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1. Thatched Cottage and Church

Thatched Cottage and Church
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 x 4 1/8 inches (7.9 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Shoreham, Kent

Shoreham, Kent
Creator:
Samuel Palmer, 1805–1881
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and gray wash on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 3 x 4 3/8 inches (7.6 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Leatherhead Church, Near Epsom, from the Northeast

Leatherhead Church, Near Epsom, from the Northeast
Creator:
John Constable, 1776–1837
Date:
1806
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 4 1/4 inches (17.5 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Wormingford Church

Wormingford Church
Creator:
attributed to John Constable, 1776–1837
Date:
between 1813 and 1815
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/8 inches (18.4 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Window in St. Dunstan's in the West, London

Window in St. Dunstan's in the West, London
Creator:
Print made by J. Blore
Date:
1834
Materials & Techniques:
Lithograph with hand-coloring on medium, smooth, beige wove paper
Dimensions:
Sheet: 8 5/8 x 5 1/2 inches (21.9 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Christmas (tail piece)

Christmas (tail piece)
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 1/16 inches (11 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Worcester

Worcester
Creator:
Print made by William John Cooke, 1797–1865
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 1/2 inches (7.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Cambridge

Cambridge
Creator:
Print made by Thomas Tagg, died 1809
Date:
1795
Materials & Techniques:
Etching and line engraving; published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 3 3/8 × 5 1/2 inches (8.6 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Worcester

Worcester
Creator:
Print made by Thomas Rothwell, ca. 1742–1807
Date:
1795
Materials & Techniques:
Etching and line engraving; published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Neath

Neath
Creator:
Print made by George Murray, died 1822
Date:
1795
Materials & Techniques:
Etching and line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 × 6 3/8 inches (12.7 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Northampton

Northampton
Creator:
Print made by Thomas Tagg, died 1809
Date:
1796
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 5 1/2 inches (8.3 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 9/16 × 12 1/8 inches (44.6 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Knaresborough

Knaresborough
Creator:
Alexander Monro, 1802–1844
Date:
undated
Materials & Techniques:
Graphite on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 3 1/8 × 4 1/2 inches (7.9 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Bath

Bath
Creator:
Print made by George Murray, died 1822
Date:
1795
Materials & Techniques:
Etching and line engraving; published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof (c) on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 × 16 13/16 inches (30.5 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Manse, Cults, Fife: The Artist's Old Home

The Manse, Cults, Fife: The Artist's Old Home
Creator:
Sir David Wilkie, 1785–1841
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Mount: 12 7/8 x 10 13/16 inches (32.7 x 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Before Mass

Before Mass
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1927
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, green-beige laid paper
Dimensions:
Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

19. St. Wendred's, March

St. Wendred's, March
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1922
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 9 1/2 inches (34.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

20. The Bell at Abberton Church, Essex

The Bell at Abberton Church, Essex
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1927
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 8 3/8 inches (30.2 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

21. St. Botolph's Bridge No. 1

St. Botolph's Bridge No. 1
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1917
Materials & Techniques:
Etching; 4th state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 7 inches (23.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

22. Ehrenbreitstein, During the Demolition of the Fortress in 1817

Ehrenbreitstein, During the Demolition of the Fortress in 1817
Creator:
Print made by John Pye, 1782–1874
Date:
1828
Materials & Techniques:
Etching and line engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/16 × 16 1/2 inches (28.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. St. Aignan, Chartres

St. Aignan, Chartres
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1916
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 5/8 inches (30.5 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

24. Wandering Musicians

Wandering Musicians
Creator:
Print made by Louis de Fontaine, active 1723–1757
Date:
undated
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 9/16 × 4 7/16 inches (14.1 × 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. Stoke Poges

Stoke Poges
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1918
Materials & Techniques:
Etching; 6th state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 10 1/2 inches (21.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

26. Before Mass

Before Mass
Creator:
Print made by Austin, Robert, 1895-1973, 1895–1973
Date:
1926
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 8 1/16 inches (25.2 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

27. Via ai Prati, Genoa [North Italian Set: No. 8]

Via ai Prati, Genoa [North Italian Set: No. 8]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1896
Materials & Techniques:
Etching on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 4 1/2 inches (18.4 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

28. Barnack

Barnack
Creator:
Print made by Frederick Landseer Maur Griggs, 1876–1938
Date:
1914
Materials & Techniques:
Etching; 2nd state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 × 7 3/8 inches (25.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

29. Val Sainte Veronique and Ancient Chestnuts

Val Sainte Veronique and Ancient Chestnuts
Creator:
Print made by Philip Gilbert Hamerton, 1834–1894
Date:
ca. 1874
Materials & Techniques:
Etching and drypoint (two images) on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/4 x 9 15/16 inches (36.2 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

30. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Details of the Screen of Entrance Porch, St Stephen's Chapel

Details of the Screen of Entrance Porch, St Stephen's Chapel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Capitals, St Stephen's Chapel

Capitals, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 13/16 × 4 1/8 inches (14.8 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. PLATE XXVIII. St Stephen's Chapel, East Front, Westminster

PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
Creator:
Print made by John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Line engraving proof on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 7 3/8 × 5 5/16 inches (18.8 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Impost and Base of Columns, St Stephen's Chapel

Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Details of Imposts and Bases of Columns, St Stephen's Chapel

Details of Imposts and Bases of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1836
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. In Church

No cover image available
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Wood engraving with hand coloring on moderately thick, slightly textured, cream wove paper, pasted on contemporary mount made of moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 8 11/16 x 6 7/16 inches (22 x 16.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection