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East Bergholt
Creator:
John Constable, 1776–1837
Date:
ca. 1813
Materials & Techniques:
Oil on board
Dimensions:
Frame: 14 7/8 × 21 7/8 × 2 inches (37.8 × 55.6 × 5.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Rocky Crag
Creator:
Rev. William Henry Barnard, 1767–1818
Date:
undated
Materials & Techniques:
Gray wash and black wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lynmouth Quay
Creator:
Robert Marris, 1750–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, black chalk and scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 22 1/8 inches (38.4 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Horse Race at Rome During the Carnival
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Mount:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Romans Polite to Strangers
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/8 x 22 5/16 inches (38.4 x 56.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Victor Conducted in Triumph
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 15 9/16 x 22 3/8 inches (39.6 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth
Creator:
Print made by Thomas Goff Lupton, 1791–1873
Date:
1828 to 1856
Materials & Techniques:
Mezzotint with chine collé; artist's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 22 inches (38.1 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Artaki (now Erduk)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/16 x 21 15/16 inches (38.2 x 55.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of a Long Aqueduct
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/8 x 22 inches (38.4 x 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Simmer Lake, near Askrig
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1822
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 × 22 inches (38.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gibside, County of Durham
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alum Bay, Isle of Wight
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Orchard Bay
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 22 inches (38.4 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alum Bay and the Needles
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shanklin Castle
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 7/8 × 22 inches (37.8 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Cowes

Cowes
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Etching and engraving; Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 × 21 7/8 inches (38.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation, Plan and Section of a Bell Tower
Creator:
Augustus Welby Northmore Pugin, 1812–1852
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 × 22 inches (38.1 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape, Castle by a River
Creator:
William Green, 1760–1823
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 1/16 inches (40 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Devil's Bridge, Kirkby Lonsdale
Creator:
William Green, 1760–1823
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 22 inches (40 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with River and a Bridge
Creator:
William Green, 1760–1823
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, gum arabic, and stopping out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 22 inches (40.3 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
The Canal Basin
Creator:
Adrian Allinson, 1890–1959
Date:
undated
Materials & Techniques:
Chalk and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 × 22 1/8 inches (38.1 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A View of Plymouth Fort and St. Nicholas Island
Creator:
James Mason, 1710–1783
Date:
1755
Materials & Techniques:
Colored engraving on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 × 23 1/8 inches (38.1 × 58.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Morning

Morning
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1745
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 x 21 7/8 inches (38.1 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Parish Beadle
Creator:
Abraham Raimbach, 1784–1868
Date:
1834
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 13/16 × 24 5/16 inches (47.8 × 61.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Nimbus

Nimbus
Creator:
John Tunnard, 1900–1971
Date:
1960
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/8 x 22 inches (38.4 x 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Avery Thompson Funkhouser
Landscape with Orange Flower
Creator:
Michael Rothenstein, 1908–1993
Date:
1955
Materials & Techniques:
Etching, aquatint, stencil
Dimensions:
Sheet: 15 x 22in. (38.1 x 55.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Michael Rothenstein

28. Winter

Winter
Creator:
Victor Marie Picot, 1744–1805
Date:
1794
Materials & Techniques:
Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 5/8 × 22 1/8 inches (44.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Reclining Figure
Creator:
Henry Moore, 1898–1986
Date:
1939
Materials & Techniques:
Black chalk, white chalk, graphite, gray wash and crayon on medium, slightly textured, beige wove paper
Dimensions:
Frame: 30 3/4 x 35 1/2 x 3 inches (78.1 x 90.2 x 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

34. Landscape

Landscape
Creator:
Thomas Daniell, 1749–1840
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/4 x 21 1/2 inches (36.2 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter
Plate VIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XIII: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVII: The Painted Chamber
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Line engraving on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVIII
Creator:
Print made by G.F. Storm, active mid–19th century
Date:
1842
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXII: The Story of Hezekiah.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha.
Creator:
Print made by James Basire II, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevation of the River Front
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Raider on the Moors
Creator:
Print made by Paul Nash, 1889–1946
Date:
1940
Materials & Techniques:
Lithograph (17/50)
Dimensions:
Frame: 24 13/16 × 31 1/2 × 13/16 inches (63 × 80 × 2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Janet and Richard Prince, Yale BA 1948
View of Grosvenor Square
Creator:
Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 3/4 × 24 13/16 inches (50.2 × 63 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by William Miller, 1796–1882
Date:
1862
Materials & Techniques:
Etching and engraving with chine collé; first published state on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 3/8 × 29 1/2 inches (59.4 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
undated
Materials & Techniques:
Red chalk, graphite, black chalk, and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 15 1/8 × 22 1/8 inches (38.4 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1781
Materials & Techniques:
Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:
Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Henry Thomas Alken, 1785–1851
Date:
Undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 21 7/8 inches (37.5 x 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Charles Hunt, 1803–1877
Date:
1836
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 15 x 21 7/8in. (38.1 x 55.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Untitled

No cover image available
Creator:
Andy Summers, born 1942
Date:
between 1983 and 2008
Materials & Techniques:
Gelatin silver print on photographic paper
Dimensions:
Sheet: 20 × 24 inches (50.8 × 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joy of Giving Something, Inc.
British, Baroque style moulding frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood, patinated Dutch metal leaf
Dimensions:
Frame: 14 7/8 × 21 7/8 × 2 inches (37.8 × 55.6 × 5.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art