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1. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (c) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Etching and line engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 5/16 × 14 15/16 inches (28.7 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/16 × 16 1/2 inches (28.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Ehrenbreitstein

Ehrenbreitstein
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, smooth, beige wove paper
Dimensions:
Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Ham Court, the Seat of John Martin, Esq.

Ham Court, the Seat of John Martin, Esq.
Creator:
Print made by James Caldwall, 1739–1819
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 10 1/4 inches (28.6 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Tower of London

The Tower of London
Creator:
Print made by William Miller, 1796–1882
Date:
1831
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 3/16 inches (29.8 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 9/16 × 12 1/8 inches (44.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Balmoral Castle

Balmoral Castle
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Osborne House

Osborne House
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Prince Albert

Prince Albert
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 × 7 1/2 inches (26.5 × 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Harlech Castle

Harlech Castle
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Soft-ground etching on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/4 x 7 5/16 inches (13.4 x 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Brandsby Tower, Yorkshire

Brandsby Tower, Yorkshire
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
ca. 1838
Materials & Techniques:
Soft-ground etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 10 3/16 x 7 5/8 inches (25.9 x 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Une espée percera ta propre ame

Une espée percera ta propre ame
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 8 5/16 inches (29.2 x 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.

Flixton Hall in Suffolk, the Seat of Alexander Adair Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 7 7/16 inches (13.7 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Berwick-upon-Tweed

Berwick-upon-Tweed
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and line engraving, with chine collé and scraping out; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection