Details of an Ionic Capital, Column, and Frieze from Hierapolis (now Pamukkale)
ca. 1750
6
Giovanni Battista Borra, 1713–1770
Details of a Composite Order from the Temple of Augustus at Mylasa
ca. 1750
7
Giovanni Battista Borra, 1713–1770
An Altar at Delos
1751
8
Giovanni Battista Borra, 1713–1770
View, Cross Section, and Other Details of Cheop's Pyramid at Giza
ca. 1750
9
Giovanni Battista Borra, 1713–1770
Details of the Doric Order from the Athenian Temple of Apollo at Delos
1751
10
Giovanni Battista Borra, 1713–1770
Plan of the Second Theater of Laodicea and Details of a Composite Order
ca. 1750
11
Giovanni Battista Borra, 1713–1770
View and Plan of the Theater of Hierapolis (now Pamukkale)
ca. 1750
12
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from Toreh
ca. 1750
13
Giovanni Battista Borra, 1713–1770
Details of the Ionic Temple at Toreh
ca. 1750
14
Giovanni Battista Borra, 1713–1770
Details of the Theater Composed of the Composite Order at Hierapolis (Now Pamukkale)
ca. 1750
15
Giovanni Battista Borra, 1713–1770
Door in the Corinthian Order from Aphrodisias (now Geyve)
ca. 1750
16
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Temple of Bacchus at Aphrodisias
ca. 1750
17
Giovanni Battista Borra, 1713–1770
Remains of an Ionic Order and Circus at Aphrodisias
ca. 1750
18
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order at Geramo
ca. 1750
19
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order, Possibly from Mylasa
ca. 1750
20
Giovanni Battista Borra, 1713–1770
Details of a Corinthian Order from a Temple at Cnidus
ca. 1750
21
Giovanni Battista Borra, 1713–1770
A Doorway from Geramo
ca. 1750
22
Giovanni Battista Borra, 1713–1770
View of the Valley of Sardis and View of a Ruined Bridge
ca. 1750
23
Giovanni Battista Borra, 1713–1770
Details of a Doric Order from the Forum of Halicarnassus and Details from a Temple in Geyna
ca. 1750
24
Giovanni Battista Borra, 1713–1770
Part of the Portico of Philip at Delos
1751
25
Giovanni Battista Borra, 1713–1770
Posizione delle Piramidi di Sachara
ca. 1750
26
Giovanni Battista Borra, 1713–1770
Plans and Views of Two Pyramids, One Cephron's at Giza
ca. 1750
27
Giovanni Battista Borra, 1713–1770
Plan of the Circus and Details of Capitals and Other Ornaments from Laodicea
ca. 1750
28
Giovanni Battista Borra, 1713–1770
Details of the Corinthian Order at the Third Theater of Laodicea and Plan of the Circus at Laodicea
ca. 1750
29
Giovanni Battista Borra, 1713–1770
Frieze and Capital of the Ionic Temple at Toreh
ca. 1750
30
Giovanni Battista Borra, 1713–1770
Topographical Map of the Course of the Meander River (Ancient Maender River, Now Menderes River)
ca. 1750
31
Giovanni Battista Borra, 1713–1770
Plan of the Temple of Juno at Samos and Details of a Column
ca. 1750
32
Giovanni Battista Borra, 1713–1770
Plan and View of the Third Theater at Laodicea
ca. 1750
33
Capt. Thomas Hastings, 1778–1854
From the White Hart, 29 February 1826
1826
34
Giovanni Battista Borra, 1713–1770
Top Panel: Plan, Column Details; Bottom Panel: View of a Ruined Theater, Probably that at Miletus
ca. 1750
35
Giovanni Battista Borra, 1713–1770
View of the Theater and Plan of the Ionic Temple at Sardis
ca. 1750
36
Giovanni Battista Borra, 1713–1770
Members of a Ionic Temple in Ruins at Priene (now Turunclar)
ca. 1750
37
Capt. Thomas Hastings, 1778–1854
Flamstead End, Old Ruskin's Cottage near Cheshunt, May 1814
1814
38
Capt. Thomas Hastings, 1778–1854
Cheshunt Church, 23 May 1814
1814
39
Capt. Thomas Hastings, 1778–1854
Saxon Remains in a Garden in Canterbury
1811
40
James Ward, 1769–1859
Powis Castle
undated
41
Edward Francis Burney, 1760–1848
Farmhouse
1802
42
Augustus Welby Northmore Pugin, 1812–1852
Sketch of a Small Gothic Church, with a Design for Gothic Ornamentation
undated
43
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
44
Augustus Welby Northmore Pugin, 1812–1852
Sketch of the Interior of a Gothic Church
undated
45
Print made by Thomas Shotter Boys, 1803–1874
Château des Comtes de Flandre, Ghent
ca. 1833
46
Print made by Thomas Shotter Boys, 1803–1874
La rue des Prouvaires et l'église saint Eustache, Paris
1833
47
Print made by Richard Parkes Bonington, 1802–1828
Caen - Eglise Saint-Sauveur
1824
48
Print made by John Sell Cotman, 1782–1842
Castle Above a Rocky Gorge
undated
49
Luke Sullivan, 1705–1771
Badminton Church and Part of the Duke of Beaufort's House
undated
50
C. John M. Whichelo, 1784–1865
Part of the Monastery of St. Saviours, Southwark
1809
51
Thomas Wyck, 1616–1677
A Village in a Rocky Coastal Inlet (Italian ?) with Round Tower on the Left Bank
undated
52
Thomas Wyck, 1616–1677
A Coastal Scene (Italian) with Breakwater, High Cliffs and a Fort
undated
53
Print made by Bartholomew Howlett, 1767–1827
Sleaford Church
1801
54
John Inigo Richards, 1730/31?–1810
Inside of Castle Gate, Taunton, Somerset
1752
55
George Shepheard, ca. 1770–1842
Devereux House, the Strand, London
1811
56
Giovanni Battista Borra, 1713–1770
Frieze and Capitals (from Priene?)
ca. 1750
57
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Ground Floor
undated
58
James Holland, 1799–1870
The Zattere, Sunset
undated
59
Sir George Howland Beaumont seventh Baronet, 1753–1827
Temple of Venus, Bay of Baie
ca. 1788-1820
60
William Callow, 1812–1908
Château d'Ecouen
1833
61
Frederick Calvert, ca. 1785–ca. 1845
Carisbrook Castle, Isle of Wight
undated
62
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
63
unknown artist
Building Plans and ornate Architectural Designs
undated
64
Thomas Harrison, 1744–1829
Design for Clifton Castle, Yorkshire: Ground Floor Plan
undated
65
Thomas Harrison, 1744–1829
Design for Clifton Castle, Yorkshire: Ground Floor Plan
undated
66
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
67
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
68
Henry Phillip Hope, active 1799–1818
Adrian Hope's House I: Plan of the Basement
undated
69
Samuel Rawle, 1771–1860
Part of Audley House, Dukes Place
1802
70
Samuel Rawle, 1771–1860
Premier Map of London and Suburbs: Undertakers regaling themselves at Death's Door, Battersea Rise, Surry
1801
71
unknown artist
Arundel House in London 1646
1792
72
unknown artist
Building at the Entrance of Little St. Helen's
1800
73
Robert Dixon, 1780–1815
West Tower, Wymondham Church
1810
74
Robert Dixon, 1780–1815
Sketch at Mulbarton
between 1810 and 1811
75
Robert Dixon, 1780–1815
Remains of the Priory, Beeston Regis
1810
76
Robert Dixon, 1780–1815
The Greyfriars Tower, Lynn, as it appeared 1801
between 1810 and 1811
77
Robert Dixon, 1780–1815
Beeston Priory, Beeston Regis
between 1810 and 1811
78
Robert Dixon, 1780–1815
Cottage at Diss
1811
79
Robert Dixon, 1780–1815
The Late Entrance to Ber Street, Norwich
1810
80
Robert Dixon, 1780–1815
The Black Tower Norwich
between 1810 and 1811
81
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
82
unknown artist
St. Paul's First Stone Laid June 21, 1675 by Sir Christopher Wren / Finished 35 years after 1710
undated
83
unknown artist
Shed
undated
84
James Wyatt, 1746–1813
Cobham Hall, Kent: Design for a Lintel for One End of a Passage
ca. 1790
85
James Wyatt, 1746–1813
Cobham Hall, Kent: Bow Window West End of South Wing, and Design for Facade for Roof
ca. 1790
86
John Martin, 1789–1854
The Daughters of Jerusalem Weeping by the Waters of Babylon
1834
87
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
88
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
89
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
90
James Paine, 1717–1789
Design for a Shop Front: Elevation
undated
91
Richard Banks Harraden, 1778–1862
Pembroke College, Cambridge
undated
92
John Hassell, 1767–1825
Sluice House, Hornsey, Middlesex
ca. 1812
93
John Hassell, 1767–1825
The Entrance to King John's Palace, Eltham, Kent
ca. 1812
94
Thomas Hearne, 1744–1817
Windsor Castle from the Eton Playing Fields
undated
95
Joseph Murray Ince, 1806–1859
Exeter College, Oxford
1835
96
Print made by Edward Anthony Carrick, 1905–1998
The Church in the Hills
undated
97
Sir Francis Seymour Haden, 1818–1910
Shere Mill Pond, no. 1 (small plate)
1860
98
Print made by N. Hanhart, active 1841–1852
Interior, Abery
1856
99
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Barbican
1920
100
Print made by Frederick Landseer Maur Griggs, 1876–1938