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301. Saberna, or the Effects of Falshood

Saberna, or the Effects of Falshood
Creator:
Print made by Thomas Park, ca. 1760–1834
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 1/2 × 11 1/4 inches (39.4 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

302. Saberna

Saberna
Creator:
Print made by Thomas Park, ca. 1760–1834
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 16 7/8 × 12 13/16 inches (42.9 × 32.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

303. Mrs. Smith

Mrs. Smith
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1783
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 10 7/16 inches (36.5 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

304. Burchell Reading the Ballad

Burchell Reading the Ballad
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/8 x 10 1/16 inches (36.5 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

305. Don Ferdinand

Don Ferdinand
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 10 3/8 inches (37.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

306. George Primrose

George Primrose
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 1/2 x 10 3/8 inches (36.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

307. The Young Musicians

The Young Musicians
Creator:
Print made by Johann Gottfried Haid, 1704–1767
Date:
1764
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 15 7/8 × 10 7/8 inches (40.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

308. One of a set of four: Leamington Grand Steeple Chase ... 1837. Plate 4. Marqs of Waterford on Monarch ...

One of a set of four: Leamington Grand Steeple Chase ... 1837. Plate 4. Marqs of Waterford on Monarch ...
Creator:
Charles Hunt, 1803–1877
Date:
1837
Materials & Techniques:
Hand-colored aquatint
Dimensions:
Sheet: 14 1/2 x 23 5/8in. (36.8 x 60cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Mittag

Mittag
Creator:
Print made by Johann Simon Negges, 1726–1792
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

310. Herself the Fairest Flower

Herself the Fairest Flower
Creator:
Print made by William Ward, 1766–1826
Date:
1815
Materials & Techniques:
Mezzotint (proof) on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 11 1/4 inches (37.1 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

311. A Scene in Kensington Gardens

A Scene in Kensington Gardens
Creator:
Print made by unknown artist
Date:
1782
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

312. Annette and Lubin

Annette and Lubin
Creator:
Print made by unknown artist
Date:
1788
Materials & Techniques:
Mezzotint (before all letters) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

313. The Sailor's Pleasure

The Sailor's Pleasure
Creator:
Print made by unknown artist
Date:
1781
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

314. Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!

Der Gute Alchimyst wird nun den Barth Verbrennen, da er zum Schuld-Process die Feder Schneiden muss: Gold Macher!
Creator:
Print made by Valentin Daniel Preissler, 1717–1765
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 7/8 × 13 3/8 inches (45.4 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

315. View of Lakes Buttermere and Crummock Water

View of Lakes Buttermere and Crummock Water
Creator:
William Green, 1760–1823
Date:
1803
Materials & Techniques:
Watercolor and gum over graphite on medium, smooth wove paper mounted on card
Dimensions:
Sheet: 14 5/8 x 19 7/8 inches (37.1 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

316. The Torre de Comares, Alhambra, 1835

The Torre de Comares, Alhambra, 1835
Creator:
John Frederick Lewis, 1804–1876
Date:
1835
Materials & Techniques:
Graphite, watercolor, and gouache, with scratching out on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 14 5/8 x 10 5/8 inches (37.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving, finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Bolton Abbey, Yorkshire

Bolton Abbey, Yorkshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 14 1/2 × 19 3/4 inches (36.8 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. Memorial to James from Paddington Church

Memorial to James from Paddington Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 7/8 inches (37.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Kings Weston, Bristol: Garden Front Elevation

Kings Weston, Bristol: Garden Front Elevation
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 x 18 1/8 inches (37 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. Kings Weston, Bristol: Basement Plan

Kings Weston, Bristol: Basement Plan
Creator:
Sir John Vanbrugh, 1664–1726
Date:
ca. 1710
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 5/8 x 18 9/16 inches (37.1 x 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. The Residency, Lucknow

The Residency, Lucknow
Creator:
William Simpson, 1823–1899
Date:
1864
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 x 20 1/2 inches (37.1 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. Haymakers

Haymakers
Creator:
Peter La Cave, active 1769–1810
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, blue ink, brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 5/8 × 19 9/16 inches (37.1 × 49.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. A Gentleman, full length, Holding a Paper and Pencil

A Gentleman, full length, Holding a Paper and Pencil
Creator:
Samuel De Wilde, 1748–1832
Date:
1795
Materials & Techniques:
Watercolor, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/8 × 9 inches (37.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. Landscape with beech trees and man driving cattle and sheep

Landscape with beech trees and man driving cattle and sheep
Creator:
style of Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, gouache, and black chalk on medium, slightly textured, cream laid paper on blue wove paper mount
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Memorial to Francis Poulton from Twickerham Church

Memorial to Francis Poulton from Twickerham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Memorial to Carous Scarburgh from Cranford Church

Memorial to Carous Scarburgh from Cranford Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 7/8 inches (36.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Memorial to George Lord Berkeley from Cranford Church

Memorial to George Lord Berkeley from Cranford Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. Memorial to John Peele from Hampton Church

Memorial to John Peele from Hampton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Memorial to Emma Horatia Lisle from Hampton Church

Memorial to Emma Horatia Lisle from Hampton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor ever graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. Bass Rock

Bass Rock
Creator:
Print made by William Miller, 1796–1882
Date:
1826
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 19 3/4 inches (36.8 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. Whitby

Whitby
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/8 × 20 1/2 inches (36.5 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. A Tempest – Voyage of Columbus

A Tempest – Voyage of Columbus
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 9/16 × 9 3/16 inches (37 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Cortes and Pizarro

Cortes and Pizarro
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. Columbus and his Son

Columbus and his Son
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 9 1/16 inches (36.8 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Crook of the Lune, Looking towards Hornby Castle

Crook of the Lune, Looking towards Hornby Castle
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1821
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 5/8 × 20 15/16 inches (37.1 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. The Mewstone, Entrance of Plymouth Sound

The Mewstone, Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. Craigmillar Castle

Craigmillar Castle
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 11 5/8 inches (37.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Entrance to Hieron of Temple of Shietla

Entrance to Hieron of Temple of Shietla
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, gray wash, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 21 1/8 inches (36.8 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. Boscastle, Cornwall

Boscastle, Cornwall
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814-1826
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/8 × 19 1/8 inches (36.5 × 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. Bolton Abbey

Bolton Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 9 1/8 inches (36.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. Memorial of Ricardi Dewell, Elizabeth Dikenson and Johnathon Rogers from the Acton Church

Memorial of Ricardi Dewell, Elizabeth Dikenson and Johnathon Rogers from the Acton Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Memorial to Sir John Laurence

Memorial to Sir John Laurence
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. Mrs. Skinner and Child

Mrs. Skinner and Child
Creator:
John Hoppner, 1758–1810
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 8 3/4 inches (34.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Self-Portrait

Self-Portrait
Creator:
Gilbert Spencer, 1892–1979
Date:
undated
Materials & Techniques:
Graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 8 5/8in. (36.8 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

346. Fall of the Leaf

Fall of the Leaf
Creator:
Print made by Sybil Andrews, 1898–1992
Date:
1934
Materials & Techniques:
Color linocut on thin, slightly textured, beige Asian paper
Dimensions:
Sheet: 15 3/4 x 11 15/16 inches (40 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

347. St. Martyns Bruche

St. Martyns Bruche
Creator:
Isaac Weld, 1774–1856
Date:
ca. 1826
Materials & Techniques:
Gray wash, black wash, pen and black ink, graphite, white gouache, and sponging on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 9/16 × 11 1/2 inches (37 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. A Term in a Garden

A Term in a Garden
Creator:
Joseph Nollekens, 1737–1823
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 14 13/16in. (25.1 x 37.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. Punt under Shelter

Punt under Shelter
Creator:
Sir Walter Thomas Monnington, 1902–1976
Date:
undated
Materials & Techniques:
Pen and brown ink, brown chalk over graphite on medium, slightly textured, tan laid paper
Dimensions:
Sheet: 14 11/16 x 18 5/8 inches (37.3 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

350. Tree

Tree
Creator:
Sir Walter Thomas Monnington, 1902–1976
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 7/16 × 7 5/8 inches (36.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

351. Thomas Weston as Spy in Bates "The Rival Candidates"

Thomas Weston as Spy in Bates "The Rival Candidates"
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 4 3/8 inches (15.9 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Brass Plate of a Woman from Layton Church

