Height [cm]: 39 / Subject Terms: men - YCBA Collections Search Search Results

1. Calais Jetty, France

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1824
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/4 x 13 7/8 inches (29.8 x 35.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Zagori, Greece

Creator:: Edward Lear, 1812–1888
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 15 1/2 x 10 inches (39.4 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

3. The Colosseum

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/8 x 20 1/4 inches (39.1 x 51.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Castel Sant'Angelo, Rome

Creator:: John Inigo Richards, 1730/31?–1810
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/8 x 20 1/4 inches (39.1 x 51.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. A Harbor Scene in the Isle of Wight, Looking Towards the Needles

Creator:: George Vincent, 1796–1832
Date:: 1824
Materials & Techniques:: Oil on panel
Dimensions:: 15 3/8 x 22 inches (39.1 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The City from Near the Terrace of Somerset House

Creator:: Canaletto, 1697–1768
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: Frame: 21 × 34 1/2 inches (53.3 × 87.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Westminster from Near the Terrace of Somerset House

Creator:: Canaletto, 1697–1768
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. The First Stage of Cruelty

Creator:: William Hogarth, 1697–1764
Date:: ca. 1750
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

10. The Fourth Stage of Cruelty: The Reward of Cruelty

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

11. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

12. Miranda, Prospero, and Caliban: The Tempest

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 22 1/8 inches (39.4 x 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

13. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. 'If angels tremble, 'tis at such a sight' (Page 93)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. 'The vale of death! that hush'd cimmerian vale' (Page 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. 'The thunder, if in that the Almighty dwells' (Page 80)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. 'His hand the good man fastens on the skies' (Page 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "Enitharmon slept. ..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "Shot from the heights of Enitharmon..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "Now comes the night of Enitharmons joy!..." (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Night the First. On Life, Death and Immortality; Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. 'We censure nature for a span too short' (Page 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching, line engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "Albions Angel rose upon the Stone of Night..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Plague (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "The shrill winds wake!..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Frontispiece, The Ancient of Days (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. A Prophecy. "The deep of winter came..." (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Spoiled Child, Scene III

Creator:: Lewis Vaslet, 1742–1808
Date:: ca. 1802
Materials & Techniques:: Watercolor with black ink and gray wash over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 19 1/2 inches (39.3 x 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Design for Ceiling Walls and Staircase

Creator:: Sir James Thornhill, 1675–1734
Date:: between 1712 and 1713
Materials & Techniques:: Pen and brown ink, gray wash, brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 x 19 5/8 inches (38.7 x 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Landscape with Cottage and Figures on Horseback

Creator:: George Morland, 1763–1804
Date:: 1793
Materials & Techniques:: Graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/2 x 20 9/16 inches (39.4 x 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Queen Elizabeth Gate

Creator:: Paul Sandby, 1731–1809
Date:: 1767
Materials & Techniques:: Gouache and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 3/8 x 18 1/2 inches (36.5 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. High Street at Bushey, Hertfordshire

Creator:: Henry Monro, 1791–1814
Date:: 1812
Materials & Techniques:: Pen and black ink, gray wash, and white gouache on medium, slightly textured, blue-gray laid paper
Dimensions:: Sheet: 15 3/16 x 19 13/16in. (38.6 x 50.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, printed in color on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 x 26 inches (43.5 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. A Manhattan Excavation

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1923
Materials & Techniques:: Drypoint on medium, slightly textured, beige Asian paper
Dimensions:: Sheet: 15 3/16 x 11 1/8 inches (38.5 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

38. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, second state, finished proof
Dimensions:: Sheet: 17 7/16 x 25 5/8in. (44.3 x 65.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Whitehall Showing Holbein's Gate and Banqueting Hall

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: 1745
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 21 1/4 inches (39 x 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of the Library Association

41. View of Queen Square

Creator:: Engraved by Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Tom Jones Assisting Molly Seagrim

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1782
Materials & Techniques:: Line engraving and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 x 15 7/16 inches (53.4 x 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

43. A Persian Bazaar

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/16 x 20 inches (38.9 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

44. The Sportsman

Creator:: Print made by John Browne, 1741–1801
Date:: 1775
Materials & Techniques:: Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Two Figures

Creator:: Print made by John Copley, 1875–1950
Date:: 1950
Materials & Techniques:: Etching with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 x 9 5/16 inches (39.3 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Noon

Creator:: Print made by John Boydell, 1720–1804
Date:: 1753
Materials & Techniques:: Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 7/16 x 21 inches (39.2 x 53.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

Creator:: Simon François Ravenet, 1706–1774
Date:: 1753
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 7/8 × 21 5/8 inches (42.9 × 55 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A View from Richmond Hill Up the River

Creator:: Charles Grignion, 1717–1810
Date:: 1794
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 7/16 x 18 1/16 inches (31.6 x 45.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Breaking Up of the Agamemnon, no. 2

Creator:: Print made by Sir Francis Seymour Haden, 1818–1910
Date:: after 1880
Materials & Techniques:: Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield

50. Interior, Abery

Creator:: Print made by N. Hanhart, active 1841–1852
Date:: 1856
Materials & Techniques:: Chromolithograph on moderately thick, smooth, beige wove paper, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Mount: 15 1/4 x 12 3/8 inches (38.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection; Gift of the Reverend DeWolf Perry

51. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and line engraving on medium, moderately textured, cream laid paper laid on mount
Dimensions:: Mount: 15 1/4 x 19 1/16 inches (38.8 x 48.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. A Calm

Creator:: Print made by John Boydell, 1720–1804
Date:: 1754
Materials & Techniques:: Etching and line engraving, hand colored with watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 5/16 x 21 1/8 inches (38.9 x 53.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

Creator:: Print made by William Clerk, ? 19th c.
Date:: after 1840
Materials & Techniques:: Hand-colored lithograph on moderately thick, smooth, beige card
Dimensions:: Sheet: 15 3/16 x 18 3/4 inches (38.6 x 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Alphonso and Aciloe

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/16 x 11 inches (38.5 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Five Sisters, York Minister

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 16 × 7 3/4 inches (40.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

56. Ruins at Sabachtsche

Creator:: Frederick Catherwood, 1799–1854
Date:: undated
Materials & Techniques:: Watercolor and graphite on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 15 1/4 x 12 1/8 inches (38.7 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Collection, Gift of Henry Schnakenberg to Yale University Art Gallery

57. The Old Beau in an Extasy

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1773
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 15 1/4 x 11 1/8 inches (38.7 x 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

58. The Main Tack

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1928
Materials & Techniques:: Etching and drypoint on thin, smooth, cream wove paper
Dimensions:: Sheet: 15 1/4 x 9 5/8 inches (38.8 x 24.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

59. The Five Sisters, York Minister

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1907
Materials & Techniques:: Etching and drypoint on very thin, slightly textured, cream wove paper
Dimensions:: Sheet: 15 7/8 × 7 3/4 inches (40.3 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

60. Victorious Hero Takes Occasion to Conclude Peace

Creator:: Bernard Lens III, 1682–1740
Date:: 1720
Materials & Techniques:: Watercolor and gouache heightened with gold on vellum
Dimensions:: Frame: 17 1/4 x 20 1/2 x 1 1/2 inches (43.8 x 52.1 x 3.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

61. Oxford Physic Garden

Creator:: Print made by Benjamin Green, ca. 1736–ca. 1800
Date:: 1766
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/4 x 17 3/8 inches (33.7 x 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

62. Elevation of a House with Arcade

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 15 1/4 × 23 inches (38.7 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

63. Bridge in a Continental Town

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 x 20 1/2 inches (34.6 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Height [cm] 39

Subject Terms men

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1. Calais Jetty, France

2. Zagori, Greece

3. The Colosseum

4. Castel Sant'Angelo, Rome

5. A Harbor Scene in the Isle of Wight, Looking Towards the Needles

6. The City from Near the Terrace of Somerset House

7. Westminster from Near the Terrace of Somerset House

8. The First Stage of Cruelty

9. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

10. The Fourth Stage of Cruelty: The Reward of Cruelty

11. The Third Stage of Cruelty: Cruelty in Perfection - The Murder

12. Miranda, Prospero, and Caliban: The Tempest

13. 'His hand the good man fastens on the skies' (Page 86)

14. 'If angels tremble, 'tis at such a sight' (Page 93)

15. 'The vale of death! that hush'd cimmerian vale' (Page 54)

16. 'The thunder, if in that the Almighty dwells' (Page 80)

17. 'His hand the good man fastens on the skies' (Page 86)

18. Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)

19. "Enitharmon slept. ..." (Plate 10)

20. "Shot from the heights of Enitharmon..." (Plate 17)

21. "Now comes the night of Enitharmons joy!..." (Plate 7)

22. Night the First. On Life, Death and Immortality; Title Page

23. 'We censure nature for a span too short' (Page 23)

24. "Albions Angel rose upon the Stone of Night..." (Plate 12)

25. Plague (Plate 13)

26. "The shrill winds wake!..." (Plate 6)

27. Frontispiece, The Ancient of Days (Plate 1)

28. "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)

29. A Prophecy. "The deep of winter came..." (Plate 5)

30. "The red limb'd Angel siez'd in horror and torment..." (Plate 15)

31. The Spoiled Child, Scene III

32. Design for Ceiling Walls and Staircase

33. Landscape with Cottage and Figures on Horseback

34. The Queen Elizabeth Gate

35. High Street at Bushey, Hertfordshire

36. Labourers

37. A Manhattan Excavation

38. Labourers

39. Whitehall Showing Holbein's Gate and Banqueting Hall

40. The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

41. View of Queen Square

42. Tom Jones Assisting Molly Seagrim

43. A Persian Bazaar

44. The Sportsman

45. Two Figures

46. Noon

47. Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet

48. A View from Richmond Hill Up the River

49. The Breaking Up of the Agamemnon, no. 2

50. Interior, Abery

51. Edward, Prince of Wales, Presenting the Captive King John of France and His Sons to His Father Edward the Third After the Battle of Poictiers

52. A Calm

53. The Fire in H.M. Dockyard at Devonport on the Morning of the 27th of September 1840

54. Alphonso and Aciloe

55. The Five Sisters, York Minister

56. Ruins at Sabachtsche

57. The Old Beau in an Extasy

58. The Main Tack

59. The Five Sisters, York Minister

60. Victorious Hero Takes Occasion to Conclude Peace

61. Oxford Physic Garden

62. Elevation of a House with Arcade

63. Bridge in a Continental Town