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901. Interior of a Tower, belonging to the Wall of London, Old Bailey

Interior of a Tower, belonging to the Wall of London, Old Bailey
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1845
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

902. London Wall, Tower Postern

London Wall, Tower Postern
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1843
Materials & Techniques:
Etching, line engraving, and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

903. Remains of the East Gate, Bermondsey Abbey

Remains of the East Gate, Bermondsey Abbey
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1842
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

904. Salt Tower, Tower of London

Salt Tower, Tower of London
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1846
Materials & Techniques:
Etching, line engraving, and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

905. Old Houses with the Open Part of the Fleet Ditch near Field Lane

Old Houses with the Open Part of the Fleet Ditch near Field Lane
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1841
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

906. House of Sir Paul Pindar, Bishopsgate Street Without

House of Sir Paul Pindar, Bishopsgate Street Without
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1843
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

907. Chapel of St. Bartholomew, Kingsland

Chapel of St. Bartholomew, Kingsland
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1846
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

908. A Perspective View of the Inside of St. Peter's Westminster

A Perspective View of the Inside of St. Peter's Westminster
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

909. Chiswick

Chiswick
Creator:
Print made by George Cooke, 1781–1834
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

910. The Strand in its Antient State, Anno 1547, and The Strand and its Neighbourhood, Anno 1700

The Strand in its Antient State, Anno 1547, and The Strand and its Neighbourhood, Anno 1700
Creator:
Print made by unknown artist
Date:
ca. 1820
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

911. The Port of Havre de Grace in the Province of Normandy in the Kingdom of France

The Port of Havre de Grace in the Province of Normandy in the Kingdom of France
Creator:
Print made by Charles Warren, 1767–1823
Date:
1793
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

912. Liege

Liege
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

913. The Admiralty, the War Office, and the Treasury

The Admiralty, the War Office, and the Treasury
Creator:
Print made by J. Pass, active 1796–1800
Date:
1804
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

914. St. Martin's Church, Birmingham

St. Martin's Church, Birmingham
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

915. St. Knighton's Kieve near Boscastle

St. Knighton's Kieve near Boscastle
Creator:
after Thomas Allom, 1804–1872
Date:
1834
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

916. St. Andrews from the East

St. Andrews from the East
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

917. Wemyss Castle

Wemyss Castle
Creator:
Print made by W. Pickett, active 1792–1820
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

918. The Windings of the Forth

The Windings of the Forth
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

919. St. Vincent's Rock, Near Clifton, Glocestershire

St. Vincent's Rock, Near Clifton, Glocestershire
Creator:
Print made by James S. Storer, 1771–1853
Date:
1806
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

920. View on the Water of Lieth

View on the Water of Lieth
Creator:
Print made by Francis Jukes, 1747–1812
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

921. Inverkeithing Bay

Inverkeithing Bay
Creator:
Print made by Samuel Alken, 1756–1815
Date:
1802
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

922. Triport

Triport
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

923. The Vulture Landing Despatches at Dantzic

The Vulture Landing Despatches at Dantzic
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

924. Burial at Sea

Burial at Sea
Creator:
after John Wilson Carmichael, 1799–1868
Date:
1857
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

925. Treport

Treport
Creator:
after Clarkson Stanfield, 1793–1867
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

926. Homeward Bound, Distant View of the Brill

Homeward Bound, Distant View of the Brill
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

927. Pershore, Worcestershire

Pershore, Worcestershire
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1795
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

928. Bombardment of Sweaborg

Bombardment of Sweaborg
Creator:
after John Wilson Carmichael, 1799–1868
Date:
ca. 1860
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

929. The Limehouse Dock, Regent's Canal

The Limehouse Dock, Regent's Canal
Creator:
Print made by Frederick James Havell, 1801–1840
Date:
1827
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

930. Liverpool, from the Mersey, No. IV

Liverpool, from the Mersey, No. IV
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

931. Bitford, Warwickshire

Bitford, Warwickshire
Creator:
Print made by Samuel Ireland, 1744–1800
Date:
1795
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

932. View on Canton River, China

View on Canton River, China
Creator:
Print made by James Baily, active 1815–1834
Date:
1811
Materials & Techniques:
Aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

933. Bewdley in Worcestershire

Bewdley in Worcestershire
Creator:
Print made by Francis Chesham, 1749–1806
Date:
1779
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

934. A Late Unfortunate Adventure at York

A Late Unfortunate Adventure at York
Creator:
Print made by unknown artist
Date:
1770
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

935. Mardale Head, Westmorland

Mardale Head, Westmorland
Creator:
Print made by Ebenezer Challis, active 1837–1859
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

936. Banks of the Garonne near Bordeaux

Banks of the Garonne near Bordeaux
Creator:
Print made by George Corbould, 1786–1846
Date:
1821
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

937. The Adressers

The Adressers
Creator:
Print made by unknown artist
Date:
1769
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

938. The Colossus of the North, or the Striding Boreas

The Colossus of the North, or the Striding Boreas
Creator:
Print made by unknown artist
Date:
1774
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

939. An Election Entertainment at Brentford

An Election Entertainment at Brentford
Creator:
Print made by unknown artist
Date:
1768
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

940. A Recorder on his Pilgrimage

A Recorder on his Pilgrimage
Creator:
Print made by unknown artist
Date:
1770
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

941. Amusement for John Bull and His Cousin Paddy, or the Gambols of the American Buffalo, in St. James's Street

Amusement for John Bull and His Cousin Paddy, or the Gambols of the American Buffalo, in St. James's Street
Creator:
Print made by unknown artist
Date:
1783
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

942. The Chevalier D' – n Producing his Evidence against Certain Persons

The Chevalier D' – n Producing his Evidence against Certain Persons
Creator:
Print made by unknown artist
Date:
1769
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

943. The Bridge from Africa to Great Britain

The Bridge from Africa to Great Britain
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1868
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

944. Honfleur, Looking up the Moat

Honfleur, Looking up the Moat
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

945. Political Reformation

Political Reformation
Creator:
Print made by unknown artist
Date:
1780
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

946. Picture of Europe for July 1772

Picture of Europe for July 1772
Creator:
Print made by unknown artist
Date:
1772
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

947. Pascal Paoli, General of the Corsicans

Pascal Paoli, General of the Corsicans
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

948. The Mother and the Child

The Mother and the Child
Creator:
Print made by unknown artist
Date:
1773
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

949. The English Jesuit

The English Jesuit
Creator:
Print made by Matthew Darly, active 1754–1778
Date:
1771
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

950. Henri of Navarre at the Falcon

Henri of Navarre at the Falcon
Creator:
Print made by unknown artist
Date:
1848
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

951. Sir Francis Drake

Sir Francis Drake
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

952. The South East Prospect of the Chapel Royal of St. Peter in the Tower

The South East Prospect of the Chapel Royal of St. Peter in the Tower
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

953. Thomas Parr

Thomas Parr
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

954. North View of St. Paul's Cathedral

North View of St. Paul's Cathedral
Creator:
Print made by unknown artist
Date:
1851
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

955. S. Pauls Cathedral

S. Pauls Cathedral
Creator:
Published by Jan de Ram, 1648–after 1696
Date:
ca. 1690
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

956. The Chapel of King Henry VII in Westminster Abbey

The Chapel of King Henry VII in Westminster Abbey
Creator:
Print made by unknown artist
Date:
ca. 1770
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

957. A North West Prospect of the Lord Mayor's Mansion House

A North West Prospect of the Lord Mayor's Mansion House
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

958. Waterfal of Pissevache

Waterfal of Pissevache
Creator:
Print made by unknown artist
Date:
1818
Materials & Techniques:
Color-printed aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

959. Valenciennes

Valenciennes
Creator:
Print made by unknown artist
Date:
1795
Materials & Techniques:
Etching and aquatint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

960. The Devil's Tower, Norwich Oct. 1841

The Devil's Tower, Norwich Oct. 1841
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1847
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

961. St. Ouens Abbey, Rouen

St. Ouens Abbey, Rouen
Creator:
Print made by B. Winkles, active 1830–1840
Date:
1850
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery Collection

962. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

963. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

964. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Francesco Curti, 1610–1690
Date:
ca. 1633
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

965. De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico

De Bello Iudaico Valerivs Maximus Libro 2 Cap. 3; De Iure Triumphali Ioannes Zonara Hisoriarum; and In Vita Pavli Aemily Appianvs Alexandrinus in Lybico
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

966. Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat

Amplissimi Ornatissimique Triumphi; Trivmphi Maioris In Vrbe Romana ob Victoriam; and Ne Quis Picturae Huis Veritatem Requirat
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

967. Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora

Seruius Super Vergilivm, et Postremo, Marcvs Tul Cicero; De Triumphali Pompa in Lvcivm Pisonem; Trivmphi Maioris vsvs Permansisse Constat Ad Ivstiniani Tempora
Creator:
Print made by Gerard de Jode, born 1509 or 1517, died 1591
Date:
between 1546 and 1590
Materials & Techniques:
Line engraving (uncut panorama, three plates) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 18 × 26 1/4 inches (45.7 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

968. A Mistake

A Mistake
Creator:
Print made by William Heath, 1795–1840
Date:
1829
Materials & Techniques:
Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Mount: 12 5/8 × 16 1/2 inches (32.1 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Godfrey Pearlson

969. Studies for the Instruction of Painters, two suites. Rome, c. 1630

Studies for the Instruction of Painters, two suites. Rome, c. 1630
Creator:
Print made by Oliverio Gatti, 1568–1651
Date:
undated
Materials & Techniques:
Line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 12 1/2 inches (22.2 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

970. The Invasion, Plate 1: France

The Invasion, Plate 1: France
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

971. The Invasion, Plate 1: France

The Invasion, Plate 1: France
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

972. Humours of an Election Entertainment

Humours of an Election Entertainment
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

973. Humours of an Election Entertainment

Humours of an Election Entertainment
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

974. First Design for the Enraged Musician

First Design for the Enraged Musician
Creator:
Print made by Thomas Ryder, 1746–1810
Date:
1799
Materials & Techniques:
Etching and roulette on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

975. Analysis of Beauty, Plate I

Analysis of Beauty, Plate I
Creator:
Print made by unknown artist
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

976. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

977. Conversation in the Manner of Van Dyck

Conversation in the Manner of Van Dyck
Creator:
Print made by J. Barlow, active 1791
Date:
1799
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

978. Concert Ticket, Mary's Chappel

Concert Ticket, Mary's Chappel
Creator:
Print made by Jane Ireland, active ca. 1785–1800
Date:
1799
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

979. Bracebridge Hall, The Lovers

Bracebridge Hall, The Lovers
Creator:
Print made by unknown artist
Date:
1858
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

980. Capstadt, Cap der Guten, Hoffmung in Africa

Capstadt, Cap der Guten, Hoffmung in Africa
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

981. Childers, the Fleetest Horse that Ever Run at Newmarket

Childers, the Fleetest Horse that Ever Run at Newmarket
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

982. The Portraiture of Dormouse

The Portraiture of Dormouse
Creator:
Print made by Richard Houston, ca. 1721–1775
Date:
1755
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

983. The Invasion, Plate 2: England

The Invasion, Plate 2: England
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

984. A Country Inn Yard

A Country Inn Yard
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

985. Ticket of the London Hospital

Ticket of the London Hospital
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1809
Materials & Techniques:
Etching, engraving, and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

986. The Invasion, Plate 1: France

The Invasion, Plate 1: France
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

987. Gate of Calais, O the Roast Beef of Old England

Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

988. Gate of Calais, O the Roast Beef of Old England

Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

989. Gate of Calais, O the Roast Beef of Old England

Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

990. Gate of Calais, O the Roast Beef of Old England

Gate of Calais, O the Roast Beef of Old England
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

991. First Stage of Cruelty

First Stage of Cruelty
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

992. Cruelty in Perfection

Cruelty in Perfection
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

993. The Election, Plate 1: Humours of an Election Entertainment

The Election, Plate 1: Humours of an Election Entertainment
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

994. The Election, Plate 1: Humours of an Election Entertainment

The Election, Plate 1: Humours of an Election Entertainment
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

995. First Stage of Cruelty

First Stage of Cruelty
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

996. Canvassing for Votes

Canvassing for Votes
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

997. Polling at the Hustings

Polling at the Hustings
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

998. Polling at the Hustings

Polling at the Hustings
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1808
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

999. Chairing the Members

Chairing the Members
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

1000. The Election, Plate 4: Chairing the Member

The Election, Plate 4: Chairing the Member
Creator:
Print made by T. E. Nicholson, active early 19th century
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection