Height [cm]: 27 - YCBA Collections Search Search Results

Print made by Guillaume Sulpice Chevalier, 1804–1866

Intemperance

undated

unknown artist

Duke's Place

1793

unknown artist

George Court, Strand

1898

John Bluck, active 1791–1831

Encouragement of Arts &c, Adelphi

1809

unknown artist

The Remains of H.R.H. the Duke of York Lying in State

1827

unknown artist

Handbill of Bermondsey Spa Gardens

1789

Thomas Bowles III, ca. 1712–1767

Royal Hospital

1751

Henry Roberts, ca. 1710–1790

A View of the Royal Hospital at Chelsea and the Rotunda in Ranelagh Gardens

undated

unknown artist

A View of the Garden of the Earl of Burlington at Chiswick

ca. 1753

Print made by unknown artist

The Cascade and West Front of Chiswick House

ca. 1753

Print made by unknown artist

Back of the Cassina and Part of the Serpentine River of Chiswick House

ca. 1753

Alfred Louis Sargent, 1828–active 1878

Sir Paul Pindar's House, Bishopsgate

1878

Print made by unknown artist

A View of the Three Walks in the Garden of Chiswick House

ca. 1753

unknown artist

Tudor House in Country

undated

William Westall, 1781–1850

Mortlake

1823

unknown artist

A Ground Plan of Bermondsey Abbey

1822

Bartholomew Howlett, 1767–1827

North Front of Bedford House, Bloomsbury Square

1822

George Vertue, 1684–1756

King Henry VI

1732

Thomas Major, 1714–1799

The Royal Palace of Windsor

1745

Eduard Strohling, 1768–after 1826

Bacchus and Ariadne

Print made by William Walcot, 1874–1943

Forty-second Street, New York

1923

Francesco Bartolozzi, 1728–1815

Cupid and Psyche

1789

Francesco Bartolozzi, 1728–1815

Love Caressed

1783

Francesco Bartolozzi, 1728–1815

Love and Fortune

1789

Henry Heath, active 1824–1835

Ominum Gatherum, Second Series, No. 3

undated

Henry Heath, active 1824–1835

Omnium Gatherum, No. 7

undated

Henry Heath, active 1824–1835

Ominum Gatherum, Second Series, No. 5

1831

Print made by Francesco Bartolozzi, 1728–1815

Francisco Vieira

undated

Print made by Amedeo Gabrielli, 1749–1817

Griselda Returning to her Father

after 1785

Print made by Francesco Bartolozzi, 1728–1815

The Death of Cora

1788

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There's Rue for You, and Here's Some for Me

1784

Print made by Francesco Bartolozzi, 1728–1815

Medallions of F. Hutcheson and L. Natter

1780

Print made by R. F. Cahusac, active 1830

Athenaeum

1830

Isaac Cruikshank, 1764–1811

A Recent Escape

1795

Capt. Francis Grose, 1731–1791

Mr. Grose's House at Wandsworth

1767

Louisa Augusta Greville, 1743–active 1762

Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance

1770

Print made by Matthew Darly, active 1754–1778

Hats

1773

James Sayer, 1748–1823

Eloquence founded on Chemical Principles

1787

Annibal Scratch, active 1791

Master Billy's Hobby-Horse, or his Triumphal entry into Downing Street (from: Caricature, vol. 5)

1784

John Cawse, 1779–1862

The Compliments of the Season

1800

John Doyle ('H.B.'), 1797–1868

Breaking up for the Vacation

1840

Sir Robert Ker Porter, 1777–1842

Caernarvon Castle

undated

Attributed to Gangaram Chintaman Tambat, active 1790s

Musical Instruments

undated

unknown artist

A Batch of Peers

1792

Richard Newton, 1777–1798

The Duke of Brunswick Attacking the Rear of the Sans Culottes

1792

Richard Newton, 1777–1798

Friar Bacon and His Brazen Head

1794

unknown artist

The Argus of the Constitution

1792

Richard Newton, 1777–1798

Prussian Bobadils, Returning to Berlin!!!!!!!

1792

unknown artist

The Benediction of St. Patrick!!

1801

Matthew Darly, active 1754–1778

Elevation of the Mansion House, London

Matthew Darly, active 1754–1778

Plan of the Mansion House, London

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

1813

Robert Havell, 1769–1832

Crofton

1813

Print made by Henry Le Keux, 1787–1868

St. Herbert's Chapel

1834

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

Print made by William Miller, 1796–1882

Dryburgh Abbey

1834

Print made by James Tibbits Willmore, 1800–1863

Bedford, Bedfordshire

1831

Print made by W. R. Smith, active 1819–1851

Tynemouth, Northumberland

1831

Print made by William Bernard Cooke, 1778–1855

Plymouth, Devonshire

1832

Print made by Thomas Goff Lupton, 1791–1873

Dartmouth Castle, on the River Dart

1823 to 1827

Print made by William Richardson, active 1842–1877

Crossing the Brook

between 1859 and 1861

Print made by William Daniell, 1769–1837

Thomas Banks, R.A

1809

Print made by William Daniell, 1769–1837

Richard Cosway, R.A

1811

Print made by William Daniell, 1769–1837

Edmund Garvey, R.A

between 1802 and 1814

Thomas Rowlandson, 1756–1827

Heads: Fancynina

1800

Thomas Rowlandson, 1756–1827

Heads: Barberorum

1800

Print made by William Daniell, 1769–1837

Thomas Hardwick

between 1802 and 1814

Thomas Rowlandson, 1756–1827

Heads: Epicurum

1800

Thomas Rowlandson, 1756–1827

Heads: Publicorum

1800

Thomas Rowlandson, 1756–1827

Heads: Allegora

1800

Thomas Rowlandson, 1756–1827

Heads: Physicorum

1800

Print made by William Daniell, 1769–1837

John Hoppner, R.A

1810

Thomas Rowlandson, 1756–1827

Heads: Virginia

1800

Thomas Rowlandson, 1756–1827

Heads: Penserosa

1800

Thomas Rowlandson, 1756–1827

Heads: Hazardorum

1800

Thomas Rowlandson, 1756–1827

Heads: Billingsgatina

1800

Thomas Rowlandson, 1756–1827

Heads: Battleorum

1800

Thomas Rowlandson, 1756–1827

Heads: Nunina

1800

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Print made by Austin, Robert, 1895-1973, 1895–1973

Before Mass

1926

John Hall Thorpe, 1874–1947

Forget-Me-Nots

1922

John Hall Thorpe, 1874–1947

Cowslips

1922

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745