<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Height [cm] 46

Remove constraint Height [cm]: 46

Width [cm] 53

Remove constraint Width [cm]: 53

Search Results

The Great Exhibition of 1851
Creator:
James Duffield Harding, 1798–1863
Date:
1851
Materials & Techniques:
Oil on canvas
Dimensions:
14 × 21 inches (35.6 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Landscape with a Castle
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1808
Materials & Techniques:
Oil on canvas
Dimensions:
10 5/8 × 13 3/8 inches (27 × 34 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Landscape with a Lake
Creator:
Paul Sandby, 1731–1809
Date:
1808
Materials & Techniques:
Oil on canvas
Dimensions:
10 1/2 × 13 3/8 inches (26.7 × 34 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
Creator:
Attributed to Sir James Thornhill, 1675–1734
Date:
ca. 1720
Materials & Techniques:
Oil on panel
Dimensions:
18 x 21 inches (45.7 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
Creator:
Attributed to Sir James Thornhill, 1675–1734
Date:
ca. 1718
Materials & Techniques:
Oil on panel
Dimensions:
18 x 21 inches (45.7 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Al

Al
Creator:
Patrick Procktor, 1936–2003
Date:
1992
Materials & Techniques:
Oil and glitter on foamcore board
Dimensions:
Sheet: 18 x 14 inches (45.7 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Jack W. C. Hagstrom, M.D.
On View:
Not on view
The Ranger, Private Ship of War, with her Prizes
Creator:
Nicholas Pocock, 1740–1821
Date:
1780
Materials & Techniques:
Pen and black ink over graphite with gray wash on moderately thick, moderately textured, cream laid paper mounted on thick, slightly textured cream wove paper
Dimensions:
Mount: 18 1/8 x 23 3/4 inches (46 x 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Masefield No. 3
Creator:
Print made by William Strang, 1859–1921
Date:
1909
Materials & Techniques:
Mezzotint with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 × 20 7/8 inches (61 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Fisherman and Dog Sitting by the Coast
Creator:
George Morland, 1763–1804
Date:
1803
Materials & Techniques:
Graphite touched with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Mount: 18 1/4 x 20 7/8 inches (46.4 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Creator:
Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Woman Swearing her Child to a Grave Citizen
Creator:
Print made by John Young, 1755–1825
Date:
1816
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 × 23 1/4 inches (47.6 × 59.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Fishery
Creator:
Print made by William Woollett, 1735–1785
Date:
1768
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 1/4 × 22 11/16 inches (46.4 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Giuseppe Marchi, ca. 1735–1808
Date:
1785
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 × 20 7/8 inches (45.7 × 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection