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401. XVI
- Date:
- 1990
- Materials & Techniques:
- Openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
402. XXI
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over whole plate then burnished back, hardground etching and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
403. XX
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite, sugarlift, and hardground etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
404. XIX
- Date:
- 1990
- Materials & Techniques:
- Initial faint hardground drawing, then aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
405. XXIII
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite etching and sugarlift on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
406. XXVI
- Date:
- 1990
- Materials & Techniques:
- Coarse aquatint bitten in 3 states, then 5 stages of openbite etching: the plate was then cut down from a square format on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
407. XXVII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite through varnish and brasso, and burnishing: the plate was then cut in half at state 7 on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
408. XXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, sugarlift, openbite and aquatint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
409. XXVIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching and aquatint: the plate was cut in half after 6 states on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
410. XXX
- Date:
- 1990
- Materials & Techniques:
- Spitbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
411. XXXII
- Date:
- 1990
- Materials & Techniques:
- Aquatint, openbite etching, hardground, and hand-shaken aquatint: the plate cut down following state 12 on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
412. XXXI
- Date:
- 1990
- Materials & Techniques:
- Spitbite etching, then openbite achieved by scraping through stopout varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
413. XXXIII
- Date:
- 1990
- Materials & Techniques:
- Sugarlift etching in 3 stages, the first bitten in 2 stages on coarse grain aquatint, second bitten in 3 states on fine aquatint, third bitten once only, then two openbites through varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
414. XXXV
- Date:
- 1990
- Materials & Techniques:
- Spitbite, openbite, softground, and creeping bite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
415. XXXVII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
416. XXXIX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
417. XLII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, creeping aquatint bite, and polishing back on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
418. XLIV
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, creeping aquatint bite, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
419. XLV
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, aquatint and openbite: the plate was cut in half, the other half used for plate L on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
420. XLVI
- Date:
- 1990
- Materials & Techniques:
- Softground etching, hardground, aquatint, burnishing, and openbite: the plate was cut in half at state 7, the other half made XXVII on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
421. XLVII
- Date:
- 1990
- Materials & Techniques:
- Aquatint and stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
422. L
- Date:
- 1990
- Materials & Techniques:
- Hardground etching, burnishing, scraping, openbite over whole surface, openbite through litho crayon, drypoint, sugarlift, and deep, ten-hour hardground bite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1970, printed 1998
- Materials & Techniques:
- Gelatin silver print on semigloss photographic paper
- Dimensions:
- Sheet: 19 7/8 × 16 inches (50.5 × 40.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
- Date:
- 1737
- Materials & Techniques:
- Line engraving, stipple engraving and etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 19 5/8 × 13 5/8 inches (49.8 × 34.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Yale University Art Gallery Collection
425. Sir Kenelm Digby
- Date:
- 1748
- Materials & Techniques:
- Line engraving, stipple engraving, and etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 19 5/8 × 13 5/8 inches (49.8 × 34.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Yale University Art Gallery Collection
426. XXII
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black, acid brushed onto open plate in several stages, then openbite etching through varnish and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
427. XLIII
- Date:
- 1990
- Materials & Techniques:
- Openbite etching, hardground, 5 sugarlifts, creeping aquatint bite, scraping, burnishing, and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
428. XLVIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, openbite, sugarlift, scraping and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
429. The Lady in White
- Date:
- ca. 1885
- Materials & Techniques:
- Etching on medium, smooth, cream wove paper
- Dimensions:
- Sheet: 28 3/8 × 21 7/8 inches (72.1 × 55.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen
430. XLIX
- Date:
- 1990
- Materials & Techniques:
- Initial faint hardground, aquatint to 7 states and creeping aquatint bite, openbite etching, burnishing, sugarlift, softground and drypoint on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
431. II
- Date:
- 1990
- Materials & Techniques:
- Softground etching with stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
432. VIII
- Date:
- 1990
- Materials & Techniques:
- Softground etching, aquatint, openbite, lavender oil on hardground and burnishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
433. V
- Date:
- 1990
- Materials & Techniques:
- Aquatint and openbite etching on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
434. IX
- Date:
- 1990
- Materials & Techniques:
- Hardground etching using needle, roulette and lavender oil, and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
435. VII
- Date:
- 1990
- Materials & Techniques:
- Softground etching and aquatint with crayon resist, openbite, hardground and various stages of burnishing and polishing on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
436. X
- Date:
- 1990
- Materials & Techniques:
- Hardground etching with lavender oil, roulette, and openbite on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
437. XXIV
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over white plate then burnished back and open bitten through stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
438. XXV
- Date:
- 1990
- Materials & Techniques:
- Openbite etching through varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- undated
- Materials & Techniques:
- Watercolor, pen and brown ink, graphite, and scratching out on medium, slightly textured, beige wove paper
- Dimensions:
- Mount: 19 9/16 × 29 inches (49.7 × 73.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1846
- Materials & Techniques:
- Zincograph
- Dimensions:
- Sheet: 19 13/16 x 26 1/4in. (50.3 x 66.7cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Gift of Mr. and Mrs. Leon Korn
441. Crossing the Seine
- Date:
- 1997
- Materials & Techniques:
- Color carborundum print on 300gsm Somerset TP white wove paper
- Dimensions:
- Sheet: 19 3/4 x 23 3/4in. (50.2 x 60.3cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1997
- Materials & Techniques:
- Color carborundum print on 300gsm Somerset TP white wove paper
- Dimensions:
- Sheet: 19 1/2 x 23 3/4in. (49.5 x 60.3cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
443. Clay Feet
- Date:
- 1997
- Materials & Techniques:
- Color carborundum print on 300gsm Somerset TP white wove paper
- Dimensions:
- Sheet: 19 1/2 x 23 3/4in. (49.5 x 60.3cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1997
- Materials & Techniques:
- Color carborundum print on 300gsm Somerset TP white wove paper
- Dimensions:
- Sheet: 19 1/2 x 23 1/2in. (49.5 x 59.7cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- between 1795 and 1810
- Materials & Techniques:
- Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Image: 12 3/4 × 20 1/4 inches (32.4 × 51.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
446. Pictures of Linda
- Date:
- 2006
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
- Date:
- 2005
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
- Date:
- 1999
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
449. Pictures of Linda
- Date:
- 1996
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
450. Back to the Village
- Date:
- 2001
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
451. Pictures of Linda
- Date:
- 2001
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
- Date:
- 2003
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
- Date:
- 2004
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
- Date:
- 2006
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
455. Three in One
- Date:
- 1971
- Materials & Techniques:
- Screen print on thick, moderately textured, white wove paper
- Dimensions:
- Sheet: 31 3/4 × 27 1/2 inches (80.6 × 69.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Barbara Sunderman Hoerner
- Date:
- 2003
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
457. Pictures of Linda
- Date:
- 2005
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
- Date:
- 2001
- Materials & Techniques:
- Chromogenic print on matte photographic paper
- Dimensions:
- Frame: 20 3/8 × 20 3/8 × 2 inches (51.8 × 51.8 × 5.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of The Hyman Collection, London (Claire and James Hyman)
459. Cock fighting scene

- Materials & Techniques:
- Engraving on fabric with red ink
- Dimensions:
- Sheet: 19 3/4 x 20 15/16in. (50.2 x 53.2cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Gift of Melville & Naomi Stone

- Date:
- 1797
- Materials & Techniques:
- Album of 6 bound and 3 loose drawings
- Dimensions:
- Cover: 19 1/2 × 29 1/2 inches (49.5 × 74.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1811
- Materials & Techniques:
- Aquatint, hand-colored
- Dimensions:
- Sheet: 19 1/2 x 24 3/4in. (49.5 x 62.9cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1778
- Materials & Techniques:
- Mezzotint on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 19 3/4 × 14 5/8 inches (50.2 × 37.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund

- Date:
- 1831
- Materials & Techniques:
- Mezzotint (second state) on medium, slightly textured, cream wove paper
- Dimensions:
- Sheet: 19 1/2 × 15 3/4 inches (49.5 × 40 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
464. Lady Charlotte Legge

- Date:
- 1794
- Materials & Techniques:
- Mezzotint on medium, moderately textured, cream wove paper
- Dimensions:
- Sheet: 19 5/8 × 15 1/2 inches (49.8 × 39.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund

- Date:
- 1846
- Materials & Techniques:
- Aquatint, colored by hand
- Dimensions:
- Sheet: 19 5/8 x 23 3/4in. (49.8 x 60.3cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1811
- Materials & Techniques:
- Aquatint, colored by hand
- Dimensions:
- Sheet: 19 1/2 x 24 3/4in. (49.5 x 62.9cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1811
- Materials & Techniques:
- Aquatint, colored by hand
- Dimensions:
- Sheet: 19 1/2 x 24 3/4in. (49.5 x 62.9cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1832
- Materials & Techniques:
- Aquatint, colored by hand
- Dimensions:
- Sheet: 19 5/8 x 28 7/8in. (49.8 x 73.3cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
469. Death of Ananias

- Date:
- 1740
- Materials & Techniques:
- Gouache and graphite on vellum
- Dimensions:
- Sheet: 11 7/8 x 18 inches (30.2 x 45.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund

- Date:
- 1771
- Materials & Techniques:
- Mezzotint on moderately thick, moderately textured, cream laid paper
- Dimensions:
- Sheet: 22 1/4 × 16 inches (56.5 × 40.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
471. Esther Jacobs

- Date:
- 1762
- Materials & Techniques:
- Mezzotint on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 19 3/4 × 13 13/16 inches (50.2 × 35.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
472. Cyril Jackson

- Date:
- 1811
- Materials & Techniques:
- Mezzotint on moderately thick, moderately textured, beige wove paper
- Dimensions:
- Sheet: 19 13/16 × 13 13/16 inches (50.3 × 35.1 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
473. Hastings

- Date:
- 1851
- Materials & Techniques:
- Etching and line engraving with chine collé; engraver's proof (a) on thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 26 1/4 × 36 5/8 inches (66.7 × 93 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1827
- Materials & Techniques:
- Bound volume of engravings on medium, slightly textured, cream laid paper
- Dimensions:
- Spine: 19 3/4 inches (50.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1808
- Materials & Techniques:
- Etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 19 1/2 × 13 3/4 inches (49.5 × 34.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
476. Miss Pond

- Materials & Techniques:
- Mezzotint on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
477. The Day of Judgment

- Date:
- 1808
- Materials & Techniques:
- Etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
478. Agrippina

- Date:
- 1776
- Materials & Techniques:
- Mezzotint on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 21 1/4 × 28 1/2 inches (54 × 72.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund

- Date:
- 1808
- Materials & Techniques:
- Etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 19 3/4 × 13 1/2 inches (50.2 × 34.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
480. Death's Door

- Date:
- 1808
- Materials & Techniques:
- Etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 19 5/8 × 13 3/4 inches (49.8 × 34.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1808
- Materials & Techniques:
- Etching on moderately thick, slightly textured, cream laid paper
- Dimensions:
- Sheet: 19 3/4 × 13 7/8 inches (50.2 × 35.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
482. Agneta Yorke

- Date:
- 1768
- Materials & Techniques:
- Mezzotint on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 19 3/4 x 13 7/8in. (50.2 x 35.2cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Materials & Techniques:
- Mezzotint on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 21 3/4 × 16 inches (55.2 × 40.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1830
- Materials & Techniques:
- Mezzotint, with graphite and white chalk; touched engraver's proof (b) on medium, slightly textured, cream wove paper, mounted on cream card
- Dimensions:
- Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
485. Hastings

- Date:
- 1851
- Materials & Techniques:
- Etching and line engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 20 5/8 × 26 3/4 inches (52.4 × 67.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1866
- Materials & Techniques:
- Etching and line engraving with chine collé; first published state on moderately thick, slightly textured, beige wove paper
- Dimensions:
- Sheet: 19 1/2 × 21 3/4 inches (49.5 × 55.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- 1762
- Materials & Techniques:
- Mezzotint
- Dimensions:
- Sheet: 19 3/4 × 13 3/4 inches (50.2 × 34.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
488. Untitled

- Date:
- 1977
- Materials & Techniques:
- Color printed aquatint from five plates; artist's proof on moderately thick, moderately textured, white Arches wove paper
- Dimensions:
- Sheet: 19 1/2 × 27 3/8 inches (49.5 × 69.5 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
489. [Anatomical Study of a Horse]. 'To His Grace the Duke of Northumberland..Inscribed by Joseph Barber

- Materials & Techniques:
- Engravings: 2 impressions, one printed in red, one in black
- Dimensions:
- Sheet: 19 9/16 x 23in. (49.7 x 58.4cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- undated
- Materials & Techniques:
- Gray wash, pen and black ink on slightly textured, medium, white wove paper
- Dimensions:
- Sheet: 19 3/4 × 11 7/8 inches (50.2 × 30.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- undated
- Materials & Techniques:
- Etching on medium, moderately textured, cream wove paper
- Dimensions:
- Sheet: 19 3/4 x 29 inches (50.2 x 73.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Bequest of Beekman C. and Margaret Cannon
492. Body and Soul 8

- Date:
- 1990
- Materials & Techniques:
- Soft-ground etching on 300gsm Somerset TP Textured white wove paper
- Dimensions:
- Sheet: 19 3/4 x 23in. (50.2 x 58.4cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
493. Body and Soul 7

- Date:
- 1990
- Materials & Techniques:
- Etching, soft-ground etching, and aquatint on 300gsm Somerset TP Textured white wove paper
- Dimensions:
- Sheet: 19 3/4 x 23in. (50.2 x 58.4cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund

- Materials & Techniques:
- Mezzotint
- Dimensions:
- Sheet: 19 1/2 x 15 1/2in. (49.5 x 39.4cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection

- Date:
- undated
- Materials & Techniques:
- Graphite, watercolor, and pen and black ink on slightly textured, medium, white wove paper
- Dimensions:
- Sheet: 19 13/16 × 12 5/16 inches (50.3 × 31.3 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
496. Loop

- Date:
- 1994
- Materials & Techniques:
- Etching and drypoint on 225gsm Zerkall Halbmatt white wove paper
- Dimensions:
- Sheet: 19 3/4 × 24 inches (50.2 × 61 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art; Gift of Charles Booth-Clibborn
497. Body and Soul 1

- Date:
- 1990
- Materials & Techniques:
- Etching, soft-ground etching, and aquatint on 300gsm Somerset TP Textured white wove paper
- Dimensions:
- Sheet: 19 3/4 x 23in. (50.2 x 58.4cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund

- Date:
- 1970
- Materials & Techniques:
- Screen print and color lithograph
- Dimensions:
- Sheet: 19 11/16 x 18 11/16in. (50 x 47.5cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Gift of Keith C. and Mildred B. Marshall
499. King George III

- Date:
- 1800
- Materials & Techniques:
- Stipple engraving
- Dimensions:
- Image: 19 11/16 x 14 3/4in. (50 x 37.5cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
500. The Triumph of Mercy

- Date:
- 179
- Materials & Techniques:
- Stipple engraving
- Dimensions:
- Sheet: 19 5/8 x 24 15/16in. (49.8 x 63.3cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection