Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
4
Print made by William Blake, 1757–1827
Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)
1794
5
Print made by William Blake, 1757–1827
Urizen Swims through Dark Waters (Plate 5)
1794
6
Print made by William Blake, 1757–1827
Chapter IV, "From the caverns of his jointed spine..." (Plate 10)
1794
7
Print made by William Blake, 1757–1827
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)
1794
8
Print made by William Blake, 1757–1827
Praying Child and Howling Dog (Plate 24)
1794
9
Print made by William Blake, 1757–1827
Title Page, The First Book of Urizen (Plate 1)
1794
10
Print made by William Blake, 1757–1827
Chapter II, "Muster around the bleak desarts..." (Plate 4)
1794
11
Print made by William Blake, 1757–1827
Preludium. "Of the primeval Priests assum'd power..." (Plate 2b)
1794
12
Print made by William Blake, 1757–1827
Chapter III, "As the stars are apart from the earth..." (Plate 7)
1794
13
Print made by William Blake, 1757–1827
Fettered Urizen Weeping (Plate 12)
1794
14
Print made by William Blake, 1757–1827
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)
1794
15
Print made by William Blake, 1757–1827
"They call'd her Pity, and fled..." (Plate 17)
1794
16
Print made by William Blake, 1757–1827
From a Globe of Blood Rises Enitharmon (Plate 16)
1794
17
Print made by William Blake, 1757–1827
Los with the child Orc and Enitharmon (Plate 18)
1794
18
Print made by William Blake, 1757–1827
Urizen (Plate 21)
1794
19
Print made by William Blake, 1757–1827
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)
1794
20
Print made by William Blake, 1757–1827
Urizen (Plate 22)
1794
21
Print made by William Blake, 1757–1827
"The Ox in the slaughter house moans..." (Plate 23)
1794
22
Print made by William Blake, 1757–1827
"In living creations appear'd..." (Plate 6)
1794
23
Print made by William Blake, 1757–1827
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)
1794
24
Print made by William Blake, 1757–1827
Chapter IV, "Ages on ages roll'd over him..." (Plate 9)
1794
25
Print made by William Blake, 1757–1827
Urizen (Plate 8)
1794
26
Print made by William Blake, 1757–1827
Urizen (Plate 14)
1794
27
Print made by William Blake, 1757–1827
Chapter V, "The globe of life blood trembled..." (Plate 15)
1794
28
Print made by William Blake, 1757–1827
Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)
1794
29
Print made by William Blake, 1757–1827
Chapter IX, "They lived a period of years..." (Plate 25)
1794
30
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1833
31
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
32
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
33
Print made by Edward Goodall, 1795–1870
Carlisle
1834
34
Print made by John Pye, 1782–1874
Junction of the Greta and the Tees
1834
35
William Hamilton, 1751–1801
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
36
Edward Burne-Jones, 1833–1898
Study for The Wedding Feast of Sir Degrevaunt
undated
37
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
38
Print made by Edward Fisher, 1722–1785
Edwin
1776
39
Print made by Charles Ansell, ca.1752–active 1790
Hamlet
1809
40
Robert Smirke, 1752–1845
Virgilia and Volumnia Plead with Coriolanus
ca. 1795
41
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
42
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
43
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
44
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
45
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
46
Samuel Howitt, 1756–1822
Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
47
Samuel Howitt, 1756–1822
The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"
1807
48
Print made by Dame Elisabeth Frink, 1930–1993
The Miller's Tale I
1974
49
Print made by Dame Elisabeth Frink, 1930–1993
The Miller's Tale II
1974
50
Mary Hoare, 1744–1820
The Three Witches from Macbeth: Though the Bark Cannot be Lost..