Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
5
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
6
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
1830
7
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
8
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
9
Sir Francis Seymour Haden, 1818–1910
Dusty Millers
1877
10
Cornelius Varley, 1781–1873
Ship Study
1823
11
Thomas Rowlandson, 1756–1827
Dr. Syntax Made Free of the Cellar
undated
12
Print made by Bradshaw & Blacklock, active ca.1850
Hampton Court
after 1850
13
Print made by Johann Jacobus Haid, 1704–1767
Men Playing Cards
undated
14
Print made by Johann Jacobus Haid, 1704–1767
La male consequence du celibat
undated
15
Samuel Howitt, 1756–1822
The Village Inn
1798
16
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
17
Paul Sandby, 1731–1809
Two Wheeled Cart and Figures
undated
18
Peter Casteels, 1684–1749
Feeding Ducks
undated
19
James McNeill Whistler, 1834–1903
The Long Gallery, Louvre
1894
20
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Quay
1916
21
George Morland, 1763–1804
A Hop Kiln
1795
22
George Morland, 1763–1804
A Man Lifting a Trunk, Two studies on one sheet
1792
23
Michael "Angelo" Rooker, 1746–1801
Clare Castle, Suffolk
between 1797 and 1800
24
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
25
Edward Francis Burney, 1760–1848
Boarding the Ferry
undated
26
Paul Sandby, 1731–1809
Bayswater - London
undated
27
Sir Joshua Reynolds, 1723–1792
Two Sketches of Man
undated
28
Print made by Jacob Gole, 1660–1737
The Quakers' Meeting
undated
29
Print made by George Cruikshank, 1792–1878
London. A Street: 'Henry IV Part II,' Act II, Scene I
after 1857
30
Print made by George Cruikshank, 1792–1878
London. The Boar's-head Tavern in Eastcheap: 'Henry IV Part II,' Act II, Scene IV
after 1857
31
Georg Goldberg, 1830–1894
"Antony and Cleopatra," Act III, Scene XI
undated
32
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Musicians and Animals
1912
33
Print made by Richard Parkes Bonington, 1802–1828
Les Pendus
ca. 1826
34
Print made by Richard Parkes Bonington, 1802–1828
Tour du Gros Horloge, Batie Souis la Domination des Anglais en 1417
1824
35
Print made by James Caldwall, 1739–1819
The Macarony Brothers
1772
36
Print made by James Caldwall, 1739–1819
Now Sir, You're a Complete Macaroni
1772
37
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
38
Print made by John Corner, 1788–1825
Sir Godfrey Kneller
1821
39
Print made by Francesco Bartolozzi, 1728–1815
Gualtherus and Griselda
1784
40
Print made by M. Coote, ca. 1758/62–1801
Edgar's Tower at Worcester
before 1786
41
Peter DeWint, 1784–1849
Building a Hayrick
undated
42
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
43
Thomas Rowlandson, 1756–1827
How to Vault in the Saddle
1813
44
Sawrey Gilpin, 1733–1807
Studies of Two Riders, and of Rider's Heads
undated
45
Michael Angelo Hayes, 1811–1880
The Band of the 23rd Fusiliers
1838
46
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
47
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
48
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
49
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
50
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
51
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
undated
52
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
53
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
54
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
55
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
56
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
57
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
58
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
59
Hubert-François Gravelot, 1699–1773
The Sporting Lady
undated
60
Paul Sandby, 1731–1809
The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
undated
61
Print made by David Allan, 1744–1796
Patie Rebukes Roger
1808
62
Print made by unknown artist
Harvest
undated
63
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
between 1809 and 1811
64
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
65
John Sell Cotman, 1782–1842
Cader Idris from the Mawddach Estuary above Barmouth
ca. 1802
66
Richard Dadd, 1817–1886
Family Portraits
1838
67
Alfred Diston, active 1818–1829
View of part of Realesco de abasco from the road to la Cruz Santa
1818
68
Benjamin West, 1738–1820
The Indians Delivering up the English Captives to Colonel Bouquet near his camp at the folks of Muskingum in North America in November 1764, 1765
between 1765 and 1766
69
Richard Cosway, 1742–1821
Supper at Emmaus
undated
70
Richard Dadd, 1817–1886
Eastern Letter Writer
1863
71
attributed to Mauritius Lowe, 1746–1793
Study of Classical Figures
undated
72
Samuel Hieronymus Grimm, 1733–1794
Between Chiswick and Brentford
1774
73
Thomas Girtin, 1775–1802
Boat Building
ca. 1799
74
Thomas Rowlandson, 1756–1827
Comforts of Bath: Coaches Arriving
1798
75
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Ball
1798
76
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
77
James McNeill Whistler, 1834–1903
Battersea Reach
1863
78
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
79
Thomas Rowlandson, 1756–1827
Crowd by a Gibbet
undated
80
Thomas Rowlandson, 1756–1827
Outside the Greengrocer's Shop
between 1805 and 1810
81
Thomas Rowlandson, 1756–1827
An Artist's Studio
1814
82
Thomas Rowlandson, 1756–1827
Dr. Syntax with Kitty Cowslip
1821
83
Thomas Rowlandson, 1756–1827
Dr. Syntax Copying the Wit of the Window
between 1809 and 1812
84
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Persons Fall on Steep HIll