<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Width [cm] 22

Remove constraint Width [cm]: 22

Search Results

1701. Westminster Hall

Westminster Hall
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1702. St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834

St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
Creator:
Print made by Andrew Picken, 1815–1845
Date:
ca. 1835
Materials & Techniques:
Lithograph on smooth, thin, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 5/8 inches (16 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1703. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1704. Spanish Inquisition

Spanish Inquisition
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown, pen and red ink, and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 1/2 inches (14 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1705. Tinkers

Tinkers
Creator:
Print made by William Strang, 1859–1921
Date:
1882
Materials & Techniques:
Etching on thick, moderately textured, cream laid paper
Dimensions:
Plate: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1706. Venus Crowned by Cupid

Venus Crowned by Cupid
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1810 and 1815
Materials & Techniques:
Watercolor, with pen and brown, gray, red-brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 3/4 inches (14.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1707. The Alt Market at Cologne

The Alt Market at Cologne
Creator:
Robert K. Thomas, 1816–1864
Date:
1884
Materials & Techniques:
Etching
Dimensions:
Plate: 11 1/2 x 8 11/16in. (29.2 x 22.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1708. Two Studies of Clare College

Two Studies of Clare College
Creator:
Colin Sorensen, active 1964–2001
Date:
1964
Materials & Techniques:
Brown wash, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 8 9/16 inches (29.4 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1709. Two Studies of Clare College

Two Studies of Clare College
Creator:
Colin Sorensen, active 1964–2001
Date:
1964
Materials & Techniques:
Brown wash, graphite, pen and brown ink, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 8 11/16 inches (29.5 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1710. Two-wheeled Tip-cart with Horses

Two-wheeled Tip-cart with Horses
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 1/8 x 8 1/2 inches (5.4 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1711. Vauxhall Stairs, from Millbank, July 5, 1797

Vauxhall Stairs, from Millbank, July 5, 1797
Creator:
Francis Towne, 1740–1816
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 9/16 × 11 inches (24.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1712. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1713. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1714. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1715. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 13/16 inches (17 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1716. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1717. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1718. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1719. Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 3/4 inches (18.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1720. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1721. A Rhinoceros: Head and Shoulders, Facing Left

A Rhinoceros: Head and Shoulders, Facing Left
Creator:
Samuel Daniell, 1775–1811
Date:
ca. 1799-1802
Materials & Techniques:
Black chalk, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 8 1/2 inches (15.9 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1722. Three Greyhounds in a Room

Three Greyhounds in a Room
Creator:
Peter Casteels, 1684–1749
Date:
undated
Materials & Techniques:
Graphite, watercolor, and pen in gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 9/16 × 10 9/16 inches (24.3 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1723. Horse Standing, Side View Facing Right

Horse Standing, Side View Facing Right
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/16 × 8 3/4 inches (18.6 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1724. Man With a Horse Harnessed to a Roller

Man With a Horse Harnessed to a Roller
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 3/16 × 8 9/16 inches (15.7 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1725. Seven Studies of Jockeys' Caps

Seven Studies of Jockeys' Caps
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 8 9/16 × 10 1/16 inches (21.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1726. How to Avoid the Horse Duty

How to Avoid the Horse Duty
Creator:
John Nixon, ca. 1760–1818
Date:
1791
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 6 5/8 x 8 3/4in. (16.8 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1727. A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd

A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd
Creator:
Print made by William O'Keefe, active 1794–1807
Date:
1796
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:
Plate: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1728. The Town Cryer, in Search of John Bull's Lost Property

The Town Cryer, in Search of John Bull's Lost Property
Creator:
William O'Keefe, active 1794–1807
Date:
1797
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 12 1/8 x 8 1/2in. (30.8 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1729. Eloquence founded on Chemical Principles

Eloquence founded on Chemical Principles
Creator:
James Sayers, 1748–1823
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 10 5/8 x 8 3/4in. (27 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1730. A Transfer of East India Stock

A Transfer of East India Stock
Creator:
Print made by James Sayers, 1748–1823
Date:
1783
Materials & Techniques:
Etching with hand coloring in watercolor
Dimensions:
Sheet: 11 3/8 x 8 3/4in. (28.9 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1731. The Dutch Divisions

The Dutch Divisions
Creator:
Print made by James Gillray, 1756–1815
Date:
1787
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 5 1/2 x 8 1/2in. (14 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1732. The Tottering Pyramid

The Tottering Pyramid
Creator:
James Gillray, 1756–1815
Date:
1784
Materials & Techniques:
Etching, hand-colored
Dimensions:
Sheet: 11 3/4 x 8 1/2in. (29.8 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1733. New Shoes

New Shoes
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and brown and gray ink over graphite on medium, smooth, wove paper
Dimensions:
Mount: 6 11/16 x 8 1/2 inches (17 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1734. The Maniac

The Maniac
Creator:
Thomas Rowlandson, 1756–1827
Date:
1787
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 7 13/16 x 8 13/16 inches (19.8 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1735. Shakespeare

Shakespeare
Creator:
Robert Cooper, active ca. 1800–1836
Materials & Techniques:
Stipple engraving and line engraving on wove paper
Dimensions:
Sheet: 11 1/2 x 8 5/8in. (29.2 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1736. Going to Market

Going to Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and red-brown ink, gray ink, gray wash, and graphite; verso: watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 8 9/16 inches (14 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1737. Landscape with a Tree in the Foreground

Landscape with a Tree in the Foreground
Creator:
Print made by Charles Knapton, 1700–1760
Date:
1736
Materials & Techniques:
Etching printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 8 1/2in. (28.6 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1738. Two Sleeping Figures

Two Sleeping Figures
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Gray wash with pen and gray ink and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 8 1/2 inches (16.7 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1739. A Monkey on a Man's Shoulder, and a Study of Its Face

A Monkey on a Man's Shoulder, and a Study of Its Face
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Crayon manner, printed in red ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 8 5/8in. (19.1 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1740. Abraham Expelling Hagar and Ishmael

Abraham Expelling Hagar and Ishmael
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1734
Materials & Techniques:
Etching with woodcut on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 8 1/2in. (16.5 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1741. The Raising of Tabitha, St. Peter Kneeled and Praying

The Raising of Tabitha, St. Peter Kneeled and Praying
Creator:
Print made by Arthur Pond, ca. 1705–1758
Date:
1736
Materials & Techniques:
Etching with chiaroscuro woodcut on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 8 1/2in. (20 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1742. A Livery Stable

A Livery Stable
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Mount: 8 15/16 x 12 3/8 inches (22.7 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1743. The Duchess of Gordon's Rout

The Duchess of Gordon's Rout
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite; verso: gray watercolor blot on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 9/16 x 8 3/4 inches (11.6 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1744. Wm. Shakespeare

Wm. Shakespeare
Creator:
unknown artist
Date:
1817
Materials & Techniques:
Stipple engraving on wove paper
Dimensions:
Sheet: 10 3/4 x 8 1/2in. (27.3 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1745. Kirkstall Abbey from the N.W.

Kirkstall Abbey from the N.W.
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1792
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1746. Tynemouth Priory, Northumberland

Tynemouth Priory, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1747. Findlater Castle, Banff

Findlater Castle, Banff
Creator:
Thomas Girtin, 1775–1802
Date:
between 1792 and 1793
Materials & Techniques:
Watercolor and scratching out over graphite on medium, slightly textured, cream wove paper, pasted on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 9 3/4 x 11 11/16 inches (24.8 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1748. Jedburgh Abbey, Roxburghshire

Jedburgh Abbey, Roxburghshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor over graphite, and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/8 x 8 9/16 inches (16.8 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1749. Dumbarton Rock and Castle

Dumbarton Rock and Castle
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor with pen and black ink and scraping over graphite on medium, slightly textured, cream wove paper, pasted on thick, slightly textured, beige wove paper
Dimensions:
Mount: 8 13/16 x 11 3/4 inches (22.4 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1750. Denbigh Castle

Denbigh Castle
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 9 3/4 × 11 5/8 inches (24.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1751. Scotland

Scotland
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall

1752. The North

The North
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall

1753. Whitby, Yorkshire

Whitby, Yorkshire
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 x 14in. (27.9 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall

1754. Scotland

Scotland
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall

1755. Scotland

Scotland
Creator:
Bruce Davidson, born 1933
Date:
1960
Materials & Techniques:
Gelatin silver print on moderately thick, semigloss photographic paper
Dimensions:
Sheet: 11 × 14 inches (27.9 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Ralph and Nancy Segall

1756. Four Studies of a Hay Cart

Four Studies of a Hay Cart
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 x 8 9/16 inches (28.9 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1757. Godalming, Surrey

Godalming, Surrey
Creator:
John Greig, active 1803–1853
Date:
1820
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 8 3/4 inches (14.5 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1758. Design for a bookplate for Kenneth Fitzpatrick Mackenzie

Design for a bookplate for Kenneth Fitzpatrick Mackenzie
Creator:
Paul Nash, 1889–1946
Date:
ca. 1909
Materials & Techniques:
Pen and black ink, black chalk, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 8 11/16in. (30.5 x 22cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1759. Whiggism, or Master Billy learning his Task

Whiggism, or Master Billy learning his Task
Creator:
William Dent, active 1784–1793
Date:
1784
Materials & Techniques:
Etching with hand color on laid paper
Dimensions:
Sheet: 9 1/2 x 8 5/8in. (24.1 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1760. The 'Poethlyn' Sketchbook

The 'Poethlyn' Sketchbook
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
1919
Materials & Techniques:
Wooden box containing twenty five mounted graphite drawings on medium, slightly textured, white wove paper
Dimensions:
Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1761. Nibbling at a Thin Slice of Single Gloucester!!

Nibbling at a Thin Slice of Single Gloucester!!
Creator:
unknown artist
Date:
1798
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 9 7/16 x 8 11/16in. (24 x 22.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1762. Mappin Art Gallery, Sheffield

Mappin Art Gallery, Sheffield
Creator:
Tom Phillips, born 1937
Date:
1973
Materials & Techniques:
Color lithograph
Dimensions:
Sheet: 6 7/8 x 8 1/2in. (17.5 x 21.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Keith C. and Mildred B. Marshall

1763. Stones: Christian Wolff

Stones: Christian Wolff
Creator:
Tom Phillips, born 1937
Date:
1971
Materials & Techniques:
Screen print on medium, smooth, white wove paper
Dimensions:
Sheet: 14 3/16 x 8 3/4in. (36 x 22.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Keith C. and Mildred B. Marshall

1764. Joseph Addison

Joseph Addison
Creator:
Print made by Jacobus Houbraken, 1698–1780
Date:
1748
Materials & Techniques:
Engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 19 7/8 × 14 1/4 inches (50.5 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of John V. McCarthy

1765. Mrs. Beale and her Son Charles

Mrs. Beale and her Son Charles
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
1762
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 1/8 x 8 11/16 inches (28.2 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1766. Sir Balthazar Gerbier

Sir Balthazar Gerbier
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Line engraving and stiplle engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 8 13/16 inches (29.5 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1767. Isaac Fuller

Isaac Fuller
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
1762
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 1/8 x 8 9/16 inches (28.2 x 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1768. Sir William Beechey, R. A.

Sir William Beechey, R. A.
Creator:
Print made by Richard Cooper the Younger, 1740–1814
Date:
1814
Materials & Techniques:
Crayon manner, stipple engraving, and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 11 7/16 inches (40 x 29 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1769. Datur Hora Quieti

Datur Hora Quieti
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 14 1/8 × 8 9/16 inches (35.9 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1770. Nantes

Nantes
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 5/16 × 8 9/16 inches (33.8 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1771. Orleans

Orleans
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 7 7/8 × 11 inches (20 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1772. Orleans

Orleans
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof ( I) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1773. Palais at Blois

Palais at Blois
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (ab) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1774. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1775. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite, scraping out, and chine collé; touched engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1776. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching with chine collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1777. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1778. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1779. Canal of the Loire and Cher, near Tours

Canal of the Loire and Cher, near Tours
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof, before (a) on moderatly thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1780. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (bc) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 40 1/2 × 11 11/16 inches (102.9 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1781. Canal of the Loire and Cher, near Tours

Canal of the Loire and Cher, near Tours
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1782. St. Julian's, Tours

St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1783. St. Julian's, Tours

St. Julian's, Tours
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; early engraver's proof, first state on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 13 1/16 inches (22.9 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1784. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (d) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1785. Montjen

Montjen
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 16 inches (28.9 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1786. The Capture of Coldough and Harvey

The Capture of Coldough and Harvey
Creator:
Print made by George Cruikshank, 1792–1878
Date:
undated
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 5 11/16 × 8 9/16 inches (14.5 × 21.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

1787. Riverscape with Buildings

Riverscape with Buildings
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 8 1/2 inches (15.9 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1788. Landscape with Figures

Landscape with Figures
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1789. Landscape

Landscape
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 11/16 × 7 7/8 inches (11.9 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1790. Landscape with a Figure

Landscape with a Figure
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 11/16 × 7 9/16 inches (11.9 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1791. Landscape with a Sailboat

Landscape with a Sailboat
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/8 × 6 13/16 inches (10.5 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1792. Architectural Study

Architectural Study
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper; mounted on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/4 inches (16.4 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1793. Buddha

Buddha
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Gray wash with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 8 5/8 inches (16.5 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1794. At Seta Coond, Rajegeer, S. Bahar.

At Seta Coond, Rajegeer, S. Bahar.
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/16 × 7 1/2 inches (24 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1795. Agartoza Muni

Agartoza Muni
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 7 1/2 inches (26 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1796. Ganesha, near Sita's Temple, Rangpur

Ganesha, near Sita's Temple, Rangpur
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 5/16 × 8 1/2 inches (26.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1797. Light of Asia

Light of Asia
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Brown wash with graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 7 9/16 inches (26 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

1798. James Gillray

James Gillray
Creator:
Charles Turner, 1774–1857
Date:
1819
Materials & Techniques:
Hand colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 23 9/16 × 17 1/2 inches (59.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1799. Design for a Bed

Design for a Bed
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on two sheets of moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 8 1/2 inches (33 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1800. L'Incendie, (The Revolt)

L'Incendie, (The Revolt)
Creator:
Print made by Sir Frank William Brangwyn, 1867–1956
Date:
1919
Materials & Techniques:
Lithograph on medium, smooth, beige wove paper
Dimensions:
Sheet: 11 1/8 × 8 3/4 inches (28.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden