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Olivia Returns to Her Family
Creator:
Francis Wheatley, 1747–1801
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 21 7/8 inches (43.2 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pike Pool, Beresford Hall, Derbyshire
Creator:
John Linnell, 1792–1882
Date:
1814
Materials & Techniques:
Black and white chalk and graphite on moderately thick, slightly textured, blue-gray wove paper
Dimensions:
Sheet: 16 7/8 x 22 inches (42.9 x 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View within the Northern Entrance of Gundecotta Pass
Creator:
Thomas Anburey, 1759–1840
Date:
ca. 1792
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 22 1/16 inches (42.9 x 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Southern Entrance of Gundecotta Pass
Creator:
Thomas Anburey, 1759–1840
Date:
ca. 1792
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 x 22 1/16 inches (42.9 x 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View within the Southern Entrance of Gundecotta Pass
Creator:
Thomas Anburey, 1759–1840
Date:
ca. 1792
Materials & Techniques:
Watercolor, pen and black ink, and graphite; squared for transfer on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Theatrum Sive Coliseum Romanum
Creator:
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Date:
1538
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Mount: 16 7/8 × 22 7/8 inches (42.9 × 58.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The March to Finchley
Creator:
Print made by Luke Sullivan, 1705–1771
Date:
1750
Materials & Techniques:
Engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/4 × 23 inches (45.1 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Lion and Stag
Creator:
Benjamin Green, ca. 1736–ca. 1800
Date:
1770
Materials & Techniques:
Mezzotint, second state
Dimensions:
Sheet: 17 3/8 x 22 3/16in. (44.2 x 56.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exterior View of Great Chaitya Hall at Karla, Ekvira Devi Temple at Right
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
1793
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 × 22 inches (43.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Setting Sun
Creator:
Print made by John Young, 1755–1825
Date:
1790
Materials & Techniques:
Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 × 23 1/2 inches (46 × 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Cottar's Door
Creator:
Print made by William Say, 1768–1834
Date:
1802
Materials & Techniques:
Mezzotint, proof before all letters on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 21 15/16 × 29 inches (55.7 × 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Thomas King and Mrs. Baddeley
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
View on the river Vulturnus, Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 22 1/16 inches (40.3 x 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ferry over the river Vulturnus, between Naples and Isernia. Sept.r 1790
Creator:
Sir Richard Colt Hoare, 1758–1838
Date:
1790
Materials & Techniques:
Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 1/16 x 22 1/8 inches (40.8 x 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
This View of Hanover Square
Creator:
Robert Pollard, 1755–1838
Date:
1787
Materials & Techniques:
Etching and Aquatint
Dimensions:
Sheet: 16 7/8 x 22in. (42.9 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thomas King and Sophia Baddely in "The Clandestine Marriage"
Creator:
Richard Earlom, 1743–1822
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 22 5/8 inches (47.6 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lodge and Stables, &c. at Windsor Great Park
Creator:
James Mason, 1710–1783
Date:
1772
Materials & Techniques:
Hand colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 7/8 × 25 1/8 inches (42.9 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island
Creator:
unknown artist
Date:
1769-1770
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 3/4 x 21 7/8in. (42.5 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape: India
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 16 7/8 × 23 3/8 inches (42.9 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
English Barracks
Creator:
Etched by Thomas Rowlandson, 1756–1827
Date:
1791
Materials & Techniques:
Hand colored etching and aquatint on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 × 22 1/8 inches (43.2 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rural Cott
Creator:
William Woollett, 1735–1785
Date:
1797
Materials & Techniques:
Engraving with chine collé; proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 1/8 × 24 1/8 inches (48.6 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
From the Garden front of my Father's House at Thorpe next Norwich
Creator:
Print made by Miles Edmund Cotman, 1810–1858
Date:
1847
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 22 inches (43.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Rosehill

Rosehill
Creator:
Print made by Joseph Constantine Stadler, active 1780–1812
Date:
ca. 1810
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Image: 15 3/8 x 22in. (39.1 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1928
Materials & Techniques:
Watercolor, gouache, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 21 7/8 inches (42.5 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse