Height [cm]: 35 - YCBA Collections Search Search Results

1. July 15 1949 (St Ives harbour)

Creator:: Ben Nicholson, 1894–1982
Date:: 1949
Materials & Techniques:: Oil and pencil on canvas
Dimensions:: 13 7/8 x 15 7/8 inches (35.2 x 40.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Fanny Eaton (née Antwistle or Entwistle)

Creator:: Joanna Mary Wells (née Boyce), 1831–1861
Date:: 1861
Materials & Techniques:: Oil on paper laid to linen
Dimensions:: 6 3/4 x 5 3/8 inches (17.1 x 13.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

3. The Governess

Creator:: Emily Mary Osborn, 1828–1925
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 x 11 1/2 inches (34.9 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

4. Landscape study at sunset

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1835
Materials & Techniques:: Oil on paper on board
Dimensions:: 13 5/8 × 19 1/4 inches (34.6 × 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

5. Colonel Alexander Popham, of Littlecote, Wiltshire

Creator:: Abraham Staphorst, ca. 1638–1696
Date:: between 1660 and 1665
Materials & Techniques:: Oil on panel
Dimensions:: 13 3/4 × 10 5/8 inches (34.9 × 27 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Young Woman Holding a Cat

Creator:: Gwen John, 1876–1939
Date:: ca. 1920
Materials & Techniques:: Oil and graphite on canvas
Dimensions:: 13 3/4 × 10 1/2 inches (34.9 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Transformation of Red

Creator:: John Tunnard, 1900–1971
Date:: 1939
Materials & Techniques:: Oil on panel
Dimensions:: 13 3/4 x 26 inches (34.9 x 66 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

8. A Barge with a Wounded Soldier

Creator:: John Crome, 1768–1821
Date:: early 19th century
Materials & Techniques:: Oil on canvas (transferred from panel)
Dimensions:: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Vegetable Seller, Covent Garden

Creator:: Pieter Angillis, 1685–1734
Date:: ca. 1726
Materials & Techniques:: Oil on panel
Dimensions:: 13 5/8 x 10 5/8 inches (34.6 x 27 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Elizabeth Bridgman (née Walton)

Creator:: Henry Walton, 1746–1813
Date:: between 1771 and 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 13 5/8 x 11 5/8 inches (34.6 x 29.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

Creator:: James Pollard, 1792–1867
Date:: 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 17 1/2 inches (34.9 × 44.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Guisborough Priory

Creator:: Thomas Girtin, 1775–1802
Date:: between 1800 and 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 x 19 3/4 inches (34.9 x 50.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

13. The Liberation of St Peter

Creator:: Hendrick van Steenwyck the Younger, ca. 1580–1649
Date:: 1617
Materials & Techniques:: Oil on copper
Dimensions:: 13 3/4 × 16 1/8 inches (34.9 × 41 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

14. Augustus Wall Callcott, R.A.

Creator:: John Linnell, 1792–1882
Date:: 1847
Materials & Techniques:: Oil on panel
Dimensions:: 13 3/4 x 11 inches (34.9 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Hilly Landscape in India

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 18 1/4 inches (34.9 × 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Indian Landscape with Temple Ruins

Creator:: Thomas Daniell, 1749–1840
Date:: 1820
Materials & Techniques:: Oil on canvas
Dimensions:: 13 3/4 × 18 1/4 inches (34.9 × 46.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Horse Studies in Relief, after George Stubbs

Creator:: Edward Burch, 1730–1814
Date:: modeled 1788–1789
Materials & Techniques:: Wedgwood
Dimensions:: Overall: 13 3/4 × 18 3/4 × 1 1/4 inches (34.9 × 47.6 × 3.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Helmet Head, No. 3

Creator:: Henry Moore, 1898–1986
Date:: 1960
Materials & Techniques:: Bronze
Dimensions:: Overall: 13 7/8 x 12 x 12 inches (35.2 x 30.5 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Woman Ironing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1895
Materials & Techniques:: Black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 10 inches (34.9 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Elizabeth S. Tower

20. Sale at Ward's Repository, No. 2

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Crayon, graphite, and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 17 inches (34.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Timber Hauling

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 11/16 x 17 inches (34.8 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The Horse Mart (with further sketches in the margin)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 15 inches (34.6 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Horse Mart

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1917
Materials & Techniques:: Black chalk and charcoal on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 17 1/16 inches (34.9 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A Sussex Barn

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor and black chalk on medium, smooth, cream wove paper mounted on card
Dimensions:: Sheet: 13 7/8 x 18 5/8 inches (35.2 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

25. A Cottage

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 17 inches (34.9 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

26. Study of a Woman Sewing

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor, gouache and black chalk on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 13 11/16 × 17 inches (34.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

27. Wooded Slope with a Receding Road

Creator:: John Constable, 1776–1837
Date:: ca. 1805
Materials & Techniques:: Black chalk and white chalk with stumping on medium, rough, beige laid paper
Dimensions:: Sheet: 13 5/8 x 20 1/8 inches (34.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Graphite and red chalk; verso: graphite on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 x 20 3/4 inches (35.2 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

32. La Cava, 19 July 1838

Creator:: Edward Lear, 1812–1888
Date:: 1838
Materials & Techniques:: Graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 13 15/16 x 10 inches (35.4 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

33. Corfu

Creator:: Edward Lear, 1812–1888
Date:: 1857
Materials & Techniques:: Pen and brown ink and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 19 7/8 inches (35.2 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

34. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink, pen and black ink and graphite on moderately thick, rough, beige wove paper
Dimensions:: Sheet: 13 3/4 × 20 1/8 inches (34.9 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Three Young Witches

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 x 17 1/2 inches (34.6 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938

36. Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Title Page, Visions of the Daughters of Albion (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. "But when the morn arose, her lamentation renewd..." (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. "And none but Bromian can hear my lamentations..." (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Earth (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Air (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Aged Ignorance (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. "Does thy God O Priest take such vengeance as this?" (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. "Fear & hope are -- Vision" (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Water (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. "My son! my Son!" (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "I want! I want!" (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "Help! Help!" (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Death's Door (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "The Traveller hasteth in the Evening" (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "He meets his Saviour in the Grave..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Fire (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "At length for hatching ripe he breaks the shell" (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Alas! (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "To The Accuser who is The God of This World..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

Creator:: Prints made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Volume of 11 relief etchings printed in green ink, with hand coloring in watercolor
Dimensions:: Spine: 14in. (35.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. For the Sexes: The Gates of Paradise, London, 1826

Creator:: Prints made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Bound volume of twenty engravings
Dimensions:: Spine: 13 3/4in. (34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Chaucer's Canterbury Pilgrims

Creator:: Print made by William Blake, 1757–1827
Date:: 1810 to 1820
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 3/4 x 37 5/8in. (34.9 x 95.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Frontispiece, "What is Man!" (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. "I found him beneath a Tree" (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Larici

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1782
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 15/16 × 19 3/8 inches (35.4 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Hermitage Near Albano

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: 1782
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Mount: 13 7/8 × 19 5/16 inches (35.2 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Front View of a Vessel with Masts

Creator:: Cornelius Varley, 1781–1873
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 3/4 x 8 7/8 inches (34.9 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Sasso di Pelmo as seen from St. Luzia, Tyrol

Creator:: Elijah Walton, 1832–1880
Date:: 1866
Materials & Techniques:: Watercolor, gouache, and graphite on very thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Hypatia Teaching at Alexandria

Creator:: Robert Trewick Bone, 1790–1840
Date:: undated
Materials & Techniques:: Watercolor and brown ink on medium, moderately textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Mount: 13 3/4 × 19 13/16 inches (34.9 × 50.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Design for the Interior of a Room

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, pen and brown and black ink, watercolor within multiple-ruled pen and brown ink border on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 × 19 inches (34.7 × 48.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Ilos, Lycia

Creator:: William James Muller, 1812–1845
Date:: ca. 1843
Materials & Techniques:: Watercolor and gouache, over graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 13 3/4 × 20 3/4 inches (34.9 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Cobham Hall, Kent: Ceiling Decoration

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 11/16 × 20 9/16 inches (34.8 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Cobham Hall, Kent: Plan of Staircase

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Cobham Hall, Kent: Plan of Parlor Floor

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 20 3/4 inches (34.9 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Cluny Castle, Aberdeenshire, Scotland: Perspective

Creator:: William Wilkins, 1778–1839
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/4 × 18 1/2 inches (34.9 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Album of 30 Views in the Tyrol and Italy: Between Brixen and Klausen - Tyrol, 27th Oct.r 1840

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Album of 30 Views in the Tyrol and Italy: Castles of Wafenstein [?], Sprechenstein and Reifenstein some miles from the Brenner, 27th Oct.r 1840

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1840
Materials & Techniques:: Pen/brush and black ink over graphite on wove paper
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Album of 30 Views in the Tyrol and Italy: Castle of Salurn near the Town

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Album of 30 Views in the Tyrol and Italy: Fortress of Trostburg near the town of Kollman. Tyrol. 28th Oct.r 1840

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Album of 30 Views in the Tyrol and Italy: View on the Eisak near Mittenwald, 27th Oct.r 1840

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen/brush and black ink over graphite on wove paper
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Lowther House, Westmorland: Elevation of the Court Front

Creator:: Colen Campbell, 1676–1729
Date:: between 1718 and 1729
Materials & Techniques:: Graphite, pen and black ink, gray wash, within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Album of 30 Views in the Tyrol and Italy: The Ruins of the Nunnery of Seben near Klausen, 27th Oct.r 1840

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Lowther House, Westmorland: Elevation of the Garden Front

Creator:: Colen Campbell, 1676–1729
Date:: between 1718 and 1729
Materials & Techniques:: Graphite, pen and wash within triple-ruled border on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 20 13/16 inches (35.2 x 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Album of 30 Views in the Tyrol and Italy: City of Verona and Church of San Giorgia looking to the left on the Bridge, 1st Nov.r 1840

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Album of 30 Views in the Tyrol and Italy: Entrance to the Barqello, Florence 1st. May 1842

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Album of 30 Views in the Tyrol and Italy: Terrace, Casino Pecori 24th Oct.er 1841

Creator:: Sir Charles D'Oyly, 1781–1845
Materials & Techniques:: Pen and black ink, and graphite
Dimensions:: Sheet: 13 5/8 x 20 3/4in. (34.6 x 52.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A Design of Masks

Creator:: Francois Boitard, ca. 1670–1715
Date:: 1710
Materials & Techniques:: Pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 20 13/16 inches (37.1 × 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Wood Cutters

Creator:: John James Chalon, 1778–1854
Date:: undated
Materials & Techniques:: Brown and gray wash, gouache, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 13/16 × 17 9/16 inches (35.1 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Sheet of Figure Studies after Brangwyn

Creator:: Print made by Yoshijiro Urushibara, Japanese, 1888–1953
Date:: 1940
Materials & Techniques:: Woodcut on thin, smooth, cream wove paper
Dimensions:: Sheet: 13 5/8 × 11 inches (34.6 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

90. The Road to East Grinstead

Creator:: John James Barralet, 1747–1815
Date:: Undated
Materials & Techniques:: Pen and ink and watercolor on medium, moderately textured, cream laid paper laid down on rough, cream laid paper
Dimensions:: Sheet: 13 11/16 x 22 5/8 inches (34.8 x 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. South East View of the Gate of St. Augustine's Monastery, Canterbury, Kent

Creator:: Benjamin Thomas Pouncey, active 1772–1799
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, with gouache, over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 x 19in. (34.9 x 48.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Ionic Temple Ptolmeta

Creator:: James Bruce, 1730–1794
Date:: ca. 1769
Materials & Techniques:: Gray wash, pen and black ink, and graphite on moderately textured, thick, cream laid paper
Dimensions:: Sheet: 13 11/16 × 17 3/8 inches (34.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Carlton House, Pall Mall, London: Section of the Portico, Hall and Tribune

Creator:: Henry Holland, 1745–1806
Date:: ca. 1787
Materials & Techniques:: Watercolor over pen and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 15/16 x 28 1/4 inches (35.4 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. The Reflection: Grotesque Fat man Looking in a Hand Mirror

Creator:: Imitator of James Gillray, 1756–1815
Date:: undated
Materials & Techniques:: Graphite and pen and black ink; verso: black chalk on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 13 3/4 x 10 5/8in. (34.9 x 27cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Study of a Girl with Two Children at a Stile

Creator:: George Holmes, active 1789–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 7/8 × 9 7/8 inches (35.2 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

96. Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York

Creator:: Attributed to Thomas Harrison, 1744–1829
Date:: ca. 1780-1790
Materials & Techniques:: Pen and black ink, gray wash, and graphite on smooth, medium, cream laid paper
Dimensions:: Sheet: 13 11/16 × 9 5/8 inches (34.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. A Bedouin Encampment; or, Bedouin Arabs

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1841 and 1851
Materials & Techniques:: Watercolor, white gouache and graphite with scratching out on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 3/4 x 20 3/8 inches (34.9 x 51.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. View Near the Mill Looking Toward Licenza: Horace's Villa on the Left

Creator:: Jacob More, 1740–1793
Date:: 1783
Materials & Techniques:: Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Plymouth Dockyard after the Fire

Creator:: William Callow, 1812–1908
Date:: 1840
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gouache and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 20 7/16 inches (34.8 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Head of a Man

Creator:: John Russell, 1745–1806
Date:: between 1775 and 1806
Materials & Techniques:: Pastel on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 10 3/4 inches (35.2 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert H. Wexler, Yale 1950, in honor of Jerrold A. Wexler, Yale 1953

YCBA Collections Search

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Height [cm] 35

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1. July 15 1949 (St Ives harbour)

2. Fanny Eaton (née Antwistle or Entwistle)

3. The Governess

4. Landscape study at sunset

5. Colonel Alexander Popham, of Littlecote, Wiltshire

6. Young Woman Holding a Cat

7. Transformation of Red

8. A Barge with a Wounded Soldier

9. Vegetable Seller, Covent Garden

10. Elizabeth Bridgman (née Walton)

11. The London-Manchester Stage Coach, “the Peveril of the Peak,” outside the Peacock Inn, Islington

12. Guisborough Priory

13. The Liberation of St Peter

14. Augustus Wall Callcott, R.A.

15. Hilly Landscape in India

16. Indian Landscape with Temple Ruins

17. Horse Studies in Relief, after George Stubbs

18. Helmet Head, No. 3

19. Woman Ironing

20. Sale at Ward's Repository, No. 2

21. Timber Hauling

22. The Horse Mart (with further sketches in the margin)

23. The Horse Mart

24. A Sussex Barn

25. A Cottage

26. Study of a Woman Sewing

27. Wooded Slope with a Receding Road

28. Ivy Cottage, Shoreham

29. Tiger Body, Lateral View

30. Tygers at Play

31. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

32. La Cava, 19 July 1838

33. Corfu

34. Abu Simbel, 11-11:30 am, 8 February 1867 (374)

35. Three Young Witches

36. Frontispiece (Plate 1)

37. Title Page, Visions of the Daughters of Albion (Plate 2)

38. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

39. "But when the morn arose, her lamentation renewd..." (Plate 8)

40. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

41. "And none but Bromian can hear my lamentations..." (Plate 6)

42. Earth (Plate 5)

43. Air (Plate 6)

44. Aged Ignorance (Plate 13)

45. "Does thy God O Priest take such vengeance as this?" (Plate 14)

46. "Fear & hope are -- Vision" (Plate 15)

47. Water (Plate 4)

48. For the Sexes: The Gates of Paradise, Title Page (Plate 1)

49. "My son! my Son!" (Plate 10)

50. "I want! I want!" (Plate 11)

51. "Help! Help!" (Plate 12)

52. Death's Door (Plate 17)

53. "The Traveller hasteth in the Evening" (Plate 16)

54. "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

55. "He meets his Saviour in the Grave..." (Plate 20)

56. Fire (Plate 7)

57. "At length for hatching ripe he breaks the shell" (Plate 8)

58. Alas! (Plate 9)

59. "To The Accuser who is The God of This World..." (Plate 19)

60. Visions of the Daughters of Albion: The Eye Sees More than the Heart Knows

61. For the Sexes: The Gates of Paradise, London, 1826

62. Chaucer's Canterbury Pilgrims

63. Frontispiece, "What is Man!" (Plate 2)

64. "I found him beneath a Tree" (Plate 3)

65. Larici

66. Hermitage Near Albano

67. Front View of a Vessel with Masts

68. Sasso di Pelmo as seen from St. Luzia, Tyrol

69. Hypatia Teaching at Alexandria

70. Design for the Interior of a Room

71. Ilos, Lycia

72. Cobham Hall, Kent: Ceiling Decoration

73. Cobham Hall, Kent: Plan of Staircase

74. Cobham Hall, Kent: Plan of Parlor Floor

75. Cluny Castle, Aberdeenshire, Scotland: Perspective