Brass Plate of a Woman from Layton Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. Memorial of Mrs. Elizabeth Searles from Acton Church

Memorial of Mrs. Elizabeth Searles from Acton Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. Memorial to John Crayle his wife, Sarah and his two Daughters, Mary and Sarah from Acton Church

Memorial to John Crayle his wife, Sarah and his two Daughters, Mary and Sarah from Acton Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Brass Plate of a Kneeling Man

Brass Plate of a Kneeling Man
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. Memorial to Baldwin Harvey, also to Ralph and Alice Palmer from Chelsea Church

Memorial to Baldwin Harvey, also to Ralph and Alice Palmer from Chelsea Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church

Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Alys Thornton from Greenford Church

Alys Thornton from Greenford Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. Memorial of Mrs. Mary Skippon from Acton Church

Memorial of Mrs. Mary Skippon from Acton Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 7/8 inches (37.1 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. Memorial to Lady Katherine, Viscountess Conway

Memorial to Lady Katherine, Viscountess Conway
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes

Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. Memorial to Francis Musters

Memorial to Francis Musters
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. Brass Plate for John Skevington from Hornsey Church

Brass Plate for John Skevington from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Memorial to Samuel Buckley and Burrage and Elizabeth Angier

Memorial to Samuel Buckley and Burrage and Elizabeth Angier
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 7/8 inches (36.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. Memorial to Samuel and Hannah Towers and Five of their Children

Memorial to Samuel and Hannah Towers and Five of their Children
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

366. Memorial to Mr. Thomas Lant also to Mr. Robert Harington from Hornsey Church

Memorial to Mr. Thomas Lant also to Mr. Robert Harington from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 7/8 inches (36.8 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Portrait of a Man

Portrait of a Man
Creator:
Joseph Wright of Derby, 1734–1797
Date:
ca. 1768
Materials & Techniques:
Black chalk, white chalk and brown chalk on medium, slightly textured, white laid paper
Dimensions:
Sheet: 14 1/2 x 11 1/4 inches (36.8 x 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. No. 5 interior part of the 2nd temple seen from the North Side

No. 5 interior part of the 2nd temple seen from the North Side
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 11/16 x 12 1/16 inches (37.3 x 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

369. Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added

Brucea antidysenterica J. Miller (James Bruce's Tree): finished drawing with stem of fruits added
Creator:
Attributed to James Bruce, 1730–1794
Date:
1769–73
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 × 10 1/2 inches (36.5 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

370. H.M.S. 'Time' in Deptford Dry Dock

H.M.S. 'Time' in Deptford Dry Dock
Creator:
unknown artist
Date:
1815
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink and graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 14 1/2 × 19 inches (36.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

371. Quadrifrontal Arch Tripoli

Quadrifrontal Arch Tripoli
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 19 1/4 inches (36.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga

Architectural Detail of Cornice of Temple at Thignica Modern Ain Tunga
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red pencil on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 20 3/4 inches (36.8 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. Unidentified Ungulate

Unidentified Ungulate
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite; verso: gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 21 1/2 inches (36.8 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. Unidentified Temple Faustana (?)

Unidentified Temple Faustana (?)
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 21 inches (36.8 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. Maxstoke Priory

Maxstoke Priory
Creator:
Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 7/16 x 13 3/4 inches (36.6 x 35 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. Memorial to William Ravenscroft and his wife Margaret, also two children of Mrs. Frances Ball from West Ham Church

Memorial to William Ravenscroft and his wife Margaret, also two children of Mrs. Frances Ball from West Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Monument with Missing Brass Plates of James and Eleanor Walsingham, Chislehurst

Monument with Missing Brass Plates of James and Eleanor Walsingham, Chislehurst
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking

Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/8 × 10 3/4 inches (36.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. Memorial to Richard Billingsley, from Sudbury Church

Memorial to Richard Billingsley, from Sudbury Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 5/8 inches (37.1 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. Brass plate for two Unidentified Clerics, from Barking Church

Brass plate for two Unidentified Clerics, from Barking Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 10 3/4 inches (37.1 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

381. Brass Plate Memorial to John and Maud de Bladigdone, from Wickham Church

Brass Plate Memorial to John and Maud de Bladigdone, from Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

382. Memorial to Mrs. Lucretia Gazeley and her children Sarah Maria, Lucretia, Joseph, Joseph-William, Eliza and Eliza Gazeley, from Hornsey Church

Memorial to Mrs. Lucretia Gazeley and her children Sarah Maria, Lucretia, Joseph, Joseph-William, Eliza and Eliza Gazeley, from Hornsey Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

383. View of Valetta, Malta

View of Valetta, Malta
Creator:
James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Watercolor with touches of red gouache over graphite on slightly textured, thick, heavy wove paper
Dimensions:
Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

384. Botanical Garden/ Regent's Park 10 June 44

Botanical Garden/ Regent's Park 10 June 44
Creator:
unknown artist
Date:
1844
Materials & Techniques:
Graphite and pastel on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 5 1/2 × 8 7/8 inches (14 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

385. Design for a Ceiling

Design for a Ceiling
Creator:
James Wyatt, 1746–1813
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and watercolor; verso: pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 19 7/8 x 13 3/4 inches (50.5 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

386. Interior of Lancaster House

Interior of Lancaster House
Creator:
Sir Richard Westmacott, 1775–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on moderately thick, slightly texture, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 inches (36.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

387. Langley Park, Norfolk: Elevation of the South Front

Langley Park, Norfolk: Elevation of the South Front
Creator:
John Sanderson, active 1730; died 1774
Date:
ca. 1750
Materials & Techniques:
Pen and black, brown and gray ink with gray and brown wash over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 14 11/16 × 21 7/8 inches (37.3 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

388. Headfort House, Ireland: Ceiling of the Front Hall

Headfort House, Ireland: Ceiling of the Front Hall
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black and brown ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 20 inches (36.5 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

389. Headfort House, Ireland: Elevation of the Eating Parlor

Headfort House, Ireland: Elevation of the Eating Parlor
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black ink with gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 25 5/8 inches (36.8 × 65.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

390. Headfort House, Ireland: Section of One End of the Parlor

Headfort House, Ireland: Section of One End of the Parlor
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black ink with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

391. Unidentified Country House: Ground Floor Plan

Unidentified Country House: Ground Floor Plan
Creator:
Attributed to John Sanderson, active 1730; died 1774
Date:
undated
Materials & Techniques:
Pen and black ink with gray and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/8 x 20 3/8 inches (36.5 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

392. A Regency House

A Regency House
Creator:
George Shepheard, ca. 1770–1842
Date:
ca. 1820
Materials & Techniques:
Watercolor over graphite with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 21 inches (37.2 × 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

393. Headfort House, Ireland: Section of One End of the Parlor

Headfort House, Ireland: Section of One End of the Parlor
Creator:
Robert Adam, 1728–1792
Date:
1771
Materials & Techniques:
Pen and black ink with gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 x 20 inches (36.8 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

394. Coaching: The Early Delivery

Coaching: The Early Delivery
Creator:
John Harris, 1811–1865
Date:
1863
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

395. Coaching: The Right Sort

Coaching: The Right Sort
Creator:
John Harris, 1811–1865
Date:
1863
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

396. Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'

Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
Creator:
Peter Simon, 1750–1810
Date:
1789
Materials & Techniques:
Colored stipple engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/8 × 19 7/8 inches (42.9 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

397. Jacob Bates / The Famous English Horse Rider

Jacob Bates / The Famous English Horse Rider
Creator:
Georg Paul Nusbiegel, 1713–1776
Date:
1766
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 3/8 x 18 3/4in. (36.5 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

398. Partridge Shooting

Partridge Shooting
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1822
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/4 x 20 7/8 inches (37.4 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

399. Engraved Key Plate: The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the distance

Engraved Key Plate: The Caledonian Coursing Meeting near the Castle of Ardrossan, the Isle of Arran in the distance
Creator:
Identifying sitters in a painting by Richard Ansdell, 1815–1885
Date:
1846
Materials & Techniques:
Engraving
Dimensions:
Sheet: 7 1/2 x 15in. (19.1 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

400. Palm

Palm
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1789
Materials & Techniques:
Soft-ground etching and aquatint on moderately thick, slightly textured, beige wove paper mounted on contemporary moderately thick, slightly textured, beige wove paper with soft-ground etched border
Dimensions:
Mount: 14 3/8 × 21 1/4 inches (36.5 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund