Irving S. Gilmore Music Library Collection

1631. River Scene with Small Boats

River Scene with Small Boats
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 9/16 x 9 1/16 inches (14.1 x 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1632. Shakspeare

Shakspeare
Creator:
Robert Cooper, active ca. 1800–1836
Date:
1811
Materials & Techniques:
Stipple engraving and line engraving on wove paper
Dimensions:
Image: 11 3/4 x 9in. (29.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1633. Lady Rowe, Standing Small Full Length on a Terrace, a Moonlit Jamaican Landscape beyond

Lady Rowe, Standing Small Full Length on a Terrace, a Moonlit Jamaican Landscape beyond
Creator:
Isaac Mendes Belisario, 1795–1849
Date:
1835
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper, mounted on heavy cream card
Dimensions:
Sheet: 13 1/4 × 9 1/8 inches (33.7 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1634. Six Putti Playing

Six Putti Playing
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/4 x 9in. (19.7 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1635. A Kingfisher, Clutching a Fish Skeleton

A Kingfisher, Clutching a Fish Skeleton
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 9in. (31.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1636. The Adoration of the Shepherds

The Adoration of the Shepherds
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 x 9in. (20.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1637. Landscape with Five Figures, One Pushing a Wheelbarrow

Landscape with Five Figures, One Pushing a Wheelbarrow
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1732 to 1736
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 9in. (17.8 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1638. Landscape with Tobias and the Angel

Landscape with Tobias and the Angel
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 9 1/8in. (17.8 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1639. Rest on the Flight to Egypt

Rest on the Flight to Egypt
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 9in. (18.4 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1640. Jedburgh Abbey, Scotland

Jedburgh Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1641. Melrose Abbey, Scotland

Melrose Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/16 × 9 inches (18.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1642. Melrose Abbey, Scotland

Melrose Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 3/16 × 9 inches (18.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1643. The Cathedral of St. Andrews, Scotland

The Cathedral of St. Andrews, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1644. Findlater Castle, Scotland

Findlater Castle, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1645. Dumbarton Castle, Scotland

Dumbarton Castle, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1646. Lincluden Collegiate Church, Scotland

Lincluden Collegiate Church, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1647. Castle Stuart, Scotland

Castle Stuart, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1648. Alton Castle, England

Alton Castle, England
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1649. Alton Castle, England

Alton Castle, England
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1650. Bothwell Castle, Scotland

Bothwell Castle, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1651. Brighthelmstone, England

Brighthelmstone, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1652. Uckfield Holy Cross Church, East Sussex, England

Uckfield Holy Cross Church, East Sussex, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1653. Medmenham, England

Medmenham, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1654. Carlisle Castle, England

Carlisle Castle, England
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 8 15/16 inches (17.8 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1655. Church of St. Nicholas, Thames Ditton, Surrey, England

Church of St. Nicholas, Thames Ditton, Surrey, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Pen and black ink, gray ink, graphite, gray wash and blue wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1656. Church of St. Mary the Virgin, Hurley, Berkshire, England

Church of St. Mary the Virgin, Hurley, Berkshire, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Pen and gray iink, black ink, graphite, gray wash and blue wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 9 inches (17.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1657. Holy Trinity Parish Church, Cookham, England

Holy Trinity Parish Church, Cookham, England
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 15/16 × 9 inches (17.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1658. Unidentified Church

Unidentified Church
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1659. Duff House, Scotland

Duff House, Scotland
Creator:
James Moore, 1762–1799
Date:
1793
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1660. Monks Carousing outside a Monastery

Monks Carousing outside a Monastery
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown, black and gray ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 8 7/8 inches (15.6 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1661. Lincluden Collegiate Church, Scotland

Lincluden Collegiate Church, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1662. Caslte Stalker, Scotland

Caslte Stalker, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1663. Sweetheart Abbey, Scotland

Sweetheart Abbey, Scotland
Creator:
James Moore, 1762–1799
Date:
1792
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1664. Captain Barclay's Rally Match - The Finish

Captain Barclay's Rally Match - The Finish
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown and gray ink over graphite on thick, moderately textured, wove paper
Dimensions:
Sheet: 5 11/16 x 9 3/16 inches (14.4 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1665. Near Sterzing, Tyrol

Near Sterzing, Tyrol
Creator:
Monro School
Date:
ca. 1795
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 9 1/8 inches (16.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1666. Marine sketch

Marine sketch
Creator:
Henry William Parish, active 1792
Date:
1792
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 11/16 × 9 3/16 inches (9.3 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1667. Off Rio de Janeiro

Off Rio de Janeiro
Creator:
Henry William Parish, active 1792
Date:
1792
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 9 3/16 inches (9.5 × 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1668. Fort Santa Cruz, Rio de Janeiro

Fort Santa Cruz, Rio de Janeiro
Creator:
Henry William Parish, active 1792
Date:
1792
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 11/16 × 9 3/16 inches (9.3 × 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1669. Island of St. Pauls

Island of St. Pauls
Creator:
Henry William Parish, active 1792
Date:
1793
Materials & Techniques:
Watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 11/16 × 9 inches (9.4 × 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1670. Tolleshunt-Beckingham, Essex

Tolleshunt-Beckingham, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 7 5/8 inches (21.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1671. Distant View of Jedburgh

Distant View of Jedburgh
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/16 inches (16.5 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1672. The Glass Works

The Glass Works
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 9 1/8 inches (14 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1673. Father Peters Leading his Mangy Whelp to be Touched for the Evil

Father Peters Leading his Mangy Whelp to be Touched for the Evil
Creator:
unknown artist
Date:
1780
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 11/16 x 9 3/16in. (14.4 x 23.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1674. Oh! Lord, Howe - They Run, - Or - Jack English Clearing the Gangway before Gibralter

Oh! Lord, Howe - They Run, - Or - Jack English Clearing the Gangway before Gibralter
Creator:
Thomas Colley, active 1780s
Date:
1782
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 5/8 x 9in. (14.3 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1675. A French Man of War

A French Man of War
Creator:
unknown artist
Date:
1781
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 1/4 x 8 7/8in. (31.1 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1676. The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput

The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput
Creator:
Isaac Cruikshank, 1764–1811
Date:
1800
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 3/8 x 8 7/8in. (31.4 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1677. Musical Instruments

Musical Instruments
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/8 × 8 7/8 inches (27 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1678. A Lock'd Jaw for John Bull

A Lock'd Jaw for John Bull
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 5/8 x 9 1/8in. (29.5 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1679. A Barbers Examination

A Barbers Examination
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/8 x 9in. (28.9 x 22.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1680. John Bull and His Favourite Statue of Bronze!!

John Bull and His Favourite Statue of Bronze!!
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 15/16 x 9 1/8in. (32.9 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1681. A Concise Explanation of the Convention Bills!!

A Concise Explanation of the Convention Bills!!
Creator:
unknown artist
Date:
1795
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 15/16 x 9 1/8in. (30.3 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1682. French Officer Holding a Trained Bear by a Chain

French Officer Holding a Trained Bear by a Chain
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 8 3/4 x 8 15/16in. (22.2 x 22.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1683. Sir William Worthy and Patie

Sir William Worthy and Patie
Creator:
Print made by David Allan, 1744–1796
Date:
1808
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1684. Near Ambleside

Near Ambleside
Creator:
Francis Towne, 1740–1816
Date:
1786
Materials & Techniques:
Watercolor and brown and gray ink with gum on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 x 9 1/8 inches (15.2 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1685. Joseph Addison

Joseph Addison
Creator:
Print made by Jacobus Houbraken, 1698–1780
Date:
1748
Materials & Techniques:
Engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/4 inches (50.5 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of John V. McCarthy

1686. Horatio Gentileschi and Edward Mascall

Horatio Gentileschi and Edward Mascall
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1687. Sir Nathaniel Bacon

Sir Nathaniel Bacon
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
1762
Materials & Techniques:
Etching and stipple engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 15/16 x 9 inches (30.3 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1688. Mrs. Beale and her Son Charles

Mrs. Beale and her Son Charles
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
1762
Materials & Techniques:
Etching and line engraing on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 13/16 x 9 inches (30 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1689. Edward Courtney, Earl of Devonshire

Edward Courtney, Earl of Devonshire
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 9 3/16 inches (30.5 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1690. Leaving Home

Leaving Home
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1691. Greenwich Hospital

Greenwich Hospital
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1692. The Alps at Daybreak

The Alps at Daybreak
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 9 inches (36.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1693. The Drachenfels

The Drachenfels
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/16 × 17 7/16 inches (30.6 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1694. Orleans

Orleans
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 7 7/8 × 11 inches (20 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1695. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving; early engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1696. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 1/16 inches (21.9 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1697. Orleans

Orleans
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof ( I) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1698. Palais at Blois

Palais at Blois
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (ab) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1699. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1700. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection